Latest news with #Season3
NDTV
13 hours ago
- Entertainment
- NDTV
A Throwback Gem From Bobby Deol And Tania's Wedding, Shared By Dharmendra
New Delhi: Bobby Deol and his wife Tania Deol marked 29 years of marriage on Friday (May 30). What On his 29th anniversary, Bobby Deol shared a heartfelt post on Instagram. He captioned the photo, "Hey my love, happy anniversary. Forever yours." View this post on Instagram A post shared by Bobby Deol (@iambobbydeol) Earlier that day, veteran actor Dharmendra also took to social media to extend his wishes to the couple. He shared two throwback photos from their wedding and wrote, "Happy Anniversary, my darling kids. Wishing you the best of the best in life. Enjoy this very, very SPECIAL DAY." View this post on Instagram A post shared by Dharmendra Deol (@aapkadharam) Background Bobby and Tania Deol got married on May 30, 1996. The couple have two sons, Aryaman and Dharam. On the work front, Bobby Deol was last seen in Ek Badnaam Aashram Season 3 - Part 2, which premiered on Amazon MX Player on February 27. Directed by Prakash Jha, the series starred Bobby Deol alongside Aaditi Pohankar, Darshan Kumaar, Chandan Roy Sanyal, Vikram Kochhar, Tridha Choudhury, Anupriya Goenka, Rajeev Siddhartha and Esha Gupta. He also recently made his Telugu debut in Daaku Maharaj, where he shared the screen with Nandamuri Balakrishna, Urvashi Rautela and Pragya Jaiswal. The film was directed by Bobby Kolli. In A Nutshell Bobby Deol and Tania Deol celebrated their 29th wedding anniversary with heartfelt messages on social media. Bobby shared a loving note for Tania, while Dharmendra posted throwback wedding photos on social media.
CTV News
a day ago
- Entertainment
- CTV News
Carrie's voice is back. So is the show's soul as ‘And Just Like That…' grows up
Nicole Ari Parker, from left, Kristin Davis, Sarah Jessica Parker, Sarita Choudhury and Cynthia Nixon pose together at the premiere of "And Just Like That..." Season 3 at the Crane Club on Wednesday, May 21, 2025, in New York. (Photo by Evan Agostini/Invision/AP) PARIS — 'She's messy. It can be messy. But it's real.' So says Cynthia Nixon — not just of Miranda Hobbes, the character she's embodied for almost three decades, but of the show itself. 'And Just Like That...,' HBO's 'Sex and the City' revival, has come into its own in Season 3: less preoccupied with pleasing everyone, and more interested in telling the truth. Truth, in this case, looks like complexity. Women in their 50s with evolving identities. Not frozen in time, but changing, reckoning, reliving. Queerness that's joyful but not polished. Grief without melodrama. A pirate shirt with a bleach hole that somehow becomes a talisman of power. At its glittering European premiere this week, Nixon and co-star Sarah Jessica Parker, flanked by Kristin Davis and Sarita Choudhury, spoke candidly with The Associated Press about how the show has evolved into something deeper, rawer and more reflective of who they are now. A voice returns Season 3 marks the return of Carrie Bradshaw's iconic internal monologue that once defined 'Sex and the City.' The series has always followed Carrie's rhythm, but now it brings back something deeper: her voice. Literally. 'We've always loved the voiceover,' Parker said. 'It's a rhythm — it's part of the DNA.' The decision to restore it, producers say, was deliberate. The voiceovers return just as Carrie rediscovers her direction — offering viewers a renewed sense of intimacy and connection. That growth is echoed in her rekindled relationship with Aidan and her acceptance to step back for him to focus on his troubled son. The character who in 1998 first stopped a cab in Manolo Blahniks — and once floated through Manhattan chasing shoes and column deadlines — is now grounded in reinvention, the wounds of loss and cautious hope. The word is: grown up. 'She doesn't burst into tears or stomp out of the room anymore,' Parker said. 'She asks smart, patient questions. That's not effort — that's just her nature now.' 'People seem surprised that she is mature,' Parker added. 'But that's just basic developmental stuff — hopefully, simply by living, we get better at things. It's not surprising. It's just real.' Warts and all If Carrie is the compass, Miranda is the seismic shift. Miranda's arc — which now includes a late-in-life queer awakening — may be the show's most radical contribution to television. And for Nixon, who publicly came out as queer while still playing straight in the original 'Sex and the City,' that evolution is deeply personal. 