Latest news with #Newhart
Yahoo
5 days ago
- Entertainment
- Yahoo
‘What We Do in the Shadows' cast on alternate series finale endings and the parody that didn't work
The cast of What We Do in the Shadows was visibly sad when they realized they may be all together for the last time, appearing on stage at Disney FYC Fest at the DGA Theater. But as the sixth and final season of the FX series demonstrated — as well as a slew of alternate endings they screened at the panel — they've gotten pretty good at handling goodbyes. Showrunner Paul Simms, who parodied the famous finale moments in The Usual Suspects, Rosemary's Baby, and Newhart in the alternate endings, revealed the additional iconic last-moments reference they were really trying to make happen but couldn't make work. More from GoldDerby 'Wicked: For Good' trailer teases more monkeys, a wedding, and Dorothy Walton Goggins and Aimee Lou Wood: The debunked 'White Lotus' feud explained Justine Lupe on the unexpected chemistries that power Netflix's 'Nobody Wants This' "The one we talked about most besides these was the ending of M*A*S*H, where he leaves in the helicopter and he spelled out 'Goodbye' in the rocks," Simms said. "We thought, budget-wise, how would we do that? Then for a while we thought the vampires fly away and they look back and Guillermo has spelled out 'Goodbye.' Then we thought it was all too complicated." "But if we were going to do a TV ending, Newhart was the one," he added. Mark Proksch, who played Colin on the series, agreed that the Newhart finale — often called the best series finale moment of all time, with its clever callback to Bob Newhart's prior series The Bob Newhart Show — was held in the highest regard. "Paul and I, our idol is Bob Newhart," Proksch told Gold Derby. "[Bob] had an interview in Parade magazine about a year before his passing where he talked about his favorite show that he and his wife would watch was Shadows, which blew our minds! … That Newhart ending was a special one." After a screening of the series finale, including all three alternate endings, Simms moderated a panel with the main cast, including Proksch, Matt Berry (who received the show's first acting Emmy nomination last year), Kayvan Novak, Natasia Demetriou, Harvey Guillén, and Kristen Schaal. FX Demetriou also had a special personal connection to one of the endings: Having played Nadja as Rosemary in Rosemary's Baby while in her last trimester of pregnancy, she believed she was about to deliver her very own baby right there on set. "I was seven months pregnant and felt like the baby was crowning," she said. "It was really hot and I had sweat dripping down my legs and I thought it was the baby." "But that final scene was surreal and so sad, but I loved the Rosemary's Baby stuff," she added, quipping, "It was very prophetic because my child is a demon." When asked what was his favorite part of the finale, Berry recalled the scene where the vampires are gathered together singing: " sat at the piano because I also turned 50 that day," he remembered. "That's the craziest birthday I think I'll ever have." Gold Derby asked Berry if he could see a reunion in the future, and fans may not like his answer. "I think the best thing to do with it — and this is crazy as an actor saying this, but I would just recast the whole thing," he offered, suggesting, "You can have a whole new load of people, like SNL or Doctor Who... another load of new comics to do it. You can't go back to these things. You were who you were when you did it. … Let someone else do it." Best of GoldDerby Chloë Sevigny on Kitty Menendez and 'Monsters' fascination: 'People are endlessly curious about those who have privilege and abuse it' Jason Isaacs relives filming 'The White Lotus' piña colada scene: 'It was one of the reasons I was worried about taking the job' Kaitlyn Dever on playing 'horrible' characters in 'Last of Us', 'Apple Cider Vinegar': 'I just don't see any other option but to give 100 percent' Click here to read the full article.
Sydney Morning Herald
27-05-2025
- Entertainment
- Sydney Morning Herald
In an age of endless TV reboots, do finales still matter?
