Latest news with #PopArt
Vogue
6 days ago
- Entertainment
- Vogue
Saint Laurent Pre-Fall 2025 Collection
Should you ever need a quick musical pick me up, I can highly recommend watching the divine Françoise Hardy perform her fabbo 1966 song Je changerais d'avis on YouTube. It's totally her, a wonderfully rousing symphonic number. And then there's the performance itself, all shiny Pop Art jackets and that blunt-banged, straight-shanked hair of hers blowing (via wind machine) whenever the chorus kicks in. Back in 1966, pop belonged to the US and the UK, but along came Hardy, putting French music—and more specifically, French women vocalists—on the map, not to mention that iconically lanky, androgynous look of hers which lives on to this day. Yet 1966 is also notable for another French phenomenon: the launch by Yves Saint Laurent of his Rive Gauche ready-to-wear label. (The house had been strictly haute couture up till that point.) It changed everything; fashion would no longer be driven by the hauteur of the Parisian couture salon, but the pulsating energy of the street, right across the world. It's those two moments that Anthony Vaccarello brings into a coolly chic conversation with this collection, mining the first Rive Gauche offerings for their contemporary relevance (the ease, the modernity, the lack of fuss, and, oh, the checks) with Françoise Hardy's eternally cool appeal, a kind of casual, boyish, shrug of the shoulders style that could make the dressed-up and the dressed-down coexist in perfect harmony. For Vaccarello, it comes down to a few key ideas, looks, and pieces. There are the big, bold, and—here's a word they wouldn't have used back in 1966—badass leather jackets, with everything from Kurt Cobain-esque tartan shirting to Catherine Deneuve (circa the 1980s) gleaming croc-effect pencil skirts. Another tailoring option: vintage-y blousons, atop inverted pleat checked skirts, the uber-bourgeois vibe amped up with the substantial, statement-y gilt bangles and earrings. Amongst the seriously good jackets on offer, Vaccarello also found the time to turn out a masculin/feminin 1970s blazer, again in one of his ubiquitous checks (from plaid to Prince of Wales). It would look absolutely terrific with the more quotidian pairing of jeans, but here he plays it off against dramatic, evening-y floor length ruffled skirts that are scissored away face on to be much shorter: party at the front, ballgown at the back. To underscore the idea of easiness, instead of frou-frou blouses, those trailing, couture-like skirts were also partnered with tees and sweaters. That's how Vaccarello has transported his Saint Laurent back to that pivotal year of 1966, while also being entirely cognizant that nearly 60 years have passed. There's a tacit acknowledgement that women's lives are in a very different place (we certainly all hope) from where they were back then, and really, obviously, so is fashion. Today it's about designing clothes that can walk the line between reality and fantasy, and the responsibility that comes with that, especially at a house laden with history. Even when Vaccarello goes into a more boudoir vibe with his lingerie inspired dresses, they're slipped under oversized coats and worn with vertiginous leather boots. The message remains the same however: We still need clothes we can dream about, now maybe more than ever, but fashion is really something to be loved, worn, and lived in. Just don't, please, overthink it.
Washington Post
25-05-2025
- Entertainment
- Washington Post
‘Warhol's Muses' is a sympathetic group portrait
When Tom Wolfe profiled model Jane Holzer in New York magazine in 1964 and described her as 'Living Pop Art,' Andy Warhol knew it was the beginning of a lucrative friendship. The pop art pioneer had recently started courting Holzer, both as a social companion and as a film subject. He saw the chic socialite as a high-society insider to whom he could hitch his wagon — and thus attract greater public attention.
