Latest news with #LollapaloozaBerlin
NDTV
a day ago
- Entertainment
- NDTV
What Makes SEVENTEEN Different? 10 Years Of Loving The K-Pop Thirteen That Outsmarted The System
New Delhi: You don't often hear the word "anomaly" used as a compliment in the hyper-formatted, hyper-efficient machine that is the K-pop industry. But SEVENTEEN wears it like a crown. Ten years into their journey, the thirteen-member group has not only survived the churn-and-burn nature of idol stardom, but they've also reshaped what it means to thrive. Call it staying power. Call it self-definition. Call it the quiet revolution of a group that turned being "too big" into their biggest strength. In an industry built on glossy perfection and strict creative hierarchies, SEVENTEEN has always been a little too hands-on, a little too collaborative and a little too good at what they do. Now, as they celebrate a decade together in 2025, the question isn't whether they're successful; it's how they've managed to stay this original, this relevant, and this fan-connected for this long. And the answer? They never stopped being themselves, they just kept evolving. 13 + 3 + 1 = SEVENTEEN: A Name, A Philosophy When SEVENTEEN debuted in 2015 under PLEDIS Entertainment, their name confused more people than it clarified: why Seventeen when there are clearly 13 members? But the math was more poetic than literal - 13 members, divided into 3 specialised units (hip-hop, vocal, performance), coming together as 1 cohesive team. It was a statement of structure and synergy and also, quietly, a vision for longevity. Each unit brought something distinctive: the hip-hop team ( Wonwoo, Mingyu, Vernon) crafted sharp, introspective raps. The vocal team (Woozi, Jeonghan, Joshua, DK, Seungkwan) delivered emotional depth with soaring harmonies. The performance unit (Hoshi, Jun, The8, Dino) turned the stages into kinetic art. But the brilliance was in the balance - no member was left behind, no skill left undeveloped. It was democratised stardom from the start. Unlike many K-pop acts whose output is driven by behind-the-scenes producers, SEVENTEEN was branded as "self-producing idols." That wasn't just PR polish; main vocalist Woozi has long helmed the group's songwriting and production alongside in-house producer Bumzu, while Hoshi and the performance team are responsible for much of the group's dynamic choreography. They didn't just perform the art. They made it. And they've never stopped. Why SEVENTEEN Feels Brand-New Even Today Most K-pop groups spend their early years finding a sound, middle years perfecting it, and late years clinging to it. SEVENTEEN, somehow, has sidestepped that linearity. In 2024 alone, they performed on the main stage at Glastonbury Festival - the first K-pop act to do so and headlined Lollapalooza Berlin. Their RIGHT HERE World Tour drew 1.5 million fans across continents. At the Billboard Music Awards, they took home the Top K-pop Touring Artist award. But the numbers aren't the most interesting part. The art is. The group's recent mini-album SPILL THE FEELS landed on Billboard's "25 Best K-pop Albums of 2024." The standout track Spell from their best-of compilation 17 IS RIGHT HERE, was named one of the year's best K-pop tracks and music videos. And all of it, despite their decade-long tenure, feels fresh, not recycled. That's because SEVENTEEN hasn't stayed relevant by repeating past formulas. They've dismantled them. Their sound now shapeshifts between alternative R&B, synth-pop, orchestral ballads and hyperpop-adjacent experiments. There's a level of musical risk here that few idol groups, especially those this established, are allowed to take. And yet, SEVENTEEN is producing chart-friendly hits that aren't afraid to be complex, strange, or vulnerable. What Is SEVENTEEN's Real Superpower? SEVENTEEN has always understood the power of narrative. But instead of leaning on mystery or mythology like many idol groups, they leaned into transparency. Through YouTube reality series like GOING SEVENTEEN and Debut Big Plan, fans (affectionately known as CARATs) have watched the members grow up - bickering, failing, celebrating and changing. This access, paired with the group's input into everything from set design to vocal mixing, means their story feels authored by them. More impressively, SEVENTEEN has sidestepped the common K-pop trap of becoming a brand before becoming people. Their personalities, from Seungkwan's variety show genius to Jeonghan's gentle chaos to The8's philosophical art-boy aura, aren't scripted archetypes. They're human. And that realness is a form of reinvention in an industry that often insists on perfection. The Power Of 13 SEVENTEEN is one of the rare groups whose size never felt like a gimmick. If anything, it gave them the tools for something more cinematic. Their choreography is an exercise in precision and spectacle - think kaleidoscopic formations, visual metaphors and dance breaks that feel like short films. In Don't Wanna Cry, the members move like streetlights and shadows. In My My, their bodies become ocean waves. The choreography isn't just technically impressive. It's narrative. And that's because the performance unit, under Hoshi's lead, doesn't choreograph to fill time. They choreograph to say something. That's what makes SEVENTEEN performances feel less like concerts and more like art installations, designed to be watched and rewatched with new meaning each time. The Future Isn't A Rebrand, It's A Reinforcement At ten years, most idol groups either rebrand to stay afloat or settle into nostalgia. SEVENTEEN has done neither. Instead, they've reinforced who they've always been: hyper-collaborative, fiercely creative and impossible to copy. The industry has caught up to them in some ways, and self-producing idols are no longer anomalies. But none have done it quite like SEVENTEEN. And none have lasted this long while doing it their way. As they enter their second decade, SEVENTEEN isn't just rewriting K-pop's rules. They're rewriting its rhythm - one beat, one verse, one vision at a time. And if you're still wondering why they're called SEVENTEEN, here's your answer: because being more than the sum of your parts isn't a contradiction. It's the whole point.
