Latest news with #MemoriesofAlhambra
Observer
23-05-2025
- Entertainment
- Observer
My birthday gift — Memories of Alhambra
For my birthday, my best friend Dalia got us two tickets to a show called Memories of Alhambra, performing on the May 9. We were both looking forward to enjoying a flamenco show, like the many others we had seen on stage in the past few years. However, once we arrived at the venue, things didn't go as planned. The tickets didn't indicate which stage the performance was on, so we, along with many other spectators, had to walk almost ten minutes from the main stage to the smaller one. This situation was similar to last year with the Trio Joubran performance. I wondered why they couldn't specify on the tickets where exactly to go. This time, it was frustrating for Dalia, who was dressed in full flamenco attire, from the hair flower to the ruffled dress and uncomfortable heels. She had to endure the long walk to the other end. At the doors, we were delayed for five minutes as the security guards debated whether to allow her huge traditional Spanish fan in. They had to call their supervisor, who then had to call his superior before finally allowing us in with the fan. I jokingly reminded Dalia that fans are considered lethal weapons in Chinese action movies, so she should understand the security concern. Finding our seats in the balcony level was another challenge, as it was too high and made us dizzy trying to sit down. The show began with a poem by an Omani poet from the 1800s, followed by Arabic songs that were not related to the Andalusian era the show was supposed to be based on. The songs included an Egyptian song from the 1930s, a Levant song usually sung by prisoners, a few Moroccan songs that were difficult to understand and finally, a popular modern Omani song to end the show. Dalia and I exchanged looks of disbelief, as it would have been easy for the director of the Arabic part of the show to use Fairuz's famous Andalusian Muwashahat, which we had learned by heart in Arabic and music classes in school. The show was divided into different scenes representing areas from the Alhambra fortress, but without the show brochure explaining the significance of each, they all blended into one big act. There were intervals with an Omani narrator trying to connect Andalusian culture with Omani culture, but it came across as shallow due to the lack of historical or cultural links. It would have been better if he recited famous Arabic poems from that era or explained the different acts. The most enjoyable part of the Arabic music was the Omani oud player, who was impeccable. The Spanish part of the show, including the dances and costumes, was perfect. However, they made a mistake by using dirty mirrors to reflect the movements of a dancer, making it hard to see due to the smudged surface. Strangely enough, my mom, who had watched the show the day before, had the same complaint. The thunderous applause at the end indicated that the show had achieved its purpose: providing entertainment for expats unfamiliar with Arabic culture and Arabs too proud of their past glories to notice any difference. Memories of Alhambra was a hopeful musical fusion production that attempted to satisfy many tastes but lost authenticity along the way. Ironically, after the show, Dalia and I had dinner at a Syrian restaurant where we enjoyed a classic Arabic recital of songs that we had grown up listening to and deeply appreciated over time. BLURB The Spanish part of the show, including the dances and costumes, was perfect. However, they made a mistake by using dirty mirrors to reflect the movements of a dancer, making it hard to see due to the smudged surface.
