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Colorado city works to honor deadliest day in state history, the Sand Creek Massacre of 1864
Colorado city works to honor deadliest day in state history, the Sand Creek Massacre of 1864

CBS News

time27-03-2025

  • General
  • CBS News

Colorado city works to honor deadliest day in state history, the Sand Creek Massacre of 1864

The City of Boulder is looking for the public's help to create a community project recognizing a big part of Colorado history, the Sand Creek Massacre of 1864. City officials have been working with tribal representatives for years to create a healing trail at one of the most historic open spaces in the city. Arapaho tribal representative Fred Mosqueda explained, "I would like to see the true storyline from both sides. What happened starting in the beginning of January of 1864?" At that time, tensions were building between new settlers and the Arapaho and Cheyenne Nations. Months later, more than 230 indigenous people were killed in the Sand Creek Massacre on the Eastern Plains. The city is now working with community members like Mosqueda to acknowledge that past and create space for healing, taking years to build that trust. "Being from the Arapaho Tribe from Oklahoma who was directly influenced by this Sand Creek Massacre I was really kind of upset with [Boulder], because I didn't want anything to do with that property," Mosqueda said. But after years of collaboration Mosqueda is now working with the city and tribal representatives to outline a restoration plan and healing trail at Fort Chambers, leading to a city hall on Friday to share ideas. "The public opinion is what I was interested in hearing. What does the public think about Fort Chambers? What does the public want to do with Fort Chambers property?" Mosqueda added. And that's exactly what the city hopes to see by gathering public opinions online and in Friday's workshop. Phillip Yates with Boulder Open Space and Mountain Parks explained, "There's deep intergenerational trauma that's connected to that event. So how do we be thoughtful and work with them in partnership to create a plan that honors the past but also sets a framework for healing in the future?" Some of the ideas shared in the workshop included history classes, cultural programming, and sharing personal stories. The project is also looking into the history of the Boulder County Poor Farm at the property. "We're really trying to think, how do we tell that broad story that welcomes tribal nation perspectives, settler perspectives, in telling a unique history of the land that's true and also is welcoming and helps foster healing," Yates added. The city is accepting those perspectives through online forms until March 30th. Yates said they expect to offer more feedback opportunities down the road. "History is learned so it won't be repeated. And let's make the world a better place to live," Mosqueda added.

Book Review: ‘The Haunting of Room 904,' by Erika T. Wurth
Book Review: ‘The Haunting of Room 904,' by Erika T. Wurth

New York Times

time19-03-2025

  • Entertainment
  • New York Times

Book Review: ‘The Haunting of Room 904,' by Erika T. Wurth

THE HAUNTING OF ROOM 904, by Erika T. Wurth Ghosts are business left unfinished. Reminders of a wrong that needs righting. They are the unbalanced ledger, and, in the United States, unpaid debts never truly die. In Erika T. Wurth's novel 'The Haunting of Room 904,' ghosts appear on Page 1, and the debt they point to looms large over the entire story. Olivia Becente, a Native paranormal investigator, is hired to break the curse of a hotel room where women, at regular five-year intervals, mysteriously meet violent ends. The case leads her to another tragedy, one that both dwarfs and ties together the individual deaths: the Sand Creek Massacre of 1864. But this summary makes the book sound more serious than it is. What horror exists in these pages is blunted by the novel's persistent tendency toward moralizing. Take, for example, the first exorcism Olivia performs. A young woman who has purchased a 'dybbuk box' off eBay is subsequently plagued by nightmares and waking visions of her deceased father. A grieving and angry Cheyenne two-spirit presence resides in the box and has sought out the young woman because she is descended from a white person who participated in the massacre that decimated the Cheyenne tribe. How is the malevolent ghost exorcised from the box? Olivia has the young woman apologize for her ancestor's role in the killings. On top of that, the woman feels compelled then to donate to the American Indian College Fund and to send a 'formal, public apology to the Cheyenne and Arapaho Tribes on behalf of her ancestor.' Problem solved. 'The Haunting of Room 904' is less horror and more urban fantasy in the mold of 'Buffy the Vampire Slayer' or 'Charmed,' where everyone is young and flirty and humor is deployed liberally. But where the aforementioned TV shows possessed structural narrative integrity and characters who took their jobs seriously, this novel abounds in plot holes. Characters hide and reveal information not because it was what they would actually do but because the story needs tension or because the characters are heading in the wrong direction and the course of their investigation must be righted. Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times. Thank you for your patience while we verify access. Already a subscriber? Log in. Want all of The Times? Subscribe.

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