Latest news with #Olympic-level
Tom's Guide
11 hours ago
- Tom's Guide
I just found the perfect Switch 2 screen protector — and it's the first time I've ever installed one without issues
I am legendary at being bad at installing screen protectors, like Olympic-level awful. When adding a protector to my Steam Deck OLED, I had to purchase a second set after fumbling three times in a row. When my partner (foolishly) asked me to sort one for her new iPhone, it took me four attempts, and there were still a few air bubbles and trapped dust underneath. Even before obtaining my Nintendo Switch 2 on launch day, I was already dreading how many screen protectors I'd have to purchase just to have its display protected from the almost inevitable scratches that come with a portable device. Remarkably, I managed to install the protector for the first time. It's not because I improved my installation skills, but rather because I discovered a screen protector that is truly 'idiot-proof.' I'm talking about the Prism 2.0 from dbrand. If you're looking to protect your Switch 2, I can save you some time and hassle. Go pick up a Prism 2.0 screen protector from dbrand right now. I promise, it's worth the relatively high cost. Prism 2.0 is the ultimate Nintendo Switch 2 screen protector. It comes with an "idiot proof" installation process, and is made from scratch-proof tempered glass. While it's comparatively pricey at $34, you do get two in the pack, and it's a worthwhile investment to ensure you Switch 2 remains protected when taking it on the go. What makes the Prism 2.0 so effortless to install is a combination of two things: The installation tray and the fact that you don't place the protector onto the screen yourself. In my experience, no matter how carefully I proceed, those brief seconds between cleaning the display and then placing down the screen protector, dust and dirt always materialize from seemingly nowhere. However, with the Prism 2.0, you snap the installation tray to the Switch 2 display, and then yank a plastic pull tab, next firmly swipe along a printed dotted line, and the protector is instantly glued to the screen. Any air bubbles? Use the included squeegee to smooth them out. The process takes barely 30 seconds, and if I can do it, then anybody can. Even better, dbrand includes two Prism 2.0 protectors in every package, but for the first time ever, I didn't even need another. I installed the screen protector on my Switch 2 flawlessly the very first time. Of course, an easy-breezy installation process would be almost worthless if the protector itself wasn't up to snuff, but dbrand hasn't dropped the ball here either. The memey accessories manufacturer claims it's built from 'premium tempered glass' with a 7 rating on the Mohs scale of mineral hardness. I don't really know what that means, but it seems good enough for me. Once installed, the protector is virtually impossible to detect, and hasn't robbed the Switch 2's stunning display of its vibrancy. Prism 2.0 really is the perfect protector for the $449 hybrid console. Yes it comes at a relatively high price compared to some of the other options out there (you can pick up a Switch 2 screen protector from $5 on Amazon), but when you're spending hundreds of dollars on a gaming handheld sometimes it's worth spending the extra to get a screen protector that can be installed without any fuss. I know in the future, if I'm ever looking to add a screen protector to a new device, dbrand will be the only place I go. The (in)famous company claims the Prism 2.0 is 'idiot proof,' and, as a complete idiot when it comes to installing screen protectors, I'm the living proof that this claim is indeed accurate.
