Latest news with #LoveAajKal
News18
3 days ago
- Entertainment
- News18
Does Wamiqa Gabbi Have Friends In Bollywood? Here's What The Bhool Chuk Maaf Actor Says
'I have very friendly friendships with a lot of people," Wamiqa Gabbi said, in an interview with Siddharth Kanan, 'but very few real friends. Because dosti karne mein waqt lagta hai." Her voice carried a quiet wisdom, a clarity born from years of observing people come and go — both in life and in cinema. For Wamiqa, friendship isn't about frequent appearances on social media or sharing numerous inside jokes over brunch. It's about presence — the kind that doesn't need words, likes, or validation. 'A real friend is someone you call the moment something amazing happens… and also the person you call when you're breaking inside," she explained. 'When both those calls go to the same person — that's dosti." She is clear about that particular group of people in her life. 'I think my real friends are still the ones from Chandigarh. They've been around for 8 to 12 years now." Her circle in Bombay is smaller, more intimate. 'The ones I'm close to here — those friendships are about ten years old too. And slowly, slowly, even in the industry, I'm building a few real bonds. It takes time, but it's worth it." Meanwhile, Wamiqa blink-and-miss appearance in Imtiaz Ali's Jab We Met and Love Aaj Kal recently trended big on social media. Taking to social media, she wrote a letter to her younger self. Addressed as 'Dear Younger Wamiqa", she penned, 'You were always a dreamer and a hard working one ! As a kid on that Love Aaj Kal set – you were not just a junior artist enjoying the work that came your way because your Daddaa believed in you, but you believed in yourself too…. You were nervous, excited, soaking it all in on that set. You have only continued to work harder without worrying about whats coming next!" She continued, 'Cut to 16 years later, The song from the same film is playing and the same love for the camera still lives on, but this time, it's your story ! Every time I hear Chor Bazaari, it hits a little different now ! You've gone from being in one fleeting frame as a toddler with a mooch and a massa, to finding your own space in the spotlight. It's wild how life can throw such beautiful moments to cherish, especially when you least expect it!" 'You didn't dream small and you never stop chasing the best because TITLI wouldn't have happened if you had gotten lost on the way and I am so glad you didn't ! Always be humble, grateful and never stop believing in MAGIC!", she concluded.
Hans India
4 days ago
- Entertainment
- Hans India
Sara's blue-bow moment turns heads
Sara Ali Khan, once hailed as Bollywood's promising new face after delivering early hits like Simmba and Love Aaj Kal, has recently faced a string of underwhelming films, particularly on OTT platforms. However, the young actress continues to make headlines—this time not for her films, but for her fashion statement. At a recent event, Sara wowed fashion watchers in a light blue strapless mini-dress that balanced elegance with a playful twist. The dress featured a clean and structured front that flaunted her toned figure, paired with sparkling heels and subtle earrings. Her neatly pulled-back hair accentuated the neckline, giving her look a breezy, contemporary finish. The real show-stealer, however, was the oversized bow at the back—an unexpected, dramatic element that added flair to the otherwise minimalist outfit. The look was red-carpet ready, capturing both style and simplicity in one silhouette. On the work front, Sara is gearing up for Metro… In Dino, a slice-of-life comedy-drama helmed by acclaimed filmmaker Anurag Basu. The ensemble cast is packed with seasoned actors like Pankaj Tripathi, Neena Gupta, Anupam Kher, Konkona Sen Sharma, and Ali Fazal—making it a challenging space for Sara to stand out. Yet, the film could offer her the perfect opportunity to redefine her trajectory and prove her mettle amidst veterans.
News18
4 days ago
- Entertainment
- News18
Wamiqa Gabbi Says She Only Did ‘83' To Visit London Before Quitting Bollywood: 'I Wanted To...'
