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Yahoo
4 days ago
- Entertainment
- Yahoo
K-pop Group Riize Announces Venues and Ticketing Details for North American Tour Leg (Exclusive)
K-pop group Riize is heading out on tour this fall, stopping at the Peacock Theater, The Theater at Madison Square Garden and more venues across North America, The Hollywood Reporter has exclusively learned. The boy group announced the North American leg of their first solo tour, Riizing Loud, last week, with stops in eight cities across the U.S. and Mexico. The group is heading to the Chicago suburb of Rosemont, Illinois, on Oct. 30 for the first night of the tour leg before traveling to New York's The Theater at MSG and D.C.'s The Anthem. The group's last U.S. stop is in L.A. at the Peacock Theater; they'll then head to Mexico City for a night at the Velódromo Olímpico. More from The Hollywood Reporter KCON L.A. Returns - How to Secure the Best Ticket Deals (and Stream the Festival Online for Free) Kelly Clarkson Just Kicked Off Her Vegas Residency - Here's How to Save on Last-Minute Tickets The Best U.S. Music Festivals of 2025, from Lollapalooza to Ohana Fest 'We're excited to connect and get closer with Briize (official name for fans) from even more places through our North American tour,' Riize said in an exclusive statement to THR. The group is expected to perform all songs from their recently release full-length album, Odyssey, in the U.S. for the first time during the tour. 'Since this is our first solo concert, the number of songs we'll perform on stage has increased compared to last year's fan concert, so we're all focusing on keeping our energy up and are also studying languages,' the group continued. 'We're working hard to prepare a show that Briize will love, so please look forward to it.' Riize kicked of the Riizing Loud tour earlier this month with three sold-out shows in Seoul, South Korea. The three concerts drew over 31,000 fans, according to a release. Tickets for the tour, which is being produced by the group's Korean label SM Entertainment and promoted by AEG Presents, are set to go on sale for the general public on Aug. 8 at 4 p.m. local time. Fans can register for an early presale on Weverse, the Hybe-owned fan platform, beginning Wednesday, July 17 at 4 p.m. PT. Fan presale will be held Aug. 6 at 4 p.m. local time, while local and AEG presale begins Aug. 7 at 4 p.m. local time. Presales end Aug. 7 at 10 p.m. local time. The full details for Riize's upcoming North American leg of the Riizing Loud tour are below. Riizing Loud in North America 2025 Dates and Venues: Oct. 30 in Rosemont, IL, at the Rosemont Theatre Nov. 1 in New York at The Theater at Madison Square Garden Nov. 2 in Washington, D.C., at The Anthem Nov. 4 in Duluth, GA, at the Gas South Arena Nov. 7 in Seattle at WAMU Theater Nov. 9 in San Francisco at The Theater at Bill Graham Civic Auditorium Nov. 11 in L.A. at the Peacock Theater Nov. 14 in Mexico City at Velódromo Olímpico Riizing Loud in North America Ticketing Timeline: July 17 at 4 p.m. PT through July 30 at 8 p.m. PT: Fan club presale registration is held on Weverse Aug. 6 at 4 p.m. local time: Fan presale begins Aug. 7 at 4 p.m. local time: Local and AEG presale begins Aug. 7 at 10 p.m. PT: Presales end Aug. 8 at 4 p.m. local time: General on-sale begins Best of The Hollywood Reporter From 'Party in the U.S.A.' to 'Born in the U.S.A.': 20 of America's Most Patriotic (and Un-Patriotic) Musical Offerings Most Anticipated Concert Tours of 2025: Beyoncé, Billie Eilish, Kendrick Lamar & SZA, Sabrina Carpenter and More Hollywood's Most Notable Deaths of 2025 Solve the daily Crossword
New York Times
6 days ago
- Sport
- New York Times
What the NHL gets wrong in sticking with a decentralized draft format
'If it ain't broke, don't fix it,' might be the only cliche that we apparently don't subscribe to in hockey. For a long time, the NHL ran a centralized draft that worked. Then they tried a decentralized one, and it didn't. Naturally, they're going to try to fix the broken one. I know why they want to. I was stuck in that Nashville airport in 2023 when the storm clouds rolled in, and the delays and cancellations piled up, and the gathering executives, scouts, agents, players, team personnel and media, desperate to get home for July 1, had to do their business from the gates, some sitting on the ground and others calling it quits and finding available hotel rooms. I understand why they hate the logistics of it. I understand the size limitations of those draft floor tables and the growing number