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A treasure trove of performing arts history is finally getting a new home
A treasure trove of performing arts history is finally getting a new home

Sydney Morning Herald

time11-05-2025

  • Entertainment
  • Sydney Morning Herald

A treasure trove of performing arts history is finally getting a new home

Down in the depths of Hamer Hall, behind a secret door, is a treasure trove of performing arts history. The drawers and cabinets all look simple and practically identical, but unless you're part of the curatorial team, the contents come as a complete surprise. One drawer is filled with ballet slippers, another with handwritten notes. A nearby shelf displays set models of plays long since passed, and the cupboards are filled with costumes, sequins and, unexpectedly, Ossie Ostrich from Hey Hey It's Saturday. 'We've got opera, we've got dance, we've got theatre, we've got magic, we've got comedy,' curator Sandra Bruce, director of collections and exhibitions at Arts Centre Melbourne, says with a laugh. Arts Centre Melbourne has been building the 850,000-item collection since 1975 – even before its first building opened in 1982 – and now, in the collection's 50th year, it is opening a new dedicated museum space to showcase the unique archive. In December, Arts Centre Melbourne will open the Australian Museum of Performing Arts in Hamer Hall, in the site formerly occupied by restaurant Fatto. The space will host two exhibitions a year, predominantly drawing on the centre's sizeable collection, with the goal of not simply putting items on display, but telling some of the many stories that have long remained untold. 'We've always known that there's this amazing Australian performing arts collection,' says Bruce. 'It sounds a bit corny, but to be able to bring it back up into the light and to share it with the public I think is very exciting and very important.' The collection has been a priority for Arts Centre Melbourne CEO Karen Quinlan from very early on. 'The conversation started, really, at the very beginning with my first interview for the job,' she says. 'When I started in the role, I was very aware of the collection, and I also knew that I would do something with it.' Minister for Creative Industries Colin Brooks underscores the importance of the new space, saying the museum will 'showcase our national collection at a scale never before possible'.

A treasure trove of performing arts history is finally getting a new home
A treasure trove of performing arts history is finally getting a new home

The Age

time11-05-2025

  • Entertainment
  • The Age

A treasure trove of performing arts history is finally getting a new home

Down in the depths of Hamer Hall, behind a secret door, is a treasure trove of performing arts history. The drawers and cabinets all look simple and practically identical, but unless you're part of the curatorial team, the contents come as a complete surprise. One drawer is filled with ballet slippers, another with handwritten notes. A nearby shelf displays set models of plays long since passed, and the cupboards are filled with costumes, sequins and, unexpectedly, Ossie Ostrich from Hey Hey It's Saturday. 'We've got opera, we've got dance, we've got theatre, we've got magic, we've got comedy,' curator Sandra Bruce, director of collections and exhibitions at Arts Centre Melbourne, says with a laugh. Arts Centre Melbourne has been building the 850,000-item collection since 1975 – even before its first building opened in 1982 – and now, in the collection's 50th year, it is opening a new dedicated museum space to showcase the unique archive. In December, Arts Centre Melbourne will open the Australian Museum of Performing Arts in Hamer Hall, in the site formerly occupied by restaurant Fatto. The space will host two exhibitions a year, predominantly drawing on the centre's sizeable collection, with the goal of not simply putting items on display, but telling some of the many stories that have long remained untold. 'We've always known that there's this amazing Australian performing arts collection,' says Bruce. 'It sounds a bit corny, but to be able to bring it back up into the light and to share it with the public I think is very exciting and very important.' The collection has been a priority for Arts Centre Melbourne CEO Karen Quinlan from very early on. 'The conversation started, really, at the very beginning with my first interview for the job,' she says. 'When I started in the role, I was very aware of the collection, and I also knew that I would do something with it.' Minister for Creative Industries Colin Brooks underscores the importance of the new space, saying the museum will 'showcase our national collection at a scale never before possible'.

