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‘The BBC made a mistake letting Jeremy Clarkson go'
‘The BBC made a mistake letting Jeremy Clarkson go'

Telegraph

time05-05-2025

  • Entertainment
  • Telegraph

‘The BBC made a mistake letting Jeremy Clarkson go'

Peter Fincham and his sparring partner of 50 years, Jimmy Mulville, are two of the most venerable old heads in British television and between them are responsible for some of the most celebrated shows of the past few decades, from Alan Partridge to Have I Got News For You. Now the old dogs have a new trick – a podcast. Insiders: The TV Podcast, which launched a few weeks ago, features a conversation between the producers in which they pick apart the issues of the day. Topics are given to them in sealed envelopes – the proposed levy on the streaming services, Saturday Night Live UK, the death of linear scheduling – and the pair apply their decades of experience to provide genuinely illuminating insight. It is not, they insist, The Rest is Entertainment, Marina Hyde and Richard Osman 's podcast juggernaut which often looks behind the scenes of television, although that show has proved the appetite for insider knowledge of an industry in a constant state of flux. Fincham and Mulville have been there and got the t-shirt – there is no corner of the TV industry that they don't know. Other TV podcasts exist – the BBC's Obsessed With…, Must Watch, and Off the Telly, or Empire's Pilot TV – but these are critic or fan-led review shows. 'Experience always trumps opinion,' says Mulville. Naturally, the pair have anecdotes galore to sprinkle over the episodes. In the opener, Mulville is particularly entertaining about working on American adaptations of British shows, from Have I Got News For You ('They didn't want it to be too newsy') to Father Ted ('They asked if they really had to be Catholic priests'). Episode three also provided an entertaining analysis of when Mulville offered to buy BBC Three from the BBC for a pound. Crucially, the pair are not here to lay into the TV industry. Quite the opposite. 'We love television,' says Fincham. 'It's easy to construct an argument saying the BBC is doomed or whatever channel is going to fail, but we believe there's a great future. People say, 'British television is dying. Oh and by the way, have you seen Adolescence?'.' The pair met 50 years at the Cambridge Footlights (alongside actor Robert Bathurst and theatre director Nick Hytner) and have been involved in a friendly rivalry ever since. Fincham, 68, joined Mel Smith and Griff Rhys Jones's fledgling TalkBalk Productions in 1985 before turning it into a British comedy powerhouse, producing The Day Today, the Partridge shows, and Smack the Pony. He went on to become the controller of BBC One and then the Director of Television at ITV. Mulville, 70, continued writing and acting after Cambridge, notably in the cult sketch show Who Dares Wins, before co-founding Hat Trick Productions, whose numerous credits include Father Ted, Derry Girls, and Outnumbered. And the pair are still making waves in the TV industry. Fincham's Expectation TV has recently produced the acclaimed, Bafta-winning BBC comedy-dramas Alma's Not Normal, as well as Clarkson's Farm, while our conversation is conducted over Zoom because Mulville is currently in South Korea finding partners for a new Seoul-set drama (on the day we speak, he had lunch with no less than Hwang Dong-hyuk, aka Mr Squid Game). No wonder the pair believe the industry is in rude health. Their wide experience has made them come to the same conclusion – that predicting the future of television is futile. Fincham highlights the rise of YouTube 20 years ago. 'Everyone said it would kill our attention spans, but what happened next? The rise of the boxset drama. They said YouTube would destroy television. They say lots of things will destroy television. Ever since I began, they've been walking about with signs saying 'The End is Nigh'.' While Mulville states that commissioners need to have rules – 'Otherwise you wouldn't say no to anything' – the industry lives on a wing and a prayer. When Father Ted won a Bafta in 1998, the then controller of Channel 4, Michael Grade, sent Mulville a note saying that he didn't get the show when Mulville pitched it, he didn't get it when they made it and he didn't get it when he watched it, but 'thank God you brought it to Channel 4'. Comedy, of course, is one of the hot topics in TV, particularly in Britain where its diminished presence is lamented. 'Every few years a journalist rings me up to ask if British TV comedy is dead,' says Mulville. 'That's going back more than 30 years. But I think we are going through a bad time in terms of comedy commissioning. I think people are now worried because when you launch a bad comedy, you offend people. If you launch a bad drama, people aren't that bothered. But a bad comedy? It's like you've done a s— on their carpet. They hate you for it.' Something they hope to swerve in the podcast is too much BBC-bashing. 'I didn't like it when I was at the BBC,' says Fincham, 'my predecessors weighing in, telling me how to do my job. So I am not going to tell the people at the BBC how to do their job. But people are far more interested in the BBC than anything else. For 11 years I went to the Edinburgh TV Festival, three years for the BBC, eight years for ITV. And for the first three years, people asked me about the BBC. And for the next eight years, guess what, they asked me about the BBC. So I won't be an armchair critic.' Despite that, could the BBC, as Gary Lineker said recently, be bolder in defending itself, stick up more for those who love the BBC rather than pander to those who hate it? 'I think I know what Gary means,' says Fincham. 'I think the BBC can, at times, undervalue its audience, who are older let's be honest, because they take them for granted and become obsessed with getting younger audiences in.' The non-armchair critic warms to his subject. 'I'll say this actually – I make Clarkson's Farm, and the BBC never needed to let Jeremy Clarkson go. It was a straightforward mistake. They could have found ways of not letting him go. And Clarkson's Farm is the perfect Reithian show – it informs, educates and entertains in equal measure. And it's on Amazon. There's a wider issue here that we could talk about all afternoon, that recurring thing of talent that becomes problematically too big for the BBC and then becomes very difficult to handle. But that's as far as I'll go with that one.' One for a future podcast episode, perhaps. Mulville, like Lineker, is more bullish. 'The BBC should get out there and say, 'Yeah, we make mistakes. F— it. We broadcast 1000s of hours a week on TV and radio, we're bound to make mistakes. We can be a bit stupid sometimes, but so what? We're a brilliant organisation.' They should take a leaf out of Donald Trump's book and just talk about how wonderful they are. Because if it wasn't there, we'd miss it.'