The Sun
5 days ago
- Entertainment
- The Sun
TV graphics put fun into South Korean election count
SEOUL: Two candidates vying to be president vigorously plunge a toilet, kick a football, then pop open a soda -- it can only be South Korean election night, where whacky graphics strive to make vote-counting fun. 'Harry Potter', 'Squid Game', a rigorous spinning class... no reference is too small or too bizarre to be mined by broadcaster SBS for outlandish CGI-animated graphics to attract viewers -- and, the journalists behind it say, make politics more accessible and engaging. Thanks to a dozens-strong specialist team at SBS, the dry work of tallying millions of ballots on the evening of June 3, after South Koreans vote for their next leader, will be transformed into an Olympic-level spectacle. 'The pressure is on,' SBS broadcast journalist Son Hyoung-an, who has been working on the election graphics team since before the poll was announced, told AFP. 'Everyone is asking us what we will do next, and they are excited to see what we'll bring to the table,' said Son. The tradition began around a decade ago, when South Korean networks noticed they could get more eyeballs on election night by leaning into the country's strong K-pop and K-drama tradition, and by trying to make politics fun and entertaining. It started with simple 2D visuals -- the most striking of which showed candidates walking up a building horizontally -- but, with an enthusiastic response, it has grown in scale and scope. Now, most Korean networks run sophisticated animated sequences that show the candidates' faces and body movements -- with their permission -- using actors to create the movements, then splicing the real faces on top. - Snap election - This year's poll posed a particular challenge, as it is a snap election after ex-president Yoon Suk Yeol was impeached and stripped of office over his abortive martial law declaration, meaning that SBS's election team had hardly any time to prepare. 'We need to do five months worth of work in a matter of weeks,' Son told AFP, adding that convincing the super-busy candidates to spare them a few minutes to film their faces for the graphics was tough. The front-runner, liberal Lee Jae-myung, ran in 2022 and lost to Yoon by the narrowest margin in the country's history -- meaning SBS already had footage of him from their previous coverage. The challenge was with Kim Moon-soo, the conservative former labour minister and ruling People Power Party nominee -- but his team said he was too busy and kept rejecting the election graphics team requests. Eventually, they secured three minutes with him in front of a green screen. Then they just had to come up with the graphics. One of this year's themes is 'Squid Game', with the animations showing Lee and Kim competing in classic childhood games from the hit Netflix series, from 'red light, green light' to 'ddakji'. 'Even the smallest ideas are welcome,' SBS journalist Kim Deok-hyun, told AFP. 'We gather personal memories, joyful moments - anything the team finds entertaining -- without filtering or holding back.' One team member had a particularly good spinning class and suggested it could work for election night. In the graphic, both candidates' heads bob furiously as they ride indoor bicycles, their vote share rising with each pedal stroke. For voters frustrated by the country's political turmoil, another sequence features a sound effect known in Korean as 'bbeong' -- the noise a fizzy drink makes when opened, or the thwack of a football, or the gurgle when a toilet is unclogged. - Rap battle - SBS is particularly well-known for its election graphics, but all South Korean networks do it -- with one rival channel going viral last year for a rap battle between candidates. 'It does make you wonder, can we go this far with people who might become the president?' said Kim. But the journalists behind SBS's offerings say that the purpose of the graphics is to create a 'flow' to engage viewers and keep them hooked on the democratic process. Early in the day while voting is underway, coverage is more restrained, but once exit polls are out 'we'll roll out fast-paced, high-energy items, with rapid-fire summaries to help viewers follow the evolving picture', said Kim. 'We want people to look forward to our election night coverage, the way they anticipate a new film, thinking, 'I can't wait to see what they do this time'.' Experts agree that graphics can help keep viewers -- and voters -- engaged. 'Eye-catching graphics could be valuable, if they serve to draw attention not just to visuals but to substantive content that helps elevate the political discourse in our country,' Kim Seo-joong, a professor at Sungkonghoe University told AFP.
France 24
5 days ago
- Entertainment
- France 24
TV graphics put fun into South Korean election count