From The Cheap Seats to Q+A, here's how to see your favourite shows live
From The Cheap Seats to Q+A, here's how to see your favourite shows live

Sydney Morning Herald

time07-05-2025

  • Entertainment
  • Sydney Morning Herald

From The Cheap Seats to Q+A, here's how to see your favourite shows live

It's late on a warm autumn afternoon in Melbourne as we head across busy St Kilda Rd to join the live studio audience for musical comedy quiz Spicks and Specks. Hosted by Adams Hills, it's the first taping for the show's new season, airing on the ABC from June. We're marshalled past security into the foyer where warm-up man Ben Lomas welcomes us and asks us to send him a question via his Instagram page. Lomas lays down the ground rules: Don't blurt out the answers, turn off our phones and laugh and clap loud and hard. I can't name the guests because the fine print on my ticket tells me not to share details of the taping. Being part of a live studio audience has long been a privilege for any TV fan, the ultimate insider access. Once upon a time that meant sitting in the audience for The Midday Show or Hey Hey It's Saturday, where you might see radio broadcaster Ron Casey and singer Normie Rowe punching on, or US crooner Harry Connick Jr's disgust at a blackface act on Red Faces in a 2009 episode. These days it's a tamer affair. Nothing outrageous happens at Spicks and Specks. The banter is risque, but I expect some of that is destined for the cutting-room floor. Hills is friendly and welcoming, while team captains Myf Warhurst and Alan Brough are at home on the set. There are lots of laughs. The seats are uncomfortable, and Lomas pops up to fill the gaps, answering the audience questions, which are left-field. Taping finishes with a live song by a 1990s band. The audio isn't right, so they sing the song again. Hills wants to highlight local talent because there are few platforms on television. Having also been to Tom Gleeson's Hard Quiz last year, I'm becoming a pro, but how do you score a seat? These days it's mainly comedy and quiz shows on offer, but you must be quick because audience spots are in demand. Audience callouts are made via the network and show websites or on social media. On ticketing platforms such as Eventbrite you can sign up for mailing lists with production companies such as Working Dog and Thinkative Television. You can also subscribe to That's The Ticket, which manages tickets to everything from The Masked Singer to Celebrity Letters and Numbers. Some shows, such as Taskmaster or Guy Montgomery's Guy-Mont Spelling Bee, are filmed months before broadcast, while others, such as The Weekly, are shot either the day before or the afternoon of broadcast. Tapings usually take two to three hours. For shows that are filmed live for broadcast, such as T he Front Bar, there are lots of instructions around ad breaks, being quiet and when to clap uproariously. Loading If you have scored a seat, give yourself plenty of time on the day of filming and don't be late. For Hard Quiz, I went to a 5pm session and backed up for a 7pm taping. The second taping was a Battle of the Duds episode, which was more relaxed as the contestants weren't like rabbits caught in bright lights. Like Spicks and Specks, you cannot so much as murmur answers because the microphones will pick it up, and they will have to edit and do repeats which means you have to stay longer. How to get tickets to your favourite shows Q+A Moderated by journalist