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Nitanshi Goel: Cycling feels like freedom on two wheels
Nitanshi Goel: Cycling feels like freedom on two wheels

Hindustan Times

time18 hours ago

  • Entertainment
  • Hindustan Times

Nitanshi Goel: Cycling feels like freedom on two wheels

Cycling for many might be just a physical activity, but for Nitanshi Goel it is liberation. 'Cycling has always felt like freedom on two wheels,' the actor tells us on World Bicycle Day today, adding, 'It started out as a fun way to play as a kid, but over time, it became something more personal—a space where I could just be with my thoughts, away from everything else. It's one of those simple joys that never really goes away.' Adding on to how the activity helps her be more at peace, Nitanshi Goel says, 'Cycling gives you that quiet time where your body is moving but your mind gets the space to breathe, it's a bit like meditation for me. Especially on days when things feel overwhelming, a short ride really helps me declutter my thoughts and reconnect with myself.' Remembering her first bicycle ever, the actor shares that it was a 'little pink cycle with shimmery tassels on the handles'. She adds, 'I had even given it a name, I was that obsessed with it. It felt like my first real step toward independence. It's one of the first things I truly learned by myself. The tiny victories like finally riding without support wheels or learning to brake properly and then gradually riding with one hand, they meant the world back then.' While she misses cycling regularly in Mumbai as she used to do in her hometown Noida, Nitanshi remembers one of her most adventurous rides on two wheels. 'I remember riding on a muddy slope during monsoon. I probably wasn't supposed to go that far, but it was such a thrilling little escape. The rain, the laughter; I came back drenched, but with a memory I'll never forget,' she recalls. With the busy lifestyle we are leading today, Nitanshi insists that cycling is becoming more of a necessity than a hobby: 'We spend so much time indoors, glued to screens, and somewhere we've forgotten how refreshing it feels to just be outside. Cycling gives your body movement, your mind space, and your heart a little joy. It's such a simple thing, but it makes a big difference. It's such a gentle way of reconnecting — with nature, with movement, and with yourself. It doesn't take much, just you and a cycle. And in this fast-paced world, where everything is about productivity and speed, cycling reminds you to slow down and breathe.'

The photo frame jewellery trend lets you wear your favourite memory
The photo frame jewellery trend lets you wear your favourite memory

Hindustan Times

time27-05-2025

  • Entertainment
  • Hindustan Times

The photo frame jewellery trend lets you wear your favourite memory

One wardrobe staple which has the power to enhance any outfit is accessories, and one that recently went viral is actor Nitanshi Goel's hair parandi veil at the Cannes Film Festival this year. The parandi featured small photo frames of female Bollywood actors hanging from the pearls. She wanted to honour the women who shaped Indian cinema, and it was her way of paying tribute to them. The photo frames included photos of actors Madhubala, Nargis, Meena Kumari, Nutan, Waheeda Rehman, Asha Parekh, Vyjayanthimala, Hema Malini, Rekha and Sridevi. Another person who took up this trend, but in a more controversial way, was model Ruchi Gujjar, making her Cannes debut as she wore pendants of Prime Minister Narendra Modi's face. Now, attaching frames to any accessory goes beyond just a trend, and it's now new. Remember the photo lockets in different shapes and sizes that people used to hang around their necks? This is just that, but with a modern and stylish approach. This trend talks about personalisation on another level. Anything and everything you wear has a story to tell, and it should be personal to you. Hair parandi veils are not the only accessory, however, that you can add to your look to make it extra special. There are rings, earrings and even kaleeras that people are looking at for that custom approach. 'Customisation has been a core offering since the very beginning because we believe that jewellery is a form of self-expression and not just a piece to wear,' says Madhulika Anchalia, co-founder of jewellery brand, BeAbhika, who created Nitanshi's hair parandi, adding, 'These mini photo frames were an extension in that direction. While adding photos to products isn't new, we aimed to preserve the charm and nostalgia of vintage decorative photo frames with glass fronts—timeless keepsakes that continue to hold sentimental value even today.' They offer a variety of products with photo frames embedded in them, including kaleere for weddings, rakhis and lumbas, and hair veils/parandis. 'In future, we plan to design necklaces and bracelets with them and also experiment with some new categories,' she adds. The price range of these products can be anywhere between ₹500 and ₹20,000, depending on the materials used, design intricacy and level of customisation. A post shared by Neha Balodia Designs (@nehabalodiadesigns) Neha Balodia of Neha Balodia Designs, a resin art brand, works on creating phone charms with photographs sealed inside resin. 'I believe memories should be lived more than once. The idea of preserving something as fleeting as a flower or a photograph in clear, glossy resin felt magical," she reflects. The price of their products starts from ₹200 and varies according to complexity, size, and customisation of the product. 'Each piece is handmade and unique, so pricing reflects the time, effort, and materials that go into making it,' she adds.