of people who are involved but left out of the big day (though for many of those who were included at those tables, that big day was also a special one they may now never get to have again). I understand why they prefer the privacy of a conference room to openly discuss their next pick or make their next move over the earshot close quarters of the floor. I know it's cheaper for owners and the league to do it this way, and that there was some sticker shock at the cost of the draft at Sphere in Vegas last year (though the decision to decentralize had already been made before that). Advertisement There was some good in what took place in Los Angeles at the Peacock Theater last month. I thought the lighting and staging were striking and popped. I thought the commissioner asking all of the players in attendance to stand and soak it in was a nice way of giving them their moment, and it was followed by an early emotional high with Matthew Schaefer and some really nice touches — the breast cancer ribbon on the Islanders jersey, the way they let him catch his breath. There's nothing fans hate more than the wants and complaints of the media, but in the interest of highlighting the positives, the media setup in the mezzanine level was the best its been at any draft I've covered from a logistics standpoint and the wifi, which famously never works at these things, was borderline fast (!) — in large part because there were so few media in attendance, I'm sure. For a moment, I thought to myself, 'This is actually going well.' But then it didn't, and it didn't for hours longer than it should have, so that the missteps festered and it grew harder and harder to watch. The Draft House was a predictable debacle, slowing down the production by requiring almost every player on Day 1 to step into its box of choppy connections, delayed feedback, mic echoes, awkward silence and even cuts. Some of the managers could be seen chuckling or frustrated during the issues. In a particularly uncomfortable moment, James Hagens, the American star of the night, was asked to wave at a broken screen. Patching into 32 different rooms, with 32 different lines of communication and camera equipment, was always going to produce the problems that it did, too, and the league should have known that. After giving the players their moment off the top of the show and lining them all up at the seats nearest the exit of their rows, they all felt they had to go down the line and shake hands with each other after Schaefer did — and who could blame him, a teenager in the haze and adrenaline of it all. On the stage, their moment felt hollow. Several of the top prospects stayed home once they knew their moment wasn't going to be the traditional one, arm-in-arm with their new team on the stage for that draft day photo. Some agents even advised their players to, predicting they'd enjoy it more. Advertisement The buzz outside in the square at L.A. Live, a place invented to manufacture it for these types of things, felt nothing like it usually does in the host city at the draft. It was so good, so successful, in Vancouver, Montreal and Nashville so recently, too — those cities coming alive with hockey people, their bars and restaurants slammed with them, fans wandering through their local spots and stumbling upon their childhood heroes, everyone at ease and willing to share a beer, a conversation or a photo. Even in Vegas, where it's hard for anything to break through in the circus and was always going to be impossible for the NHL to take over the host city like it usually, the big night at Sphere — an incredible, if expensive, success that the NHL did first — was the talk of the town for a moment. Whenever the NHL has tried to copy and paste the events of the other major leagues, it has often felt Mickey Mouse. Our sport's All-Star weekend and awards show have never captured the imagination of fans like the home run derby or the dunk contest. A to-a-fault commitment to including a player from every team in the festivities has taken the prestige and honor out of being selected, too. In the NBA, it's at the top of a player's Hall of Fame credentials, and the picks are hotly debated on network TV for weeks. In the NHL, it has turned into a footnote. For a time, Zdeno Chara and Shea Weber gave the hardest shot competition some juice, but then it got squeezed out. But the NHL Draft was always different. It was uniquely hockey's, the one place where fans got to see a notoriously private group of executives (Lou Lamoriello and Steve Yzerman come to mind) do their business with no