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Jane Austen fans urged to watch 'brilliant' and 'refreshing' movie adaptation
Jane Austen fans urged to watch 'brilliant' and 'refreshing' movie adaptation

Daily Mirror

time7 hours ago

  • Entertainment
  • Daily Mirror

Jane Austen fans urged to watch 'brilliant' and 'refreshing' movie adaptation

Jane Austen fans may have missed this adaptation of her works As Jane Austen marks her 250th birthday this year, fans are revisiting the celebrated author's works. ‌ Over the years, numerous adaptations of her novels have been created, along with fresh interpretations that draw inspiration from her books, reports the Express. ‌ Some notable examples include Bridget Jones's Diary, which reimagines Pride and Prejudice in a modern setting, and Clueless, which transposes Emma from Regency England to the complex social hierarchy of a 1990s Beverly Hills high school. ‌ Additionally, there are productions like ITV's Lost in Austen, where a contemporary woman finds herself in the world of Pride and Prejudice, and Austenland, which follows a romantic as she visits a Jane Austen-themed park in pursuit of her Regency dreams. However, one lesser-known adaptation, featuring two Virgin River stars, is also worth watching. On IMDb, one viewer praised the film as "brilliant", saying: "Vibrant, colorful [sic], hilarious and lively, this movie was a sheer joy to watch. A refreshing take on an old classic." ‌ Another reviewer commented: "Well, it's pretty hard, isn't it, to write a spoiler for a film which is based on such a well-known, well-loved novel! I will show my hand here and say that I am a Janeite. ‌ "However, I am not a purist and I like many Jane Austen adaptations that many Janeites don't (for example I like 'Mansfield Park')." One viewer noted: "The script did a pretty good job of capturing the essence of the story whilst playing around with some of the details eg cutting out the fifth daughter whose role in the story is pretty minimal, and making the 'tyrant' in Darcy's life his mother not his aunt (a more realistic situation in its modern setting)." Another fan chimed in: "Gurinder Chadha has transported Jane Austen's great novel to India. What a charmer this film turns out to be! The adaptation of the novel is excellent as the new locale is incorporated to the story." ‌ They continued: "The incredible Indian colors explode in front of our eyes giving the Western viewers such an opportunity to experience a little taste of India [sic]." Bride and Prejudice, released in 2004, masterfully blended Bollywood and Hollywood through the lens of Jane Austen. ‌ Directed by Gurinder Chadha of Bend It Like Beckham fame, the film offered a refreshing spin on Austen's classic tale of Pride and Prejudice. Bollywood icon Aishwarya Rai Bachchan took centre stage as Lalita Bakshi, who initially butts heads with the suave American businessman Will Darcy, played by Martin Henderson, before they inevitably fall for each other. Joining Henderson was Daniel Gillies, known for his roles in Virgin River and The Originals, who portrayed his rival George Wickham - a role that amusingly mirrors their respective characters in Netflix's romantic drama series. The cast also boasts acclaimed Indian actor Anupam Kher, known for his roles in Bend It Like Beckham and Hotel Mumbai, Naveen Andrews of Lost and The English Patient fame, Namrata Shirodkar from Hera Pheri and Major, Indira Varma who starred in Game of Thrones and Luther, and EastEnders ' Nitin Ganatra.

Jane Austen adaptation branded 'subtle masterpiece' is available to watch now
Jane Austen adaptation branded 'subtle masterpiece' is available to watch now

