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Cannes Classics Unveils 2025 Line-Up: Quentin Tarantino Named As Guest Of Honor With George Sherman Tribute
Cannes Classics Unveils 2025 Line-Up: Quentin Tarantino Named As Guest Of Honor With George Sherman Tribute

Yahoo

time03-06-2025

  • Entertainment
  • Yahoo

Cannes Classics Unveils 2025 Line-Up: Quentin Tarantino Named As Guest Of Honor With George Sherman Tribute

Quentin Tarantino will be guest of honor of Cannes Classics this year with a special tribute devoted to late low-budget westerns director George Sherman. The Cannes regular, who won the Palme d'Or winner for Pulp Fiction and President of the Jury in 2004, will share his passion for Sherman's work with screenings of two of his westerns made for Universal Pictures – Red Canyon and Comanche Territory – in one of his most creative periods. More from Deadline Caravanserai Pictures Launches & Partners With Buffalo 8 On Seven-Picture Slate Miles Teller To Play A Nashville Star With A Secret In Fantastical Comedy 'Possum Song' For 'Sing Sing' Writer-Director Greg Kwedar & FilmNation - Cannes Market Hot Project Capstone, Signature & Ascending Media Group Launch U.S. Distribution Company Aura Entertainment Ahead Of Cannes Market Tarantino will participate in a conversation about Sherman moderated by critic and documentary filmmaker Elvis Mitchell. Other highlights of the program devoted to classic cinema include a pre-opening screening of Charlie Chaplin's The Gold Rush, to mark the centenary of its making, as well as a 25th anniversary screening of Amores perros by Alejandro G. Iñárritu, in the presence of director, and the 50th anniversary screening of One Flew Over the Cuckoo's Nest. Shia LaBeouf will also be in attendance with Leo Lewis O'Neil's documentary Slauson Rec, capturing the actor's work at a free acting school at the Slauson Rec Center in South Central, Los Angeles, which he launched in 2018. Kevin Smith will also be back in Cannes with Dogma: Resurrected – A 25th Anniversary Celebration!, celebrating the film which screened Out of Competition in the 1999 edition of the festival. The sidebar will close with a brand-new 4K restoration of Stanley Kubrick's Barry Lyndon, presenting in the film's photographed aspect ratio of 1.66:1, as specified in a December 8, 1975, letter from Kubrick to projectionists. Cannes Classic 2025 Line-Up THE GOLD RUSHCharlie Chaplin1925, 1h28, United States AMORES PERROS (LOVE'S A BITCH)Alejandro G. Iñárritu2000, 2h34, Mexico MOI QUI T'AIMAIS (THE ONE I LOVED)Diane Kury2025, 1h59, France THE ARCHT'ang Shushuen1968, 1h35, Hong Kong DOGMA: RESURRECTED – A 25TH ANNIVERSARY CELEBRATION!Kevin Smith1999, 2h10, United States SUNSHINEIstván Szabó1999, 3h01, Canada/Germany/Hungary/Austria SLAUSON RECLeo Lewis O'Neil2025, 2h25, United States I LOVE PERURaphaël Quenard and Hugo David2025, 1h08, France YI YI (YI YI – A ONE AND A TWO)Edward Yang2000, 2h53, Japan/Taiwan HARD BOILEDJohn Woo1992, 2h08, Hong Kong MERLUSSEMarcel Pagnol1935, 1h12, France DAVID LYNCH, UNE ÉNIGME À HOLLYWOOD (WELCOME TO HOLLYWOOD)Stéphane Ghez2025, 1h02, France PARA VIGO ME VOY (TO VIGO I GO)Lírio Ferreira and Karen Harley2025, 1h39, Brazil DIS PAS DE BÊTISES ! (WATCH WHAT YOU SAY)Vincent Glenn2025, 1h20, France I HUVUDET PÅ (BO BEING BO WIDERBERG)Jon Asp and Mattias Nohrborg2025, 1h45, Sweden MY MOM JAYNEMariska Hargitay2025, 1h45, United States RESTORED PRINTS ARANYER DIN RATRI (DAYS AND NIGHTS IN THE FOREST)Satyajit Ray1970, 1h55, India LA COURSE EN TÊTEJoël Santoni1974, 1h50, France/Belgium FLOATING CLOUDSMikio Naruse1955, 2h04, Japan GEHENU LAMAI (THE GIRLS)Sumitra Peries1978, 1h50, Sri Lanka LA PAGACiro Durán1962, 1h02, Columbia/Venezuela MAGIRAMAAbel Gance and Nelly Kaplan1956, 1h20, France MÁS ALLÁ DEL OLVIDO (BEYOND OBLIVION)Hugo del Carril1955, 1h34, Argentina SAÏD EFFENDI (SAEED EFFENDI)Kameran Hosni1955, 1h31, Iraq STERNE (STARS)Konrad Wolf1959, 1h33, East Germany/Bulgaria CHRONICLE OF THE YEARS OF EMBERSMohamed Lakhdar Hamina 1975, 2h51, Algeria ONE FLEW OVER THE CUCKOO'S NESTMiloš Forman1975, 2h13, United States BARRY LYNDONStanley Kubrick1974, 3h04, United Kingdom / United States RED CANYONGeorge Sherman1949, 1h22, United States COMANCHE TERRITORYGeorge Sherman1950, 1h16, United States Best of Deadline 2025 TV Cancellations: Photo Gallery The Best 7 New Movies On Netflix In May 2025 From 'Past Lives' To 'The Wild Robot' Everything We Know About The 'We Were Liars' Show So Far

