4 days ago
Sunanda Sharma's Jaguar Vandalised In London, Louis Vuitton Bags Stolen: 'Everything Is Gone'
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Punjabi singer Sunanda Sharma's Jaguar was vandalised in London, with LV bags and other items stolen. She shared an emotional video, questioning UK safety measures.
Punjabi singer Sunanda Sharma, known for hit tracks like Jatt Yamla, Pagal Nahi Hona, and Jaani Tera Naa, recently took to social media to share a harrowing experience while in London. In a video posted from a dimly lit parking lot, the visibly shaken artist revealed that her Jaguar had been broken into, its windows shattered and personal belongings worth lakhs stolen.
Sunanda stood beside the vandalised vehicle, filming the aftermath with quiet resolve. The car's back window was smashed, shards of glass scattered across the seats and pavement. Despite the obvious damage, Sunanda offered a weary smile, reflecting not just loss but the emotional fatigue of facing such an incident far from home.
Two Louis Vuitton bags, a suitcase, and a handbag—all of which she described as special and purchased through her own hard work—were stolen. 'Everything is gone," she said in Punjabi, pointing to the car. 'Both were my favourite. They've taken everything."
In a post accompanying the video, Sunanda wrote, 'Ve main jehde paase vekhaa, mainu chor disde. UK waaleyo eh koi gal te nai na. Sari raat neend nai aayi baadshaho. Kehda LV te Kehda Prada, oh gya oh gya oh gya." The caption, raw and lyrical, hinted at her disbelief and helplessness, but also carried a wry resilience. 'Maybe we were saved from something worse," she added.
This moment of vulnerability struck a chord with fans, who flooded the comments with messages of love and outrage. Many questioned the state of public safety in London, especially in areas presumed to be secure.
This isn't the first time Sunanda has opened up about personal turmoil. Earlier this year, she filed an FIR against music producer Pinky Dhaliwal on charges of financial exploitation and mental harassment. In a now-deleted post, she described the emotional toll, stating she had spent nights crying alone, sometimes contemplating suicide. 'They treat us like beggars," she had written, calling out the darker side of showbiz where young artists are often preyed upon.
Together, both episodes paint a picture of a young artist constantly navigating betrayal—whether it comes from a business associate or from a faceless act of theft in a foreign city. But what stands out is Sunanda's ability to maintain dignity through it all. There is no melodrama, only a quiet assertion of what was lost, and an even quieter defiance.
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