Last Updated: Wamiqa Gabbi opens up about nearly quitting Bollywood in 2019 before a role in '83 reignited her love for acting. Wamiqa Gabbi is finally reaping the rewards of years of hard work, with her latest film Bhool Chuk Maaf, co-starring Rajkummar Rao, striking a chord with audiences. But few know that the 31-year-old actor—who has shared screen space with some of India's biggest stars—once considered quitting Bollywood altogether. During a recent promotional interview for Bhool Chuk Maaf with director Karan Sharma and co-star Rajkummar Rao, Wamiqa opened up about her early days in cinema and the challenges that nearly led her to walk away from it all. 'I was full of dreams back then," she said, reflecting on her start as a background artist in Imtiaz Ali's films. 'I was maybe in 7th grade, and that's when I shot Jab We Met (2007). My initial learnings of how to be on set came from my experience there. I used to observe the notes Imtiaz Sir used to give, and I'm glad that I was around him, Shahid Kapoor and Kareena Kapoor Khan." She recalled a touching memory from the sets of Love Aaj Kal, where the team surprised her on her birthday. 'Imtiaz Sir had called me for Love Aaj Kal through e-mail. During the shoot, my birthday came along, and they ordered a cake on set. And I was a background artist, so everyone celebrating my birthday was a big moment for me." But as time passed and the industry became her full-time profession, Wamiqa began to feel lost. By 2019, despite working on multiple projects, she was facing a creative crisis. 'In 2019 I was doing a couple of films, and I wasn't enjoying myself or learning anything," she admitted. 'I was also not in touch with my art back then. Because of that, I wanted to quit the profession." That was when she was offered a small role in Kabir Khan's '83. While she was initially hesitant, Wamiqa eventually took the part—but not for the reasons one might expect. 'Although I wasn't open to small roles, I said yes because I thought it was a good chance to visit London and to get some clarity regarding what I wanted to do." It turned out to be a turning point. 'Although I wasn't expecting much, being on the set of '83 reminded me why I fell in love with acting in the first place." The film, which featured Ranveer Singh, Deepika Padukone, Hardy Sandhu, Ammy Virk, Pankaj Tripathi, and others, helped Wamiqa re-discover her love for the craft. From that moment on, she charted a new trajectory for herself in the industry. Since '83, Wamiqa has delivered acclaimed performances in web series such as Jubilee and Charlie Chopra and the Mystery of the Solang Valley, and films including Khufiya (2023), Tabaah (2024), and Baby John (2024). Now, with Bhool Chuk Maaf (2025), she stands as one of the most promising talents of her generation. First Published:
Indian Express
4 days ago
- Entertainment
- Indian Express
Wamiqa Gabbi was ready to quit Bollywood, said yes to Ranveer Singh's 83 as she wanted to ‘visit London'
Actor Wamiqa Gabbi's career seems to be taking off at a decent pace, as the actor is currently bearing the fruits of her recent release Bhool Chuk Maaf with Rajkummar Rao. The 31-year-old has acted alongside some of the biggest stars in the industry and has been involved with acting since the age of 13. Despite all that, the actor recently admitted that at one point in her career she had made up her mind about quitting Bollywood, and how a small role in the Ranveer Singh-Deepika Padukone starrer '83 made her realise her love for acting. While promoting Bhool Chuk Maaf with Rajkummar Rao and director Karan Sharma, the actor shared many stories from her days as a background artist on the sets of Imtiaz Ali movies and how she learnt loads about how a film gets made just by observing him and the actors. 'I was full of dreams back then. I was maybe in 7th grade, and that's when I shot Jab We Met (2007). My initial learnings of how to be on set came from my experience there. I used to observe the notes Imtiaz Sir used to give, and I'm glad that I was around him, Shahid Kapoor and Kareena Kapoor Khan.' ALSO READ: Shah Rukh Khan left quietly after I told him 'nas kaat lungi', recalls Wamiqa Gabbi: 'There was pin-drop silence on the sets of Baby John' She also shared a story from the sets of Love Aaj Kal and how Imtiaz and the entire crew surprised her with an incredible gesture on her birthday. 'Imtiaz Sir had called me for Love Aaj Kal through e-mail. During the shoot, my birthday came along, and they ordered a cake on set, and I was a background artist, so everyone celebrating my birthday was a big moment for me.' After talking about her experiences as a background artist and her learnings from that time, Wamiqa admitted that everything stalled around 2019, and she felt that her skill as an actor was not growing anymore. She said, 'In 2019 I was doing a couple of films, and I wasn't enjoying myself or learning anything. I was also not in touch with my art back then. Because of that I wanted to quit the profession, and that's when I got offered '83. Although I wasn't open to small roles, I said yes because I thought it was a good chance to visit London, and to get some clarity regarding what I wanted to do.' '83 was directed by Kabir Khan and the cast of the film included Ranveer, Deepika, Wamiqa, Hardy Sandhu, Ammy Virk, Saqib Saleem, Pankaj Tripathi and Tahir Raj Bhasin. While Wamiqa did play a small role in the film, it pushed her back towards the industry. Since then she has played integral roles in several TV series, including Jubilee (2023) and Charlie Chopra and the Mystery of the Solang Valley (2023). Her film roles post '83 include Khufiya (2023), Tabaah (2024), Baby John (2024), and of course Bhool Chuk Maaf (2025).