Observer
15-05-2025
- Entertainment
- Observer
The Spellbinding Performance of Memories of Alhambra
Memories of Alhambra at the Royal Opera House of Musically Arts opened with a haunting, arresting scene. The stage was shrouded in darkness until a faint flicker of light appeared from the audience. A woman stepped forward, guided by a shimmering stream of light, moving with elegance into a dreamlike world where time felt suspended. This captivating beginning set the tone for a performance blending mystery, grandeur, music, dance, and visual poetry. As she reached the centre, the lights softened to an inviting glow, heralding the start of an evening exploring Granada's legendary Alhambra. The atmosphere tingled with anticipation. The music began—a delicate Oud Prelude by Alaa Zouiten, featuring Munir Bashir's 'Andalus Princess'—transporting the audience through labyrinthine streets and awakening buried memories of the fortress. The show was clearly more than entertainment; it was a curated journey into a shared heritage. The Spellbinding Performance of Memories of Alhambra The Spellbinding Performance of Memories of Alhambra Throughout, the performance showcased artistic excellence and emotional depth, evoking feelings of unity. By the end, a five-minute standing ovation reflected its charisma. The applause was spontaneous and heartfelt, resonating with audiences familiar with Arab and Andalusian traditions and newcomers discovering these rich cultural tapestries. The success lay in the universal language of music and dance, seamlessly connecting diverse worlds. The evening's storytelling was enhanced by subtle yet stunning stage design—images of old houses, Spanish gardens, and historic halls served as a silent narrative bridging space and time. The lighting heightened the mood, creating intimacy, yet emphasising grandeur when needed. The Spellbinding Performance of Memories of Alhambra The Spellbinding Performance of Memories of Alhambra Among performances, oud soloist Ziyad Al Harbi stood out vividly. His mastery, subtle phrasing, and emotive tones filled the space with deep resonance, telling stories of ancient lands—eliciting applause and admiration. His contribution exemplified how music acts as a bridge between cultures, embodying the performance's core message of understanding and unity. Narrator Qusai Mansoor provided historical and emotional context, guiding the audience with a poetic and compelling voice. His narration made viewers feel active participants in a cultural voyage, emphasising collaboration and mutual appreciation. Scenes like the Courtyard of Lindaraja and the Hall of the Kings exemplified intercultural harmony. The duet of flamenco and Arabic musicians, featuring the Lindaraja Dance Ensemble performing the Guajira and Fandango, celebrated the blending of traditions from Cuba and Spain with Arab influences. Dancers' spirited movements embodied wind and sunlight—vibrant and free. The Spellbinding Performance of Memories of Alhambra The Spellbinding Performance of Memories of Alhambra The Hall of the Kings showcased resilience and cultural dialogue. Úrsula Moreno's fiery portrayal of the Queen of Flamenco radiated confidence, while Arab musicians' accompaniment created a narrative of strength and resilience. The seamless integration of flamenco and Arabic music demonstrated that genuine collaboration elevates performance, fostering shared artistic expression rooted in respect and openness. The grand finale brought everyone together—musicians, dancers, and cast—in a jubilant celebration. The pieces 'La Tarara' and 'Bent Bladi' interlinked through poetic responses, rhythms, and steps, symbolising cultural unity and diversity. It was less a conclusion than an affirmation of shared human experience and a call to celebrate differences that enrich us all. The Spellbinding Performance of Memories of Alhambra The Spellbinding Performance of Memories of Alhambra Key creative team members played vital roles in bringing this narrative to life. Antonio Andrade's musical direction provided cohesion and emotional depth. Alaa Zouiten's blending of Arabic and Andalusian musical elements demonstrated great sensitivity. Choreographers Moreno and Galvañ infused each movement with purpose and elegance, translating stories into powerful physical expressions. The performance highlighted the evolution of traditional arts. The participation of the Compañía Flamenca Antonio Andrade underscored a commitment to preserving flamenco whilst embracing contemporary cross-cultural dialogue. Their openness to dialogue with other traditions indicates a future where cultural exchange is celebrated as a vital artistic part. The Spellbinding Performance of Memories of Alhambra The Spellbinding Performance of Memories of Alhambra Memories of Alhambra at the Royal Opera House of Musically Arts was a triumphant achievement—celebrating the enduring legacy of Andalusian and Arab cultural exchanges. It reinforced that unity and shared passion can create a richer, more harmonious world. The success was a collective effort, with heartfelt thanks to director Antonio Andrade, oud virtuoso Ziyad Al Harbi, narrator Qusai Mansoor, choreographers Moreno and Galvañ, and the talented cast. Their dedication has set a new standard for intercultural productions and left a lasting legacy.
