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Country music's biggest star may be the problem, but he will have the last laugh
Country music's biggest star may be the problem, but he will have the last laugh

The Age

time17 hours ago

  • Entertainment
  • The Age

Country music's biggest star may be the problem, but he will have the last laugh

Morgan Wallen, I'm the Problem That Morgan Wallen, the biggest star in country music, if not music altogether, is by all evidence a dick – he was caught using a racial slur, is arguably sexist, and definitely boorish – should not preclude a reasoned look at his music. And if you are a caring type, you don't need to worry about any such grumbling affecting Wallen's sales, as the commitment from his fans suggests that, as with his spirit animal, DJ Trump, attaching yourself to Wallen after each criticism of him is an act of defiance and solidarity in the face of smart arses who think they're superior because they're not racist rednecks. Which, funnily enough, Wallen tips a hat to as often as he can on this album, opening I Ain't Coming Back, helped by old mucker Post Malone, with 'I'm a redneck 'cause I drink beer and I dip Skoal', and in Come Back as a Redneck wishing for one of those nasty city folk who look down on him that 'when you die I hope you come back as a redneck/I hope it sticks on you like a hell-hot sun tattoo … maybe then you'll understand'. There's plenty more where that came from, and that's without even getting to the Taylor Swift-alike title track, which opens the album. Though if you think that title may presage a confessional of faults, a mea culpa for deeds past and present … hahaha. Basically, it's a song which says to a recalcitrant lover, who may be standing in for all of his critics, hey, you knew what you were getting with me so why complain now? Plus, maybe it's you, not me: 'And it got me thinkin'/if I'm the problem, well, you might be the reason'. Having dabbled with trap beats in the past, Wallen returns to first thoughts here. This is a regulation modern country album, short on beer-stompers but heavy on the ballads and midtempo tracks, like the sunset cruising I Got Better and hymnal Smile. It's arranged with familiarity not adventure front of mind, R&B influences dusting things like the keyboards drenching TN and the light boy band-does-soul sway of Kiss Her in Front of You, but never leaving country/pop's main street where the likes of If You Were Mine (a power ballad hiding inside a white suit) and the duet with Tate McRae, What I Want, comfortably hold the centre of the road.

Too boorish to fail: Music's brat king reigns again
Too boorish to fail: Music's brat king reigns again

Sydney Morning Herald

time4 days ago

  • Entertainment
  • Sydney Morning Herald

Too boorish to fail: Music's brat king reigns again

Morgan Wallen, I'm the Problem That Morgan Wallen, the biggest star in country music, if not music altogether, is by all evidence a dick – probably racist, arguably sexist, and definitely boorish – should not preclude a reasoned look at his music. And if you are a caring type, you don't need to worry about any such grumbling affecting Wallen's sales, as the commitment from his fans suggests that, as with his spirit animal, DJ Trump, attaching yourself to Wallen after each criticism of him is an act of defiance and solidarity in the face of smart arses who think they're superior because they're not racist rednecks. Which, funnily enough, Wallen tips a hat to as often as he can on this album, opening I Ain't Coming Back, helped by old mucker Post Malone, with 'I'm a redneck 'cause I drink beer and I dip Skoal', and in Come Back as a Redneck wishing for one of those nasty city folk who look down on him that 'when you die I hope you come back as a redneck/I hope it sticks on you like a hell-hot sun tattoo … maybe then you'll understand'. There's plenty more where that came from, and that's without even getting to the Taylor Swift-alike title track, which opens the album. Though if you think that title may presage a confessional of faults, a mea culpa for deeds past and present … hahaha. Basically, it's a song which says to a recalcitrant lover, who may be standing in for all of his critics, hey, you knew what you were getting with me so why complain now? Plus, maybe it's you, not me: 'And it got me thinkin'/if I'm the problem, well, you might be the reason'. Having dabbled with trap beats in the past, Wallen returns to first thoughts here. This is a regulation modern country album, short on beer-stompers but heavy on the ballads and midtempo tracks, like the sunset cruising I Got Better and hymnal Smile. It's arranged with familiarity not adventure front of mind, R&B influences dusting things like the keyboards drenching TN and the light boy band-does-soul sway of Kiss Her in Front of You, but never leaving country/pop's main street where the likes of If You Were Mine (a power ballad hiding inside a white suit) and the duet with Tate McRae, What I Want, comfortably hold the centre of the road.