Associated Press
09-05-2025
- Entertainment
- Associated Press
'POP! Goes the West' Pops into Cody this Spring
Warhol, Western Icons, and Pop Art Burst into the Buffalo Bill Center of the West in Cody, Wyoming. 'The artworks in 'POP! Goes the West' are playful, eye-catching, and the bright colors are important questions about what stories we tell about the West and who gets to tell them.'— Susan Barnett, Margaret & Dick Scarlett Curator of Western Art CODY, WY, UNITED STATES, May 9, 2025 / / -- This summer, the mythic West gets a Pop Art twist. The Buffalo Bill Center of the West proudly presents " POP! Goes the West,' a dazzling new exhibition opening May 24, 2025, in the Anne & Charles Duncan Special Exhibition Gallery. Running through January 26, 2026, this vibrant exhibition brings together more than 50 years of artwork at the intersection of western iconography and popular culture. 'POP!' showcases a dynamic blend of classic western subjects and the vivid visual language of Pop Art, featuring standout works from the Center's collections alongside notable loans from across the country. The exhibition explores how mass culture and storytelling traditions have influenced our vision of the American West. Central to the show are works from Andy Warhol's 'Cowboys and Indians' portfolio, featuring figures like George Armstrong Custer and Geronimo, rendered through the lens of celebrity. These iconic images set the stage for an exhibition that spans from familiar cowboys and Annie Oakley to abstract neon landscapes—each piece challenging convention through wit, irony, and cultural critique. Spanning five decades of bold, innovative work, the exhibition reveals how media and mass-market imagery have continually reshaped the visual story of the West. Visitors will encounter not only striking artworks by 30 contemporary artists, but also historical objects from the Center's collection—like Wild West posters, comics, and toys—that trace the roots of Pop Art in everyday western imagery. Interactive elements and hands-on activities will encourage audiences of all ages to look closer, think critically, and playfully engage with the evolving visual language of the West. With humor, color, and curiosity, 'POP!' invites visitors to see western art as an ever-changing, richly layered conversation. 'The artworks in 'POP! Goes the West' are playful, eye-catching, and insightful,' says Susan Barnett, the Margaret and Dick Scarlett Curator of Western American Art at the Whitney Western Art Museum. 'We're inviting visitors to consider how popular media and art have influenced their understanding of the West—its histories, peoples, and identities. The show is filled with dynamic visuals, but beneath the bright colors are important questions about what stories we tell about the West and who gets to tell them.' Highlights include: Billy Schenck's 'A Flight from Destiny,' which riffs on movie backdrops and classic western paintings. David Bradley's 'American Indian Gothic,' a striking reimagining of Grant Wood's iconic composition. Bently Spang's 'Photo Reclamation Series,' using commercial Indian figurines to critique cultural appropriation. Anne Coe's satirical 'At the End of Her Rope,' confronting western clichés with irony and flair. The exhibition also features accessibility enhancements, including a free digital guide on the Bloomberg Connects app. Visitors can hear from contemporary artists in their own words and engage with the artworks through audio, video, and multilingual features. A members-only opening takes place May 23, with related programming to follow, including artist residencies, gallery talks, and family-friendly activities throughout the exhibition's run. 'POP! Goes the West' is more than just eye candy—it's a conversation starter, a myth-buster, and a celebration of western art's evolving legacy. This is the West like you've never seen it before. For high-resolution images, interviews, or media access, please contact Ken Straniere, Public Relations and Marketing Manager, at [email protected]. ---"POP! Goes the West' is supported in part by a grant from the Wyoming Cultural Trust Fund, a program of the Department of State Parks and Cultural Resources, Diane Collection — Frère Family, and Reid Schell — Handle With Care.--- About the Buffalo Bill Center of the West: The Buffalo Bill Center of the West, located in Cody, Wyoming, is a world-renowned Smithsonian Affiliate dedicated to connecting people to the American West. The Center houses five unique museums under one roof —the Buffalo Bill Museum, Whitney Western Art Museum, Plains Indian Museum, Draper Natural History Museum, and Cody Firearms Museum— celebrating history, culture, art, natural science, and more, and offers a range of immersive experiences including chuckwagon dinners, live raptors, special events, and customized exclusive tours. With its diverse collections, the Center serves as a focal point for exploration, discovery, and hands-on education. Ken Straniere, PR/Marketing Manager Buffalo Bill Center of the West +1 307-578-4137 [email protected] Visit us on social media: LinkedIn Instagram Facebook YouTube TikTok X Legal Disclaimer: EIN Presswire provides this news content 'as is' without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the author above.