curtain — and see how the sausage is made. Outdoor games were novel for a time, too. Cool, even. A definite success, where credit is due. But the novelty has worn off there over time as well. The novelty of the NHL's centralized draft hadn't, though, except maybe for a couple of dozen executives and their penny-pinching owners (owners who we don't hear have plans to decentralize their annual Board of Governors meetings in sunny Boca Raton, Fla., or Pebble Beach, Calif.). For everything the league gains by saving a few bucks and giving its general managers a little more comfort to do their business, it loses in the intangible — everything that's gained by getting its league together once a year, from relationships built, business partners engaged with, media from all 32 markets instead of a select few and the interest that they drive and stories that they tell, one of its markets energized (and financially stimulated), the list goes on. Advertisement There are believers, like my colleague Thomas Drance at The Athletic, who think the decentralized draft can work with the right tweaks. I think it's closer to make-believe to count on the NHL to hit all of the right notes. In the real world, I'd bet the league proves Drancer wrong. Presumably, the Draft House is done and dusted. Get the players up there for a photo with Gary Bettman, get them off for a quick interview with a knowledgeable broadcaster, and move it along at a clip that doesn't result in even die-hard fans falling asleep late at night on their couch. That should be the obvious starting point for next year. Some have suggested announcing picks from landmarks — the Rangers from the Empire State Building, the Ducks from Disney (Roger McQueen's helicopter ride into Disneyland this year was well-executed), the Maple Leafs from the CN Tower, etc. That could work. It's definitely preferable to bringing out C-list celebrities to give fans 10 'I forgot about him/her' thoughts for every 'That's very cool' Celine Dion or Adam Sandler cameo (those were good!). To just assume that it can work, or at least that it will ever not feel like it's beneath the tall shadows of its NFL and NBA equivalents, puts a lot of trust in a league that I don't think has earned it with these things. They could have done all those things people want to see them do next year in the first go-around. It should have run under three hours. Duh. They didn't execute that. It should have run faster than it did in the unbearably long COVID-years drafts, too. They didn't execute that, either. It will get incrementally better, I'm sure. It will never be as good. And the one way we know that did work, that was good, they've gone away from. The new CBA could have been an opportunity to rejig the calendar and give a little more cushion for teams and agents between the draft and free agency, too. The league doesn't even need to crack it open and remake it all to give them that cushion, either. One or two more days of breathing room could have made all the difference. If the league had decided to move back to the centralized draft format, some teams were prepared to stick around in the draft city and run their free agency out of there as well. There was talk among teams and within the league about returning to a centralized draft and doing it in major airport hubs to alleviate some of the potential for travel headaches during crunch time. A rotation with cities like Dallas, Montreal and Vegas — cities that have direct flights from almost anywhere — was discussed. Some smaller markets would have lost out in that scenario, too, but it could have been a compromise. Advertisement Certainly, so long as this is the format they're committed to, we'll never get a moment anything like the gasps and then roar that we got at the Bell Centre when Juraj Slafkovský's name was announced as the No. 1 pick. The question should be as simple as 'What's best for the product and the fans?' The league, I'm sure, would argue that nothing's that simple and talk about all of the factors I've highlighted above, plus some others, as things they have to consider. But it's always easier to find ways to complicate a decision than it is to be laser-focused on the simplest truths. As with digital board ads, or the divisional playoff format, I'm sure the league will tell its fans that, actually, you like the new, better-for-them-financially, less grand, watered-down version of what everyone else does way. But actually, the fans won't. And then year after year, the powers that be in the NHL will continue to wonder why their sport is small fry.
