Latest news with #GoldDerby
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13 hours ago
- Business
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‘The Studio' acting Emmy submissions revealed — including guest stars Martin Scorsese, Sarah Polley, and Bryan Cranston
Apple TV+ has revealed its Emmy acting submissions for its breakout comedy series The Studio, including its lengthy list of guest actors. As expected, the show's only lead acting submission is star Seth Rogen, who plays the newly hired head of the fictional Continental Studios in the Hollywood satire. More from GoldDerby Michael B. Jordan expands 'Creed' universe with new Prime Video series 'Delphi' Here's your first look at 'Spider-Noir' starring Nicolas Cage 'Fallout' gets early Season 3 renewal ahead of Season 2 premiere in December The show's other main cast members will run in the supporting categories: Ike Barinholtz and Dewayne Perkins in Best Comedy Supporting Actor, and Kathryn Hahn, Keyla Monterroso Mejia, Catherine O'Hara, and Chase Sui Wonders in Best Comedy Supporting Actress. Cocreated by Rogen and Evan Goldberg, as well as Peter Huyck and Alex Gregory (Veep) and Frida Perez, The Studio's first season tracks Matt's ups and downs on the job, including having to tell Martin Scorsese (as himself) that his planned movie about Jonestown was being scrapped. Significant Hollywood filmmakers play themselves in the series, including Scorsese, Sarah Polley, Ron Howard, Nicholas Stoller, Zoë Kravitz, and Olivia Wilde. All those directors will be submitted on the Emmys ballot for guest consideration for The Studio alongside actors Anthony Mackie, Zac Efron, Dave Franco, and Greta Lee, who also play themselves. Other guest submissions for The Studio include real actors playing fictional characters: Bryan Cranston (who plays Griffin Mill, the CEO of Continental Studios), David Krumholtz (who plays a foul-mouthed agent), and Rebecca Hall (who plays a successful doctor who embarks on a failed relationship with Matt). The final guest-acting submission for Apple is journalist Matt Belloni. The Puck cofounder and The Town podcast host appears in multiple episodes of The Studio, both as a voice performer (through a fictional episode of his podcast) and live-action actor (on the casino floor during CinemaCon). These are just the names Apple is submitting on the Emmy ballot; anyone else, perhaps guest stars Parker Finn or Adam Scott, can submit on their own. Apple TV+ recently renewed The Studio for Season 2. The show's first season ends later this month. Best of GoldDerby 'The Better Sister' showrunner Regina Corrado: Jessica Biel and Elizabeth Banks 'are at the top of their game' Danielle Pinnock on playing Alberta in CBS' 'Ghosts,' representation, and what's next for the hit comedy 'I didn't think he was a jerk': Paul Giamatti on finding the humanity in his standout 'Black Mirror' episode Click here to read the full article.
Yahoo
13 hours ago
- Entertainment
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‘The Thursday Murder Club' trailer slays, the cast of ‘Hamilton' reunites, and more of today's top stories
Gold Derby's top news stories for May 29, 2025. Helen Mirren, Ben Kingsley, Pierce Brosnan, and Celia Imrie are ready to start sleuthing in the first trailer for The Thursday Murder Club, director Chris Columbus' adaptation of the hit novel by Richard Osman. The film, like the bestselling book series, follows four retirees who take an interest in investigating cold cases, only to find themselves with a much warmer mystery on their hands. More from GoldDerby How 'The Penguin' transformed real NYC locations into Gotham's criminal underworld (see the exclusive concept art) Janelle James on Ava's challenging year on 'Abbot Elementary': 'They kind of threw everything at me this season' 'Death Becomes Her' costume designer Paul Tazewell on creating show's spectacular outfits: 'Theater-making is about the impossible' (exclusive images) Lin-Manuel Miranda and company are not throwing away their shot to celebrate the 10th anniversary of their blockbuster musical. The cast will take the stage at the 70th Tony Awards on June 8 to mark the occasion. Joining Miranda will be Leslie Odom Jr., Daveed Diggs, Phillipa Soo, Renée Elise Goldsberry, Jonathan Groff, Christopher Jackson, and Oscar winner Ariana DeBose, among others. Hamilton is still the record-holder for most-ever nominations (16 in all). It went on to win 11 awards including Best Musical. Weatherman and Today cohost Al Roker is set to be feted with a Lifetime Achievement award at the upcoming News & Documentary Emmys. He will be honored alongside documentarian Jon Else at the end of June. "This is such an incredible honor," Roker