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Simon Cowell makes HUGE dig at Amanda Holden's age in Britain's Got Talent live show judges row
Simon Cowell makes HUGE dig at Amanda Holden's age in Britain's Got Talent live show judges row

The Sun

time10-05-2025

  • Entertainment
  • The Sun

Simon Cowell makes HUGE dig at Amanda Holden's age in Britain's Got Talent live show judges row

SIMON Cowell made a huge dig at Amanda Holden's age on the latest live show on Britain's Got Talent in a massive row. The long-time ITV star couldn't help but take a massive swipe at his fellow veteran judge. 7 7 7 Both Simon Cowell and Amanda Holden are the longest serving judges on Britain's Got Talent. Both of the duo have been involved in the talent variety competition from the very first series back in 2007. But despite their long-running friendship, they came to blows in dramatic fashion during tonight's live semi-final. Dance duo Harry & Lewis were the very first act to take to the stage to kick off proceedings. However, despite praising their intricate technique, Amanda was not impressed as she said the pair had not improved since their first audition. "I'm going to say thank god for the production and everything else because I was quite disappointed with that. "I can see that you've worked hard and that the choreography is intricate and you've worked hard on it, but I don't think it was enough." However, after she delivered her scathing critique, Simon praised the act but he couldn't help "I think personally, this was better than your first audition, I think you make what is actually hard look easy," he remarked. Before taking a pause, Simon continued: "I think you are skewered towards a younger audience." BGT's Simon baffled fans as he SLAMS semi-final act - despite putting them through Amanda turned to Simon in shock who tried to explain: "No, I do. I mean that, I mean it." However, the audience couldn't help but jeer as Amanda continued to be left completely open-mouthed by his seemingly savage comment. Viewers were left in hysterics by the row which played out on live TV as they took to social media. Writing on X - formerly known as Twitter - one fan commented: "Simon implying Amanda's over the hill because she didn't enjoy them," along with a crying with laughter emoji. Britain's Got Talent Judges The ITV talent show wouldn't be the same without the four charismatic judges who put the contestants through their paces. Simon Cowell is the staple of Britain's Got Talent and resumes his role as head judge. The mogul is one of the most iconic figures in music and is responsible for offsetting the careers of many performers around the world. Amanda Holden has been a judge on Britain's Got Talent since it first started in 2007. The sexy star is a firm fixture on the judging panel, which has helped her to become a household name. Alesha Dixon is back to judge the new series of Britain's Got Talent. The TV star joined the panel back in 2012 and quickly became a fan favourite. Bruno Tonioli makes up the fab four. After leaving Strictly, he decided to move over to ITV and is the newest BGT judge after replacing David Walliams. Another posted: "Bit behind on #BGT. That comment that Simon made about the dance act to Amanda was bloody hilarious." While a third added: "Is everyone else enjoying Britain's Got Talent? I'm a bit disappointed tonight, the acts I think are underwhelming. That comment that Simon made about Amanda's age was hilarious though." 7 7 7 7

Why America's greatest racehorse still dominates the track today
Why America's greatest racehorse still dominates the track today