Express Tribune
6 days ago
- Entertainment
- Express Tribune
Martin Scorsese reacts emotionally to first acting Emmy nomination at 82 for 'The Studio'
Martin Scorsese has earned his first-ever acting nomination at the Primetime Emmy Awards. The acclaimed 82-year-old filmmaker received a nod for Outstanding Guest Actor in a Comedy Series for his appearance in The Studio on Apple TV+. Known for directing classics such as Taxi Driver, Goodfellas, and The Irishman, Scorsese's recognition for acting marks a new chapter in his distinguished career. In The Studio, a satire on Hollywood's inner workings created by Seth Rogen and Evan Goldberg, Scorsese plays a humorous version of himself in the premiere episode. His daughter, Francesca Scorsese, shared his reaction on Instagram, posting a screenshot from their FaceTime call. In the image, Scorsese appears visibly emotional, covering his face with one hand. Photo: Instagram Francesca captioned the moment with a sense of pride and later posted the nominee list, highlighting his inclusion with celebratory confetti and the phrase 'Our little actor.' Scorsese joins fellow nominees Jon Bernthal (The Bear), Bryan Cranston, Dave Franco, Ron Howard, and Anthony Mackie, all recognised for their guest roles in the same series. While Scorsese has previously been honoured at the Emmys for directing and producing, including wins for Boardwalk Empire and George Harrison: Living in the Material World, this is his first nomination for an acting role. The 77th Primetime Emmy Awards will take place on September 14 at the Peacock Theater in Los Angeles, with comedian Nate Bargatze hosting the live broadcast.
Yahoo
7 days ago
- Entertainment
- Yahoo
Emmy nominations 2025: See the full list of this year's nominees
Emmy season has begun. The 2025 Emmy Award nominations were announced Tuesday via livestream by Brenda Song and Harvey Guillén. They were joined by Television Academy chairman Cris Abrego, who revealed there were 'a record turnout' of votes. To be eligible for nomination at the 77th Primetime Emmy Awards, the project had to have aired between June 1, 2024, and May 31, 2025. Comedian Nate Bargatze will host the live ceremony at Los Angeles' Peacock Theater on Sept. 14. Here's the full list of nominations. 'The White Lotus' 'Severance' 'The Pitt' 'Andor' 'The Last of Us' 'The Diplomat' 'Paradise' 'Slow Horses' Adam Scott, 'Severance' Noah Wyle, 'The Pitt' Sterling K. Brown, 'Paradise' Gary Oldman, 'Slow Horses' Pedro Pascal, 'The Last of Us' Kathy Bates, 'Matlock' Bella Ramsey, 'The Last of Us' Britt Lower, 'Severance' Sharon Horgan, 'Bad Sisters' Keri Russell, 'The Diplomat' Walton Goggins, 'The White Lotus' Jason Isaacs, 'The White Lotus' Sam Rockwell, 'The White Lotus' John Turturro, 'Severance' Tramell Tillman, 'Severance' Zach Cherry, 'Severance' James Marsden, 'Paradise' Aimee Lou Wood, 'The White Lotus' Parker Posey, 'The White Lotus' Carrie Coon, 'The White Lotus' Natasha Rothwell, 'The White Lotus' Patricia Arquette, 'Severance' Katherine LaNasa, 'The Pitt' Julianne Nicholson, 'Paradise' Giancarlo Esposito, 'The Boys' Scott Glenn, 'The White Lotus' Shawn Hatosy, 'The Pitt' Joe Pantoliano, 'The Last of Us' Forest Whitaker, 'Andor' Jeffrey Wright, 'The Last of Us' Jane Alexander, 'Severance' Gwendoline Christie, 'Severance' Merritt Wever, 'Severance' Kaitlyn Dever, 'The Last Of Us' Cherry Jones, 'The Handmaid's Tale' Catherine O'Hara, 'The Last Of Us' 'Hacks' 'The Bear' 'Abbott Elementary' 'The Studio' 'Only Murders in the Building' 'Nobody Wants This' 'Shrinking' 'What We Do in the Shadows' Jeremy Allen White, 'The Bear' Seth Rogen, 'The Studio' Martin