said. "I am so thankful to be the recipient of the Lifetime Achievement Emmy and thank everyone that I've worked with who held me up and helped me achieve this great honor." A new horror movie starring SNL's Pete Davidson is putting an even darker spin on retirement homes. Take a look at the first trailer before the movie hits theaters on July 25. Prime Video has released the first images for the prequel series to the action hit The Terminal List: Dark Wolf. The show, which premieres Aug. 27, stars Friday Night Lights' Taylor Kitsch as Ben Edwards "throughout his journey from the Navy SEALs to the clandestine side of CIA Special Operations." Chris Pratt, who leads the mainline Terminal List series, will reprise his character of James Reece in the prequel. Dark Wolf also stars Tom Hopper, Robert Wisdom, Luke Hemsworth, Dar Salim, Ron-Lee Shimon, Shiraz Tzarfati, and Jared Shaw. Prime Video The Academy Award nominee is set to appear in Os Corretores, a Brazilian production for which she penned the screenplay. The film is described as a "real estate tragic comedy." Torres will star as the female lead, one half of a real estate agent couple. The male lead has yet to be cast. The news comes off the massive success of I'm Still Here, which earned Torres her Best Actress nomination and the first Best International Film Oscar for the country of Brazil. The Arkansas fest is bringing back Geena & Friends, set to take place June 20 at the Thaden Theater and will feature the two-time Oscar winner alongside a group of talented female actors creating memorable all-male scenes from film history. Joining Davis on stage will be Shohreh Aghdashloo (The Penguin), Toks Olagundoye (Frasier), Alysia Reiner (The Diplomat) and Brenda Song (Running Point). The group will then take part in a Q&A moderated by Gold Derby editor-in-chief Debra Birnbaum. Best of GoldDerby 'Étoile' creators on writing a show for 'genius' Luke Kirby How 'The Handmaid's Tale' series finale sets up 'The Testaments' TV Visual Effects supervisor roundtable: 'Black Mirror,' 'The Boys,' 'The Wheel of Time' Click here to read the full article.
Yahoo
13 hours ago
- Entertainment
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How ‘The Penguin' transformed real NYC locations into Gotham's criminal underworld (see the exclusive concept art)
Who knew The Penguin owes a debt of gratitude to Popeye Doyle? As production designer Kalina Ivanov tells Gold Derby, Matt Reeves, the director of 2022's The Batman and an executive producer on The Penguin, informed her that the "inspiration" for his vision of Gotham City was The French Connection, William Friedkin's 1971 neo-noir crime thriller starring Gene Hackman as the unorthodox cop Doyle, which won five Oscars, including Best Picture. "That is something I held very dear in my heart," Ivanov says, "because I really wanted to make a new version of The French Connection." See exclusive sketches, concept art, and set photos from The Penguin in our gallery above. More from GoldDerby Janelle James on Ava's challenging year on 'Abbot Elementary': 'They kind of threw everything at me this season' 'Death Becomes Her' costume designer Paul Tazewell on creating show's spectacular outfits: 'Theater-making is about the impossible' (exclusive images) Jamie Lee Curtis eyes historic back-to-back Emmy win as Comedy Guest Actress race heats up Colin Farrell reprises his villainous role of Oswald "Oz" Cobb/the Penguin in the HBO limited series, after having a supporting role in The Batman. Following the events of that motion picture, The Penguin chronicles the character's rise to power in Gotham's criminal underworld, which was filmed in and around New York City. "It's rare to meet a producer and actor that will actually come and talk to you and have a real design meeting," Ivanov says about Farrell. "I showed him all the designs, and particularly his apartment, and he was instrumental in the design of the whole show." Courtesy of Kalina Ivanov/HBO Max While Lauren LeFranc was the showrunner, producer, and writer of the TV spin-off, Reeves was still "involved," Ivanov explains. "We had some creative meetings, and occasionally, we would send him materials, and he was very aware of everything we were doing. He was staying behind the scenes, but he was communicative with Lauren in the script area." LeFranc is "one of the nicest people on the planet," claims the Emmy-winning production designer for Grey Gardens (2009). "I got to know her through this experience, and I can say that she is perhaps the best showrunner I've ever had. That doesn't come lightly, because I've had some good ones, but she's very communicative and very thoughtful. I just loved working with her." Growing up in