Latest news with #Mahito
Time of India
08-05-2025
- Entertainment
- Time of India
‘Miyazaki didn't want that scene to end': The Boy and the Heron is director Hayao Miyazaki's most personal film yet
The Boy and the Heron , the highly-anticipated, magical new film by Studio Ghibli , has been sweeping the world's animation spotlight for several reasons—not least for its jaw-dropping artistry. Tired of too many ads? go ad free now Marking 's first feature in a decade, the film has shown a more emotional side of the revered auteur. Now, a bittersweet confession from the film's lead voice actor has given us a rare look at how deeply personal this project was to . Subtle weight of Hayao Miyazaki's words to his young stars Soma Santoki, who voices the hot-blooded protagonist Mahito, recently shared about a personal experience that took place in the voice recording sessions that profoundly moved him. Speaking in an interview with Japanese media, Santoki remembered the intensely short but deeply influential command from Miyazaki himself. 'We talked a lot about how he didn't want me to treat this like any other job,' said Santoki. As amazing as it sounds, he was emotionally invested in this storyline. It was one of the few emotional outbursts from a man known for his calm, elegant manner on the set. With The Boy and the Heron—released in Japan as How Do You Live?—the legendary filmmaker appears to have provided us with something other than just another movie. His words, Santoki continued, had such a profound impact that they lingered with him during each session. Masaki Suda, who voices the enigmatic Heron, stated 'I later heard Miyazaki didn't want that scene to end—he was just emotionally attached to it.' In the film's closing moments, the Heron bids farewell to Mahito with a cryptic but powerful line: 'Well, everyone forgets anyway. See ya, partner.' Suda revealed that Miyazaki had him re-record the line multiple times to get the delivery just right. Tired of too many ads? go ad free now The scene, with its subdued melancholy and subtle complexity, sits at the thin intersection of forgetting and remembering. While Mahito may not retain clear memories of his surreal journey, the emotional truths he encountered—about love, grief, and letting go—remain imprinted on his soul. Miyazaki's personal attachment to the production goes beyond it simply being the last project he ever directed. It tracks Mahito, a boy unable to cope with the loss of his sister after the family home burns down, as he meets a magical heron and discovers a world of strangers and spirits. That process of exploration is itself, as it turns out, part fantasy, part philosophical exploration and unmistakably personal. Miyazaki's legacy in The Boy and the Heron Miyazaki's always been no stranger to emotional storytelling, but The Boy and the Heron just hits different. It is more rooted in personal reflection, even as it drifts through its dreamlike vistas. It's not surprising that many fans and critics have a strong inclination to think it's his most introspective film to date. Perhaps his final directorial work. Infused with richly woven themes of loss, growth and acceptance, the film resonates as much with its young audience members as it does for the adults who have experienced a lifetime with Ghibli's enduring catalogue. Santoki's performance, rendered all the more poignant by Miyazaki's tacit direction, gives a tremendous heft to the already-rich script. In emotional tone—and by virtue of Miyazaki's own touching appeal to Santoki—this seems like a fitting capper to a remarkable career. The Boy and the Heron is now in limited release in most international markets and has already been receiving acclaim for its unrivaled artistry and profound emotional weight. Whether it becomes Miyazaki's swan song or simply another chapter in his extraordinary journey, the film has already made a profound impact—not just on viewers, but on the individuals who contributed to its creation.
