Latest news with #Fusee
Yahoo
19-05-2025
- Entertainment
- Yahoo
Canada's Peterson Polaris Boards ‘What's Left Of Us' From Filipino-American Filmmaker Tyrone Acierto
EXCLUSIVE: Calgary-based Peterson Polaris Corp has come on board dystopian action horror feature What's Left Of Us, directed by Filipino-American filmmaker Tyrone Acierto, alongside the Philippines' Fusee and Acierto's CineBandits. The project recently received the TAICCA Focus Asia Co-production Award at the Far East Film Festival's All Genres Project Market in Udine, Italy. More from Deadline Arjo Atayde Talks Reinventing Philippines Action Cinema In MMFF Release 'Triggered' John Oliver Delivers The "Hot Take" WBD Was Expecting On HBO Max's Rebrand, Comparing It To Gulf Name Change: "F-- You, Don't Tell Me What To Do" 'American Idol' Crowns Season 23 Winner On ABC Set to be filmed in the Philippines with an international cast, the story follows a family struggling to survive in a world haunted by a memory-erasing infection, where the fight for survival becomes a battle for identity, truth and the remnants of history. Acierto, whose work often explores identity, survival and socio-political themes, has previously directed two features, The Grave Bandits and Watch Me Kill, and founded CineBandits to focus on genre-driven stories rooted in Southeast Asian narratives. Peterson Polaris Corp is headed by award-winning producer and director Michael Peterson, whose credits include Bloodthirsty, which closed Fantastic Fest in 2020, and Harpoon (2019), which premiered at Rotterdam and was named one of the top horror films of the decade by Rotten Tomatoes. His upcoming projects include Rob Grant's This Too Shall Pass and Lowell Dean's Dark Match. As a director, Peterson's credits include Lloyd The Conqueror, Knuckleball and exorcist horror Shadow Of God, picked up by Shudder this year. In 2022, he was nominated for the CMPA Indiescreen Established Producer Award. What's Left Of Us is produced by Wilfredo Manalang, founder of Manila-based production outfit Fusee, known for bridging North American and Asian markets. The company's recent projects include Cannes Un Certain Regard 2022 selection Plan 75, directed by Chie Hayakawa, whose second film Renoir is premiering here in Cannes competition; Duong Dieu Linh's Don't Cry Butterfly, which premiered in Venice Critics' Week, and Richard V. Somes' action feature Topakk, which premiered at Locarno. 'Tyrone and Will have created a rich action-horror script that we are proud to be involved with,' said Peterson. 'Bringing the creative teams from both Canada and the Philippines is something we have been exploring for a few years, and this is the project that can showcase the creative power this collaboration can conjure and create movies that will attract global audiences.' Acierto said: 'I'm beyond thrilled that Peterson Polaris Inc is coming on board as part of the producing team for What's Left Of Us. Their support means the world to us, and having partners who truly believe in the vision makes this journey even more powerful. We can't wait to bring this story to life together.' 'What's Left Of Us is a deeply personal and timely project for us,' said Manalang. 'It's a dystopian reimagining of the search for truth in an age when reality itself feels increasingly unstable. In a world overwhelmed by disinformation and blurred narratives, memory, identity and even history are constantly under siege. Though the film lives in a speculative space, it is a powerful reflection of the anxieties we face today. We are incredibly proud to be telling this story alongside our visionary collaborators at CineBandits and Peterson Polaris.' Fusee managing director George Sommerrock emphasized the significance of expanding Canadian-Philippine film partnerships: 'After our recent positive experience with Le Foyer Films, a Montreal-based production company, on the yet to be released film Elsewhere At Night by Marianne Métivier, we are thrilled to have found another Canadian company to produce with. 'Since Fusee has been working closely now with North America and Asia, it makes sense for us to bridge our efforts to ensure a wider audience for the projects in our pipeline.' Best of Deadline Denzel Washington's Career In Pictures: From 'Carbon Copy' To 'The Equalizer 3' 2025 TV Series Renewals: Photo Gallery Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds
Korea Herald
25-03-2025
- Entertainment
- Korea Herald
Atelier K-pop conference explores future of K-pop and global collaborations
The Atelier K-pop Conference, held at the French Embassy in Seoul Monday, gathered music industry professionals from South Korea and France to explore the future of K-pop and the evolving global collaboration strategies of the music industry. The event was part of a larger music initiative, running until Saturday, co-organized by the French Embassy, the National Centre for Music (CNM), JYP Publishing and other key K-pop companies, including LEEWAY Music & Media. Under the theme of "Bridging Cultures, Shaping Futures," the conference aimed to delve into the influence of K-pop and the potential for collaboration between South Korea and France. Notable figures such as Leslie Dubest, CEO of Un Plan Simple, Sim Eun-jee, CEO of JYP Publishing, Chung Hyo-won, CEO of Amplified Corporation and French singer-songwriter Poppy Fusee shared their insights during a panel discussion. Dubest discussed K-pop's groundbreaking approach and how it's influencing global music. 'K-pop is special. It's not just about music — it's about creating a complete experience that inspires artists worldwide. The way K-pop has integrated artificial intelligence and new technologies, it is redefining how music can be consumed and how artists can evolve,' Dubest said. Fusee, visiting South Korea for the first time, shared her journey in music and reflected on K-pop's unique appeal. 'K-pop is a world of its own. It's not just music; it's an entire culture. I admire how it tells stories and engages with fans in such a profound way. For me, moving from French to English songwriting was a way to reach a global audience, and that's something K-pop does effortlessly,' Fusee explained. Sim of JYP Publishing discussed the unique aspects of K-pop production. 'K-pop is unlike anything else. It's not just about catchy songs. It's about creating narratives that resonate deeply with fans. Fans follow the storylines through each album and are fully immersed in the artist's journey. The details we put into our music, from concept to choreography, create a bond that keeps fans loyal,' Sim shared. Amplified Corpration's Chung pointed out the global success of K-pop acts like BTS and Ateez. 'The success of K-pop in Western markets shows the power of collaboration. Groups like BTS and Ateez have built massive fanbases, not only in Korea but worldwide. Their music resonates across borders, which is a huge testament to the universal appeal of K-pop,' Chung said. The event also focused on the growing trend of cross-border collaborations, as seen in the increasing number of K-pop partnerships with international artists. Fusee shared her thoughts on the changing landscape of the French music industry. 'In France, it's not always easy to sing in a foreign language as it will not do well in the French market. But with K-pop's rise, we're seeing more French artists willing to step outside their comfort zone and experiment with different languages. It's exciting to see how K-pop has opened doors for cross-cultural music collaborations.' As part of the ongoing program, French songwriters such as Fusee, Jean-Noel, Robin and Ugo will stay in Seoul for a week, collaborating with South Korean producers and songwriters. The collaboration will culminate in a songwriting camp featuring JYP Publishing and renowned Korean composer Kim Hyung-suk, aimed at producing music tailored to the K-pop market. The 'Atelier K-pop' event marks a significant step toward fostering deeper artistic exchanges between France and South Korea, setting the stage for new creative collaborations that could shape the future of global music. As Sim put it, 'The potential for cross-cultural music collaborations is limitless, and we are just scratching the surface.'