Bulgaria, Ivanov was a "theater kid" who wanted to be an actress, until she realized "that was a disaster," so she set her sights on designing. "I suspect that was because my uncle was an architect," she reveals. "I studied theater, and then we escaped from Bulgaria. I ended up at NYU as an undergraduate in a graduate program, if you can imagine that. But it was a very, very good education." Courtesy of Kalina Ivanov/HBO Max One of Ivanov's favorite locations in The Penguin is the Falcone mansion, which is on Long Island. "It's one of The Great Gatsby mansions, but it wasn't on the Sound, it was more in inland," she recalls. "The owners were incredibly generous with us. They made time for us to be able to film. They did not bat an eye when we offered to enhance the exterior with our fountain. As a matter of fact, they thought it was a good idea to have a fountain!" For the interior of the mansion, she "enhanced it quite substantially" after being influenced by an Italian villa on Lake Como. "What I liked about that villa was the darker colors, and so I thought it would be good to have a lot of black, a lot of gold, but sparingly, not overwhelmingly," she details. "The rest of it was done in Venetian plaster. We had a lot of textures, and the amazing pre-Renaissance murals were everywhere." The trolley depot set was built inside Kingsbridge Armory in the Bronx, which Ivanov states is the "biggest one in New York, and for 15 years nobody could shoot there." She continues on, "I loved the lobby that existed, and I wanted it to be a working man's cathedral. Going with Matt's theme of The French Connection being always under subways and arches, I went with that idea of arches for the trolley depot. The columns that we put in mimicked the detail from the lobby, so the relationship between the location and the set was perfect." Courtesy of Kalina Ivanov/HBO Max She divulges, "The trolley cars were modern, so we retrofitted them and made them look like they've been there since 1957, because that's when we discovered the last trolley left the station. They were brought in, and the tunnel was built around the cars, in a sense." The Penguin's "journey" was important to Ivanov and LeFranc. As the artisan declares, "At the beginning, he lives on the third story of the abandoned hotel, and at the end he will graduate to the penthouse, to give him an arc of progression. The apartment at the beginning was a jeweler's repair shop, and I had done a little bit of research about that. And so the Penguin lived in a room that used to be the vault, basically." Ivanov designed the entire abandoned hotel "through visual effects," and planned to create the sets for it, but "our budget was not able to support that." Instead, the team found a real art deco building in downtown NYC with a floor that was under renovation, which she saw as a "completely blank slate." She remembers, "That worked well for us, because I was able to bring the columns, the floor, and the frescoes, which this time were the hounds of Zeus. We were able to create everything, from the chandeliers to every single piece of detail. In a way, it was a stage. But it was on the 30th floor of a real building." Courtesy of Kalina Ivanov/HBO Max Monroe's jazz club is one of Ivanov's favorite sets from The Penguin, as budget issues caused her to improvise on the fly. "We ended up with a location that had Hieronymus Bosch murals that were absolutely not appropriate for our movie," she recalls. "So, as I was wondering how I could handle that, a light bulb went off in my head, and I said, 'OK, we cover the murals.' And so we built in the columns, the booths themselves, the intricate work behind them, and the blue curtain, which hid the murals, and then we put our own paintings in front of that." The designer also "built this chandelier, and we put it up from the beginning, and then we dropped it in the end, and the scene is so good with the dropped chandelier." Ivanov adds, "It was so hard to come up with a solution, and yet I was able to find a solution and make and use the set that I had already planned on building." All episodes of The Penguin are streaming now on Max. The limited series is eligible at the 2025 Emmys, and Ivanov says a nomination "would mean the world to me." SIGN UP for Gold Derby's free newsletter with latest predictions Launch Gallery: 'The Penguin' exclusive sketches, concept art, and set photos from production designer Kalina Ivanov Best of GoldDerby 'Étoile' creators on writing a show for 'genius' Luke Kirby How 'The Handmaid's Tale' series finale sets up 'The Testaments' TV Visual Effects supervisor roundtable: 'Black Mirror,' 'The Boys,' 'The Wheel of Time' Click here to read the full article.
