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Japan Today
a day ago
- Entertainment
- Japan Today
'Miss Forest 2010'
Japanese artist Yoshitomo Nara stands near one of his artworks called "Miss Forest 2010" at the Hayward Gallery in London on Monday, the first UK solo exhibition of his work at a public art gallery. The exhibition runs until Aug 31. © AP
Time Out
a day ago
- Entertainment
- Time Out
Yoshitomo Nara
If eyes truly are the windows to the soul, then the intensely staring, delinquent characters created by Yoshimoto Nara have a lot going on inside. As one of the best-known (and best-selling) Japanese artists of our time, Nara has earned this massive retrospective at the Hayward Gallery. It's his largest ever UK exhibition by far: spanning not only his paintings, but also drawings, installations, and sculpture across a four-decades-long career. On entering, you're confronted with a rickety wooden house, complete with a patchwork corrugated iron roof and glass windows revealing a homey room scattered with drawings. Rock music whirs from the TV and empty beer cans litter one corner: this feels like a place of peace, a sanctuary where Nara's interests and comforts intersect. Here, we're introduced to his punkish tendencies – not only in his musical tastes (in some works, he plays up to his inner fangirl, scribbling 'thank you for Ramones' around a rough coloured-in cartoon), but also in attitude. This is an artist that is all about playing with innocence – like sticking cigarettes in children's mouths – and protest, scrawling slogans about ending nukes in capital letters and adding pacifist symbolism to clothing. Nara is known for his kawaii, manga-esque figures which might look lost and sad as much as naughty and demonic. Some are loud, brash: like his collection of solid-lined paint marker drawings on paper. Others, like After the Acid Rain, 2006, appear innocent until you read the name. You realise those wide eyes are not glittering to look pretty: they're desperate, helpless. It's usually his drawings which are spikier, more political, but his quieter, more nuanced painting is the most impressive. Midnight Tears, 2023, is a show stopper: all rainbow-like dappled hair and glistening, jewel-like eyes, it's iridescent in its layering of colour and paint, as though you're seeing it through a light fog in its softness of brush. What works well about this exhibition is that it really lets the work speak for itself: extra context is only given on every other label, and it's arranged via loose themes, allowing you to make subtle connections and trace the growth in Nara's practice. It's perhaps most obvious in his sculptural work: Pray, 1991, a cat-like figure made from rough papier-mâché and acrylic, is rough and heavy, as though it's been bandaged up in a rush. The sublimely smooth lacquered heads in Fountain of Life, stacked up on top of a teacup and gently weeping real water, could be a different artist entirely – if it weren't for the tell-tale downcast eyes and childlike softness. At points, it can all start to feel like you're seeing the same thing again and again. But it's the subtleties which make it worthwhile. Nara's play with western pop culture and darker themes alluding to climate change and nuclear war, all packaged up into a sugary-sweet package, is a real joy to look at. But it's his painterly skill, when seen up close, which is the real treat.
Asharq Al-Awsat
a day ago
- Entertainment
- Asharq Al-Awsat
‘Anything Goes': Yoshitomo Nara on His Creative Process as London Exhibition Opens
Artworks by Yoshitomo Nara go on display in London this week in what organizers say is the largest European retrospective of the Japanese artist. The show, running at the Hayward Gallery by the River Thames, features more than 150 works - drawings, paintings, sculptures, ceramics and installations - nodding to the longtime influences of Nara's works including music, nature, the importance of home and the peace movement. "This is about 40 years' worth of my work," Nara told Reuters at a press preview on Monday. "When I look at my work, I don't think what I'm trying to say has actually changed in that time. Whatever period I look at reflects a part of myself, which is why this exhibition is not done chronologically." Nara, 65, is best known for his portraits of child-like characters with big gazing eyes. "I think all the pictures I've created are like my reflections," he said when asked about them. On display are plenty of those kinds of paintings and drawings as well as sculptures. "Anything goes," says Nara, who was born in Aomori Prefecture in northern Japan and lived in Germany early in his career before moving back home, said of his creative process. "I don't think about what I'm doing, but when I've done something good, I can feel the reason behind it almost like a kind of hindsight." The show is an expanded version of a touring exhibition previously put on at the Guggenheim in Bilbao and Museum Frieder Burda in Baden-Baden. "What's quite interesting, I think, for audiences in London and in Europe overall (is)... we don't actually get to see Nara's work in person that often," exhibition curator Yung Ma said. "We've all seen his paintings and drawings on our I think all these kind of images, they don't do the works justice. So it's actually quite important to come and see because you can actually then understand (that)... he's a really good you can actually really see the texture of the works and the colors and the layering of the paint." The exhibition runs from June 10 to August 31.
