Latest news with #Rocks
Yahoo
4 days ago
- Entertainment
- Yahoo
【主播隨筆】Get your rocks off honey｜日職
黃奕傑 本季在日職歐力士主場比賽的八局過後，晶瓷巨蛋內便會響起強烈的搖滾旋律，與其七局伸展時播放隊歌收尾的吉他 distortion 相呼應，這首歌是原始吶喊 Primal Scream 於1994年所發行的'Rocks'。 歌曲分享: Primal Scream 是一支來自蘇格蘭的搖滾樂團，最初於 1982 年在格拉斯哥成立。他們在 1980 年代中期是獨立流行（indie pop）音樂場景的重要一員，但後來逐漸拋棄清亮的吉他聲響，轉而受到迷幻與車庫搖滾風格的影響。 1991 年，他們推出了融合電子舞曲元素的專輯《Screamadelica》，成功打入主流市場，這張專輯也成為他們最具代表性的作品之一；倘若你沒聽過這張專輯，可能也看過以此專輯封面打印的T恤。(Nirvana同表感概) 1994 年 3 月，〈Rocks〉正式發行。這首歌成為他們當時在英國排行榜上成績最好的單曲，最高名次達到第七名。 這是一首充滿力量、節奏強烈的搖滾樂頌歌，歌詞粗獷直接，主要圍繞著享樂主義、放縱與反叛的主題。沙啞的嗓音、藍調的吉他節奏、簡單直接的歌詞，這些都讓人聯想到 60、70 年代的搖滾場景。這首歌既是在致敬老派搖滾，也是在重現那種原始能量。 專輯《Give Out But Don't Give Up》於同年度發行，但由於1994年的英倫音樂大放異彩，出現了像是布勒'Parklife'，綠洲'Definitely Maybe'，Prodigy 'Music for the Jilted Generation '等經典作品，原始吶喊並沒有靠這張專輯聲名大噪。 延伸聆聽: 同為蘇格蘭藝能圈人，Primal Scream也在由Irvine Welsh的小說所改拍的電影猜火車中，貢獻一首長達八分鐘的電影配樂： 但可能大家還是比較記得Lust for Life, Born Slippy, Perfect Day等勁歌金曲吧^^
Time of India
06-05-2025
- Entertainment
- Time of India
GTA 6 map size revealed by Rockstar Games: Check out Vice City, Leonida Keys, Mount Kalaga and other locations
GTA 6 map size revealed GTA 6 second trailer launch GTA 6 confirmed locations include Vice City, Grassrivers and more Vice City – The most iconic return, Vice City is Rockstar's fictional version of Miami. Already heavily featured in both trailers, it will serve as the game's primary urban setting. Mount Kalaga – A mountainous region that hints at wilderness and elevation-based gameplay similar to Mount Chiliad in GTA V. Ambrosia – A sun-soaked location that may resemble Florida's inland beach towns or resort hubs. Port Gellhorn – Suggests a busy shipping or industrial area, likely serving as a hub for missions involving trade, smuggling, or heists. Grassrivers – Likely a rural region, perhaps featuring swamps or agriculture-based missions. Leonida Keys – A direct reference to the Florida Keys, this archipelago-like location hints at the potential for island hopping, water-based transport, and hidden content. Speculation on GTA 6 map size and interconnectivity GTA 6 gameplay and narrative details still under wraps Marketing strategy and fan engagement Community reactions and expectations GTA 6 release timeline and what comes next Rockstar Games unexpectedly released the second official trailer for GTA 6 , reigniting global excitement for one of the most anticipated video games of the decade. Initially scheduled for release in May 2026, GTA VI had largely gone quiet in terms of marketing and updates, leaving many fans speculating whether the development was facing delays. However, with the launch of the new trailer, Rockstar not only reaffirmed the release window but also provided fans with a deeper look into the game's expansive open-world environment and teased various new trailer, accompanied by fresh details published on Rockstar's official website, confirms that GTA VI is poised to deliver the largest and most dynamic map in franchise history. While actual gameplay footage remains limited, the scope of the environments teased—including iconic Vice City and multiple never-before-seen locales—has given players a strong indication of the immersive experience to come. This article provides a comprehensive breakdown of everything revealed so far, including confirmed locations, map size insights, and Rockstar's promotional second trailer for GTA VI dropped without prior notice, surprising both fans and industry analysts. The release deviated from Rockstar's typical promotional cadence, which usually includes significant buildup before any trailer launches. Despite this, the trailer immediately began trending worldwide and accumulated millions of views within the new trailer did