Too boorish to fail: Music's brat king reigns again
Too boorish to fail: Music's brat king reigns again

The Age

time4 days ago

  • Entertainment
  • The Age

Too boorish to fail: Music's brat king reigns again

Morgan Wallen, I'm the Problem That Morgan Wallen, the biggest star in country music, if not music altogether, is by all evidence a dick – probably racist, arguably sexist, and definitely boorish – should not preclude a reasoned look at his music. And if you are a caring type, you don't need to worry about any such grumbling affecting Wallen's sales, as the commitment from his fans suggests that, as with his spirit animal, DJ Trump, attaching yourself to Wallen after each criticism of him is an act of defiance and solidarity in the face of smart arses who think they're superior because they're not racist rednecks. Which, funnily enough, Wallen tips a hat to as often as he can on this album, opening I Ain't Coming Back, helped by old mucker Post Malone, with 'I'm a redneck 'cause I drink beer and I dip Skoal', and in Come Back as a Redneck wishing for one of those nasty city folk who look down on him that 'when you die I hope you come back as a redneck/I hope it sticks on you like a hell-hot sun tattoo … maybe then you'll understand'. There's plenty more where that came from, and that's without even getting to the Taylor Swift-alike title track, which opens the album. Though if you think that title may presage a confessional of faults, a mea culpa for deeds past and present … hahaha. Basically, it's a song which says to a recalcitrant lover, who may be standing in for all of his critics, hey, you knew what you were getting with me so why complain now? Plus, maybe it's you, not me: 'And it got me thinkin'/if I'm the problem, well, you might be the reason'. Having dabbled with trap beats in the past, Wallen returns to first thoughts here. This is a regulation modern country album, short on beer-stompers but heavy on the ballads and midtempo tracks, like the sunset cruising I Got Better and hymnal Smile. It's arranged with familiarity not adventure front of mind, R&B influences dusting things like the keyboards drenching TN and the light boy band-does-soul sway of Kiss Her in Front of You, but never leaving country/pop's main street where the likes of If You Were Mine (a power ballad hiding inside a white suit) and the duet with Tate McRae, What I Want, comfortably hold the centre of the road.

Post Malone Wants to Pour You A Drink With New Limited-Edition Stanley 1913 Tumbler Collection
Post Malone Wants to Pour You A Drink With New Limited-Edition Stanley 1913 Tumbler Collection

Yahoo

time14-05-2025

  • Entertainment
  • Yahoo

Post Malone Wants to Pour You A Drink With New Limited-Edition Stanley 1913 Tumbler Collection

If you purchase an independently reviewed product or service through a link on our website, Rolling Stone may receive an affiliate commission. After his fiery headlining sets at this year's Coachella, Post Malone needs a drink — and he had some help from Stanley 1913 getting more hydrated than ever. The F-1 Trillion superstar announced on Monday, May 12 that he was dropping a limited-edition collection of Stanley's viral water bottles and tumblers. More from Rolling Stone Thrive Market Is as 'Secret' Site for Grocery Savings Amid Trump's Tariffs Worried About Privacy Online? This Top-Rated VPN Is Up to 77% Off Kate Spade Is Practically Giving Away Their Best-Selling Satchel Bag at More Than 78% Off The Stanley 1913 x Post Malone limited-edition collection doesn't have a ton of details as of now, but we know it'll be available to purchase on on June 16 (you can sign up and join the waitlist today to get notified of availability). While you all probably know the fan-favorite Quencher H2.0 Flowstate as 'the' Stanley Cup, the 'I Ain't Coming Back' singer will be serving up his own spin on products from the brand's beloved Hydration, Bar and Originals categories. sign up for post malone x stanley waitlist Malone is one of many recording artist and athletes with thirst-quenching Stanley collabs, previously including Tyla, Lionel Messi, Lainey Wilson, and Olivia Rodrigo. 'I've always been a big fan of Stanley 1913, so being able to collaborate with them has been awesome,' says Malone in a statement. 'The whole collection is badass. I'm excited for y'all to see what we made.' There haven't been any visuals released as of now (besides the promo video above of Malone driving a big yellow school bus and speeding past a crew of waiting kids), but the brand teased that 'Malone has injected his unique creative vision into the Stanley 1913 x Post Malone collection. This is a partnership poised to captivate fashion and trend enthusiasts, die-hard music fans, and the devoted Stanley community alike.' 'This partnership beautifully merges the innovative quality and creativity our community expects with Post's authentic and expressive modern country aesthetic,' said Chief Brand Officer for Stanley 1913, Kate Ridley. 'We've poured our combined love for style as personal expression into this collection, and we know our consumers will love it as much as we do.' So what are we thinking folks? A red Stanley tumbler with a design inspired by 'Red Solo Cup'? Camo patterns or heavily 'tattooed' cups? Posty is currently hitting the road on his Big Ass Stadium Tour with Jelly Roll, which kicked off last month in Salt Lake, Utah, and will continue through San Antonio and Arlington, TX, Atlanta, St. Louis, Detroit, Minneapolis, Chicago, Philadelphia, Hershey and Pittsburgh, Miami, Orlando, Denver, L.A. and Portland before finishing up on July 1 in San Francisco. Ready to pull that bottle off the shelf? Stay up to date on the release and join the Stanley 1913 x Post Malone collection waitlist on The items will be available to view on June 6, officially dropping on June 16. But if you're too thirsty to wait, shop a few of our favorite Stanley 1913 summertime pick below. $35.00 Buy Now on stanley 1913 $35.00 Buy Now On Amazon $55.00 Buy Now on stanley 1913 $55.00 Buy Now On Amazon $28.00 Buy Now on stanley 1913 $28.00 Buy Now On Amazon $140.00 Buy Now on stanley 1913 $140.00 $150.00 7% off Buy Now On Amazon Best of Rolling Stone The Best Audiophile Turntables for Your Home Audio System