'There's never a 'too late' moment. Miranda comes to queerness at 55,' Nixon said. 'That doesn't mean everything that came before was wrong. It just means this is her now. And it's messy. It can be messy. But it's real.' That embrace of imperfection lies at the core of Nixon's philosophy — and the show's power. On television, where characters linger in our lives for years, there's a unique intimacy and empathy that develops. 'Television puts someone in your living room, week after week. They're imperfect, they make you laugh, and eventually you say, 'I know that person. They're my friend.'' she said. 'That's more powerful than one mythic, perfect film. That's where the change happens.' That change includes how queerness is portrayed. Nixon recalled how earlier generations of LGBTQ+ characters were forced to be flawless, or two-dimensional, to justify their screen time. 'There was a time when gay people on screen had to be saints or martyrs,' she said. 'Now, we can be characters like Miranda — who've had rich, fulfilling heterosexual lives and now stumble upon queerness, and not in a tidy way. There's collateral damage. That's important.' That depth, Nixon said, comes not just from character, but from the format. Unlike film, which requires resolution in two hours, television lets people grow — and falter — in real time. 'The writers are smart' And Miranda's transformation isn't just personal. It's political. In Season 3, she's seen retraining in human rights law, joining protest movements, and wrestling with systemic questions — mirroring Nixon's own off-screen life. In 2018, the actor ran for governor of New York on a progressive platform, bringing her activism directly into the public arena. That convergence isn't accidental, she says. 'On long-running shows, if the writers are smart, they start to weave in the actor,' Nixon said. 'When I started, Miranda and I were very different. But now we've grown closer. We're almost the same person — in temperament, in values.' Season 3 narrows its scope, pulling focus back to the emotional cores of Carrie, Miranda and Charlotte. Several side characters are gone, including Che Diaz, and what remains is a cleaner, more character-driven story. 'I think one of the great things about our show is we show women in their 50s whose lives are very dramatic and dynamic,' Nixon said. 'You get to this age and there's a lot going on — if you choose to keep moving forward.' Friends, friction, and freedom Kristin Davis, who plays Charlotte, noted that those life shifts come fast and often overlap. 'She really starts to unravel,' Davis said. 'But the joy is her friends are there.' Sarita Choudhury, who plays real estate powerhouse Seema, echoed that sense of late-blooming autonomy. 'She's feeling that, if you have your own business, your own apartment, your own way, you get to say what you want,' Choudhury said. 'There's power in that.' It's a subtle rebuke to the long-held media narrative that midlife is a decline. Not just fashion — declaration Fashion, as ever, is present — but now it feels more personal than aspirational. Parker described insisting on wearing a ripped vintage Vivienne Westwood shirt with a bleach hole. 'It had to be in an important scene. It meant something,' she said. Even the show's iconic heels, still clacking through New York's brownstone-lined streets, feel louder this season. And yes, Carrie is writing again — not her usual musings, but a 'historical romance' that lets the show wink at its own pretensions. Taxis become carriages. Voiceovers drift into period drama. Her beloved blouse — vintage, shredded, almost costume — fits the mood perfectly: century-leaping fashion for a century-leaping Carrie. The protagonist, as ever, walks the line between costume and character. 'And Just Like That...' is a show that's learned to walk — loudly — into its next chapter. 'You're better today than you were 10 years ago,' Parker said. 'That's not just Carrie — that's everyone.' Season 3 of 'And Just Like That…' premiered on Thursday on HBO Max
Mint
2 days ago
- Entertainment
- Mint
A look into Carrie Bradshaw's new Gramercy apartment - Know net worth of 1,700-square-foot home in 'And Just Like That'