Short, 'Only Murders in the Building' Adam Brody, 'Nobody Wants This' Jason Segel, 'Shrinking' Jean Smart, 'Hacks' Ayo Edebiri, 'The Bear' Quinta Brunson, 'Abbott Elementary' Uzo Aduba, 'The Residence' Kristen Bell, 'Nobody Wants This' Ike Barinholtz, 'The Studio' Ebon Moss-Bachrach, 'The Bear' Michael Urie, 'Shrinking' Harrison Ford, 'Shrinking' Colman Domingo, 'The Four Seasons' Jeff Hiller, 'Somebody Somewhere' Bowen Yang, 'Saturday Night Live' Liza Colón-Zayas, 'The Bear' Hannah Einbinder, 'Hacks' Kathryn Hahn, 'The Studio' Catherine O'Hara, 'The Studio' Janelle James, 'Abbott Elementary' Sheryl Lee Ralph, 'Abbott Elementary' Jessica Williams, 'Shrinking' Jon Bernthal, 'The Bear' Bryan Cranston, 'The Studio' Dave Franco, 'The Studio' Ron Howard, 'The Studio' Anthony Mackie, 'The Studio' Martin Scorsese, 'The Studio' Olivia Colman, 'The Bear' Jamie Lee Curtis, 'The Bear' Cynthia Erivo, 'Poker Face' Robby Hoffman, 'Hacks' Julianne Nicholson, 'Hacks' Zoe Kravitz, 'The Studio' 'The Penguin' 'Adolescence' 'Monsters: The Lyle and Erik Menendez Story' 'Dying for Sex' 'Black Mirror' 'Bridget Jones: Mad About the Boy' 'The Gorge' 'Mountainhead' 'Nonnas' 'Rebel Ridge' Colin Farrell, 'The Penguin' Stephen Graham, 'Adolescence' Jake Gyllenhaal, 'Presumed Innocent' Brian Tyree Henry, 'Dope Thief' Cooper Koch, 'Monsters: The Lyle and Erik Menendez Story' Michelle Williams, 'Dying for Sex' Cristin Milioti, 'The Penguin' Meghann Fahy, 'Sirens' Rashida Jones, 'Black Mirror' Cate Blanchett, 'Disclaimer' Ashley Walters, 'Adolesence' Owen Cooper, 'Adolesence' Javier Bardem, 'Monsters: The Lyle and Erik Menendez Story' Bill Camp, 'Presumed Innocent' Peter Sarsgaard, 'Presumed Innocent' Rob Delaney, 'Dying for Sex' Erin Doherty, 'Adolescence' Christine Tremarco, 'Adolesence' Chloë Sevigny, 'Monsters: The Lyle and Erik Menendez Story' Ruth Negga, 'Presumed Innocent' Jenny Slate, 'Dying for Sex' Deidre O'Connell, 'The Penguin' 'Arcane' 'Bob's Burgers' 'Common Side Effects' 'Love, Death + Robots' 'The Simpsons' 'Jimmy Kimmel Live!' 'The Daily Show' 'The Late Show with Stephen Colbert' 'The Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar' 'Beyoncé Bowl' 'The Oscars' 'SNL50: The Anniversary Special' 'SNL50: The Homecoming Concert' 'Adam Sandler: Love You' 'Ali Wong: Single Lady' 'Bill Burr: Drop Dead Years' 'Conan O'Brien: The Kennedy Center Mark Twain Prize for American Humor' 'Sarah Silverman: PostMortem' 'Your Friend, Nate Bargatze' 'The Amazing Race' 'RuPaul's Drag Race' 'Top Chef' 'Survivor' 'The Traitors' RuPaul, 'RuPaul's Drag Race' Jeff Probst, 'Survivor' Kristen Kish, 'Top Chef' Alan Cumming, 'The Traitors' Mark Cuban, Lori Greiner, Kevin O'Leary, Barbara Corcoran, Robert Herjavec, Daymond John and Daniel Lubetzky, 'Shark Tank' 'Antiques Roadshow' 'Diners, Drive-ins and Dives' 'Love Is Blind' 'Queer Eye' 'Shark Tank' 'America's Sweethearts: Dallas Cowboys Cheerleaders' 'Love on the Spectrum' 'The Secret Lives of Mormon Wives' 'RuPaul's Drag Race: Untucked' 'Welcome to Wrexham' 'Celebrity Family Feud' 'Jeopardy!' 'The Price Is Right' 'Wheel of Fortune' 'Who Wants to Be a Millionaire?' Elizabeth Banks, 'Press Your Luck' Steve Harvey, 'Celebrity Family Feud' Ken Jennings, 'Jeopardy!' Colin Jost, 'Pop Culture Jeopardy!' Jimmy Kimmel, 'Who Wants to Be a Millionaire?' 'Last Week Tonight with John Oliver' 'Saturday Night Live' 'Deaf President Now!' 'Martha' 'Pee-wee as Himself' 'Sly Lives!' 'Will & Harper' 'Chef's Table' '100 Foot Wave' 'Simone Biles Rising' 'SNL50: Beyond Saturday Night' 'Social Studies' The 77th Primetime Emmy Awards will air Sept. 14 at 8 p.m. ET on CBS and stream on Paramount+.