Morgan Wallen's New Duet Launches Lower Than Some May Have Expected
Morgan Wallen's New Duet Launches Lower Than Some May Have Expected

Forbes

time05-05-2025

  • Entertainment
  • Forbes

Morgan Wallen's New Duet Launches Lower Than Some May Have Expected

Morgan Wallen scores a big new hit on multiple Billboard rankings this week with the debut of his latest tune, "I Ain't Coming Back,' a collaboration with Post Malone. The track launches on more than half a dozen United States-based charts, entering the highest tier on nearly all of them. It serves as the latest focus cut from the country superstar's upcoming full-length, which is expected to drop later this month. "I'm the Problem" is definitely a big win upon arrival, there can be no question about that – but the fact that it didn't perform even better is a little surprising. "I Ain't Coming Back" debuts at No. 8 on the Hot 100. While another top 10 smash on the most competitive songs list in America is certainly nothing to sneer at, some may have expected the collaboration to launch even higher, given the significant excitement surrounding its release. Somewhat shockingly, it's not even Wallen's highest-rising hit on that tally this frame. His previous single, "I'm the Problem," lifts from No. 10 to No. 7 — beating out his latest drop. That's unusual, as one might expect a just-shared tune to be the most exciting of the week, but it misses out on earning that honor by just one space. Wallen has, for months now, delivered single after single from his upcoming album, and almost all of his tracks have reached the top 10 on the Hot 100. Somewhat surprisingly, though, "I Ain't Coming Back" is the second-lowest-peaking of the bunch. His tune "I'm a Little Crazy" only rose as high as No. 17, though it was shared at the same time as 'Just In Case,' which was promoted to proper single status just a short while later. The first single from the set, "Lies Lies Lies," peaked at No. 7 and had been the lowest-charting smash from the effort. The four other proper singles — "Love Somebody," "Smile," "I'm the Problem," and, most recently, "Just in Case" — have all cracked the top five, peaking at Nos. 1, 4, 2, and 4, respectively. What makes the No. 8 debut even more surprising is the fact that when Wallen and Malone teamed up previously, they scored one of the biggest hits of last year. When Malone pivoted into country, he recruited Wallen for "I Had Some Help." That track debuted at No. 1 on the Hot 100 and remains present on the list nearly a year later. Now in its fiftieth frame on the tally, it actually rises this span from No. 17 to No. 15. Even though "I Ain't Coming Back" doesn't match the high points set by several of its predecessors, the track is a true hit. It dominates the Country Streaming Songs chart and launches in second place on both the Country Digital Song Sales and Streaming Songs tallies. It also kicks off its time inside the top five on both the Hot Country Songs (No. 3) and Digital Song Sales (No. 4) charts.

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