Daily Mirror

timea day ago

  • Entertainment
  • Daily Mirror

Jane Austen adaptation branded 'subtle masterpiece' is available to watch now

The film was a success when it was released in 1995 A quintessential adaptation of a timeless Jane Austen novel is now available to watch, reports the Daily Express. ‌ Initially released in 1995, the film garnered widespread critical acclaim, with numerous critics hailing it as one of the finest Austen adaptations ever made. ‌ One IMDb reviewer titled their post: "A classic for all time." ‌ They continued: "Whoever says they just don't make the quality of pictures today that they used to hasn't seen or is ignoring this film." A second reviewer described the film as "a subtle masterpiece", stating: "I saw this movie in a cinema back in 1996 and since that June I have seen it about a dozen times." "It is true, that being an ardent lover of the so-called Romantic (as if the 13th century couldn't be Romantic or 17th, but these things are academic nonsense) period I can enjoy even minor pieces of period cinema, however this is most probably the best film set in the early 19th century." ‌ ‌ A third review, titled "Faithful, beautiful, enjoyable, one of the best film adaptations of period novels.", read: "Normally period adaptations need at least a few hours to do proper justice. And so it is usually the television versions that are better for those who like things faithful to text. Film versions usually truncate and romanticise/Hollywoodise which can be frustrating. "However, films have bigger budgets and better production values so are easier on the eye. However, this is a shining example of 2.5 hour film which packed so much detail in for a real complete sense of the novel, but also with great faithful performances, at the same time as being great to watch with all the production values and cinematography or a big budget movie. One of the better film adaptations of period pieces ever." Released amid a flurry of Jane Austen adaptations, the Hollywood hit Sense and Sensibility shared its release year with the BBC's heralded Pride and Prejudice starring Colin Firth and Jennifer Ehle, as well as Persuasion featuring Amanda Root and Ciarán Hinds – not to mention the contemporary spin on Emma, Clueless, which became an instant hit. ‌ Based on the classic 1811 novel by Jane Austen, Sense and Sensibility follows the Dashwood sisters, Elinor (played by Emma Thompson) and Marianne (Kate Winslet), who manifest two opposing approaches to love after facing sudden financial ruin. With their fortune gone, the Dashwood sisters are forced to navigate society in search of suitable husbands to secure their futures, encountering numerous unexpected developments along the way. ‌ The film boasted an impressive ensemble cast including the likes of Hugh Grant, Alan Rickman, Greg Wise, Gemma Jones, Dame Harriet Walter, James Fleet, Hugh Laurie, and Imelda Staunton. The esteemed British actress, Thompson, not only starred in the film but also penned the screenplay, earning her an Oscar for Best Writing. Both Thompson and Winslet bagged BAFTA Film Awards for their stellar performances in Sense and Sensibility. Taiwanese filmmaker Ang Lee was brought on board to direct the movie, marking his international breakthrough. He later won Oscars for Brokeback Mountain and The Life of Pi. Despite subsequent adaptations of Sense and Sensibility, including the BBC's 2008 miniseries, this version is widely regarded as the pinnacle among Austen adaptations.

A Bold, Modern Twist On Shakespeare's Twelfth Night
A Bold, Modern Twist On Shakespeare's Twelfth Night