Associated Press
08-05-2025
- Entertainment
- Associated Press
Riad Tizwa Marrakech Unveils 1960 Sketches by Pop Art Pioneer Derek Boshier
Riad Tizwa Marrakech Unveils Rare 1960 Sketches by Pop Art Pioneer Derek Boshier 'We are thrilled to show the drawings Derek made in the 19060's on one of his first trips abroad from the UK. His observations captured the beauty and creativity of Morocco.'— Daniel Bee MARRAKECH, MOROCCO, May 8, 2025 / / -- Riad Tizwa Marrakech Unveils Rare 1960 Sketches by Pop Art Pioneer Derek Boshier Hotel Riad Tizwa in Marrakech is honored to present a newly unveiled exhibition of 12 rare sketches by the late British pop artist Derek Boshier, created during his formative 1960 visit to Marrakech. These works, never before exhibited and shown for the first time in Morocco, offer a unique glimpse into the early vision of an artist who would become a defining voice in British pop art. Boshier, who studied alongside David Hockney at the Royal College of Art in London, emerged in the 1960s as a critical observer of the Americanization of British culture. His early works, such as Special K and England's Glory, juxtaposed consumer imagery with political commentary, establishing his reputation for incisive social critique. Throughout his career, Boshier expanded his practice across various media, including painting, drawing, collage, sculpture, photography, film, video, assemblage, and installations. His collaborations with musicians like David Bowie—designing album covers for Lodger (1979) and Let's Dance (1983)—and The Clash further cemented his influence on contemporary culture. Boshier's works are held in prestigious collections worldwide, including the Tate Britain, MoMA New York, the British Museum, the Victoria & Albert Museum, and the Centre Pompidou in Paris. Boshier passed away peacefully at his home in Los Angeles on September 5, 2024, at the age of 87. His death was noted in major publications including The New York Times, The Guardian, The Telegraph, and The Independent, highlighting his significant contributions to the art world and his collaborations with prominent figures in music and art The unveiling at Riad Tizwa coincides with the riad's partnership with the prestigious 1-54 Contemporary African Art Fair in Marrakech - the leading international art fair dedicated to contemporary art from Africa and its diaspora. This partnership underscores Riad Tizwa's commitment to fostering cultural dialogue and supporting the arts within the vibrant context of Marrakech. Founded in London in 2013 and now held annually in New York, London, and Marrakech, 1-54 has become a vital platform for emerging and established African artists, curators, and collectors. Marrakech's edition brings together galleries, institutions, and thought leaders for a vibrant, city-wide celebration of African creativity and innovation. Riad Tizwa is honoured to work with 1-54. To arrange an appointment to see the works - please email the hotel directly. Riad Tizwa Marrakech originally opened in 2006 and very quickly became one of the must stay hotels in the Red City. The heady combination of environmental consciousness, being located in the most upmarket neighbourhood of Dar El Bacha - and an aesthetic which ensures every bedroom is unique and warm, made Riad Tizwa an instant hit with discerning travelers from around the globe. This recent refurbishment introduced enhanced environmental features including state of the art solar panels and new sustainable local craft decorations - supporting Moroccan artisans, and also deepen the unique authentic aesthetic. The new bedroom on the ground floor is perhaps the most romantic in the riad – with both a walk-in shower and luxurious bath tub, and the new roof terrace, brings fresh stunning views across the medina adding to the relaxing and tranquil atmosphere. In 2008, the hotel received the esteemed Clef Verte International eco-label and was amongst the first Riads in Morocco to achieve the sustainable business practice award. Daniel Bee Daniel Bee PR +1 310 8542834 email us here Visit us on social media: Instagram Legal Disclaimer: EIN Presswire provides this news content 'as is' without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the author above.
The Herald Scotland
29-04-2025
- Business
- The Herald Scotland
Indian restaurant chain to open new spot on busy Glasgow square
It will take over two units, one of which was previously occupied by Absurd Bird which closed suddenly in July 2022, and has a agreed a 20-year lease. (Image: AECR UK Investment I Limited) John Menzies, director in the retail team at Savills Scotland, said: "Agreed off market, this is another fantastic deal for Glasgow and is testament to its popularity as a key food & beverage location. "Feedback from many national operators who have prime sites in the city, put Glasgow in the top 10% of their UK bar and restaurant portfolios, measured by both turnover and profit. "Consequently, occupier demand for the very best F&B properties remain strong and we are already in discussions with a number of national brands who wish to open later this year." READ MORE: Scottish restaurant that 'pays homage to father of Pop Art' on market You deserve better than the mac and cheese at this city centre restaurant Why these cafes in Scotland's most iconic museums are among the UK's best In November last year Savills submitted proposals to Glasgow City Council on behalf of AECR UK Investment I Limited to combine the ground floor and basement units at 3/11 Nelson Mandela Place within the former A-listed Glasgow Stock Exchange building. The plans were approved in February. Founded in 2010, Dishoom was designed to match the Irani cafes that were popular in Mumbai in the 1960s. The chain's first restaurant opened in Covent Garden and the company now operates 10 sites across the UK between Edinburgh, London, Birmingham and Manchester.