From Mughal courtyards to the French Riviera: How Kasab embroidery is keeping Indian grandeur alive
From Mughal courtyards to the French Riviera: How Kasab embroidery is keeping Indian grandeur alive

Indian Express

time23-05-2025

  • Entertainment
  • Indian Express

From Mughal courtyards to the French Riviera: How Kasab embroidery is keeping Indian grandeur alive

Seventeen-year-old Nitanshi Goel's Cannes red carpet debut not only turned heads, but her custom ensemble paid homage to her traditional roots. Her black gown by JADE by Monica and Karishma fused heritage with couture, featuring signature Kasab embroidery and delicate gold macrame detailing. 'It brought together heritage and whimsy in perfect harmony,' said designer Monica Shah. Goel wasn't the only one bringing Kasab embroidery to global spotlight. Content creator Masoom Minawala's Cannes 2025 look, a bespoke Arpita Mehta creation, showcased mirror work, gold Kasab, and fine cutdana in soft beige and gold tones — an ode to timeless, intricate, and globally-relevant Indian artistry. With Kasab embroidery enjoying a moment in the limelight, we trace its origins, evolution, and how modern Indian fashion is helping this age-old craft survive and thrive. 'Kasab embroidery, a distinguished form of metallic threadwork, has been a part of India's rich textile heritage,' said Mansee Khera, assistant professor at Alliance School of Design, Bengaluru, speaking to She explained that it originated in regions like Gujarat and Rajasthan, where gold or silver threads – called Kasab – were woven into luxurious fabrics like silk, velvet, and brocade. 'Traditionally associated with royalty and ceremonial wear, the embroidery is characterised by techniques such as couching, where threads are laid on the fabric surface and stitched down with fine thread. The resulting patterns, often floral or geometric, reflect both cultural influences and artistic expression,' said Khera. Apurva Shah, creative director and founder of Label Apurva, said, 'Its roots trace back to the Mughal era, where it was extensively used in zari work on royal garments, temple textiles, and ceremonial attire. Over time, Kasab found its way into regional embroidery styles like zardozi, gota patti, and aari work.' Shah explained that traditionally, Kasab was reserved for grandeur. 'It wasn't just decorative, it was symbolic. The gleam of Kasab on fabric often signified status, celebration, and sanctity. Brides wore it as blessings woven into their trousseau, dancers draped it to catch the light with every twirl, and royals commissioned it to express power and splendor,' she said. Describing the process as 'poetry in motion,' Shah said that Kasab threads are created by flattening metals like gold or silver (now often substituted with metallic polyester) and wrapping them around a silk or cotton core. 'These threads are then embroidered onto fabrics like silk, organza, velvet, or georgette using techniques such as zardozi, dabka, aari, or gota patti, depending on the region and design. The process is entirely done by hand, and every motif can take hours, sometimes days, of focused craftsmanship,' she said, adding that artisans generally inherit this skill from generations before them, and each piece carries their fingerprint. Kasab embroidery is far from uniform. According to Shah, it comes in various types, each with its own distinct personality: Gold Kasab (Sunehri Kasab) – Traditional and regal, used in bridal and festive wear. Silver Kasab (Chandi Kasab) – Cooler in tone, often paired with pastels and whites. Antique Kasab – A more muted gold or bronze tone, perfect for vintage-inspired pieces. Coloured Kasab – Modern variants using dyed metallic threads to add playful accents. Flat vs. Twisted Kasab – Flat threads for a sleeker look, twisted for texture and dimension. Mixing antique and matte Kasab in embroideries helps give it a contemporary yet timeless touch. 'The truth is, the art of Kasab is delicate, not just in execution but in existence,' said Shah. According to her, the craft faces numerous challenges: a drop in mass market demand due to cheaper machine embroidery, a lack of new artisans entering the field due to low economic returns, rising material costs, and dwindling patronage. 'The displacement of local artisan clusters post-pandemic has further compounded the issue,' she said. However, in an attempt to stay afloat against the rising tide, contemporary fashion designers are reinterpreting Kasab embroidery, and integrating it into modern silhouettes and ensembles. According to Khera, this fusion of traditional craftsmanship with current design sensibilities not only preserves the art form but also introduces it to new audiences, ensuring its relevance in today's fashion landscape.