Yahoo
13 hours ago
- Entertainment
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Janelle James on Ava's challenging year on ‘Abbot Elementary': ‘They kind of threw everything at me this season'
Tough and sassy Ava Coleman was put through the wringer in Season 4 of Abbott Elementary, but Janelle James can look back at her onscreen persona and confidently say, 'They kind of threw everything at me this season and I feel like I delivered.' And then some! On the positive side, Ava may have fought it at first, but she eventually eased into a mature romance with chill I.T. guy O'Shon (Matthew Law), a relationship that helped balance out the bigger story arcs that were the opposite of happy. First, Ava reluctantly faced her estranged father Frank (Keith David), and then took a major career punch when she was fired as principal of Abbott for accepting bribes in the form of new computers for the budget-challenged elementary school. "I'm just honored that the writers trust me with the material that they've been giving me," James says. More from GoldDerby 'Death Becomes Her' costume designer Paul Tazewell on creating show's spectacular outfits: 'Theater-making is about the impossible' (exclusive images) Jamie Lee Curtis eyes historic back-to-back Emmy win as Comedy Guest Actress race heats up 'Étoile' creators on writing a show for 'genius' Luke Kirby Given all those compelling story arcs this year, James, who's scored three Best Comedy Supporting Actress Emmy nominations for the ABC sitcom, is closer than ever to landing the trophy that's eluded her thus far. Here, the St. Thomas in the Virgin Islands native talks about how Ava has evolved since the show's first season, how she approached working with veteran actor David as her father, and her take on how Ava felt about her Abbott colleagues coming to her aid to help her get her job back. Gold Derby: It's been a nice, slow evolution for Ava since season and the audience has gotten to know her better and better. How has that been for you over the last four years? Janelle James: It's been very satisfying. I like that you said that because it really has been such a build and such a true character arc. And, for me, satisfying in the not only fan reaction, but character world-building for her. The satisfaction of seeing people come around to her in such a way has been amazing. It's always a testament to the writing, but I always thought she was much more complex than she seemed in the beginning [of the series], and those are my favorite kind of characters and those are my favorite type of humans. Back in the first season, Ava was always coming at Janine (Quinta Brunson) so hard and she had her flirt on with Gregory (Tyler James Williams). Did you ever worry that maybe audiences wouldn't like her when those first episodes are rolling out? I didn't worry, but I also knew for a fact that some people didn't like her, so I didn't even have to worry about it. Of course, in the pilot, she did a horrible thing of taking money from the school, but we all have to introduce our characters as the most heightened version of themselves, and then after that, not immediately, they started her arc. SEE Abbott Elementary bosses on subverting finale expectations, 'the season of Ava,' and their dream crossover A lot has happened to Ava in the back half of Season 4, like the "Rally" episode where she's been fired and everyone comes together to help her get her job back. How you were playing that as Ava with all these people coming to help her, which probably wouldn't have happened in Season 1? I think she was surprised. She's not used to anyone stepping up for her with her whole abandonment issues. She was shocked, and even in the episode when people are coming in the different doors [to help her], I'm playing it as, "What? I can't believe it." Even when she got fired, she kind of took it on the chin and moved on, so she was very surprised that all these people came together to rally for her. Keith David came on this season to appear as Ava's father Frank, who she doesn't have the closest relationship with. How has that been to play that arc, given it's revealed even more layers of Ava? I mean, what amazing casting. First of all, he could totally be my dad. We do look related! And they did a great job for all the guest relatives for each character that we've had on the show. And [Keith is] a legend, and then also someone with such gravitas in voice and standing is amazing. It's also flattering that he would want to come on our show and portray this character and act alongside me. I always try to convince myself that I will rise to the occasion, so I wasn't nervous. I'm more honored to be in the same space as these people. Like, "Oh, this person being here is going to just elevate me to rise" because I'm never going to embarrass myself. For me, it's been gratifying to show that I do have these skills and that I can go toe to toe with these actors that have been around for so long. Disney/Gilles Mingasson There's a moment in the "Rally" episode where Frank sincerely says, "I'm proud of you. I'm here for you." Was that a hard scene for you to shoot? I don't know how that relationship is going to go, but based on the information I have now and how I think of Ava, a couple of visits is not going to repair this relationship. While she was surprised that he said that, she's not entirely convinced, and I also don't think that that was some sacred sacrament moment for them. That's how I played it. He says, "You've got to give me another chance. You always get other chances." And I forget the line, but I say, "Well, I did a good job the first time, and that's why I got a second chance." I love how Quinta and the writers are playing that and giving it nuance. It's not the cliché sitcom thing that would be for me to