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If you're going on a getaway soon, here are a few stylish travel must-haves
If you're going on a getaway soon, here are a few stylish travel must-haves

The Star

time15 hours ago

  • Lifestyle
  • The Star

If you're going on a getaway soon, here are a few stylish travel must-haves

This Coffa Capri bag is perfect for those who love boho-chic style. Photo: Dolce & Gabbana Whether you're planning a short getaway or an extended break, you can turn your key travel pieces into stylish ones. Check out these accessories to accompany you on your vacation, either in the country or abroad. For starters, choose a sturdy luggage to pack everything you will need – clothes, toiletries and more. Rimowa is renowned for its suitcases and travel bags, and they even have offerings for kids. The Essential Lite Cabin U Kids Edition is a suitcase collection specifically created for young explorers, available in two vibrant colours, Starfish (orange) and Scuba (blue). Read more: Fashion collections bring back iconic designs, proving nostalgia sells For chilly temperatures and freezing airports, you can't go wrong with a warm scarf. Burberry's reversible check cashmere scarf is a must-have fashion staple that will keep you warm in style. If you're going to be walking a lot on your trip, you'll want comfortable footwear to get you through the day. Longchamp's Le Roseau ballerinas, crafted in glace lambskin, showcase a sleek, contemporary design. For sunny days during a beach vacation, choose Dolce & Gabbana's Coffa Capri bag, a beautiful tribute to Mediterranean craftsmanship. Embellished with pom poms, rosettes and bezels, this multi-coloured piece has corn handles and a removable and adjustable leather shoulder strap. Read more: Can't get your hands on a Birkin? Here's your chance to own THE original Birkin Rustic and unique, it's the perfect choice for those who love boho-chic style. To keep yourself warm, there is the Hot Wheels x Maje oversized embroidered denim jacket. Inspired by the world of racing and featuring embroidered patches on the front, the jacket is a sporty take on a feminine silhouette that will complement any look. Finally, to keep all your cards and cash neatly tucked away, have a look at Ferragamo's Gancini continental wallet. A large piece adorned with a gold-tone Gancini buckle, it's the ideal accessory to keep everything organised during your trip.

Ferragamo's Soft Bag Lands in Cairo
Ferragamo's Soft Bag Lands in Cairo

CairoScene

time2 days ago

  • Entertainment
  • CairoScene

Ferragamo's Soft Bag Lands in Cairo

Ferragamo's Soft Bag Lands in Cairo Now available in Cairo, Ferragamo's Soft Bag brings curved volume, crafted leather, and design fluency to Egypt's fashion set. Ferragamo's Soft Bag - fresh off its global Spring/Summer 2025 campaign, 'The Birth of a Crush' - has arrived in Egypt, available at Ferragamo First Mall, the Downtown Katameya Mall flagship, and online via Sculpted from semi-glossy nappa leather and velvety suede, the Soft Bag balances curve, volume, and control. Pleated sides add depth. A single metal piercing detail draws the eye, reinforcing the form without interrupting the flow. Reimagined by Creative Director Maximilian Davis from an archival silhouette, the bag carries the imprint of Ferragamo's legacy through a thoroughly modern lens. Designed in three sizes, it adapts fluidly, complete with foldaway double handles and a detachable shoulder strap. Color options speak to seasonal confidence: black, brick, and concrete. Each shade works as a quiet signature, designed to move easily through long days, soft evenings, and everything in between. The materials do the storytelling. Every texture - whether smooth, matte, or velvet-finished - reflects the house's commitment to Italian craftsmanship at its most intimate and precise. Alongside the Soft Bag, Cairo boutiques are carrying the brand's signature pieces, from Gancini loafers and Hug bags to reversible belts, silk scarves, and fine accessories. The arrival of the Soft Bag also expands Ferragamo's footprint in Egypt. With dedicated spaces at First Mall and the Downtown Katameya Mall flagship, as well as access through the brand's newest designs now sit directly within reach of Cairo's most discerning fashion audience.