Scoop

time2 days ago

  • Entertainment
  • Scoop

A Bold, Modern Twist On Shakespeare's Twelfth Night

Press Release – The Court Theatre Prepare for a wild ride with Shakespeare's riotous rom-com, where laughter and bewilderment go hand in hand The Court Theatre – Stewart Family Theatre | 9 August – 6 September Shakespeare's Twelfth Night arrives at The Court Theatre next month with all the mistaken identities, romantic entanglements, and sharp wit audiences love—brought to life with modern dress, contemporary style, and a spirit of playful mischief. Performed in full Shakespearean text, Twelfth Night is a vibrant rom-com packed with humour, heart, and timeless insights into human nature. The production combines a fast-paced script, an ensemble of dynamic performers, and original music composed by cast member Hester Ullyart, who plays Feste. Directed by The Court Theatre's artistic director Alison Walls, this production is set in a world pulsing with colour, music, and movement—a feast for the senses brought to life by a knockout cast of Aotearoa's finest. 'This is a rom com!' says Dr Walls. 'It remains fresh and pacey. The text offers great freedom in its staging. Illyria can be anywhere that allows you to explore a different version of yourself. Twelfth Night is funny and ridiculous with some real psychological truths at its core.' Audiences will meet twins Viola and Sebastian, shipwrecked and separated, as they navigate a world of disguise, love triangles, and comic chaos. Stranded on the coast of Illyria, the clever and resourceful Viola, separated from her twin brother Sebastian, disguises herself as a man and enters the service of Duke Orsino. As she navigates her new life, she becomes entangled in a whirlwind love triangle where identity, passion, and gender blur and collide. Bursting with vitality and romance, Twelfth Night introduces one of Shakespeare's most captivating heroines, who matches wits with an array of memorable characters, from the lovesick Olivia to the puritanical Malvolio. This play is a rich tapestry of comic courtship, mistaken identities, and fluid romance. With its ingenious central plot involving twins of different genders, and its delightfully funny side plots, Twelfth Night serves up a feast of laughter, poignant moments of grief, and the joy of unexpected revelations. Multiple award-winning actor Victoria Abbott keeps us guessing Viola. After a shipwreck leaves her believing her twin brother has drowned, Viola disguises herself as the young man Cesario—setting the stage for a whirlwind of romantic mix-ups and comic confusion. A creative chameleon herself, Victoria is a writer, performer, director, and clown from Ōtautahi now based in Sydney. She comes fresh from the Australian premiere of Pride and Prejudice, with credits including Top of the Lake, Power Rangers, and Educators, alongside stage work with Pop-Up Globe, Red Leap Theatre, and Auckland Theatre Company. Viola's long-lost twin, Sebastian, is played by Nic Kyle, returning to The Court Theatre with a dazzling international resume. With 18 years of professional work across New Zealand, Australia, Canada, Germany, and the UK, his credits span Savage (The Arts Theatre, West End), Spamalot, and Closer to Heaven in London, to local favourites like Cabaret, RENT, The Music Man, and Kinky Boots. Nic was nominated for Best Actor by Broadway World UK and named 2023 Variety Artists Club Top Male Artist. As the elegant and grieving Countess Olivia, Emma Katene (Ngāti Kahungunu) returns to The Court Theatre following standout roles in The Girl on the Train and Fun Home. Olivia has sworn off love—until she meets Cesario, unaware 'he' is actually Viola in disguise. Playing the lovesick Duke Orsino is James Kupa (Ngāti Kahungunu), a Court Theatre favourite (Murder on the Orient Express, The End of the Golden Weather), with television credits including The Brokenwood Mysteries, Dark City: The Cleaner, and Nothing Trivial. A stellar cast includes: Dan Bain (End of Summer Time, Director) as the raucous Sir Toby Belch Kathleen Burns (End of the Golden Weather) as the mischievous maid Maria Jonathon Hendry (Pike River, Lord of the Rings) as the pompous but pitiable Malvolio Hester Ullyart (A Streetcar Named Desire) as the witty fool Feste and original music composition. Cameron Clayton (Strictly Ballroom, The Musical) as Antonio and the Captain William Burns (SpongeBob SquarePants, Stage Manager) as Andrew Aguecheek and Valentine This Twelfth Night explores gender, identity, and love through a modern lens, balancing laugh-out-loud comedy with aching tenderness and unexpected revelations.

A Bold, Modern Twist On Shakespeare's Twelfth Night
A Bold, Modern Twist On Shakespeare's Twelfth Night