Yahoo
7 days ago
- Entertainment
- Yahoo
Emmy Scorecards: Nominations By Program & Network
The nominations are out for the 77th annual Primetime Emmys Awards, are here are our annual lists of noms by program and network. Have a look below. The Television Academy revealed its 2025 nominees early Tuesday, and Apple TV+'s Severance topped the list with 27 noms. HBO's The Penguin, Apple TV+'s The Studio and HBO's The White Lotus were the only other shows to score 20-plus noms. More from Deadline 'Squid Game,' Diego Luna & Elisabeth Moss Snubbed In Emmy Nominations; Beyoncé & Martin Scorsese Among Big Surprises Everything We Know About the 2025 Emmys So Far Emmys: Catherine O'Hara & Julianne Nicholson Score Double Acting Nominations Meanwhile, the combined HBO/Max landed its most noms ever, 142, to lead all platforms, topping rival Netflix's 121. RELATED: The coveted statuettes will be handed out September 14, airing live coast-to-coast on CBS from the Peacock Theater in downtown Los Angeles. Comic and actor Nate Bargatze will host the ceremony for the first time. The Emmys will be preceded by the Creative Arts Emmy Awards on Saturday and Sunday, September 6 and 7. Here are the nominees by individual program and network: (5 or more) Severance – 27The Penguin – 24The Studio – 23The White Lotus – 23The Last of Us – 16Andor – 14Hacks – 14Adolescence – 13The Bear – 13The Pitt – 13SNL50: The Anniversary Special – 12Monsters: The Lyle and Erik Menendez Story – 11Black Mirror – 10Dying for Sex – 9The Daily Show – 8RuPaul's Drag Race – 8Only Murders in the Building – 7Saturday Night Live – 7Shrinking – 7Abbott Elementary – 6The Amazing Race – 6House of the Dragon – 6Last Week Tonight with John Oliver – 6The Oscars – 6The Righteous Gemstones – 6SNL50: The Homecoming Concert – 6What We Do in the Shadows – 6Bridgerton – 5Love on the Spectrum – 5Pee-wee As Himself – 5Slow Horses – 5The Traitors – 5The Voice – 5Will & Harper – 5 HBO & Max – 142Netflix – 120Apple – 79ABC – 37FX on Hulu – 35NBC – 29Disney+ – 28CBS – 26Hulu – 23Peacock – 19Prime Video – 12Comedy Central – 10MTV – 10Fox – 7Paramount+ – 7Nat Geo – 5PBS – 4Bravo – 3Roku – 3AMC – 2Adult Swim – 2BBC America – 2Discovery Channel – 2Shudder – 2Food Network – 1 RELATED: RELATED: RELATED: RELATED: RELATED: RELATED: RELATED: Best of Deadline Everything We Know About Amazon's 'Verity' Movie So Far 'Street Fighter' Cast: Who's Who In The Live-Action Arcade Film Adaption 2025-26 Awards Season Calendar: Dates For Emmys, Oscars, Grammys & More