Maximilian Davis assembles standout creative team for Ferragamo's latest campaign
Maximilian Davis assembles standout creative team for Ferragamo's latest campaign

Fashion Network

time7 days ago

  • Entertainment
  • Fashion Network

Maximilian Davis assembles standout creative team for Ferragamo's latest campaign

Ferragamo — under British creative director Maximilian Davis — has released its pre-fall campaign and said it's returning to its roots, reflecting its historic relationship with some of cinema's biggest stars. The brand's 'story is inexorably interwoven with Hollywood: the place where Salvatore Ferragamo first made his name as 'shoemaker to the stars' and went on to create footwear for icons from Joan Crawford to Judy Garland, dressing Cecil B. DeMille's Westerns and Marilyn Monroe's comedies,' it said. With that in mind, for pre-fall 2205, it's 'reflecting that relationship through the lens of renowned Italian filmmaker Alice Rohrwacher in a three-chapter film shot at iconic Italian studio Cinecittà, which will be released throughout the season'. Davis said that 'we wanted to create a story that felt very Italian but was based around Hollywood cinema. Alice has a very strong point of view, as well as a sense of humour and charm to her work. She can take a specific time and make it feel modern – and that's exactly what we want to do'. With the product as protagonist, Rohrwacher 'lifts the curtain on the behind-the-scenes machinations and manual production techniques of the Golden Age, celebrating the craft of filmmaking as well as that which forms the accessories playing starring roles'. Chapter 1 – L'Appuntamento — draws on 'the timeless elegance of silver screen sirens. Angelina Kendall is caught in a moment of preparation for her on-set appearance: her face being powdered, her Gancini slingback being polished; her purse being grabbed as the clapperboard is struck and she makes her way in front of the lens'. 'When you look into the archive, the pumps are some of the most iconic Ferragamo creations,' said Davis. 'And so, we wanted to present them as part of the making of the movie star: a playful, almost ironic way of presenting elegance.' Chapter 2 is L'Avventura as high summer comes into focus. It's all about spherical cork-heeled sandals with raffia trim; handcrafted woven Gancini totes; and slip-on menswear mules. The chapter zooms out to reveal a filmmaking technique that 'uses scraps of fabric to present the illusion of rolling waves'. Davis added that Salvatore's ideas of using the materials around you to innovate is so interesting to me. This scene is all about innovation and craft and so using that to create the very setting of the scene felt perfect'. And Chapter 3 is Doppio Sogno as the season transitions to autumn. Angelina Kendall — 'and her illusory twin, conjured through mirroring techniques' — embarks on a bicycle ride against the rolling backdrop of the Tuscan countryside, wearing Vara buckled high heel loafers and clutching the new Soft Bag, whose supple leather is pleated by a Gancini piercing. 'It becomes a bit more sensual in terms of the buttery soft leathers, patent printed croc and knitted dresses with bouclé finishes: it's all about textures,' Davis explained. 'And a woman, riding her bike in a dress and a pump, is showing modern elegance in an Italian way: this is the Ferragamo woman as we see her today.' As mentioned, Davis as the brand's design chief is the overall creative director but specific campaign creative direction was entrusted to Ferdinando Verderi with Rohrwacher as video director, Francois Coquerel as photographer and Lotta Volkova as stylist.

Maximilian Davis assembles standout creative team for Ferragamo's latest campaign
Maximilian Davis assembles standout creative team for Ferragamo's latest campaign

Fashion Network

time7 days ago

  • Entertainment
  • Fashion Network

Maximilian Davis assembles standout creative team for Ferragamo's latest campaign

Davis said that 'we wanted to create a story that felt very Italian but was based around Hollywood cinema. Alice has a very strong point of view, as well as a sense of humour and charm to her work. She can take a specific time and make it feel modern – and that's exactly what we want to do'. With the product as protagonist, Rohrwacher 'lifts the curtain on the behind-the-scenes machinations and manual production techniques of the Golden Age, celebrating the craft of filmmaking as well as that which forms the accessories playing starring roles'. Chapter 1 – L'Appuntamento — draws on 'the timeless elegance of silver screen sirens. Angelina Kendall is caught in a moment of preparation for her on-set appearance: her face being powdered, her Gancini slingback being polished; her purse being grabbed as the clapperboard is struck and she makes her way in front of the lens'. 'When you look into the archive, the pumps are some of the most iconic Ferragamo creations,' said Davis. 'And so, we wanted to present them as part of the making of the movie star: a playful, almost ironic way of presenting elegance.' Chapter 2 is L'Avventura as high summer comes into focus. It's all about spherical cork-heeled sandals with raffia trim; handcrafted woven Gancini totes; and slip-on menswear mules. The chapter zooms out to reveal a filmmaking technique that 'uses scraps of fabric to present the illusion of rolling waves'. Davis added that Salvatore's ideas of using the materials around you to innovate is so interesting to me. This scene is all about innovation and craft and so using that to create the very setting of the scene felt perfect'. And Chapter 3 is Doppio Sogno as the season transitions to autumn. Angelina Kendall — 'and her illusory twin, conjured through mirroring techniques' — embarks on a bicycle ride against the rolling backdrop of the Tuscan countryside, wearing Vara buckled high heel loafers and clutching the new Soft Bag, whose supple leather is pleated by a Gancini piercing. 'It becomes a bit more sensual in terms of the buttery soft leathers, patent printed croc and knitted dresses with bouclé finishes: it's all about textures,' Davis explained. 'And a woman, riding her bike in a dress and a pump, is showing modern elegance in an Italian way: this is the Ferragamo woman as we see her today.' As mentioned, Davis as the brand's design chief is the overall creative director but specific campaign creative direction was entrusted to Ferdinando Verderi with Rohrwacher as video director, Francois Coquerel as photographer and Lotta Volkova as stylist.