not showcase extended gameplay footage, it highlighted narrative elements and cinematic glimpses of the game world. Much like the first trailer, it featured a mix of character moments, environment flyovers, and fast-paced sequences that hint at the core storylines and of the most significant new elements came from Rockstar's own website, where users scrolling through the GTA VI section were greeted by a set of digital postcards. Each card features a location name and stylized image, strongly suggesting these will be key in-game following locations have been revealed:These postcards imply that the game will not be limited to one city but will instead span across a wide range of biomes and environments, possibly including forests, beaches, wetlands, and suburban Rockstar has not released the full map, comparisons between trailer visuals and real-world geography suggest that GTA VI's setting—Leonida, a fictionalized version of Florida—will be significantly larger than GTA V's Los Santos and Blaine County have noted the presence of highways, bridges, and long-distance shots showing diverse terrain, which all point toward a map designed for seamless travel across various environments. If Rockstar follows its typical structure, the game will likely integrate urban sprawl with rural expanses, allowing for rich gameplay across different the second trailer elaborated on characters and setting, Rockstar has yet to release detailed gameplay footage or in-depth narrative synopses. It is expected that more promotional material—possibly including live gameplay demos—will arrive in late 2025 or early 2026 as the release date the trailers confirm the game's protagonists, Lucia and a yet-unnamed male character, will be central to the plot. The duo appears involved in a crime-focused narrative akin to Bonnie and Clyde, engaging in high-speed chases, robberies, and possibly broader story arcs involving criminal syndicates in unconventional release of Trailer 2 and the minimal pre-hype campaign reflect a shift in Rockstar's marketing strategy. Rather than relying on months of teaser posts and official countdowns, the company is using organic virality and minimalism to fuel fan speculation and online inclusion of hidden clues—such as QR codes, background billboards, and fine print—has also spurred a wave of community-led investigations, forum theories, and YouTube breakdowns. This viral marketing approach mirrors what Rockstar previously achieved with Red Dead Redemption 2, where minimal trailers generated significant from the gaming community have been overwhelmingly positive. On platforms like Reddit, X (formerly Twitter), and YouTube, players are dissecting each frame of the trailer, identifying potential references to previous games, and speculating about what the new locations might is also heightened anticipation around technological upgrades. Given that GTA VI will be exclusive to current-generation consoles like the PlayStation 5 and Xbox Series X|S, and potentially high-end PCs, fans expect major improvements in AI behavior, environmental interactivity, and Theft Auto VI is scheduled to launch in May 2026. Rockstar has not confirmed if the launch will include simultaneous global rollout or if it will be staggered by region or platform. It's also unclear whether online multiplayer will launch alongside the single-player campaign or be introduced later, as was the case with GTA Online in then, Rockstar is expected to continue its slow-drip content strategy, revealing more information throughout 2025. Future updates may include character bios, gameplay mechanics, multiplayer plans, and perhaps even playable betas or demo previews for select audiences.