Ever wondered what makes a TV executive tick? This podcast spills all
Ever wondered what makes a TV executive tick? This podcast spills all

Telegraph

time11-04-2025

  • Entertainment
  • Telegraph

Ever wondered what makes a TV executive tick? This podcast spills all

Judging a podcast on its first episode is a bit like judging a footballer solely on their debut, but at least Insiders: The TV Podcast (Expectation/Hat Trick) gave us a handy yardstick. 'This podcast isn't going to be like The Rest is Entertainment,' said Jimmy Mulville at the start, instantly making listeners think of The Rest is Entertainment, Marina Hyde and Richard Osman's audio behemoth. Mulville protests too much – Insiders is rather a lot like The Rest is Entertainment, and on the evidence of this debut, it should strive to be even more so. Mulville and his co-host Peter Fincham certainly have the credentials for the gig, both being veteran TV producers with enviable CVs. Mulville's Hat Trick Productions has made everything from Father Ted and Derry Girls to Whose Line Is It Anyway and Have I Got News For You, while Fincham (who co-hosts the excellent What's Funny About… on Radio 4) has been MD of TalkBack, Controller of BBC One and Director of Television at ITV. They know what they're talking about. The podcast has a format (tip for wannabe podcasters: The Rest is Entertainment doesn't have a format), which has the pair's producer handing them envelopes containing various topics. Each subject comes to Fincham and Mulville as a surprise, meaning that all conversation is off-the-cuff. And while they have the knowledge and anecdotes to do this, the nagging feeling is that greater insight would be gained from allowing the hosts to choose each week's topics. I would also tighten the episodes – 53 minutes can feel a long time. Yet the pair have an enormous amount to give and this opener had plenty of nuggets to enjoy. I particularly enjoyed the segment on the US vs the UK, with Mulville having finally launched HIGNFY in the US after many aborted attempts. Part of the problem previously was that US execs considered the news quiz to be 'too newsy', while Mulville ran into similar problems when trying to get a US remake of Father Ted off the ground: 'Do they have to be Catholic priests?' More specificity like this, and fewer general musings on the state of the industry, will help the podcast fly (and when it settles in, I think it will). My favourite tale was about Richard Hammond pitching a show about the social history of road building to Fincham. 'I think I ended up commissioning Richard Hammond In Search of the Holy Grail. He didn't find it.'

WATCH: Driver plows into utility pole during chase on busy Sandy Springs road
WATCH: Driver plows into utility pole during chase on busy Sandy Springs road

Yahoo

time01-04-2025

  • Yahoo

WATCH: Driver plows into utility pole during chase on busy Sandy Springs road

A man was arrested and charged after he led officers on a chase in Sandy Springs, police said. [DOWNLOAD: Free WSB-TV News app for alerts as news breaks] Around 10:35 p.m., on March 26, officers were called to a hit-and-run accident at 7875 Roswell Road in Sandy Springs. The address appears to be a plaza with several businesses. Dispatch told police the suspect's vehicle was a black SUV traveling south on Roswell Road. Sandy Springs police said they spotted the SUV improperly stopped in the road in the area of 7200 Roswell Road. An officer attempted to conduct a traffic stop, but the driver, identified as Loren Andrew Mulville, sped away, driving south on Roswell Road. Police said they tried to stop Mulville two more times but he continued speeding on the road. TRENDING STORIES: Layoffs begin at Atlanta-based CDC, other US health agencies At least 2 tornadoes touched down in Henry, Coweta counties on Monday GA woman who suffered miscarriage charged after fetus found in dumpster Dashcam video shows the moment Mulville lost control of the SUV, crashing into an utility pole in the area of 6500 Roswell Rd. This caused the pole and wires to collapse and spark. SSPD said, fortunately, there were no injuries. Mulville was arrested and charged with the following: Improperly stopping in the roadway Fleeing and eluding Reckless driving Failure to maintain lane Hit and run Criminal property damage in the first degree He was booked into the Fulton County Jail. [SIGN UP: WSB-TV Daily Headlines Newsletter]

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