Reuters
a day ago
- Entertainment
- Reuters
'Anything goes': Yoshitomo Nara on his creative process as London exhibition opens
LONDON, June 9 (Reuters) - Artworks by Yoshitomo Nara go on display in London this week in what organisers say is the largest European retrospective of the Japanese artist. The show, running at the Hayward Gallery by the River Thames, features more than 150 works - drawings, paintings, sculptures, ceramics and installations - nodding to the longtime influences of Nara's works including music, nature, the importance of home and the peace movement. "This is about 40 years' worth of my work," Nara told Reuters at a press preview on Monday. "When I look at my work I don't think what I'm trying to say has actually changed in that time. Whatever period I look at reflects a part of myself, which is why this exhibition is not done chronologically." Nara, 65, is best known for his portraits of child-like characters with big gazing eyes. "I think all the pictures I've created are like my reflections," he said when asked about them. On display are plenty of those kinds of paintings and drawings as well as sculptures. "Anything goes," says Nara, who was born in Aomori Prefecture in northern Japan and lived in Germany early in his career before moving back home, said of his creative process. "I don't think about what I'm doing, but when I've done something good I can feel the reason behind it almost like a kind of hindsight." The show is an expanded version of a touring exhibition previously put on at the Guggenheim in Bilbao and Museum Frieder Burda in Baden-Baden. "What's quite interesting, I think, for audiences in London and in Europe overall (is)... we don't actually get to see Nara's work in person that often," exhibition curator Yung Ma said. "We've all seen his paintings and drawings on our I think all these kind of images, they don't do the works justice. So it's actually quite important to come and see because you can actually then understand (that)... he's a really good you can actually really see the texture of the works and the colours and the layering of the paint." The exhibition runs from June 10 to August 31.
Hindustan Times
a day ago
- Entertainment
- Hindustan Times
'Anything goes': Yoshitomo Nara on his creative process as London exhibition opens
LONDON, - Artworks by Yoshitomo Nara go on display in London this week in what organisers say is the largest European retrospective of the Japanese artist. The show, running at the Hayward Gallery by the River Thames, features more than 150 works - drawings, paintings, sculptures, ceramics and installations - nodding to the longtime influences of Nara's works including music, nature, the importance of home and the peace movement. "This is about 40 years' worth of my work," Nara told Reuters at a press preview on Monday. "When I look at my work I don't think what I'm trying to say has actually changed in that time. Whatever period I look at reflects a part of myself, which is why this exhibition is not done chronologically." Nara, 65, is best known for his portraits of child-like characters with big gazing eyes. "I think all the pictures I've created are like my reflections," he said when asked about them. On display are plenty of those kinds of paintings and drawings as well as sculptures. "Anything goes," says Nara, who was born in Aomori Prefecture in northern Japan and lived in Germany early in his career before moving back home, said of his creative process. "I don't think about what I'm doing, but when I've done something good I can feel the reason behind it almost like a kind of hindsight." The show is an expanded version of a touring exhibition previously put on at the Guggenheim in Bilbao and Museum Frieder Burda in Baden-Baden. "What's quite interesting, I think, for audiences in London and in Europe overall ... we don't actually get to see Nara's work in person that often," exhibition curator Yung Ma said. "We've all seen his paintings and drawings on our I think all these kind of images, they don't do the works justice. So it's actually quite important to come and see because you can actually then understand ... he's a really good you can actually really see the texture of the works and the colours and the layering of the paint." The exhibition runs from June 10 to August 31.