Time of India
04-05-2025
- Entertainment
- Time of India
One Piece may have just unleashed its most dangerous pirate ever
One Piece may have just unleashed its most dangerous pirate ever (credit- Fandom) One Piece has been introducing fans to the world's most vibrant pirates for over 20 years, following the adventures of Monkey D. Luffy as he seeks out to fulfill his dreams of becoming the King of the Pirates. In the process, he's developed powerful friendships and faced off against incredibly deadly foes. In the current chapter, it's getting even wilder. It's promising of the return of a father of one of the Golden Age's most storied characters. This guy is so powerful, there's a legitimate chance even Luffy might be outmatched. Elbaf's latest revelations shake the pirate world The current Elbaf arc is doing more than just building lore; it's cracking open secrets the series has kept buried for years. Between the emergence of the God Knights and deeper hints about the Sun God Nika , the story is clearly marching toward its endgame. But one reveal stands above the rest: the shocking resurfacing of Rocks D. Xebec , the pirate many believed long dead. Prince Loki's chilling memory of Rocks Chapter 1145 drops a bombshell in the form of a flashback featuring Elbaf's Prince Loki. Years earlier, Loki came face-to-face with Rocks D. Xebec. What started as admiration quickly turned into horror. Loki begged to join his crew only to be violently rejected. Rocks didn't just dismiss him; he almost killed him in cold blood, leaving the young prince with deep scars, both physical and emotional. Where Luffy sees a hero in Shanks, Loki finds a twisted idol in Rocks. Their opposing paths highlight a growing theme in One Piece: the divide between pirates who fight for freedom and those who crave domination. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Capital Federal: AI guru Andrew Ng recommends: Read These 5 Books And Turn Your Life Aroun... Blinkist: Andrew Ng's Reading List Undo The first words from Rocks—and they're terrifying While Rocks has been name-dropped throughout the series, Chapter 1145 finally lets readers hear him speak. And it's not pretty. He humiliates Loki, silences Whitebeard, and mocks everyone who stands in his way. There's no honor here—just raw power and cruelty. Rocks don't hesitate to kill, not even when it comes to children. Even more chilling? He's shown wielding a sword. That alone could put him on par with titans like Mihawk, further raising the stakes. Was He stronger than Gol D. Roger? Here's where things get serious: it took the combined might of Gol D. Roger and Garp two legends to take Rocks down. And that's not all. His crew included Kaido, Big Mom, and Whitebeard before they became emperors. That level of power clustered under one flag is almost unimaginable. All signs point to one thing: Rocks D. Xebec may have been the strongest pirate to ever live. Can even gear 5 Luffy stand a chance? Luffy's Gear 5 transformation brought him closer to godhood than ever, but it comes at a cost. The form drains him quickly, and against a monster like Rocks, that vulnerability could be fatal. Fans are speculating that not even Luffy at full power could survive a battle with Xebec. And let's be honest if Rocks truly returns, even heavy-hitters like Shanks or Blackbeard might not be enough to stop him. Why is Oda still keeping Rocks in the shadows? Despite the growing focus on him, Eiichiro Oda still hasn't shown Rocks' face. Every glimpse keeps him cloaked in shadow. Why? Fans have theories: He's still alive and will make a dramatic return in the Final Saga. He might be related to a major character, maybe Blackbeard, Shanks, or even Luffy. He could be the dark mirror of Sun God Nika, a twisted god-like figure who once sought to plunge the world into chaos. The past is catching up fast With Rocks D. Xebec back in the conversation, the world of One Piece is on the edge of something big. His legacy and possible return could upend everything we know about the pirate era. All eyes are now on Prince Loki's past and what it could reveal about the Rocks Pirates , the God Valley Incident, and the real reason Xebec once threatened the world. One thing is certain as we head into the Final Saga: the ghosts of history are no longer staying buried and the world may not be ready for the storm that's coming.
