Latest news with #S1RII
Engadget
13-05-2025
- Engadget
Panasonic's S1 II is its most powerful creator camera yet
After dropping a rare photography-oriented camera recently with the S1R II, Panasonic is going back to its creator roots. The company just unveiled the S1 II, a 24-megapixel full-frame mirrorless camera with a partially-stacked sensor (like the Nikon Z6 III) that can capture 6K ProRes RAW video internally with minimal rolling shutter wobble. At the same time, Panasonic is pitching it as a relative value next to full stacked sensor cameras. With the same body as the S1R II, the S1 II is considerably smaller and lighter than the original S1 while still offering a large grip and full complement of manual controls. It also comes with a display that both tilts and flips out, a high-resolution 5.76 million-dot electronic viewfinder, CFexpress Type B and SD UHS-II card slots and optional support for Panasonic's 32-bit float audio. Photographers get up to 70 fps burst shooting speeds in electronic shutter mode and 10 fps with the mechanical shutter (along with 1.5s pre-burst capture). They can also take 96MP high resolution shots (with no tripod needed), along with live view composites, multiple exposures and timelapse animations. Autofocus is via Panasonic's latest AI Phase Hybrid AF with Eye/Face AF, AF tracking and detection of animals, vehicles and a new category, "urban sports" (ie breakdancing). On paper, though, this is more of a video-oriented camera camera. You can shoot ProRes and ProRes RAW video at up to 5.8K and 3:2 "open-gate" video at 5,952 x 3,968 resolution, along with 4K at 120 fps. It supports V-Log / V-Gamut capture with dual native ISO at 640/5000 and up to 15 stops of dynamic range. In addition, you get anamorphic video modes plus external RAW HDMI recording in either ProRes or Blackmagic formats. Panasonic boosted in-body stabilization to 8.0 stops via it's Dual I.S.2 system, while also offering the cropless IBS mode introduced on the S1R II. Optical smoothing can can be enhanced with electronic stabilization when more aggressive smoothing is required for walking or quick camera movements. Other key features include video monitoring tools like false color and exposure review, live streaming, wired webcam supports via USB-UVC/UAC (a first for Panasonic) and support for the Lumix Flow app that lets you do things like creator storyboards and shot lists for quicker editing. And as with other recent models, the S1 II supports real time LUTs and the Lumix Lab app, letting you download creator designed film looks that can be baked in to your video or added later in post. Panasonic will also introduce ARRI LogC3 so that the S1 II, S1R II and S1 IIE can be used in conjunction with ARRI digital cinema cameras. The Panasonic S1 II is now available for pre-order at $3,199 (body only) with shipping set to start on June 16th. That price is high next to its main competition, the Nikon Z6 III, which retails for $2,497 and is often on sale. Panasonic does have an answer to that: the $2,499 S1 IIE that has the body and features of the S1 II but lacks the stacked sensor and high-speed photo bursts. Panasonic also introduced an interesting lens, the Lumix S 24-60mm f/2.8. It offers the features and most of the range of its $2,000 Lumix S 24-70mm f/2.8 lens but in a smaller and lighter size and at a lower $1,200 price tag. I've had the S1 II for a short time now and have been impressed so far with its speed and capabilities, so stay tuned for a full review with final firmware.
WIRED
08-05-2025
- Automotive
- WIRED
Panasonic's S1R II Is a Capable, Affordable, Mirrorless Hybrid Camera
The S1RII features Panasonic's latest phase-detection autofocus, which has much better subject recognition and tracking algorithms. The S1RII can recognize people, animals (dog, cat, bird), cars, motorcycle and bikes, trains, and airplanes. In my testing, Panasonic's subject tracking system is very nearly as good as what you'll find in Nikon, Canon, Sony, and Fujifilm. It wasn't necessarily the best for everything—for example, Nikon stands out as better at tracking birds—but it's an all-around solid autofocus system that doesn't miss much. Photograph: Scott Gilbertson What I did not like is not what it does, but what it can't do—namely, stop tracking a subject when in subject-tracking mode. For example, if I am tracking my dog playing on the beach in the early morning and want to stop for a second and shoot the sunrise, on my Sony and Fujifilm I can tap the screens and switch the focus to the horizon, compose, shoot, and return to tracking the dog. To do that with the S1RII I had to first toggle off the subject tracking. It isn't a huge hassle, nor is it a deal breaker, but it is a little head-scratching. The rest of the time, I found that the S1RII did a good job of tracking everything I asked it to. Oddly though, it has the hardest time with humans. Sometimes in a crowd of people, it would lose the subject, something that doesn't usually happen in my testing of Nikon, Canon, and Sony cameras. While Panasonic's autofocus system is definitely faster and more accurate than previous versions, it's not flawless. I don't find this a deal breaker at all (I still shoot many manual focus lenses), but it might be worth testing with a rental if you shoot a lot of sports or wildlife. Image Quality I've always liked Panasonic's color rendition for its neutrality. It's not warm, it's not cool, it's just about perfectly in the middle. The only place I saw this vary a bit with the S1RII is in skin tones on my kids, who looked a little pinkish in some lighting conditions, but otherwise I did not find any color rendering oddities. Dynamic range is very good. I was able to lift shadows in RAW files 2-3 stops without really even needing to deal with noise. Photograph: Scott Gilbertson Panasonic-SR1II-Sample-Imag_Street-Art_Photo