Patricia Karvelas, the ABC's town hall-style program features a panel of experts with questions from the audience and people watching at home. It is filmed on Mondays in Melbourne and Sydney ABC studios but also travels occasionally. To get in, you must fill in a form, which includes questions as to whether you are a member of a political party. To register, go to Talkin' 'Bout Your Gen Hosted by Anne Edmonds, a new series of Ten's quiz show is taping on May 12 and 14 at NEP Studios in Eveleigh in Sydney. The reboot pits generations X, Y and Z against each other (sorry, Boomers). There are two sessions, starting at 3.45pm and 7.15pm. Taping takes more than three hours. To book tickets, go to The Project Ten's current affairs/talk show broadcasts live weeknights at the Como Centre, South Yarra, Melbourne. Arrive 5.45pm for a 6.30pm start. Ends 7.30pm. It tapes in Sydney's Pyrmont studios on Sunday nights. To book tickets, go to Insight SBS's popular debate forum, hosted by journalist Kumi Taguchi, explores topical social, political and economic topics. It is filmed on Wednesdays at the SBS's Artarmon studio in Sydney from 5pm and takes up to three hours. You need to answer questions about your age, gender, occupation, ethnicity. To register, go to Spicks and Specks The long-running panel and quiz show is taping season 17 at the ABC's Melbourne studios during May. There are two sessions from 5pm and 7.45pm. Taping takes 2½ hours. To book, go to and search Spicks and Specks. House of Wellness Former Sunrise host Melissa Doyle teams up with former AFL player Shane Crawford for Seven's rebooted health and lifestyle series. This season is taping on Thursdays until May 15 at the NEP Studios in South Melbourne. There are two tapings a day and each takes up to 2½ hours. It then returns between August and November. To book tickets, go to and search House of Wellness. The Front Bar Featuring Mick Molloy, Andy Maher and Sam Pang (when he hasn't got commitments on other shows), Seven's AFL footy panel show is filmed at Melbourne's Docklands Studios. It is usually on a Wednesday and doors open 7.50pm for an 8.30pm start. Tickets appear to be as rare as hen's teeth, and you must enter an audience ballot: audience@ The Cheap Seats Hosted by Melanie Bracewell and Tim McDonald, The Cheap Seats takes a comic look back at the week that was. The Ten show, which is produced by Working Dog, is taped in Melbourne at noon on Tuesdays. To register, go to Have You Been Paying Attention? Tom Gleisner's Logie award-winning quiz show on Ten – also featuring Sam Pang! – is taped in Melbourne on Sundays. To register, go to Tipping Point Australia The last Melbourne taping of Todd Woodbridge's game show, which screens on Nine*, in June is sold out. To register for upcoming shows, email tpaudience@ Sam Pang Tonight The in-demand Pang has just finished the first season of his comedy talk show on Ten. Registrations are being taken for the return season in October. The show is filmed on Mondays in Melbourne. To register, go to Gruen Wil Anderson's panel show, which puts a blowtorch to the advertising industry, records on Tuesdays at the ABC's Sydney studio in Ultimo until July 15. Doors open at 4.30pm for a 5pm start. To book, go to and search Gruen. The Weekly Charlie Pickering's irreverent look at news and current affairs is filming series 11. It is taped on Tuesdays between 6pm and 8pm at ABC Southbank in Melbourne. There are limited tickets left for May,