The Guardian
26-03-2025
- Science
- The Guardian
José María Velasco review – proudly dull Mexican was wasted in wonderland
José María Velasco's 1894 painting Rocks is the size and format of a grand portrait but, instead of a socialite in taffeta or tails, it portrays a huge reddish-brown rock formation. It isn't even a very special outcrop, rather the kind of shapeless mass you might encounter on any mountain walk. That's the point. Velasco is a scientific artist who worked at a time when the Americas were a wonderland of discovery. He identified a new species of salamander that lives in a lake near Mexico City, only one of the many finds, living and fossilised, uncovered in his era across the New World. In 1902, the first Tyrannosaurus rex fossil was excavated in Montana; in 1909, very early life forms were found preserved in Canada's Burgess Shale. Most important of all, back in the 1830s, Charles Darwin found the first evidence for evolution in the rainforests and rocks of Brazil and Peru. So behind the ordinariness of Velasco's rocks is the discovery that Earth's fabric is made by continuous processes over many millions of years – not by sudden biblical catastrophes. These stones contain a secret, he says, and it's worth knowing. The people in Rocks on the Hill of Atzacoalco, painted in 1874, look as if they're seeking out such knowledge. They walk steadily up a path, the women in long skirts and a man in a white suit, with a parasol against the sun. But these little figures are dwarfed by the rocks looming over them, embedded with white crystal, stark as bones in the rusty-red rock. Velasco is more interested in the rocks than the people. Can't you see, the painting asks, how marvellous these ancient formations are? The paintings glow with the sense of a continent growing in time and space through scientific discovery. In two spectacular panoramic views of the Valley of Mexico, he paints snowcapped volcanoes floating above an almost nondescript populated plain, all squeezed into a single panorama, assimilable in a single sweeping gaze. Trained in several sciences before he opted for art, Velasco applies an objective eye to a world poised between antiquity and change. His fascination with nature doesn't stop him recording Mexico's industrialisation with equal curiosity. A goatherd tends his flock next to a new factory, its shiny metal pipes rendered with the same relish as the light green foliage in which the goatherd moves. Another painting is called The Textile Mill of La Carolina, Puebla, but this objectively depicted, low, white industrial structure is overlooked by a volcano. Velasco's volcanoes are satisfyingly cone-shaped, like scientific toys. Just add baking powder and vinegar. He's a subtle and pellucid colourist, bringing out blue-green hues in leaves, lingering on an emerald-coloured cactus and the azure of desert skies. His nature studies are truly lifelike. A painting of thick, velvety mafaffa leaves is both natural history and a passionate response to greenness. Yet if a landscape is brown or desert-yellow, he shows it. His 1878 painting The Baths of King Nezahualcoyotl is a determinedly unromantic view of ancient remains: Velasco insists archaeology is seeing the magic in broken fragments, not Indiana Jones adventures. He shows hard-to-decipher chunks of masonry and a flight of ancient steps in his precise depiction of this pre-Columbian site. It feels mean and even redundant to say Velasco is a bit dull. This admirable artist is, after all, proudly that. He cools the temperature with every smooth brushstroke, resisting the sublime effects that many other 19th-century landscape artists in the Americas laid on with a shovel. Not for him the romantic excesses of the US's Hudson River artist Frederic Church, who painted the volcano Cotopaxi erupting in Ecuador in a heavy metal concerto of fire. Geological structures are not there to awe us, says Velasco. They contain the scientific story of Earth. He is boring, though. The devil has all the best tunes and Mexico's visual history is replete with them. The Aztec empire on the eve of its Spanish conquest practised human sacrifice, made art with skulls, feathers, turquoise and jade, worshipped dangerous and disturbing gods. In Mexico's modern art such traditions have been enthusiastically embraced, from José Guadalupe Posada's carnivalesque skeleton prints to Frida Kahlo's personal mythology of pain. The National Gallery itself seems a little unsure about Velasco's appeal, stressing in the catalogue and wall chronology that he taught Kahlo's husband, Diego Rivera. It boasts this is 'the first ever exhibition dedicated to a historical Latin American artist at the National Gallery'. But so what? Mexico's art, from its chunky Mesoamerican monsters to its modern surrealisms, doesn't lack attention. Right outside the National Gallery, you can see Teresa Margolles's recreation of an Aztec skull tower on the fourth plinth. Velasco's work is different from such art simply because his eye is more European, academic and rationalist. This is a Mexico tamed. José María Velasco: A View of Mexico is at the National Gallery, London, 29 March to 17 August
