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News18
2 days ago
- Entertainment
- News18
Did You Know These 10 Shocking Facts About Amitabh and Jaya Bachchan's Marriage?
Published By : Entertainment Bureau Trending Desk Last Updated: June 03, 2025, 07:15 IST Amitabh Bachchan and Jaya Bachchan got married in an intimate ceremony on June 3, 1973. (Images: Instagram) Amitabh Bachchan and Jaya Bachchan's Wedding Anniversary: Haven't we watched countless Bollywood movies where an angry young man falls in love with an ever-charming woman? Well, Amitabh Bachchan and Jaya Bahaduri's love story comes close to it. Nearly 52 years ago, on June 3, 1973, Amitabh tied the knot with Jaya; their marriage stood the test of time, turbulence, and tabloid gossip — all under the relentless spotlight of stardom. Ahead of the couple's wedding anniversary, here are 10 lesser-known facts about the couple: Amitabh and Jaya Bachchan's love story begins on film sets The superstars' love story dates back to 1970 when Jaya first noticed Amitabh Bachchan at the Pune Film Institute when he had accompanied filmmaker KA Abbas and others. Although Amitabh did not get the lead role in Guddi (1971), it set the stage for a deeper bond when they worked in Ek Nazar (1972). Amitabh Bachchan initially admired Jaya from afar While everyone knows their love blossomed on film sets, not many know that Bachchan initially admired Jaya from afar ever since he noticed her on a magazine cover. He was smitten by her traditional Indian beauty as he envisioned his ideal partner would be. Jaya and Amitabh met when he was a struggling actor When the couple first met, Jaya Bachchan was already an established actor while Amitabh was still struggling to find his space in Bollywood. The story behind Amitabh and Jaya's quick marriage The couple and their friends made a casual pact ahead of their 1973 flick Zanjeer's release that they would all travel to London if the film became a hit. Amitabh's parents, however, refused to let him travel with Jaya unless they were married. That's it! He quickly proposed, and Jaya responded with a yes. Within days, they were married in a private ceremony and left for London the same evening. Jaya says Amitabh is an unromantic lover Despite being one of India's most admired on-screen couples, the real-life romance between the two was anything but grand gestures and poetic declarations. During an appearance on Rendezvous with Simi Garewal, Jaya revealed that Amitabh Bachchan was not a romantic. A quiet, complicated partnership Despite the ups and downs, including the storm of rumours around Amitabh's alleged affair with Rekha during the late 70s and early 80s, the couple never dignified the gossip. They held their silence even when Silsila (1981), directed by Yash Chopra, cast the trio in a film which seemingly blurred lines. Jaya and Amitabh Bachchan, despite all, did not allow their relationship to be fractured. Jaya and Amitabh Bachchan's alignment on family values The couple have always prioritised family and often spend quality time with their children and grandchildren. Reportedly, Jaya Bachchan even stepped back from acting and chose to raise Shweta and Abhishek while Amitabh continued to work in the film industry. In later interviews, the Goodbye actor acknowledged the sacrifice she made at the peak of her career. Amitabh's protective gesture over Jaya's name Jaya Bachchan did not change her name professionally despite getting married and it was a choice Amitabh supported her with. When someone suggested Jaya use her marital surname on film posters, the Sholay actor stood up for her, stated a Hindustan Times report. Jaya Bachchan's nickname for Amitabh According to media reports, Jaya and Amitabh Bachchan share nicknames; Jaya calls him 'Lambuji', a name even their daughter Shweta has adopted. A priest's protest over Amitabh Jaya's inter-caste union