"Harry Potter", "Squid Game", a rigorous spinning class... no reference is too small or too bizarre to be mined by broadcaster SBS for outlandish CGI-animated graphics to attract viewers -- and, the journalists behind it say, make politics more accessible and engaging. Thanks to a dozens-strong specialist team at SBS, the dry work of tallying millions of ballots on the evening of June 3, after South Koreans vote for their next leader, will be transformed into an Olympic-level spectacle. "The pressure is on," SBS broadcast journalist Son Hyoung-an, who has been working on the election graphics team since before the poll was announced, told AFP. "Everyone is asking us what we will do next, and they are excited to see what we'll bring to the table," said Son. The tradition began around a decade ago, when South Korean networks noticed they could get more eyeballs on election night by leaning into the country's strong K-pop and K-drama tradition, and by trying to make politics fun and entertaining. It started with simple 2D visuals -- the most striking of which showed candidates walking up a building horizontally -- but, with an enthusiastic response, it has grown in scale and scope. Now, most Korean networks run sophisticated animated sequences that show the candidates' faces and body movements -- with their permission -- using actors to create the movements, then splicing the real faces on top. Snap election This year's poll posed a particular challenge, as it is a snap election after ex-president Yoon Suk Yeol was impeached and stripped of office over his abortive martial law declaration, meaning that SBS's election team had hardly any time to prepare. "We need to do five months worth of work in a matter of weeks," Son told AFP, adding that convincing the super-busy candidates to spare them a few minutes to film their faces for the graphics was tough. The front-runner, liberal Lee Jae-myung, ran in 2022 and lost to Yoon by the narrowest margin in the country's history -- meaning SBS already had footage of him from their previous coverage. The challenge was with Kim Moon-soo, the conservative former labour minister and ruling People Power Party nominee -- but his team said he was too busy and kept rejecting the election graphics team requests. Eventually, they secured three minutes with him in front of a green screen. Then they just had to come up with the graphics. One of this year's themes is "Squid Game", with the animations showing Lee and Kim competing in classic childhood games from the hit Netflix series, from "red light, green light" to "ddakji". "Even the smallest ideas are welcome," SBS journalist Kim Deok-hyun, told AFP. "We gather personal memories, joyful moments – anything the team finds entertaining –- without filtering or holding back." One team member had a particularly good spinning class and suggested it could work for election night. In the graphic, both candidates' heads bob furiously as they ride indoor bicycles, their vote share rising with each pedal stroke. For voters frustrated by the country's political turmoil, another sequence features a sound effect known in Korean as 'bbeong' -- the noise a fizzy drink makes when opened, or the thwack of a football, or the gurgle when a toilet is unclogged. Rap battle SBS is particularly well-known for its election graphics, but all South Korean networks do it -- with one rival channel going viral last year for a rap battle between candidates. "It does make you wonder, can we go this far with people who might become the president?" said Kim. But the journalists behind SBS's offerings say that the purpose of the graphics is to create a "flow" to engage viewers and keep them hooked on the democratic process. Early in the day while voting is underway, coverage is more restrained, but once exit polls are out "we'll roll out fast-paced, high-energy items, with rapid-fire summaries to help viewers follow the evolving picture", said Kim. "We want people to look forward to our election night coverage, the way they anticipate a new film, thinking, 'I can't wait to see what they do this time'." Experts agree that graphics can help keep viewers -- and voters -- engaged. "Eye-catching graphics could be valuable, if they serve to draw attention not just to visuals but to substantive content that helps elevate the political discourse in our country," Kim Seo-joong, a professor at Sungkonghoe University told AFP.
Straits Times
5 days ago
- Entertainment
- Straits Times
TV graphics put fun into South Korean election count
Seoul - Two candidates vying to be president vigorously plunge a toilet, kick a football, then pop open a soda – it can only be South Korean election night, where whacky graphics strive to make vote-counting fun. 'Harry Potter', 'Squid Game', a rigorous spinning class... no reference is too small or too bizarre to be mined by broadcaster SBS for outlandish CGI-animated graphics to attract viewers – and, the journalists behind it say, make politics more accessible and engaging. Thanks to a dozens-strong specialist team at SBS, the dry work of tallying millions of ballots on the evening of June 3, after South Koreans vote for their next leader, will be transformed into an Olympic-level spectacle. 'The pressure is on,' SBS broadcast journalist Son Hyoung-an, who has been working on the election graphics team since before the poll was announced, told AFP. 'Everyone is asking us what we will do next, and they are excited to see what we'll bring to the table,' said Son. The tradition began around a decade ago, when South Korean networks noticed they could get more eyeballs on election night by leaning into the country's strong K-pop and K-drama tradition, and by trying to make politics fun and entertaining. It started with simple 2D visuals – the most striking of which showed candidates walking up a building horizontally – but, with an enthusiastic response, it has grown in scale and scope. Now, most Korean networks run sophisticated animated sequences that show the candidates' faces and body movements – with their permission – using actors to create the movements, then splicing the real faces on top. Snap election The 2025 poll posed a particular challenge, as it is a snap election after ex-president Yoon Suk Yeol was impeached and stripped of office over his abortive martial law declaration, meaning that SBS's election team had hardly any time to prepare. 