Scoop

time2 days ago

  • Entertainment
  • Scoop

A Bold, Modern Twist On Shakespeare's Twelfth Night

Prepare for a wild ride with Shakespeare's riotous rom-com, where laughter and bewilderment go hand in hand The Court Theatre – Stewart Family Theatre | 9 August - 6 September Shakespeare's Twelfth Night arrives at The Court Theatre next month with all the mistaken identities, romantic entanglements, and sharp wit audiences love—brought to life with modern dress, contemporary style, and a spirit of playful mischief. Performed in full Shakespearean text, Twelfth Night is a vibrant rom-com packed with humour, heart, and timeless insights into human nature. The production combines a fast-paced script, an ensemble of dynamic performers, and original music composed by cast member Hester Ullyart, who plays Feste. Directed by The Court Theatre's artistic director Alison Walls, this production is set in a world pulsing with colour, music, and movement—a feast for the senses brought to life by a knockout cast of Aotearoa's finest. 'This is a rom com!' says Dr Walls. 'It remains fresh and pacey. The text offers great freedom in its staging. Illyria can be anywhere that allows you to explore a different version of yourself. Twelfth Night is funny and ridiculous with some real psychological truths at its core.' Audiences will meet twins Viola and Sebastian, shipwrecked and separated, as they navigate a world of disguise, love triangles, and comic chaos. Stranded on the coast of Illyria, the clever and resourceful Viola, separated from her twin brother Sebastian, disguises herself as a man and enters the service of Duke Orsino. As she navigates her new life, she becomes entangled in a whirlwind love triangle where identity, passion, and gender blur and collide. Bursting with vitality and romance, Twelfth Night introduces one of Shakespeare's most captivating heroines, who matches wits with an array of memorable characters, from the lovesick Olivia to the puritanical Malvolio. This play is a rich tapestry of comic courtship, mistaken identities, and fluid romance. With its ingenious central plot involving twins of different genders, and its delightfully funny side plots, Twelfth Night serves up a feast of laughter, poignant moments of grief, and the joy of unexpected revelations. Multiple award-winning actor Victoria Abbott keeps us guessing Viola. After a shipwreck leaves her believing her twin brother has drowned, Viola disguises herself as the young man Cesario—setting the stage for a whirlwind of romantic mix-ups and comic confusion. A creative chameleon herself, Victoria is a writer, performer, director, and clown from Ōtautahi now based in Sydney. She comes fresh from the Australian premiere of Pride and Prejudice, with credits including Top of the Lake, Power Rangers, and Educators, alongside stage work with Pop-Up Globe, Red Leap Theatre, and Auckland Theatre Company. Viola's long-lost twin, Sebastian, is played by Nic Kyle, returning to The Court Theatre with a dazzling international resume. With 18 years of professional work across New Zealand, Australia, Canada, Germany, and the UK, his credits span Savage (The Arts Theatre, West End), Spamalot, and Closer to Heaven in London, to local favourites like Cabaret, RENT, The Music Man, and Kinky Boots. Nic was nominated for Best Actor by Broadway World UK and named 2023 Variety Artists Club Top Male Artist. As the elegant and grieving Countess Olivia, Emma Katene (Ngāti Kahungunu) returns to The Court Theatre following standout roles in The Girl on the Train and Fun Home. Olivia has sworn off love—until she meets Cesario, unaware "he" is actually Viola in disguise. Playing the lovesick Duke Orsino is James Kupa (Ngāti Kahungunu), a Court Theatre favourite (Murder on the Orient Express, The End of the Golden Weather), with television credits including The Brokenwood Mysteries, Dark City: The Cleaner, and Nothing Trivial. A stellar cast includes: Dan Bain (End of Summer Time, Director) as the raucous Sir Toby Belch Kathleen Burns (End of the Golden Weather) as the mischievous maid Maria Jonathon Hendry (Pike River, Lord of the Rings) as the pompous but pitiable Malvolio Hester Ullyart (A Streetcar Named Desire) as the witty fool Feste and original music composition. Cameron Clayton (Strictly Ballroom, The Musical) as Antonio and the Captain William Burns (SpongeBob SquarePants, Stage Manager) as Andrew Aguecheek and Valentine This Twelfth Night explores gender, identity, and love through a modern lens, balancing laugh-out-loud comedy with aching tenderness and unexpected revelations.

Elon Musk says a male Grok companion is coming, with a personality inspired by 'Twilight' and '50 Shades of Grey'
Elon Musk says a male Grok companion is coming, with a personality inspired by 'Twilight' and '50 Shades of Grey'

Business Insider

time3 days ago

  • Entertainment
  • Business Insider

Elon Musk says a male Grok companion is coming, with a personality inspired by 'Twilight' and '50 Shades of Grey'

Another AI companion is coming to Elon Musk's Grok chatbot. The companion is inspired by "Twilight" and "50 Shades of Grey," Musk said. Grok already has two companions: an anime girl named Ani and a vulgar red panda named Rudi. Elon Musk 's Grok AI chatbot is getting another companion, and it fits the mold established by the bot's first two companions perfectly. Musk on Wednesday teased a forthcoming male Grok companion, asking users for their thoughts on what he should be named. "His personality is inspired by Edward Cullen from Twilight and Christian Grey from 50 Shades," Musk wrote. When an X user commented that the character should have been inspired by Mr. Darcy, a character from Jane Austen's Pride and Prejudice, Musk replied, "We will, of course, have another character inspired by Mr. Darcy." Grok has already released two AI companions: a flirty female anime character named Ani and a vulgar red panda named Rudi. A representative for xAI didn't immediately respond to a request for comment from Business Insider. Grok was recently criticized for a series of antisemitic posts, including some in which it referred to itself as "MechaHitler," a video game version of Hitler. xAI later apologized for the chatbot's " horrific behavior." "Deprecated code made @grok susceptible to existing user posts; including when such posts contained extremist views," xAI said. xAI isn't the only company to experiment with offering various chatbot personas. There's which says it lets users choose from millions of AI characters as conversation partners. Meta started offering chatbot characters featuring the likenesses of celebrities like Snoop Dogg, Kendall Jenner, and Charli D'Amelio, but scrapped them after less than a year.

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