Quentin Tarantino Gives Advice to Young Filmmakers at Cannes: ‘You Only Have So Much Time' on Set. ‘How You Use' It ‘Will Define You'
Quentin Tarantino Gives Advice to Young Filmmakers at Cannes: ‘You Only Have So Much Time' on Set. ‘How You Use' It ‘Will Define You'

Yahoo

time16-05-2025

  • Entertainment
  • Yahoo

Quentin Tarantino Gives Advice to Young Filmmakers at Cannes: ‘You Only Have So Much Time' on Set. ‘How You Use' It ‘Will Define You'

Quentin Tarantino, who is this year's guest of honor at the Cannes Film Festival's Cannes Classics section, shared his passion for George Sherman — the prolific U.S. director of low-budget Westerns and other genre films — on Wednesday with a packed screening of two of his Universal Pictures movies. 'Well, I want to thank the Cannes Film Festival for setting up a double feature of George Sherman westerns and having a sold-out audience, pretty much standing room only,' Tarantino said when he took to the Salle Bunuel stage after being introduced by Cannes chief Thierry Frémaux. 'This does my heart very, very good.' More from Variety Sylvie Pialat, Producer of Cannes' Opening Film 'Leave One Day,' Sets Projects With Directors Emmanuelle Bercot, Atiq Rahimi and Gustav Kervern (EXCLUSIVE) Piper Perabo on Her Eco-Anxiety Rom-Com 'Peak Everything' and Speaking Out Against Trump: 'I'm Not Concerned About Career Blowback' Carlos Saldanha Wraps Principal Photography on Sea-Crossing Drama '100 Days' (EXCLUSIVE) The double bill comprised Sherman's 'Red Canyon,' from 1949, and 'Comanche Territory' from 1950. After 'Red Canyon' screened, Tarantino delved into details of Sherman's career and pointed out that when he was first hired by Universal, the studio had not realized just how fast he was at making films. 'They didn't know how quick he was able to run his sets,' Tarantino said. 'Being fast is nice and being fast is great — especially for the boys in the front office — but how good is the footage?' Tarantino then answered his own question: 'Well, you can see right there how good the footage is. The fact that this guy can work faster than every other director under contract, and his footage is that good and he has that much of a story sense and actors like him that much. Even Shelley Winters didn't give him a hard time.' The 'Pulp Fiction' and 'Jackie Brown' filmmaker then segued into what young filmmakers can learn from Sherman's speed and ability. 'He didn't have any more time than any of those other fucking directors,' Tarantino said. 'But it's what he did with that time that made it matter, and that's what I want to pass on to you young filmmakers here: You are only going to have so much time in the course of the day when you're making a movie.' He continued: 'Look: we all want to shoot what we want. We all want to get the best that we want to get. But it almost doesn't count unless you do it inside the circle that you're supposed to be working in. And how you spend that time; how you use that time, that will define you.' Tarantino first appeared at Cannes on Tuesday night during the festival's opening ceremony, when he surprised the crowd by officially opening the event. 'It's my honor to declare the 78th festival open!' Tarantino shouted before literally dropping the mic. Cannes Film Festival runs through May 24. Best of Variety New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Talk/Scripted Variety Series - The Variety Categories Are Still a Mess; Netflix, Dropout, and 'Hot Ones' Stir Up Buzz Oscars Predictions 2026: 'Sinners' Becomes Early Contender Ahead of Cannes Film Festival

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