From The Cheap Seats to Q+A, here's how to see your favourite shows live
From The Cheap Seats to Q+A, here's how to see your favourite shows live

The Age

time07-05-2025

  • Entertainment
  • The Age

From The Cheap Seats to Q+A, here's how to see your favourite shows live

It's late on a warm autumn afternoon in Melbourne as we head across busy St Kilda Rd to join the live studio audience for musical comedy quiz Spicks and Specks. Hosted by Adams Hills, it's the first taping for the show's new season, airing on the ABC from June. We're marshalled past security into the foyer where warm-up man Ben Lomas welcomes us and asks us to send him a question via his Instagram page. Lomas lays down the ground rules: Don't blurt out the answers, turn off our phones and laugh and clap loud and hard. I can't name the guests because the fine print on my ticket tells me not to share details of the taping. Being part of a live studio audience has long been a privilege for any TV fan, the ultimate insider access. Once upon a time that meant sitting in the audience for The Midday Show or Hey Hey It's Saturday, where you might see radio broadcaster Ron Casey and singer Normie Rowe punching on, or US crooner Harry Connick Jr's disgust at a blackface act on Red Faces in a 2009 episode. These days it's a tamer affair. Nothing outrageous happens at Spicks and Specks. The banter is risque, but I expect some of that is destined for the cutting-room floor. Hills is friendly and welcoming, while team captains Myf Warhurst and Alan Brough are at home on the set. There are lots of laughs. The seats are uncomfortable, and Lomas pops up to fill the gaps, answering the audience questions, which are left-field. Taping finishes with a live song by a 1990s band. The audio isn't right, so they sing the song again. Hills wants to highlight local talent because there are few platforms on television. Having also been to Tom Gleeson's Hard Quiz last year, I'm becoming a pro, but how do you score a seat? These days it's mainly comedy and quiz shows on offer, but you must be quick because audience spots are in demand. Audience callouts are made via the network and show websites or on social media. On ticketing platforms such as Eventbrite you can sign up for mailing lists with production companies such as Working Dog and Thinkative Television. You can also subscribe to That's The Ticket, which manages tickets to everything from The Masked Singer to Celebrity Letters and Numbers. Some shows, such as Taskmaster or Guy Montgomery's Guy-Mont Spelling Bee, are filmed months before broadcast, while others, such as The Weekly, are shot either the day before or the afternoon of broadcast. Tapings usually take two to three hours. For shows that are filmed live for broadcast, such as T he Front Bar, there are lots of instructions around ad breaks, being quiet and when to clap uproariously. Loading If you have scored a seat, give yourself plenty of time on the day of filming and don't be late. For Hard Quiz, I went to a 5pm session and backed up for a 7pm taping. The second taping was a Battle of the Duds episode, which was more relaxed as the contestants weren't like rabbits caught in bright lights. Like Spicks and Specks, you cannot so much as murmur answers because the microphones will pick it up, and they will have to edit and do repeats which means you have to stay longer. How to get tickets to your favourite shows Q+A Moderated by journalist Patricia Karvelas, the ABC's town hall-style program features a panel of experts with questions from the audience and people watching at home. It is filmed on Mondays in Melbourne and Sydney ABC studios but also travels occasionally. To get in, you must fill in a form, which includes questions as to whether you are a member of a political party. To register, go to Talkin' 'Bout Your Gen Hosted by Anne Edmonds, a new series of Ten's quiz show is taping on May 12 and 14 at NEP Studios in Eveleigh in Sydney. The reboot pits generations X, Y and Z against each other (sorry, Boomers). There are two sessions, starting at 3.45pm and 7.15pm. Taping takes more than three hours. To book tickets, go to The Project Ten's current affairs/talk show broadcasts live weeknights at the Como Centre, South Yarra, Melbourne. Arrive 5.45pm for a 6.30pm start. Ends 7.30pm. It tapes in Sydney's Pyrmont studios on Sunday nights. To book tickets, go to Insight SBS's popular debate forum, hosted by journalist Kumi Taguchi, explores topical social, political and economic topics. It is filmed on Wednesdays at the SBS's Artarmon studio in Sydney from 5pm and takes up to three hours. You need to answer questions about your age, gender, occupation, ethnicity. To register, go to Spicks and Specks The long-running panel and quiz show is taping season 17 at the ABC's Melbourne studios during May. There are two sessions from 5pm and 7.45pm. Taping takes 2½ hours. To book, go to and search Spicks and Specks. House of Wellness Former Sunrise host Melissa Doyle teams up with former AFL player Shane Crawford for Seven's rebooted health and lifestyle series. This season is taping on Thursdays until May 15 at the NEP Studios in South Melbourne. There are two tapings a day and each takes up to 2½ hours. It then returns between August and November. To book tickets, go to and search House of Wellness. The Front Bar Featuring Mick Molloy, Andy Maher and Sam Pang (when he hasn't got commitments on other shows), Seven's AFL footy panel show is filmed at Melbourne's Docklands Studios. It is usually on a Wednesday and doors open 7.50pm for an 8.30pm start. Tickets appear to be as rare as hen's teeth, and you must enter an audience ballot: audience@ The Cheap Seats Hosted by Melanie Bracewell and Tim McDonald, The Cheap Seats takes a comic look back at the week that was. The Ten show, which is produced by Working Dog, is taped in Melbourne at noon on Tuesdays. To register, go to Have You Been Paying Attention? Tom Gleisner's Logie award-winning quiz show on Ten – also featuring Sam Pang! – is taped in Melbourne on Sundays. To register, go to Tipping Point Australia The last Melbourne taping of Todd Woodbridge's game show, which screens on Nine*, in June is sold out. To register for upcoming shows, email tpaudience@ Sam Pang Tonight The in-demand Pang has just finished the first season of his comedy talk show on Ten. Registrations are being taken for the return season in October. The show is filmed on Mondays in Melbourne. To register, go to Gruen Wil Anderson's panel show, which puts a blowtorch to the advertising industry, records on Tuesdays at the ABC's Sydney studio in Ultimo until July 15. Doors open at 4.30pm for a 5pm start. To book, go to and search Gruen. The Weekly Charlie Pickering's irreverent look at news and current affairs is filming series 11. It is taped on Tuesdays between 6pm and 8pm at ABC Southbank in Melbourne. There are limited tickets left for May,

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