be like, "Oh, daddy!" and then we hug. In real life, that's not how it works. No one changes overnight. No one defrosts overnight. Ava has ice around her heart for this man and it's warranted, so she's not gonna let him off that easy. It's always fun to see a character go through a romantic relationship since you see different shades of them. How has it been to play Ava's romance with O'Shon? There's also a nice chemistry between the characters, which can be tough to make happen! If anything, I was nervous about that because, like you said, it doesn't happen a lot. That's what I've heard. I'm confident in my skills of pretending we have chemistry, but it's always great when it's already there. Mutually, we just really just put each other at ease. He's a great actor and although he's not as known as Keith David, he came in with the same professionalism and skill. "Oh, this guy is for real!" So I had to match him. And what we know about Ava is that all her relationships seems to be pretty superficial, and here is a guy that's completely different than what she's used to, so that's just been fun to play. But I'm really proud of that relationship because he's also not in every episode and we've told a whole story in such a short time. When he is there, we're onscreen maybe four minutes, so for it to be a fully realized thing and have people making fan videos about us and all of that from such a short interactions is amazing. SEE Abbott Elementary director Randall Einhorn on capturing Ava's 'moment of humility' and the 'surreal' crossover with It's Always Sunny The season finale is always in Philly and this year it was at the Please Touch Museum. Is there a field trip feel to it for you all since you're on location in Philadelphia, where the show is set? This was my first time going to Philly and just to be on the plane with everyone, like, "Well, this plane can't go down." It's like our school bus in the sky and we even had some of our kids from L.A. come on location as well so that was cool. And then, as famous as I am, I'm super famous in Philly, so that was awesome. [Laughs] The show has done so well the last couple years and you're still out there doing stand-up. Is there a difference in how audiences receive you or how hard or not hard you have to work for the audience? I don't know if it's changed based on the audience. I'm approaching it differently in that my goal for myself now is to separate myself from the character and introduce me as a real person. I'm doing something else, and that's been the challenge for me. And when I say challenge, not that it's hard, but that's the assignment I've given myself. I am a separate person and I am also hilarious in a totally different way, so that's been fun. And what has changed audience-wise is I have a wider audience now, and who can complain about that? I have a bigger audience coming out now, so I love it. Best of GoldDerby 'Étoile' creators on writing a show for 'genius' Luke Kirby How 'The Handmaid's Tale' series finale sets up 'The Testaments' TV Visual Effects supervisor roundtable: 'Black Mirror,' 'The Boys,' 'The Wheel of Time' Click here to read the full article.
Yahoo
13 hours ago
- Entertainment
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‘It's very daunting': Luke Kirby on taking the lead in ‘Étoile' after playing ‘vampire' Lenny Bruce in ‘Mrs. Maisel'
The last time we saw Luke Kirby on our screens, he was admittedly in not great shape, playing Lenny Bruce on the downward slope of his career in The Marvelous Mrs. Maisel. Luckily, Kirby is now officially a member of the Palladino-verse — and the husband-and-wife creative team of Amy Sherman-Palladino and Daniel Palladino centered him in their new ballet dramedy Étoile, which debuted last month on Prime Video. Kirby stars as Jack MacMillan, the head of a New York ballet company who engages in a talent swap with a Paris troupe in a bid to revive interest in both. Naturally, hilarity, romance and plenty of dance ensue. 'I'm really happy with how people are responding to the dynamism of the story, the kinetic energy of it, how different it is from our last endeavor,' Kirby tells Gold Derby. 'And I think the biggest thing is just people saying the show grows as the episodes go on, that it does work as a big movie where things are revealed episode to episode where by the end, you have this very rich tapestry of information for these characters and this endeavor to keep their art alive.' More from GoldDerby 'The Lord of the Rings: The Rings of Power' star Charles Edwards on his tragic death scene: 'He did single-handedly withstand Sauron' 'It keeps me on my toes': 'St. Denis Medical' star Allison Tolman on walking a fine line between zany and 'incredibly heartfelt' Creating a world for Helperbots: Dane Laffrey on the scenic design of 'Maybe Happy Ending' (exclusive images) Here, Kirby tells Gold Derby what it means to step into the spotlight, who he thinks Jack should end up with, and what he wants to see next season. Gold Derby: This may be the first show in the Palladino-verse that has a male lead. Luke Kirby: Well, you know, I'm a womanish man. What did it mean to you to have them write this part with you in mind? It's very flattering. And it's very daunting. The biggest comfort that I get from it is that alongside me, they managed to cull together this incredible group of actors to work with. The show does feel like an ensemble piece, and there is nothing better than finding a unit and becoming a kind of organism in a way where you're together rising as a company. That's the best thing that you can hope for. SEE'Étoile' cast and creators on fast-talking, mean drunks, and what they learned from 'Gilmore Girls' How much did you know about Jack's arc when you first signed on? With Amy and Dan, I don't really ask