Hollywood actress Sarah Jessica Parker, playing Carrie Bradshaw in the 'Sex and the City' spinoff 'And Just Like That" is set to excite and entertain audience with her new home. An upgrade from one-bedroom West Village apartment to beautiful brownstone in the exclusive Gramercy Park area sets a twist in the tale. This will enable her on-again boyfriend - Aidan, played by John Corbett, to have sufficient space in the stunning 1,700-square-foot apartment, which is big enough for two. A Season 3 promo gives a glimpse of Carrie's new home, shows the actress outside her townhouse, while the caption states, 'Let's hear it for the dress and a new address.' Turning over a new leaf, this house marks new beginning in Carrie's life which also featured in the 'Coming Soon to Max' trailer. The new home located at 3 Gramercy Park West is in the spotlight and is making headlines for its net worth. This property will feature in 'And Just Like That' Season 3. Season 2 concludes with Aidan informing Carrie that they have to put their relationship on hold for the coming five years. He makes this move to escape the city and take care of his son. Meanwhile, Aidan's longtime lover - Carrie's is left alone in her brand-new expensive house. The Gramercy property in question was listed for $4,495,000, and it sold for that price, The New York Post reported citing listing from 2019. A real estate expert Lauren Mitinas-Kelly revealed that Carrie's place would be worth roughly $2.4 million compared with others in the same location from the last 12 months. Besides the whopping estimate of the property, the real estate expert revealed that the house would still sell between $4.5 and $5 million today because of the prime location of the property. She noted that there has been an 'overall uptick in pricing in downtown co-ops since the pandemic.' The estate is located directly on the park. 'As we know, being on the park makes the owner one of the chosen few given access to the supreme exclusivity of a key to the park. It's one of the most coveted 'private members' clubs in town,' The New York Post quoted the real estate expert as saying.
Yahoo
2 days ago
- Entertainment
- Yahoo
‘The Last of Us' Review: Episode 7 Makes a Generational Choice — Spoilers
[Editor's note: The following review contains spoilers for 'The Last of Us' Season 2, Episode 7 — the Season 2 finale. For additional coverage, including previous episode reviews, check out IndieWire's 'Last of Us' landing page.] 'Maybe she got what she deserved.' More from IndieWire Why Netflix Moved on from 'CoComelon' - and How It Hopes to Replace It in the Kids Programming Wars 'And Just Like That' Review: Season 3 Tones Down the Madness for a Timid Take on 'Sex and the City' 'Maybe she didn't.' To open 'The Last of Us' Season 2 finale, Dina (Isabela Merced) and Ellie (Bella Ramsey) share the above exchange about Nora (Tati Gabrielle), the member of Abby's (Kaitlyn Dever) posse who Ellie chased down, tortured, and left to die at the end of Episode 5. But by the end of Episode 7, viewers may very well be repeating the debate about Ellie, whose ultimate fate makes for an agonizing cliffhanger that won't be resolved until Season 3 premieres (at least). Did Abby shoot Ellie like she shot Jesse (Young Mazino), R.I.P.? Did she wound her? Did she miss? Of course, I'm desperate for Ellie to survive, but 'The Last of Us' already killed off one of its leads this season and, more importantly, it's clear co-creators Craig Mazin and Neil Druckmann (who cowrote the Season 2 finale with Halley Gross) want viewers to consider not just what they want to happen, but what these characters have chosen for themselves. Sans sentiment, Ellie's moral report card is grim. She tortured and killed Nora. She shot and killed Owen (Spencer Lord), as well as Mel (Ariela Barer), the latter of whom was pregnant when she died. Sure, Mel's death was an accident, but that's hardly an excuse when Ellie's entire plan is built around murdering people. On the other hand, Ellie's ethical judgement showed signs of improvement in Episode 7; that her experience in Seattle (and lingering memories of Joel) may be steering her away from vengeance and toward mercy. Saying 'maybe she didn't' about Nora deserving to die (and be tortured), as well as telling Dina why Abby was so fixated on finding Joel to begin with, is a good sign for Ellie's level of bloodlust. If she's open to considering