Latest news with #JasonHalayko
Japan Forward
17-05-2025
- Japan Forward
Portal to the Past: Asakusa Underground Street
Through the march of time, Tokyo has grown and evolved to become a beacon of technology and progression. Unfortunately, with this evolution, much of the charm of past eras has also been wiped "clean." Each year, it becomes more difficult to discover hidden gems from the Showa (昭和）and other forgotten eras in Tokyo as they are slowly being replaced by the inevitability of modernization. The street entrance to Asakusa Underground Shopping Street (©Jason Halayko) Coming up from the entrance (©Jason Halayko) One gem that has remained relatively unscathed over the decades is the Asakusa Underground Street (浅草地下商店街). Located beneath Asakusa Station, the Asakusa Underground Street is known as one of Japan's oldest underground shopping streets. And it is home to various izakayas, restaurants, and other unique shops and businesses that seem stuck in a bygone era. That is a good thing for street photographers like myself. Even though I have visited Asakusa numerous times over the last 20 years, I had never ventured down into the darkness of this underground shopping area. Until now. Old fashioned standup noodle shop (©Jason Halayko) Descending the stairs at the main entrance, I was greeted with an old-style standing-only udon/soba shop that was surprisingly constantly busy with customers during my visit. If I had more time, I would have loved to have tried some of their udon. Maybe next time I am in the area. A street sign points the way to the Asakusa Underground Shopping Street entrance (©Jason Halayko) Follow the arrow (©Jason Halayko) Entering the main street, I was taken aback by just how quiet it was underground. Above ground, there were thousands of people walking about exploring Asakusa. Here, though, there were but a handful of curious travelers and obvious locals to be seen. Discovering the Showa era under Asakusa Station (©Jason Halayko) Walking through the street and exploring with my camera, it was hard not to notice that the street is in desperate need of many renovations. Again, however, this is part of the charm of these areas. The feeling that this place has not changed majorly in decades is refreshing and exciting for me as a street photographer. A quiet shopping street (©Jason Halayko) A shop and shopkeeper from the Showa era (©Jason Halayko) Which way? (©Jason Halayko) Browsing Showa style (©Jason Halayko) I should also mention that the Asakusa Underground Street is actually quite short, taking only a minute or two to walk the entire length. Saying that, while exploring the street, I must have walked back and forth a dozen times, and found something new and exciting with each and every pass. I love exploring areas like this with my camera, especially when they are quiet and I can just take my time and not feel rushed by the tidal wave of visitors one encounters above ground in Asakusa. Down the stairs into Asakusa Underground Shopping Street (©Jason Halayko) Details from another era in underground Asakusa (©Jason Halayko) A shop and shopkeeper from the Showa era (©Jason Halayko) Even the appliances speak of "Showa" (©Jason Halayko) In the end, I thoroughly enjoyed my time exploring the Asakusa Underground Street and feel I got some great captures as well. If you are in Asakusa, make sure to check this little forgotten pocket of the past, before it too disappears under the marching feet of modernization. (©Jason Halayko) Author: Jason Halayko Jason Halayko is a professional photographer specializing in action sports and portrait photography. Follow him on X (formerly Twitter) and Instagram .
Japan Forward
11-05-2025
- Japan Forward
The Fujifilm GFX100RF, Daring to be Different
Fujifilm has recently released the GFX100RF, a medium format, fixed-lens camera. Its unique features have divided many comment sections on the internet, with people both loving and hating the direction Fujifilm took with this camera. I was fortunate enough to borrow a GFX100RF for a week and thought I would share my experience of actually using the camera and testing out the various features (or lack thereof) that have the internet so excited. Black and white with the Fujifilm GFX100RF (©Jason Halayko) First, Fujifilm's GFX system of cameras is known for having massive sensors, and the GFX100RF is no exception. With a 102MP sensor, this camera produces images that are unbelievably larger than you would get from your ordinary modern-day DSLR camera. It allows superb image quality. But it also enables the ability to crop images to an extent I would never try with my current cameras. Not that I would want to rely on this too much, but knowing you can crop as needed without losing image quality is a great help in chaotic situations like event or street photography. Shooting with the Fujifilm GFX100RF (©Jason Halayko) Cropping with the Fujifilm GFX100RF (©Jason Halayko) As mentioned above, the GFX100RF is a fixed lens with a 35mm focal length and an f/4 aperture. A focal length of 35mm on a medium format camera is equivalent to about 28mm on a DSLR. So, it is actually quite a wide lens. I don't hear too many complaints about the focal length. However, the choice to go with an aperture of f/4 seems to have a lot of photography enthusiasts scratching their heads. Personally, I mostly shoot with f/1.4, 1.8, and 2.8 lenses wide open. I like to blur my backgrounds (bokeh) to allow my subjects to stand out as much as possible. So I was honestly a little disappointed that Fujifilm decided to go with f/4 for this camera. Shooting street photography with the Fujifilm GFX100RF (©Jason Halayko) However, I found the bokeh the GFX100RF produces to be quite pleasant when actually trying the camera for portraits, street, and even breakdance photography. Portrait photography with the Fujifilm GFX100RF (©Jason Halayko) It was something I got used to quite quickly. In fact, I even forgot about the issue after a couple of hours of shooting. Of course, a wider aperture would be nice, especially at this price point. Nevertheless, I don't think f/4 is the deal breaker that so many people seem to be saying it is. Shooting breakdance with the Fujifilm GFX100RF (©Jason Halayko) One new feature that Fujifilm has brought to the GFX100RF is a physical dial that allows the user to switch between various aspect ratios directly in the camera. I have never seen a camera with a physical dial dedicated to this. Therefore, I was quite