SoraNews24
05-05-2025
- Entertainment
- SoraNews24
Ghibli's scene-stealing warawara are ready to keep you company as adorable keychains【Photos】
Cutest cast members of The Boy and the Heron are ready to head out wherever you want to take them. There's some pretty horrific stuff that happens in The Boy and the Heron, the most recent anime from Studio Ghibli and director Hayao Miyazaki. The movie opens with protagonist Mahito's mother dying in a fire, and his struggles to cope with the ensuing trauma include a scene of graphic self-harm…oh, and that's just part of what happens before he travels to another world filled with monsters hungering for human flesh and looming cataclysmic threats. But The Boy and the Heron is an emotionally complex film, and that means there's space for moments of playful cuteness too, with the most memorable such scenes involving the warawara. Like just about everything in The Boy and the Heron, there are multiple aspects to the warawara, but in terms of appearance, there're no two ways about it: the little guys are absolutely adorable. So adorable that you might find yourself wanting to take one with you wherever you go, which is an option thanks to Ghibli specialty shop Donguri Kyowakoku's recently restocked line of warawara keychains. Measuring six centimeters (2.4 inches) in length, the little guys come in three different poses, with this one being the most roly-poly of the bunch. This one, meanwhile, has what's sure to be an infectious smile… …and the last design has perhaps a touch of trepidation in its face, which, given the fact that no one has an entirely easy life in The Boy and the Heron, not even the warawara, is entirely keeping with the movie's themes. Speaking of the difficulties life throws at us, it's no doubt going to be tough for some fans to pick between the three. Thankfully, their price of 1,320 yen (US$9.10) means that it shouldn't be too hard to carve out some space in your budget if you can't choose just one, and the whole trio is available through the Donguri Kyowakoku online store here. Source: Donguri Kyowakoku Top image: Studio Ghibli Insert images: Studio Ghibli, Donguri Kyowakoku (1, 2, 3) ● Want to hear about SoraNews24's latest articles as soon as they're published? Follow us on Facebook and Twitter!
Time of India
25-04-2025
- Entertainment
- Time of India
The cursed souls of Jujutsu Kaisen
With its explosive action sequences and emotionally charged storytelling, Jujutsu Kaisen has quickly risen to become one of the most talked-about anime series in the world. But while fans celebrate its heroic characters like Yuji Itadori and Satoru Gojo, it's the anime's complex and powerful villains who often steal the spotlight. From cursed spirits born out of fear to fallen sorcerers driven by ideology, the villains in Jujutsu Kaisen do more than oppose the heroes—they define the very soul of the series. Mahito: The face of inhuman cruelty Mahito, a cursed spirit born from the hatred between humans, represents one of the most terrifying threats in the series. With his ability to reshape souls through Idle Transfiguration, Mahito conducts inhumane experiments with childlike glee. His evolving power and philosophy—that the soul comes before the body—make him not just dangerous, but disturbingly philosophical. Suguru Geto: A sorcerer turned revolutionary 120616650 Mahito, a cursed spirit born from the hatred between humans, represents one of the most terrifying threats in the series. With his ability to reshape souls through Idle Transfiguration, Mahito conducts inhumane experiments with childlike glee. His evolving power and philosophy—that the soul comes before the body—make him not just dangerous, but disturbingly philosophical. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Trade Bitcoin & Ethereum – No Wallet Needed! IC Markets Undo Kenjaku: The puppet master of chaos Currently inhabiting Geto's body, the ancient sorcerer Kenjaku is the true mastermind behind several of the anime's most catastrophic events, including the Shibuya Incident and the Culling Game. With the power to transfer his brain into different hosts over centuries, Kenjaku's goal is nothing short of reshaping humanity by unleashing massive waves of cursed energy . His presence hints at a larger, more terrifying plan yet to unfold. Ryomen Sukuna: The king of curses returns Feared for generations, Ryomen Sukuna—also known as the King of Curses—resides within Yuji Itadori after the latter consumes one of his cursed fingers. With unmatched strength, a thirst for violence, and no allegiance to anyone but himself, Sukuna remains a wildcard in the ongoing battle between sorcerers and cursed spirits. His growing influence in the story's latest arcs suggests his role is far from over. Why These Villains Matter In Jujutsu Kaisen, villains are not mere obstacles. Each one brings their own vision of the world, challenging the heroes not just physically, but morally and emotionally. Their motivations, though often twisted, are rooted in pain, fear, and a desire for change. As Jujutsu Kaisen moves toward its final saga, these antagonists continue to shape the destiny of the characters and the cursed world they inhabit.