Nitanshi Goel Brings Barbiecore Fantasy To Life In A Dreamy Dress At Cannes 2025
Nitanshi Goel Brings Barbiecore Fantasy To Life In A Dreamy Dress At Cannes 2025

NDTV

time23-05-2025

  • Entertainment
  • NDTV

Nitanshi Goel Brings Barbiecore Fantasy To Life In A Dreamy Dress At Cannes 2025

Young actor Nitanshi Goel made heads turn with her dreamy appearance at the prestigious Cannes Film Festival this year. Bringing Barbiecore couture to Festival des Cannes, the 17-year-old was seen dressed in a pastel pink beaded mini-dress by the Indian designer label Papa Don't Preach by Shubhika. Encapsulating the perfect fairy-tale aesthetic, Goel's bubblegum-esque dress made her look like a princess. Her custom-made pastel mini dress featured a corset bodice with an off-shoulder neckline and was embellished with beadwork and pearls. The detailed embroidery, particularly the heart-shaped motifs looked ethereal and the flared skirt added volume and movement to the silhouette. View this post on Instagram A post shared by 𝐍itanshi Goel (@nitanshigoelofficial) What elevated the look was the ethereal mint green train attached at the back of the dress. Flowing like a ribbon in the wind, it adds a dramatic quality to the ensemble. She paired the outfit with sky-high pastel blue platform heels adorned with floral accents that complemented her dress without overpowering it. It elongated her frame and added to the fantasy-themed design ethos. She wore floral earrings that went well with the dress and the soft waves in her hair framed her face perfectly. With the charming streets of Cannes in the backdrop, the look embodies a modern fairy tale in a European setting. For her main look at Cannes 2025, Goel wore a custom black and gold embroidered gown by Jade by Monica and Karishma. She made heads turn with the one, and this look serves the same majestic energy!

‘This is how we learned to eat food': Dubai's viral kadak chai toast brings a nostalgic twist to classic desi snack
‘This is how we learned to eat food': Dubai's viral kadak chai toast brings a nostalgic twist to classic desi snack

Hindustan Times

time22-05-2025

  • Entertainment
  • Hindustan Times

‘This is how we learned to eat food': Dubai's viral kadak chai toast brings a nostalgic twist to classic desi snack

Social media is brimming with reels and videos showcasing the latest food trend taking over timelines, Dubai Chai Toast. Following the viral success of kunafa chocolate, this warm and gooey twist on the classic chai-toast combo has become the new sensation. Known also as Chai Malai Toast, the dish has sparked curiosity and cravings, with Instagram videos highlighting its rich, comforting texture and nostalgic appeal. Also read: Bihar-based content creator recreates scenes from Laapataa Ladies, gets nod from lead actress Nitanshi Goel Chai and toast have long been a staple pairing in many Indian households. Typically, buttered toast is lightly dipped in tea, creating the perfect balance of crisp and softness in every bite. However, the version going viral is a completely different take. Rather than simply dipping the toast, this snack involves pouring hot chai directly over a malai-filled bread sandwich. The trending dish consists of three primary ingredients: kadak chai (strong milk tea), malai (fresh cream), and sliced bread. In the viral recipe, fresh cream is sandwiched between two slices of bread. Then, hot tea is poured over the sandwich until it's completely soaked, making the bread soft enough to be scooped up with a spoon. The result is a warm, rich, and nostalgic snack that's gaining traction everywhere. Also read:Indian-origin woman wearing lehenga turns heads in Paris metro: 'Wasn't ready for desi baddie' A post shared by Meghna's Food Magic (@meghnasfoodmagic) A user commented, 'My mother started giving us this chai dipped bread since our childhood days this is how we learned to eat food' Another added, 'We used to feed our babies in 1980s.' Also read: 'You come to beg here': Delhi influencer responds to Karnataka auto driver's language snub One user asked, 'But bread looks soft .. then what's kadak in this ???' One user suggested, 'Tastes good wit a good BunMalai'

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