Latest news with #Kufic
Daily Tribune
21-03-2025
- General
- Daily Tribune
Bahrain's Mosque Numbers Rise by 130 in Just Six Years
A new statistic released on the Government Data Platform has revealed a significant increase in the number of mosques in the Kingdom of Bahrain over the past six years. The number of mosques and prayer halls has risen by 130, growing from 1,206 to approximately 1,336 across all governorates of the Kingdom. The data also shows a notable increase in the number of muezzins and imams. In 2023, the number of muezzins reached 875, compared to 821 the previous year, marking a rise of 54 muezzins within a single year. The number of imams also grew by 29, reaching 566 in 2023, up from 537 in 2022. The number of Eid prayer halls has doubled, reaching 378 in 2023, compared to just 189 in 2022. The number of preachers and muezzins has seen notable changes over the past few years. In 2018, there were 103 preachers and 790 muezzins. By 2020, the number of preachers increased to 116, reaching 126 in 2021, and 132 in 2023. As for muezzins, their number in 2019 was 797, followed by 805 in 2020, 813 in 2021, 821 in 2022, and finally, 875 in 2023. According to the data, there are approximately 15 religious event halls associated with the Sunni Endowments in Bahrain. The doubling of the number of mosques and prayer halls in the Kingdom reflects Bahrain's commitment to implementing projects for the construction and development of places of worship. This growth is in line with the visionary developmental journey led by His Majesty the King, which focuses on fulfilling the religious needs of all members of society and achieving spiritual and religious fulfillment for all worshippers. Religious places, whether historical or archaeological, hold significant value in Bahraini society as part of its cultural and human heritage. Mosques and prayer halls in Bahrain are renowned for their exquisite architectural designs and intricate Islamic decorations. The Kingdom's cities and villages are home to numerous grand and historic mosques, which have become landmarks due to their size, capacity, and remarkable architectural beauty. The largest mosque in Bahrain is the Al-Fateh Islamic Center, which can accommodate over 7,000 worshippers and features the world's largest fiberglass dome, adorned with beautiful Kufic calligraphy. The large number of mosques and prayer halls in all governorates, along with the noticeable rise in the construction of new mosques and the restoration of old ones, highlights the Kingdom's commitment to supporting the development and construction of places of worship. This effort ensures that mosques continue to serve their noble purpose in society by spreading awareness of the correct moderate religious values and reinforcing national unity, cooperation, solidarity, and community building.
The National
18-02-2025
- General
- The National
Pyxis of Al-Mughira: On loan to Louvre Abu Dhabi, the 10th century Muslim kingdom's symbol of Andalusian art
The Pyxis of Al-Mughira at Louvre Abu Dhabi is currently on loan from the museum's counterpart in France, having arrived in November last year. The artefact comes as a striking example of the royal ivory-carving tradition of Al-Andalus, the Muslim kingdom that ruled areas of the Iberian Peninsula at various times between the 8th and 15th centuries. The cylindrical Andalusian box, which will remain in the Louvre Abu Dhabi until November 2026, was made in the 10th century, in the royal workshops of Madinat al-Zahra, the palace city near modern-day Cordoba. It is crafted from a single piece of elephant tusk. Scenes reflecting the might and agency of the Umayyads, the dynasty who ruled the area at the time, have been intricately engraved on the container. These include figures on thrones, lions attacking bulls, horsemen picking dates, and those removing falcon eggs from nests. The forms are minutely carved. The spaces between them are engraved to a thickness of just a few millimeters, letting light pass through and giving the humans, animals and flora on the pyxis a three-dimensional quality. The pyxis is small enough to be held with one hand. Yet, its "importance exceeds far larger than its physical size," says Fakhera Alkindi, senior curatorial assistant at Louvre Abu Dhabi. An aspect of this importance is the craftsmanship of the artefact, and the "remarkable mastery" required to produce something so intricate on a material as delicate as ivory. 'Certain areas are engraved to a thickness of only three millimeters, which allowed for an effective translucency once light is projected through the object,' Alkindi says. The iconography, she adds, has gone through several scholarly interpretations from contexts that range from political to astrological. As such, some mystery still surrounds the pyxis. However, one thing is certain and that is the artefact's original recipient. An inscription crowning the pyxis in a Kufic script wishes a happy destiny to Prince Al-Mughira, half-brother of Caliph al-Hakam II, the second Umayyad caliph of Cordoba, who ruled from the years 961 to 976. The inscription also bares the date of manufacturing. 'It was made in the year 968,' Alkindi says. 'The precious box was presented as a gift to the Prince Al-Mughira and represents an important moment within the history of the Umayyads of Spain and the larger Islamic history. "It stands as a material testimony to the cultural prosperity and technical virtuosity of this period in Al-Andalus, particularly within the commercial and cultural hub of Madinat al-Zahra, which hosted a flourishing environment of artistic and architectural production.' Several considerations were taken when thinking about how the pyxis would be presented at Louvre Abu Dhabi, Alkindi says. The artefact has been given its own space within the permanent galleries. Multimedia elements accentuate the intricacies of the its craftsmanship, zooming into its medallions and engravings. 'This masterpiece of Islamic art, carrying a lot of historical, aesthetic and technical importance, required a special display,' Alkindi says. 'The pyxis takes centre stage within a dedicated gallery. The material quality and the virtuosity of its craftsmanship is further highlighted by a near 180 degree monumental projection screen surrounding both the visitor and the artwork.' Four marble capitals produced around the same time period are also displayed around the box. The capitals, which once crowned lofty columns in Al-Andalus, feature splaying floral and geometric designs that echo the engravings on the Pyxis. They were likewise crafted in Madinat al-Zahra, Alkindi says, explaining that "they evoke the context in which the Pyxis was produced'. The scenography is further enhanced with the sound of oud. The musical element, composed by Iraqi composer Naseer Shamma, takes several cues from the culture of Al-Andalus and is inspired from the works of the ninth-century musician Ziryab. 'We wished to mediate many aspects of the pyxis,' Alkindi says. 'From the historical context, the cultural context, the technical developments that allowed for such an object to come to life, and the vibrant cultural centre of Madinat al-Zahra.' The Pyxis of Al-Mughira is on display at Louvre Abu Dhabi until November 2026.