interested in seeing how I could integrate this into a day of shooting. Unfortunately, after trying the camera for a few days, I was pretty confident I would not use this ratio dial in my day-to-day shooting. Changing ratios with the Fujifilm GFX100RF ー example 1. (©Jason Halayko) Changing ratios with the Fujifilm GFX100RF ー example 2. (©Jason Halayko) Changing ratios with the Fujifilm GFX100RF ー example 3. (©Jason Halayko) When using the dial and shooting in RAW+JPEG mode, the camera will produce a JPEG cropped to the selected ratio. And it will also add a crop to the RAW as well. The crop to the RAW can be taken off using any photo editing software. However, for my style of shooting, it just feels like an unnecessary extra step to take when editing. The only time I could see myself needing cropped JPEGs is when shooting for social media at an event. And even then, I would prefer to edit the RAWs first, then pass on those images as JPEGs if and when needed. There is one missing feature in the GFX100RF that seems to have upset a lot of people. It is the lack of any internal stabilization (IBIS) when taking photos with this camera. With an aperture at f/4, you are required to either slow down your shutter speed or increase your ISO more so than if you were to be shooting with a lens with an aperture of f/1.8, for example. If the camera had IBIS, this could be okay. However, because it is missing, many photographers online have complained that they can't get sharp images, even at a shutter speed of 1/250. Sharp images with the Fujifilm GFX100RF, in this example 1, despite the lack of IBIS. (©Jason Halayko) During my shooting, at night in Okinawa especially, I was lowering my shutter speed to 1/60 and 1/30 and still getting sharp images. Of course, I was being careful when taking the photos. But what I got turned out great time and time again, even without IBIS. Therefore, I am not exactly sure what these other photographers are doing when taking pictures at lower shutter speeds. In example 2, without IBIS, I was able to shoot sharp images with the Fujifilm GFX100RF (©Jason Halayko) In this example 3, despite the missing IBIS, I got sharp images with the Fujifilm GFX100RF (©Jason Halayko) Lastly, the Fujifilm GFX100RF not only takes great photos, but it also captures 4k/30fps videos as well. This is not uncommon for modern cameras. But what is unique is that the GFX100RF houses a 4-stop internal ND filter that can easily be turned on and off in the menu. Shooting video at 30fps requires a shutter speed of 1/60, which is quite slow, and allows a lot of light to reach the camera's sensor. This can be somewhat negated with camera settings, but there is a limit to this method. This is why many videographers use ND filters to shoot at wider apertures in bright light. Basically, they are like sunglasses for your camera. Shooting with the ND filter ON using the Fujifilm GFX100RF (©Jason Halayko) Shooting with the ND filter OFF using the Fujifilm GFX100RF (©Jason Halayko) I loved how this was internal in the GFX100RF and found I was using it for all the video I was taking (except at night, of course) during my test shooting. Having it as a separate accessory means you have yet another thing to forget when heading out shooting. Therefore, having it always inside the body is super helpful for people like me! All in all, the GFX100RF has been surprisingly polarizing in the photography community. Unfortunately, many people are expressing strong opinions about the camera without actually trying for themselves. Although I don't think I would use the ratio dial in my own shooting, the camera itself is light and small for a medium format option. The auto focus was bang on, and the images it produces are amazingly large yet easy to edit. I hope I can play with the Fujifilm GFX100RF again in the near future! Shooting with the Fujifilm GFX100RF (©Jason Halayko) Author: Jason Halayko Jason Halayko is a professional photographer specializing in action sports and portrait photography. Follow him on X (formerly Twitter) and Instagram .
Japan Forward
08-05-2025
- Entertainment
- Japan Forward
'See Paris Differently' A Solo Exhibition by ZEN
One of the best pieces of advice I ever received as a photographer was "If you want to train your photographic eye, you need to view lots of great images." Since then, I have always cherished the chances I get to visit art galleries that feature great photography, and the "See Paris Differently" solo exhibition by ZEN is just one of those opportunities. Located at the TAKANAWA GATEWAY CITY ZERO-SITE Takanawa Gallery 3rd floor, the exhibition is just a quick walk from the newest Yamanote line station, Takanawa Gateway Station. This is the second in a series of exhibitions ZEN is creating in collaboration with photographer/parkour athlete Jason Paul. The first exhibition consisted of images taken in Thailand. "See Paris Differently," an exhibition by ZEN (©Jason Halayko) "See Paris Differently," an exhibition by ZEN (©Jason Halayko) Being a fan of photography and parkour, I found the images in this exhibition to be both playful and thought-provoking. Although the images were shot around Paris, Zen and Jason have sought out unique locations. Moreover, they've shot in such a way as to show a side of Paris reserved for locals, but in a way that even locals would see their own neighborhoods in a new light. "See Paris Differently," an exhibition by ZEN (©Jason Halayko) I also love the concept that everything shot must be the true image taken. There is no erasing unwanted elements with Photoshop or other software in post. This realism and authenticity can be severely lacking in today's "too perfect" photography seen so much on Instagram and other SNS platforms. But please don't just take my word for it. This exhibition goes on until May 13, so do yourself a favor and check it out! There is also a small theater in the gallery showing a short video narrated by ZEN talking about the project. This is a must-see as well (Japanese language only). "See Paris Differently," an exhibition by ZEN (©Jason Halayko) "See Paris Differently," an exhibition by ZEN (©Jason Halayko) Additional event information is also available on the Zero Site website and check the ZEN Instagram page. "See Paris Differently," an exhibition by ZEN (©Jason Halayko) Author: Jason Halayko Jason Halayko is a professional photographer specializing in action sports and portrait photography. Follow him on X (formerly Twitter) and Instagram .