Observer
06-05-2025
- Entertainment
- Observer
season of excellence at ROHM
MUSCAT: As the Royal Opera House Muscat (ROHM) draws the curtain on its extraordinary 2024–2025 season, the month of May promises an unmissable celebration of musical diversity, artistic mastery and unforgettable experiences. World-renowned conductor Plácido Domingo returns to ROHM to lead Verdi's iconic opera La Traviata on May 1 and 3, a stunning production by director Marta Domingo with Juliana Grigoryan singing Violetta and Yusif Eyvasov singing Alfredo. Pre-performance talks will be offered to ticket holders only, providing a deeper look into the music, themes and vision behind this operatic masterpiece. Over the same weekend, the excitement continues with a Gala Symphony Concert in two parts on May 2, reflecting the depth of ROHM's musical reach. Hamdan al Shuaili, conductor of the Royal Oman Symphony Orchestra, leads the first half, followed by a grand second act conducted by Plácido Domingo — a true meeting of regional and international excellence on one stage. Cultural fusion takes centre stage on May 8 and 9, with Memories of Alhambra, a new ROHM production blending Arabic musical heritage with the passion and rhythm of flamenco, performed by the acclaimed Compañía Flamenca Antonio Andrade. The season closes on a high note with a spectacular concert by Lebanese superstar Ragheb Alama, offering fans two nights, May 23 and 24, of beloved hits and timeless charisma. This exceptional month captures the spirit of a season filled with innovation, tradition and world-class artistry. Audiences are encouraged to seize this final opportunity before ROHM opens a new chapter in October.
Observer
05-05-2025
- Entertainment
- Observer
May performances at ROHM celebrate season of excellence
MUSCAT: As the Royal Opera House Muscat (ROHM) draws the curtain on its extraordinary 2024–2025 season, the month of May promises an unmissable celebration of musical diversity, artistic mastery and unforgettable experiences. World-renowned conductor Plácido Domingo returns to ROHM to lead Verdi's iconic opera La Traviata on May 1 and 3, a stunning production by director Marta Domingo with Juliana Grigoryan singing Violetta and Yusif Eyvasov singing Alfredo. Pre-performance talks will be offered to ticket holders only, providing a deeper look into the music, themes and vision behind this operatic masterpiece. Over the same weekend, the excitement continues with a Gala Symphony Concert in two parts on May 2, reflecting the depth of ROHM's musical reach. Hamdan al Shuaili, conductor of the Royal Oman Symphony Orchestra, leads the first half, followed by a grand second act conducted by Plácido Domingo — a true meeting of regional and international excellence on one stage. Cultural fusion takes centre stage on May 8 and 9, with Memories of Alhambra, a new ROHM production blending Arabic musical heritage with the passion and rhythm of flamenco, performed by the acclaimed Compañía Flamenca Antonio Andrade. The season closes on a high note with a spectacular concert by Lebanese superstar Ragheb Alama, offering fans two nights, May 23 and 24, of beloved hits and timeless charisma. This exceptional month captures the spirit of a season filled with innovation, tradition and world-class artistry. Audiences are encouraged to seize this final opportunity before ROHM opens a new chapter in October.
Times of Oman
05-05-2025
- Entertainment
- Times of Oman
May performances at Opera House celebrate season of excellence
Muscat: As the Royal Opera House Muscat (ROHM) draws the curtain on its extraordinary 2024–2025 season, the month of May promises an unmissable celebration of musical diversity, artistic mastery, and unforgettable experiences. World-renowned conductor Plácido Domingo returns to ROHM to lead Verdi's iconic opera La Traviata on May 1 and 3, a stunning production by director Marta Domingo with Juliana Grigoryan singing Violetta and Yusif Eyvasov singing Alfredo. Pre-performance talks will be offered to ticket holders only, providing a deeper look into the music, themes, and vision behind this operatic masterpiece. Over the same weekend, the excitement continues with a Gala Symphony Concert in two parts on May 2, reflecting the depth of ROHM's musical reach. Hamdan Al Shuaili, conductor of the Royal Oman Symphony Orchestra, leads the first half, followed by a grand second act conducted by Plácido Domingo—a true meeting of regional and international excellence on one stage. Cultural fusion takes centre stage on May 8 and 9, with Memories of Alhambra, a new ROHM production blending Arabic musical heritage with the passion and rhythm of flamenco, performed by the acclaimed Compañía Flamenca Antonio Andrade. The season closes on a high note with a spectacular concert by Lebanese superstar Ragheb Alama, offering fans two nights, 23 and 24 May, of beloved hits and timeless charisma.