The Guardian
21-03-2025
- Entertainment
- The Guardian
‘It was chaotic but beautiful': Warda Mohamed and Kosar Ali on filming the British-Somali short Muna
When Warda Mohamed posted a message on social media that she had completed her feature film script, she never expected it to change her career. 'I genuinely thought it was just going to be a few people saying, 'Oh my God, well done',' she says. 'I posted it at nine o'clock at night and thought nothing of it.' By morning, a commissioner at BBC Film had reached out, setting the wheels in motion for what would become Muna – an 18-minute short film that screened at more than 60 international film festivals, won multiple awards, and has now made its way to BBC iPlayer. Muna tells the story of a British-Somali teenager, played by Kosar Ali (Bafta-nominated for Rocks), who navigates a complex mother-daughter relationship while mourning a grandfather she never met. Her grief mirrors Mohamed's own experience growing up. 'There isn't an answer to [grief],' Mohamed says. 'You have to feel it as you go along.' Ali, with her deep connection to the story, was instinctively drawn to the role: 'When I approach Somali stories, it's always a yes before a no because there are so few,' she says. Mohamed, who co-directed the play Dugsi Dayz in 2022, aimed to create an authentic representation of British-Somali life. 'For too long, Somali people have been portrayed through stereotypes in western cinema,' she says. 'I want to show all of the beauty and richness of being British-Somali.' Ali echoes this sentiment: 'It's rare to find Muslim stories that aren't warped with negativity, so I wanted to do it right.' However, achieving this authenticity came with its own set of issues, Ali says. 'The casting process was really challenging because of a lack of Somali actors. In the end, we had to street cast [approach and ask the general public] and use our networks to make it work.' Beyond grief, Muna also explores culture, family, and belonging. Ali, who earned her first executive producer credit as well as playing the lead role, is especially passionate about the authenticity of the mother-daughter dynamic. 'It isn't about clashes of culture or religion; it is about two people figuring things out. It is a universal experience that many can relate to.' The soundtrack blends contemporary UK and traditional Somali music, with Muna curating the perfect playlist for her school trip. Ali adds: 'I wanted to keep it fun and authentic to me. The music used and the dance scene was a true representation of me as a person, not just acting.' Finding the right oud player for a scene with Muna's grandfather was also a challenge, but Mohamed's persistence led her to connect with a musician in Mogadishu through her family. 'It was chaotic but beautiful,' Mohamed says. 'Shooting in Somalia captured the duality of being British-Somali and made it all the more worthwhile.' The production was shaped by Mohamed's commitment to a faith-based film-making approach to reflect the cast and production staff. 'It was important for me that our set reflected the values of the community we were representing,' Mohamed says. 'When you see the prayer scenes, they're not just performances – they're actual prayers.' Mohamed reflects on the barriers she has faced as a working-class film-maker: 'It took more than four years to get funding,' she says. 'One of the biggest roadblocks was people not understanding the story. They wanted me to focus on the wake, but I wanted to show it through the eyes of a young girl who doesn't know why she's grieving, or what she is meant to feel.' 'The people in positions of power don't understand our stories,' she adds. 'Representation is crucial – not just for the audience but for decision-makers too. We need people from different backgrounds in development, executive, and commissioning roles so they can understand stories that haven't been seen on screen before.' After its successful festival run, Mohamed says she heard from many people wanting to watch Muna again or for the first time – so she is delighted the film is now on the BBC's iPlayer platform. 'The iPlayer release feels like Muna has been given new life,' she says. 'It's been joyful to see different parts of the world respond and hear how people connect with Muna, her brother, or even the parents.' For now, Mohamed has set a new precedent for Somali storytelling in British cinema. 'We have to keep making things, keep writing, keep telling our stories,' she says. 'And hopefully, people will eventually see us the way we want to be seen.' Muna is now available to watch on BBC iPlayer