National Geographic

time29-04-2025

  • Sport
  • National Geographic

Why America's greatest racehorse still dominates the track today

Lexington, the most legendary thoroughbred of the 19th century, left a genetic legacy throughout the Kentucky Derby. Here's how his DNA still shapes modern horse racing. Lexington was the most celebrated steed of the antebellum South. His prowess sprang from an unlikely partnership between a white doctor and a Black horseman. Image By Artokoloro / Alamy Stock Photo 'Best Time ever Made' declared the headline in the Louisville Daily Courier on April 4, 1855. Two days earlier, at a racecourse in New Orleans, a champion thoroughbred named Lexington had run four miles in seven minutes, 19 and three-quarter seconds, smashing the previous record by more than six seconds. Lexington's blazing speed record would stand unmatched for 20 years. But a severe infection had left the stallion blind in one eye and nearly so in the other. No longer able to race, he was sent to a stud farm, where he earned even greater renown. One of the few known photographs of Lexington, this stereoscopic image was included in a series titled Gems of Kentucky Scenery. Photograph via James Mullen, Gift of Weston J. and Mary M. Naef/ Getty Museum 'Lexington sired a powerful lineage filled with champions today,' says Kim Wickens, author of a forthcoming book on the legendary racehorse. 'He was the most dominant horse of his day and passed those genes down to a phenomenal line of winners, including War Admiral, Citation, Secretariat, Affirmed, and Justify.' Twelve of 13 winners of the coveted Triple Crown, a trifecta of races consisting of the Kentucky Derby, Preakness Stakes, and Belmont Stakes, are descend from Lexington. Lexington's greatness traces back to a partnership that was highly unusual in the antebellum South. His first owner, Elisha Warfield, was a prominent Kentucky obstetrician who delivered thousands of babies, including future First Lady Mary Todd Lincoln. In 1821, he opened a stud farm and became so devoted to breeding, training, and racing thoroughbreds that today he's remembered as the 'father of the Kentucky turf.' Lexington was born on Warfield's farm in 1850. Originally named Darley after an illustrious Arabian stallion, he was big and strong like his father—another legendary thoroughbred who won 40 of 45 races—but he needed the guiding hand of a trusted track sage. Harry Lewis, in top hat and tailcoat, prepares to saddle the champion racehorse Richard Singleton in this portrait by famed equine painter Edward Troye. Image via Edward Troye, Paul Mellon Collection, Virginia Museum of Fine art Enter Harry Lewis, an African American born into slavery who grew up to become a highly esteemed horse trainer. A painting from 1835 shows an impeccably dressed Lewis standing beside an impeccably groomed thoroughbred. 'If they were good, Black trainers and jockeys enjoyed a certain amount of liberty in the South,' Wickens says. 'They moved about more freely because of their horsemanship skills. Still, they were treated about the same as the horses.' But Lewis was a horseman of exceptional talent, and by 1850 he had earned his freedom. Known to turfmen across Kentucky as Old Harry, he was just the man Warfield needed to turn his promising young colt into a champion racer. (Why the Kentucky Derby is a celebration of hats.) 'Warfield wouldn't have turned over his prized thoroughbred to just anybody,' Wickens says. 'He would have been familiar with Lewis' reputation, who had trained the champion racehorse Richard Singleton, as well as other winners.' By 1853 the aging Warfield was in failing health, and his wife insisted that he ease back on running the horse farm. So he agreed to lease Darley's racing rights to Lewis, who set to work training the young stallion. Racehorses speed toward the finish line in this vintage print by Currier and Ives. Horse racing was one of 19th-century America's most popular sports. Illustration via GraphicaArtis / Bridgeman Images In those days thoroughbred racing was a grueling endurance sport. Whereas today horses may sprint a mile, back then they might run four—and they had to win two races to earn the title of champion. It was not uncommon for a steed to run eight to 12 miles in a single afternoon of exhausting competition. While Lewis put Darley through his paces, Warfield offered advice from afar. His wife had issued strict orders that he abstain from the daily rigors of horse rearing, but he still found a way to stay involved. 'He'd sneak upstairs to the attic of his home with binoculars so he could watch Darley being trained and raced at the track next to his farm,' Wickens says. For two men of opposite races to work together in the then slave state of Kentucky surely raised eyebrows. The unusual pairing occurred at a time when tensions were high as the nation edged closer to Civil War. What made their partnership possible? 'We don't know the exact nature of their relationship,' Wickens says, 'but I'm betting it was one of mutual respect.' Their combined efforts paid off for both men. Darley won his first set of races with such distinction that Richard Ten Broeck, a New Orleans racetrack owner, told Warfield to name his price. They settled on $5,000—equivalent to nearly $200,000 today. But the event included a second set of races four days later. When Darley again finished first, a dispute arose over who was entitled to the purse, Ten Broeck or Lewis. In a landmark decision, the racing authority ruled in Lewis' favor. He collected $2,150, almost $85,000 today. Ten Broeck took Darley to New Orleans and, in keeping with the custom of the day, renamed his new horse Lexington, in honor of his hometown. The powerful thoroughbred went on to win four of his next five contests—many of them arduous four-mile events—before faltering eyesight cut short his racing career. Retired to a stud farm, he sired more than 230 horses who won nearly 1,200 races. When Lexington died in 1875, the celebrity stallion was given a lavish funeral and buried in a custom-built coffin. His massive skeleton was later exhumed and today is reverently displayed at the International Museum of the Horse in Lexington's namesake town. Will there be a Triple Crown winner this year? If so, odds are the triumphant racehorse will be related to a famous forebear made great by Lewis and Warfield's unusual partnership.

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