Another Indian Express report stated that the priest who was to officiate Amitabh Bachchan and Jaya Bahaduri's marriage initially protested their inter-caste union. Despite it all, the ceremony proceeded, albeit discreetly. Amitabh Bachchan-Jaya Bachchan's Iconic Movies Together Over the years, the couple has appeared together on-screen and given audiences iconic hits like Silsila. Apart from the 1981 film, here are other performances you can watch: Zanjeer: In the 1973 film, Amitabh played an 'angry young man' cop, and Jaya played a crucial role. This film showcased the chemistry between the couple. Abhimaan: The 1973 film is a poignant tale of love and jealousy and highlights their acting prowess and emotional depth. Sholay (1975): This Sippy film is a classic that remains a benchmark in Indian cinema, featuring its memorable performances. Chupke Chupke: The 1975 comedy film displays their versatility and ability to bring humour to their roles. Kabhi Khushi Kabhie Gham: The Karan Johar film featured the couple in 2001 after a long gap. They played parental figures of a wealthy family. Mili: The film is a poignant love story where Jaya plays a terminally ill girl, and Amitabh's restrained performance as her love interest won hearts. Entertainment Bureau Entertainment Bureau brings you all updates from the world of entertainment -- breaking news, Twitter trends, features, movie reviews, exclusive interviews and photos of the biggest stars. Be it the newest kid ... Read More Entertainment Bureau brings you all updates from the world of entertainment -- breaking news, Twitter trends, features, movie reviews, exclusive interviews and photos of the biggest stars. Be it the newest kid ... Read More News movies Did You Know These 10 Shocking Facts About Amitabh and Jaya Bachchan's Marriage?
New Indian Express
4 days ago
- Entertainment
- New Indian Express
Giving up was never an option for me: Actor Maniyanpilla Raju
His next-door-neighbourly charm has been alluring to Malayali audiences for the past 50 years. His stint as a producer too was equally successful with many hit films including Aye Auto and Kannezhuthi Pottum Thottu to his credit. In an interaction with TNIE, Maniyanpilla Raju opens up about his journey filled with ups and downs, close ties with the 'Big Ms' of Mollywood, how the industry has changed over the years, how he happened to identify talents like Rahman and Prithviraj, and how he survived cancer. Excerpts: How do you reflect on your 50-year-long film career? I hail from a non-artistic background, but my passion has always driven me. After being rejected by the Pune Film Institute, I went to the Adyar Film Institute where I was selected as the first Malayali acting student. K Balachander and M N Rajam chose me for the screen test, marking the true beginning of my journey. I graduated in 1975 and started off with Mohiniyattom, directed by Sreekumaran Thampi. I was never ready to give up and that has made me what I am today. At the time, few pursued acting as a formal study. Did your family support your decision? I have been passionate about acting since school and viewed it as my path forward. My father used to tell me that I wasn't good at studies, so I should enrol for LLB (laughs out). During my time at the film institute, I managed with Rs 100 a month. Initially, I stayed in a good hostel in Madras, then moved to Uma Lodge in Kodambakkam. I shared a small, sweltering top-storey room with another person for Rs 45. Mallika, my classmate from Model School, introduced me to Sreekumaran Thampi. When I met him with my portfolio, he bluntly said I wouldn't make it in an industry dominated by Adoor Bhasi and Prem Nazir. 'Have you ever checked your face in the mirror?' he asked. He even advised me to return home by the evening train. But soon after, he called to offer me a small role in Mohiniyattom... and that became my cinema entry.