Maximilian Davis assembles standout creative team for Ferragamo's latest campaign
Maximilian Davis assembles standout creative team for Ferragamo's latest campaign

Fashion Network

time7 days ago

  • Entertainment
  • Fashion Network

Maximilian Davis assembles standout creative team for Ferragamo's latest campaign

Ferragamo — under British creative director Maximilian Davis — has released its pre-fall campaign and said it's returning to its roots, reflecting its historic relationship with some of cinema's biggest stars. The brand's 'story is inexorably interwoven with Hollywood: the place where Salvatore Ferragamo first made his name as 'shoemaker to the stars' and went on to create footwear for icons from Joan Crawford to Judy Garland, dressing Cecil B. DeMille's Westerns and Marilyn Monroe's comedies,' it said. With that in mind, for pre-fall 2205, it's 'reflecting that relationship through the lens of renowned Italian filmmaker Alice Rohrwacher in a three-chapter film shot at iconic Italian studio Cinecittà, which will be released throughout the season'. Davis said that 'we wanted to create a story that felt very Italian but was based around Hollywood cinema. Alice has a very strong point of view, as well as a sense of humour and charm to her work. She can take a specific time and make it feel modern – and that's exactly what we want to do'. With the product as protagonist, Rohrwacher 'lifts the curtain on the behind-the-scenes machinations and manual production techniques of the Golden Age, celebrating the craft of filmmaking as well as that which forms the accessories playing starring roles'. Chapter 1 – L'Appuntamento — draws on 'the timeless elegance of silver screen sirens. Angelina Kendall is caught in a moment of preparation for her on-set appearance: her face being powdered, her Gancini slingback being polished; her purse being grabbed as the clapperboard is struck and she makes her way in front of the lens'. 'When you look into the archive, the pumps are some of the most iconic Ferragamo creations,' said Davis. 'And so, we wanted to present them as part of the making of the movie star: a playful, almost ironic way of presenting elegance.' Chapter 2 is L'Avventura as high summer comes into focus. It's all about spherical cork-heeled sandals with raffia trim; handcrafted woven Gancini totes; and slip-on menswear mules. The chapter zooms out to reveal a filmmaking technique that 'uses scraps of fabric to present the illusion of rolling waves'. Davis added that Salvatore's ideas of using the materials around you to innovate is so interesting to me. This scene is all about innovation and craft and so using that to create the very setting of the scene felt perfect'. And Chapter 3 is Doppio Sogno as the season transitions to autumn. Angelina Kendall — 'and her illusory twin, conjured through mirroring techniques' — embarks on a bicycle ride against the rolling backdrop of the Tuscan countryside, wearing Vara buckled high heel loafers and clutching the new Soft Bag, whose supple leather is pleated by a Gancini piercing. 'It becomes a bit more sensual in terms of the buttery soft leathers, patent printed croc and knitted dresses with bouclé finishes: it's all about textures,' Davis explained. 'And a woman, riding her bike in a dress and a pump, is showing modern elegance in an Italian way: this is the Ferragamo woman as we see her today.' As mentioned, Davis as the brand's design chief is the overall creative director but specific campaign creative direction was entrusted to Ferdinando Verderi with Rohrwacher as video director, Francois Coquerel as photographer and Lotta Volkova as stylist.

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