Yahoo
25-02-2025
- Yahoo
Panasonic takes on Canon with the full-frame, 45-megapixel S1R II mirrorless camera
Panasonic's mirrorless cameras are best known for their video powers, but with its latest model, the company is finally getting serious about photography as well. The $3,300 full-frame Lumix S1R II is not only the company's first camera capable of 8K video but can fire off 40 fps bursts of high-resolution (45 megapixel) RAW photos. It also offers a more advanced autofocus system, putting it squarely into the conversation with Sony, Canon and Nikon. I've had a pre-production unit for several days now and so far, I'm impressed. The original S1R was a chunky 2.24 pound monster, but the S1R II is much lighter at 1.75 pounds and considerably smaller in size. That makes it less burdensome than before — though still a bit bigger than the Nikon Z8 and Canon R5 II. It also has one of the fattest grips I've ever seen that gave me a firm, secure hold on the camera. Panasonic made other substantial changes to the body, removing the top display and shifting the mode dial from top left to top right. In the latter's place a dedicated burst mode dial and photo/video/S&Q switch was introduced, while a new autofocus dial was placed at the back. Handling is now near the top among high-end full-frame cameras in my book, matching or even beating my favorite, the Sony A1 II. The rear 1.8-million-dot display was also overhauled and not only flips out for content creators but also tilts up and down for photographers — putting it on par with the excellent screen on Sony's A1 II. The electronic viewfinder has the same 5.76-million-dot resolution and 120Hz refresh rate as before, but now offers a more natural 100 percent magnification. The S1R II supports both SD UHS II and fast CFexpress Type B cards (rather than XQD as before) with a slot for each, while also allowing SSD recording via the USB-C port like the S5 IIX and GH7. Other inputs include mic, headphone and a full-size HDMI slot, along with a 10Gbps USB-C port. The battery is the same as the one on the GH7 and G9 III but delivers just 350 shots max on a charge, unless you buy the optional DMW-BLK22 battery grip. The S1R II will also offer full-float 32-bit audio recording, but only with the optional DMW-XLR2 audio accessory. Shooting performance is dramatically better with up to 40 fps (RAW 12-bit) burst speeds with continuous autofocus enabled, compared to a rather pitiful 6 fps on the previous model. It can also hit 10 fps speeds in mechanical mode or 9 fps with 14-bit RAW output. That matches the lower-resolution Canon R1 (though that model does it in 14-bit RAW mode) and is only below Sony's A9 III that can hit a mind-boggling 120 fps burst speeds in RAW mode. Panasonic also overhauled the phase-detect autofocus system to add more speed and AI smarts. It can now lock onto a subject's face and eyes quicker and follow their movements more smoothly, but also detect and automatically switch between humans, animals, cars, motorcycles, bikes, trains and airplanes. From my observations so far, it's not quite up to the speed and fluidity of Sony and Canon's latest models, but Panasonic is nearly there. When it comes to image quality, JPEG photos look natural with realistic colors, though I wasn't able to open RAW files on this pre-production camera. One big improvement is at high ISOs in low light thanks to the dual ISO sensor that keeps noise under control all the way up to about ISO 12800. On the video side, the S1R II now supports internal ProRes RAW and 8K video capture, but not both at the same time. ProRes RAW captured to CFexpress or USB-C is limited to 5.8K but uses the full width of the sensor, so it's a good solution for 4K productions. 8K, meanwhile, can only be captured in 4:2:0 LongGOP MP4 formats at 30 fps (4K tops out at 120 fps in Slow & Quick mode). That compares to 60 fps max on the Canon EOS R5 II and Nikon Z8, and both of those cameras can do that format in RAW. Sony's A1 II, by contrast, can also do 8K 30 fps video but doesn't support RAW recording at all. And of course, the S1R II supports V-Log recording and promises up to 14 stops of dynamic range, slightly less than the S1R. It'll also allow for external ProRes RAW recording at up to 8K to Atomos recorders via a firmware update coming after the initial launch. Panasonic's updated stabilization system promises up to 8 stops of shake reduction, but there are a few significant updates. It reduces edge distortion for video without cropping, though there's a small amount of vignetting if you do that. As before, it supports e-stabilization at regular and high strengths, and now offers the high-strength mode for anamorphic lenses. That raises the issue of rolling shutter, since the S1R II doesn't use a stacked sensor like its main competitors, the Nikon Z8 and Canon R5 II. Distortion is definitely more prominent than on those models, but readout speeds are relatively quick so it's not offensive except when doing whip pans or filming very fast moving subjects. At $3,300, the S1R II is priced well below the $4,300 Canon R5 II but nearly on par with the Nikon Z8, which can currently be found at $3,400. It's set to start shipping at the end of March 2025.