'We need to do five months worth of work in a matter of weeks,' Son told AFP, adding that convincing the super-busy candidates to spare them a few minutes to film their faces for the graphics was tough. The front runner, liberal Lee Jae-myung, ran in 2022 and lost to Yoon by the narrowest margin in the country's history – meaning SBS already had footage of him from their previous coverage. The challenge was with Mr Kim Moon-soo, the conservative former labour minister and ruling People Power Party nominee – but his team said he was too busy and kept rejecting the election graphics team requests. Eventually, they secured three minutes with him in front of a green screen. Then they just had to come up with the graphics. One of the themes is 'Squid Game', with the animations showing Lee and Mr Kim competing in classic childhood games from the hit Netflix series, from 'red light, green light' to 'ddakji'. 'Even the smallest ideas are welcome,' SBS journalist Kim Deok-hyun, told AFP. 'We gather personal memories, joyful moments - anything the team finds entertaining – without filtering or holding back.' One team member had a particularly good spinning class and suggested it could work for election night. In the graphic, both candidates' heads bob furiously as they ride indoor bicycles, their vote share rising with each pedal stroke. For voters frustrated by the country's political turmoil, another sequence features a sound effect known in Korean as 'bbeong' – the noise a fizzy drink makes when opened, or the thwack of a football, or the gurgle when a toilet is unclogged. Rap battle SBS is particularly well-known for its election graphics, but all South Korean networks do it – with one rival channel going viral last year for a rap battle between candidates. 'It does make you wonder, can we go this far with people who might become the president?' said Mr Kim. But the journalists behind SBS's offerings say that the purpose of the graphics is to create a 'flow' to engage viewers and keep them hooked on the democratic process. Early in the day while voting is underway, coverage is more restrained, but once exit polls are out 'we'll roll out fast-paced, high-energy items, with rapid-fire summaries to help viewers follow the evolving picture', said Kim. 'We want people to look forward to our election night coverage, the way they anticipate a new film, thinking, 'I can't wait to see what they do this time'.' Experts agree that graphics can help keep viewers – and voters – engaged. 'Eye-catching graphics could be valuable, if they serve to draw attention not just to visuals but to substantive content that helps elevate the political discourse in our country,' Prof Kim Seo-joong of Sungkonghoe University said. AFP Join ST's Telegram channel and get the latest breaking news delivered to you.
United News of India
6 days ago
- Sport
- United News of India
Reliance Foundation athletes shine in Asian Athletics Championships 2025
Mumbai, May 31 (UNI) In a historic run by Indian athletes at the Asian Athletics Championships 2025 held in Gumi, Republic of Korea, athletes supported by Reliance Foundation delivered their best-ever performance, claiming a total of five medals — three golds, one silver, and one bronze — contributing significantly to India's second-place finish overall with 24 medals – the country's best-ever showing at the Championships. Hailing the performance of all the participating athletes, James Hillier, Athletics Director, Reliance Foundation said, "We had 10 of our athletes participating in the competition and Gulveer really stole the show with his double gold (5000m & 10000m). Jyothi also did amazingly well in the hurdles in extremely difficult conditions, kept her composure and defended her title." "In the women's long jump, Ancy Sojan kept her cool by being a brilliant competitor and winning the silver medal with a mature performance. Animesh's bronze medal reflects the investment we have made in sprints and this is the third time this year that he broke the national record, so it was a great performance from him,' Hillier said. 'Overall, it was a massive effort from all our athletes out there and it's heartening to see us win medals across all centres in Mumbai, Bengaluru and Odisha in sprint, hurdles, jumps and long distance,' he added. Leading the charge was long-distance runner Gulveer Singh, who scripted history by clinching double gold in the 5000m and 10000m, including a new championship record of 13:24.77s in the 5000m. Gulveer became the first Indian athlete since 2017 to win both events in the same edition of the Championships. Meanwhile, Jyothi Yarraji, India's ace hurdler and reigning Asian champion, defended her title in the 100m hurdles with a season-best time of 12.96s, breaking the championship record under challenging weather conditions. Ecstatic after his achievement in the Championships, Odisha Reliance Foundation High Performance Centre athlete Animesh Kujur quoted, 'I'm really proud of winning the bronze medal in my first ever major international championship. At the start line, I was in a good mental space and felt confident in my abilities. I kept composure throughout the final race and was pleased to see myself break the national record once again. I think this is just a start and I want to reach greater heights in the near future.' With this five-medal haul, Reliance Foundation athletes not only broke records (two championship records and one national record) but also underlined the Foundation's commitment to nurturing Olympic-level talent through access to world-class facilities across India. The performance in Gumi stands as a proud milestone in the Foundation's journey of empowering young Indian athletes to excel on the global stage. UNI BM