questions. I mean, it's funny with television. If you're not in the writers' room, you have to be selective as an actor as to when you make suggestions or even ask questions. Obviously, there's important things to know, but the biggest thing that I find helps me is that it relates to real life in that you don't know what's coming. And so just putting your faith in that, the unknown and then being richly surprised every time a new episode comes out is kind of a great adventure. How much research did you have to do? How familiar were you with the ballet world? I would say, in an adjacent orbit. I started studying theater in high school, and I really became quite passionate about it after ninth grade. I really felt compelled by this world and decided as a teenager that it was a world that I could endeavor into. I didn't know if I had talent; all I knew is that everybody I met told me it was going to be really hard. I put this room in my mind where I would have a hot plate and some ramen noodles and a cot. And I said, I'll be good with that. … And then my cousin was studying ballet, and so we were kind of like two trains running side by side in our endeavors. So I was familiar with just how much dedication was required and how competitive, the heartbreak that comes with injury, and rejection and everything else. But this was a wholly new big education. Is it harder to play Jack or Lenny Bruce? Is it easier to invent somebody? With Lenny, all I had to do was open the window at night and then invite the vampire in. I really got to get out of the way at a certain point, something was really happening where it was just time travel and I got to smoke cigarettes. With Jack, it felt like it was more coming out of the mud. It felt a little closer to home in some ways. I'd say I spent more time with Jack in his boyhood than I did with Lenny. I really feel like I understand Jack's childhood in a way that is representative of the man he is today. With both of those characters, I do feel a drive that I do think is similar to that vision of a door closing. Lenny clearly felt that something needed to get done quickly, and I do feel like Jack has the same sensation. It's not that the wolves are at the door per se, but that there's something of a purpose that he needs, a job needs to get done that he needs to do. And if he doesn't do it, Rome will fall. SEE'Étoile' star Gideon Glick: 'I've made a career out of playing strange, interesting people' Did you invent your own backstory for him, or did you have conversations with Amy and Dan about him? We didn't have a lot of conversations about it. It's funny how with them, there's something about the way they are working in the way that a lot of things kind of match up. Maybe we talked a little bit about Jack's father and his influence in the city and where did he go to school, little things like that. But I was amazed as the season progressed and I would get these scripts where we'd be with my mom and my uncle and they would talk about me as a kid, where there were things that were coming alive in the script that had resonated with the work that I had done in kind of imagining this guy's upbringing. It's just, what do they call it, synchronicity! It just sort of happens. That does happen when a group works together the way that Amy and Dan work. I do think that that bleeds out into the whole crew. And I think that synchronicity does just start to bubble up in a really kind of pure and beautiful way. Yes, it serves them well that they have actors and crew that they've worked together for so many years. Even though the characters may be different from show to show, they know how to write to you and you know how to perform to them. As an actor, I think the biggest thing is just finding a way to get out of your own way. Their work is athletic, especially when Amy's directing. A lot of the time it is like a dance. It requires great precision and specificity. As long as you arrive ready to mark that and have as much work done prior to showing up, you can find a rhythm that makes the day feel very heightened and smooth. I don't mean easy, because it's not easy, but just kind of rising to the occasion, because they're aspirational. It's like ballet, what they do. So what's your take on the love triangle between Jack, Cheyenne (Lou de Laage) and Genevieve (Charlotte Gainsbourg)? Who do you think should Jack end up with? I have very strong feelings about this, but I do not know that they're for anybody to know but myself. I will say this — I feel like both of those relationships feel so authentic and I feel that the respect and affection that Jack has with both Cheyenne and Genevieve and the relationship that Genevieve and Cheyenne have together are lifeblood friendships so they're obviously really rolling the dice when things get more intimate. But, you know, it's the ballet! There's no great surprise that this is happening. Is Crispin (Simon Callow) going to pay for the wedding? That's the more important question! And should there be a season two, what would you like to see for Jack and the show overall? I'd like to meet at least one of Jack's ex-wives. I think that would be interesting. Jack does mention having a horse. I'd like to see the horse at least, or maybe even see Jack on the horse. I mean, this me just dropping wishes in the wishing well at this point! Best of GoldDerby 'I do think that I burned down the cabin': How 'Yellowjackets' star Steven Krueger pulled off Coach Ben's mental and physical decline 'The Lord of the Rings: The Rings of Power' star Charles Edwards on his tragic death scene: 'He did single-handedly withstand Sauron' 'It keeps me on my toes': 'St. Denis Medical' star Allison Tolman on walking a fine line between zany and 'incredibly heartfelt' Click here to read the full article.