Pink Villa
3 days ago
- Entertainment
- Pink Villa
J-Hope turns heads with Lollapalooza Berlin 2025 poster: When and where BTS star, IVE and more will perform
Fans of BTS' J-Hope get thrilled on June 2, 2025, after a striking new poster of the artist for Lollapalooza Berlin began circulating online. The poster, which has now gone viral across multiple platforms, showcases J-Hope in a sleek white outfit. He styled it with electric blue sunglasses and matching gloves. The visual captures him mid-dance, exuding energy and charisma; true to his signature performance style. The buzz intensified as fans began spotting the promotional image plastered across the streets of Berlin. This adds to the anticipation for the upcoming music festival. Performance dates and venue details Lollapalooza Berlin 2025 is set to take place over two days, on July 12 and July 13, at the Olympiastadion and Olympiapark in Berlin, Germany. J-Hope is one of the major headliners for the event. He will share the stage with an eclectic mix of artists. They include Gracie Abrams, Raye, Benson Boone, IVE, Anna, Issey Cross, Skiy, Ashnikko, John Summit, Mark Ambor, and more. Fans reaction The poster release sparked an outpouring of excitement across social media platforms. ARMYs (BTS ' fandom) are not only celebrating J-Hope's awaited live performances. They are also taking pride in seeing his solo promotional material featured prominently throughout Germany. Many fans are now counting down the 40 days until the festival kicks off. New music on the horizon In addition to the live performance buzz, J-Hope is also gearing up to release his third digital single, titled Killin' It Girl, on June 13, 2025. The track features American rapper GloRilla. The single has been teased as a high-energy hip-hop anthem centered around the thrill of love at first sight and the magnetism of a confident, unapologetic woman. This release follows his earlier 2025 digital singles: Sweet Dreams (feat. Miguel) released on March 7, 2025 Mona Lisa released on March 21, 2025 Together, these singles form a bold new chapter in J-Hope's solo artistry, blending pop, hip-hop, and experimental elements. A Summer to remember for J-Hope fans With a global festival appearance and new music on the way, summer 2025 is shaping up to be monumental for J-Hope fans worldwide. Whether it's through streaming his latest tracks or preparing to see him live in Berlin, the ARMY has a lot to look forward to in the coming weeks.
Muscat Daily
23-02-2025
- Entertainment
- Muscat Daily
BTS J-Hope to headline Lollapalooza Berlin
JHope, a member of the global K-pop sensation BTS, is set to headline Lollapalooza Berlin this July, marking his second appearance at the renowned music festival. Lollapalooza, which originated in the United States in 1991, has since expanded globally, with events held in various countries, including Germany and France. J-Hope previously made history in 2022 as the first K-pop artist to headline 'Lollapalooza Chicago', earning widespread acclaim for his high-energy performance. The Berlin edition of the festival will take place on July 12 and 13 at Olympiastadion & Olympiapark Berlin, with a star-studded line-up that includes Justin Timberlake, Benson Boone, and Gracie Abrams. Before his performance in Berlin, J-Hope will embark on his first solo world tour, beginning with three concerts at the KSPO Dome in Seoul from February 28 to March 2. The tour will take him to 15 cities worldwide, including New York, Chicago, Mexico City, Manila, and Saitama in Japan. J-Hope's participation in Lollapalooza Berlin underscores his growing influence as a solo artist, following the success of his debut album and previous festival performances.
Korea Herald
20-02-2025
- Entertainment
- Korea Herald
J-Hope to headline Lollapalooza Berlin in July
J-Hope to perform at Lollapalooza Berlin for 2nd time J-Hope of BTS will headline the Lollapalooza Berlin music festival, set to take place July 12-13 at Olympiastadion Berlin, according to agency Big Hit Music. Lollapalooza, an esteemed large-scale music festival that began in the US in 1991, is now held in multiple locations worldwide, including the United States, France and Germany. The 2024 Lollapalooza Berlin lineup includes J-Hope alongside global pop stars such as Justin Timberlake, Benson Boone and Armin van Buuren. Lollapalooza Berlin described J-Hope as a "pioneer and icon," adding, "He is something that makes the hearts of the entire generation beat. J-Hope's music combines hip-hop, pop, and infinite energy. His show, which is incomparable to anything else, transcends boundaries with its strong presence and musicality." This marks J-Hope's second performance at Lollapalooza. In July 2022, he made history as the first K-pop artist to headline Lollapalooza Chicago, where he captivated a crowd of over 105,000, performing an energetic 18-song set that received widespread acclaim. Before taking the stage in Berlin, J-Hope will kick off his first solo world tour with a three-day concert, "Hope On The Stage," from Feb. 28 to March 2 at Kspo Dome in Seoul. The tour will then continue at 15 cities around the world including Brooklyn, Chicago, Mexico City, Manila and Saitama for a total of 31 performances.
Korea Herald
20-02-2025
- Entertainment
- Korea Herald
BTS' J-Hope to headline Lollapalooza Berlin in July
J-Hope of K-pop supergroup BTS will perform at the Lollapalooza Berlin music festival in July as a headliner, his agency, BigHit Music, said Thursday. Lollapalooza, a major music festival that began in the United States in 1991, has since expanded globally, with events held in countries, such as France and Germany. This marks J-Hope's second appearance at Lollapalooza. In July 2022, he became the first K-pop artist to headline Lollapalooza Chicago. The lineup for this year's Lollapalooza Berlin, scheduled for July 12-13 at Olympiastadion & Olympiapark Berlin, also features Justin Timberlake and Benson Boone. Before his Berlin performance, J-Hope will kick off his first world tour as a solo artist with three concerts at the KSPO Dome in Seoul from Feb. 28 to March 2. The tour will take him to 15 cities, including New York, Chicago, Mexico City, Manila and Saitama in Japan. (Yonhap)
