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Press and Journal
09-05-2025
- Health
- Press and Journal
Why is cutting back on meat so hard? I helped Aberdeen scientists find out
The first time I tried to go vegetarian, it didn't end well. It was some time ago, and I was dating a woman who was vegetarian herself. As per the rules of love, that meant I was vegetarian too – by proxy, perhaps, but just as committed. Unfortunately, the relationship lasted only slightly longer than the vegetarianism – and indeed may have been cut short by my inability to say no to a bacon buttie. So when Aberdeen's The Rowett Institute – one of the world's leading food research centres – asked if I'd like to take part in a study looking at why people can't stick to vegetarian diets, I jumped at the chance. After my failed flirtation with vegetarianism, this felt like an opportunity to redeem myself – not just in the name of love, but for something bigger – science. The planet, too. As someone who knows that eating meat is bad for the environment but can conveniently forget when cheeseburgers are on the menu, the study felt like a chance to change my habits for the better. The Rowett study, called LESS: Meat (Lived Experience of Sustainability in Scotland), is part of a Scottish Government-backed effort to understand why people don't always stick with sustainable choices, even when they believe in them. With Scotland aiming for a 20% cut in meat consumption by 2030, researchers wanted to explore what gets in the way and what might help us change. 'You might get to the end of the trial and think, 'I never want to do that again,'' Dr David McBey, one of the lead researchers, told me before I started. 'Or you might find that some of the habits stick. We're interested in both.' This wasn't a public health lecture disguised as research. It was, in his words, about the 'lived experience of trying to do the right thing' – of navigating meat reduction in the real world, where cultural habits, convenience, cravings and the occasional bacon buttie all still exist. And crucially, unlike some other trials run by the Rowett Institute, this one didn't provide food. There were no meat-free meal kits, no delivery boxes of pre-approved lentil lasagne. Instead, I had to make all the swaps myself – three days a week, for eight weeks. The idea was to see what that feels like in everyday life. Each week, I logged into an online portal to tick off which days I'd gone meat-free, answer questions about why I'd chosen them and record what I'd eaten. I also completed weekly food recalls and longer surveys at the start and end of the trial. It was all straightforward, and as Dave pointed out, designed to be 'light touch' – just enough to gather insight without overwhelming participants. The tone, too, was supportive. 'We're not judging,' Dave reminded me when explaining the daily compliance tracker. 'We're just interested.' As Dave explained, meat still holds a 'special place' in many people's lives. 'It's not just about taste or nutrition. There's culture and emotion tied up in it – and that's what makes this topic so complex.' His own background – with a PhD in sociology and years working in environmental modelling – helped shape the study's focus on real-world behaviour. 'I eat meat myself,' he said. 'So I know how hard it can be.' Starting the study, I immediately ran into trouble. My first week coincided with a holiday I'd booked to Germany – the land of meat! Fortunately, the friends I stayed with were long-time veggies so were able to expertly guide me. Breakfast was fresh bread with hummus, cheeses and a lot of fake meat slices that were not as bad I expected them to be. For dinner one night, we went to a doner kebab place called Mr Lecker, which translates as Mr Delicious. Here, we had Mr Lecker's locally famous Big Makali hummus wrap. I was delighted to discover that it was, indeed, delicious. I was off to a great start, and things got even easier when I returned to Aberdeen and took control of my shopping list and kitchen again. I dusted off a few old vegetarian recipes. This might say something about me, but a lot of the recipes were tailored to appeal to meat eaters – full of chunky vegetables and savoury sauces. Over the eight-week study I learned a few more that dampened the meat thirsts. Some swaps were easy. Chickpea curry. Macaroni cheese. Mushroom stroganoff. Some swaps I thought would work didn't. Back in the day, I would use Quorn mince, but now found I liked it less than I remembered. Instead, I opted for pulses – black-eyed and butter beans made for a hearty stew when cooked with coriander, chopped tomatoes and a bit of chili pesto. It wasn't all plain sailing. I normally cook an evening meal and leave enough left over for lunch in the office the next day. But because the study called for three meat-free days a week, I couldn't do this if I allocated no-meat days on, for example, Monday, Wednesday and Friday. It was something I would grumble about to Dave during our catch-ups, and in the food questionnaires I diligently filled in. In fact, this was the hardest thing about doing the study – the hassle of switching between codes. It did dawn on me that I could sidestep the trouble by going totally vegetarian, but I wasn't ready to do that. By the end of the eight weeks, I hadn't become a vegetarian. But I was eating less meat – and, crucially, doing it without much resistance. I'd found a few go-to meals I genuinely enjoyed and had conversations with friends about food choices I wouldn't have brought up before. I'd started to see meat as a treat rather than the default. The trick is to keep that going. And this time to do it for myself, rather than someone else. Check out The Rowett Institute's volunteer page to find out how you can take part in ne of its food studies.
Scotsman
29-04-2025
- Entertainment
- Scotsman
The last remaining marionette puppeteers in Scotland benefiting from funding U-turn
Vision Mechanics among 45 artists and companies awarded grant in latest round of awards Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Scotland's last remaining marionette puppeteers behind the country's largest puppet are among a group of art organisations set to benefit from a near-£850,000 Creative Scotland fund saved from the axe. Vision Mechanics, which is currently touring a performance of a puppet show about a woman in her 80s living in a care home and five years ago created Scotland's biggest puppet to raise awareness of the climate crisis, is one of the 45 Scottish artists and companies awarded a grant in the latest round of National Lottery and Scottish Government-backed Open Fund awards, announced by Creative Scotland. Advertisement Hide Ad Advertisement Hide Ad The Open Fund was initially scrapped amid Creative Scotland funding concerns last year, but was later reprised after First Minister John Swinney's Programme for Government said resources would be made "available" to ensure it could continue - as he ordered a review of the arts body. A total of £847,994 is to be distributed to artists and organisations across Scotland. Other projects supported by the fun include the Too Happy Artist Moving Image Commission returns for its second year, offering an exceptional opportunity for an early-career video artist based in Scotland. The programme enables the creation of a new single-screen moving image work, which will premiere at the Glasgow Short Film Festival in March 2026. Scotland's largest puppet, a sea goddess called Storm, reaches out a hand of friendship at the Celtic Connections festival in 2020 (Picture: Jane Barlow/PA) Meanwhile, Variations Scotland continues its long-standing commitment to supporting amateur musicians through its annual chamber music course in Ullapool, supported by the fund. Taking place each July, the course brings together over 50 participants to work with tutors from the Edinburgh Quartet, professional woodwind players, and students from the Royal Conservatoire of Scotland. Advertisement Hide Ad Advertisement Hide Ad In Paxton, in the Scottish Borders, a 10 day classical music festival will receive a grant, as will a new 2D collage and 3D sculptural costume work titled The Transformative Power of Costume, from artist Jessica Worrall.