Time of India
20-05-2025
- Entertainment
- Time of India
Govt approves 14 films under new policy
Patna: Under the state govt's new film policy, permission has been granted for the shooting of 14 films in regional, Hindi and English languages across the state. According to an official press release from the department of art, culture and youth on Tuesday, some of these films have already completed shooting while others are currently in production. Tired of too many ads? go ad free now In addition, the state is set to host a documentary and short film festival. Several entries have already been selected. Permanent infrastructure to support film production is also being developed. The state's first dedicated film set is under construction in Valmiki Nagar where the Hindi film 'Tiya' by Sagar Srivastava is being shot. A new facility, Haider Kazmi Studio, has also been established in Pali, Jehanabad, and is currently hosting the production of several films. Film shoots are under way in various districts including Nalanda, Nawada, Gaya, Patna, Bagaha, Rohtas, Vaishali, Sitamarhi, Darbhanga and Jehanabad. A senior official from the department said, "The is not just limited to shooting, it is also taking steps in the field of film education and training. A scholarship scheme has been launched for the state's students studying at the Pune Film Institute, Satyajit Ray Film Institute, and the National School of Drama. So far, one student, Ashish Kumar, has been awarded a scholarship and the processing of several other applications is under way." The policy offers a grant of up to ₹4 crore for films that shoot more than 75% of their content in Bihar, a provision that has attracted numerous filmmakers. Recently, Bollywood actor Pankaj Tripathi's film 'Oh My Dog' (also known as Senapati) completed shooting at various locations in Patna.
Hans India
29-04-2025
- Entertainment
- Hans India
Aamir Khan shares how being thrown out of a play led him to his first film
Bollywood icon Aamir Khan recently opened up about a pivotal moment from his college days that unexpectedly shaped his entire career. In a touching anecdote shared by his production house on Instagram, Aamir reflected on how being removed from a college play led him directly to his big break in films. During his college years, Aamir was part of a Gujarati play titled Pasiyo Rangaro. Though his role was mostly backstage—hanging and dismantling bamboos for the set—he was thrilled to be the only one from a chorus of 30 to get a line on stage: 'We want Rangara, we want Rangara.' Ironically, he never got to say it. Just days before the competition, Maharashtra went into lockdown, and Aamir's mother didn't allow him to attend rehearsals. As a result, he was dropped from the production. 'I felt shattered,' Aamir admitted, recalling how he had watched rehearsals from the front row, feeling like all his hard work had gone to waste. But destiny had other plans. A friend introduced him to Niranjan Thade, who was helping a student named Bansal shoot a diploma film at the Pune Film Institute. Aamir accepted the offer—and that short film became his unexpected doorway to the industry. After seeing Aamir's performance, another student cast him in another film, which caught the eye of director Ketan Mehta, who then offered him a role in Holi. That performance eventually convinced Mansoor Khan and Nasir Hussain that Aamir had the potential to be an actor, paving the way for his iconic debut in Qayamat Se Qayamat Tak. 'If Maharashtra hadn't closed that day, I wouldn't be here today,' Aamir reflected. 'Being in the right place at the right time can change your life.' His story is a powerful reminder that even rejections can lead to life-changing opportunities.
New Indian Express
29-04-2025
- Entertainment
- New Indian Express
Regret not working with chettan after 'Piravi': Cinematographer Sunny Joseph on Shaji N Karun
After completing my studies at the Pune Film Institute, I packed my bags and reached Kottayam via Madras to shoot a documentary by Aravindettan (G Aravindan). I arrived late after taking several buses. By then, Aravindettan had taken KG Jayan, who was assisting Shaji chettan, for Panchavadi Palam (directed by K G George). Since Jayan was away, Shaji chettan asked me to stay back and assist him on the sets of Panchavadi Palam. Though I had met Shaji chettan earlier, those four or five days on set helped us get to know each other. Later, I worked closely with him alongside K G Jayan in films like Meenamasathile Sooryan (Lenin Rajendran, 1986), and Chidambaram (Aravindan, 1985). Because of this association, I got my first independent assignment for Theertham (Mohan, 1987) — a project initially meant for Shaji chettan. He actually recommended me to Mohan. My second and third films, Eenam Maranna Kattu (Thomas J. Easaw, 1988) and Ore Thooval Pakshikal (Chintha Ravi, 1988), were also meant for him, but he handed them to me. Then came Piravi , his first film as a director — my fourth as an independent cinematographer. Piravi was a breakthrough in every sense. Sadly, Shaji chettan and I never worked together after that, though we stayed in touch. That will remain a regret. The last time we met, he told me.