It's rare these days for a show to actually finish properly instead of being unceremoniously cancelled by a flailing streaming service (R.I.P. The Wheel of Time). But this year we have some big series coming to an end, including Andor and The Handmaid's Tale, which both finished this month, and Squid Game and Stranger Things still on their way. The pressure is on for these shows to wrap up not only through a satisfying final season but with an all-important final episode. It's not crazy to say that everything relies on the final episode sticking the landing, or else risking being hated and mocked forever (see: Game of Thrones). In 1990 American comedian Bob Newhart ended his eponymous sitcom Newhart (1982-1990) with a stunt finale that managed to change TV history. In the final episode, after a Japanese millionaire buys the town in which the show is set and turns it into a golf course, Newhart's character wakes up in bed next to his wife from an earlier show (The Bob Newhart Show, which ran from 1972 to 1978) and says, 'You won't believe the dream I just had!' – and describes the entire run of Newhart. It was not the first show to use the 'it was all a dream' trope, with I Dream of Jeannie using it in the '70s, and soap opera Dallas using it in the '80s to retcon away their entire ninth season in a (successful) bid to salvage failed ratings. But the most memorable use of it was for a series finale, and possibly why it became shorthand for a 'lazy' way of ending things. Loading Increased scrutiny on final episodes – especially through the 'golden age' of television – has led to a handful of universally lauded finales. This month marked the 10-year anniversary of the beloved final episode of Mad Men, which ranks up there with finales of shows such as Six Feet Under, The Sopranos and Breaking Bad. However, shows that don't stick the landing – Game of Thrones, Lost, Killing Eve, Dexter, Gilmore Girls – are often more memorable, sometimes so unsatisfying or trite that they taint the legacy of a once-loved series. The stakes are high – or at least they have been. Now there's always potential to just reboot a show a few years later and gloss over the finale's mistakes. In just a few weeks, as its name suggests, Dexter: Resurrection will literally bring its titular serial killer back from the dead. And it's not even the first time the franchise has tried to correct its course.
The Age
27-05-2025
- Entertainment
- The Age
In an age of endless TV reboots, do finales still matter?
It's rare these days for a show to actually finish properly instead of being unceremoniously cancelled by a flailing streaming service (R.I.P. The Wheel of Time). But this year we have some big series coming to an end, including Andor and The Handmaid's Tale, which both finished this month, and Squid Game and Stranger Things still on their way. The pressure is on for these shows to wrap up not only through a satisfying final season but with an all-important final episode. It's not crazy to say that everything relies on the final episode sticking the landing, or else risking being hated and mocked forever (see: Game of Thrones). In 1990 American comedian Bob Newhart ended his eponymous sitcom Newhart (1982-1990) with a stunt finale that managed to change TV history. In the final episode, after a Japanese millionaire buys the town in which the show is set and turns it into a golf course, Newhart's character wakes up in bed next to his wife from an earlier show (The Bob Newhart Show, which ran from 1972 to 1978) and says, 'You won't believe the dream I just had!' – and describes the entire run of Newhart. It was not the first show to use the 'it was all a dream' trope, with I Dream of Jeannie using it in the '70s, and soap opera Dallas using it in the '80s to retcon away their entire ninth season in a (successful) bid to salvage failed ratings. But the most memorable use of it was for a series finale, and possibly why it became shorthand for a 'lazy' way of ending things. Loading Increased scrutiny on final episodes – especially through the 'golden age' of television – has led to a handful of universally lauded finales. This month marked the 10-year anniversary of the beloved final episode of Mad Men, which ranks up there with finales of shows such as Six Feet Under, The Sopranos and Breaking Bad. However, shows that don't stick the landing – Game of Thrones, Lost, Killing Eve, Dexter, Gilmore Girls – are often more memorable, sometimes so unsatisfying or trite that they taint the legacy of a once-loved series. The stakes are high – or at least they have been. Now there's always potential to just reboot a show a few years later and gloss over the finale's mistakes. In just a few weeks, as its name suggests, Dexter: Resurrection will literally bring its titular serial killer back from the dead. And it's not even the first time the franchise has tried to correct its course.