Hans India
5 days ago
- Entertainment
- Hans India
Dinesh Vijan and maddock films' 7th hit in a row, bhool chuk maaf, proves they have cracked the code to connecting with audiences
In the ever-shifting landscape of Indian cinema, where Bollywood films struggle to capture audience attention, Bhool Chuk Maaf has emerged yet again with massive success, defying all expectations. At a time when most big, mid, and small-scale productions are struggling to make an impact at the box office, this film has managed to draw crowds. Not just any crowds, but entire families. Interestingly, before the film's release, naysayers had already written it off, citing its modest scale and perceived lack of mass appeal. In fact, when rumours swirled that the makers were considering a direct OTT release, many assumed the film lacked theatrical merit. But Bhool Chuk Maaf's opening numbers astonished even trade pundits. Additionally, despite a strong Day 1, skeptics continued to dismiss the film, attributing early traction to discounted ticket pricing and supposedly inorganic marketing. But now, the film has shut all naysayers, by making a total of ₹50 cr by the end of Day 6. Indian film critic and trade analyst, Taran Adarsh says, 'What's noteworthy is that this growth has come without any discounted tickets or promotional offers on Day 2, proving there's an audience willing to show up at full price when the content connects. Bhool Chuk Maaf debunks the narrative that mid-range movies should skip the theatrical window and opt for a direct-to-digital route.' Kamal Gianchandani, CEO PVR, adds, 'Some wrote off Bhool Chuk Maaf citing 'discount offers' or 'lack of appeal'. The box office tells a very different story - it's a genuine HIT. May has revived theatres, audiences are back in big numbers, and the big screens are booming all over the country.' This wasn't a fluke. It was a clear signal: when content genuinely resonates, audiences are more than willing to pay full price. So what's behind the broad appeal of Bhool Chuk Maaf? Quietly yet confidently, the film defied expectations by landing squarely in classic Maddock Films territory. Under the sharp and empathetic leadership of Dinesh Vijan, Maddock Films has carved out a distinctive niche by championing stories rooted in small-town India, rich with local quirks, struggles, and charm, rather than relying on 'stars'. These narratives resonate with both urban India and the heartland, bridging the divide between India and Bharat. Maddock Films' signature lies in elevating everyday lives from gallis and mohallas with humour, dignity, and a distinctive creative flair. What's remarkable is that the 20-year-young content studio has built a consistently profitable track record while delivering iconic titles, from Love Aaj Kal and Cocktail to Stree, Munjya, Teri Baaton Mein Aisi Uljha Jiya, Chhaava and now Bhool Chuk Maaf, using the formula of 'not chasing formulas'. In 2024 alone, the studio pulled in a staggering ₹1,300 crore at the box office, marking their hit record, as of May 2025, to seven consecutive hits. From Zara Hatke Zara Bachke to now Bhool Chuk Maaf, the studio has shown that you don't need a massive budget or a star-studded cast to create impact. They have stuck to their belief of casting actors that the roles demand and making stars out of them; not vice versa. Their theory? If the story resonates, the audience will come, irrespective of the 'star cast'. This success stands in stark contrast to many of Bollywood's recent big-budget misfires. While some studios chased visual spectacle, star power, or formulaic action dramas, Maddock Films doubled down on sincerity and specificity. And Bhool Chuk Maaf's organic word-of-mouth growth, its popularity on social media, and packed theatre shows are testament to the fact that audiences are loving it. Maddock Films is no longer just a production house. It's a creative force, championing bold, original voices and collaborating with like-minded creatives who share their vision. And Bhool Chuk Maaf continues to be part of that legacy - tackling the deeply relatable issue of "chokri aur naukri" - love and livelihood - with a refreshing dose of humour, thus striking a chord with the aam aadmi. At its core, it's a common man's story told with uncommon empathy. Much like RK Laxman's iconic cartoons, which used humour to shed light on the everyday struggles of the common man, Maddock Films uses a lighthearted narrative to explore socially relevant themes. It isn't a BIG film in the conventional sense. There are no extravagant sets or formulaic fireworks, but it is a big film where it truly matters: in heart, craft, and connection. In an industry often distracted by spectacle, Bhool Chuk Maaf is a quiet revolution, proving that when filmmakers pay attention to the middle-class aspirations, rooted settings, characters that feel real, and humour of ordinary Indians, they don't just tell good stories; they create cultural touchstones. By focusing on that, Maddock Films has not only understood the pulse of the nation; it has struck a chord that continues to echo across cinema halls. It was as if Dinesh Vijan intuitively knew that the audiences were hungry for stories they could see themselves in. And he said, hold my chai! The aam aadmi cometh.