other opinions, instead of just finding Abby at all costs, that's progress. (Her revelation also drives a wedge between her and Dina, which speaks to how hard — and how important — it must've been for Ellie to divulge.) Granted, Ellie suffers a setback when she realizes where Abby is hiding. (The only words Nora said to Ellie were 'whale' and 'wheel,' so when she spots them both by Seattle's Aquarium, the dead-end suddenly becomes an open door, and she can't stop herself from walking through.) Long before her interrogation of Abby's crew goes so quickly sideways, it's clear Ellie should've gone with Jesse to help Tommy (Gabriel Luna). Tommy came to Seattle to help her. He cares about her, and she cares about him. He's part of her community, and he's still alive. Joel isn't. And if Ellie's decisions really were dictated by what Joel would want, there's no way he would rather Ellie kill his killer than save his brother. (Back in Episode 3, Tommy even said as much: 'He'd be halfway to Seattle to save my life,' Tommy said, when Ellie tried to argue Joel would go to Seattle to avenge Tommy's death. 'But when we lost people, no. It would just break him, like it was his fault. I saw that time and time again.') But Ellie isn't hearing it. There's too many variables. 'Fuck the community!' Ellie screams. 'You let a kid die today, Jesse. Because why? He wasn't in your community? Let me tell you about my community. My community was beaten to death in front of me while I had to fucking watch.' To be fair, Jesse didn't 'let' anyone die. There was no way they could've saved the Scar who was trapped by W.L.F. soldiers. Ellie and Jesse vs. a literal army? Sorry, but they're taking an 'L' on that one. But the selective responsibility Ellie points out does bring up one of the show's thornier subjects: Where do you draw the line when it comes to helping others when doing so comes at great personal risk to yourself? With the Scar boy from earlier that day, it's a relatively easy choice. But Jesse and Tommy already made a harder choice — to come to Seattle to save Ellie and Dina — and Jesse, as he explains to Ellie, already sacrificed his own romantic happiness to stick in Jackson and help the townsfolk, which includes Ellie. 'I go with that girl to New Mexico,' he says, 'who saves your ass in Seattle?' Despite Ellie and Jesse accusing (and then, later on, supporting) each other, the difference between them is clear. In Jesse's scenario, neither road available to him is actively harmful: If he goes with the woman to New Mexico, maybe he makes her happy, himself happy, and the people of New Mexico happy. Sure, everyone in Jackson would miss him, but they could've found another leader-in-waiting. Still, he chose to stay. Maybe he's less of a romantic, or maybe — as it's implied here — he's less selfish than Ellie. That doesn't mean 'better'; sometimes you need to be selfish. Ellie just took it too far. With Ellie, if she had stayed in Jackson, Dina would have been safe. Ellie would have been safe. The people of Jackson would still have two of their best patrol members, Tommy would still have a de facto niece, and Jesse would have been able to see his baby be born. Going had a single best case scenario: Abby would be dead. One more person on this planet would be gone. And for what? Abby isn't a known threat to anyone now that Joel is gone. Ellie's revenge is for her. It's selfish. It's meant to be healing, but it's only sewing more destruction. Now that destruction is all around her. Nora, Owen, Mel, and Mel's baby are dead. Jesse is dead. Tommy and Dina are wounded, and it's hard to imagine Abby letting them live. Ellie may be gone, too, although — without knowing what happens in the games — I have to imagine her story will continue. Her nature, her soul, is still forming. She hasn't hardened into a monster or softened enough to find mercy. But fate doesn't wait around for you to be ready. Whether she lives or dies, she chose the path that led her here. 'The Last of Us' Season 2 is available on HBO and Max (which is soon to be HBO Max… again). The series has been renewed for Season 3. • Speaking of monsters, a brief word on the book Ellie picks out for Dina's unborn baby: 'The Monster at the End of This Book,' written by Jon Stone with illustrations by Michael Smollin. The children's book, first published in 1971, tells an innovative meta narrative in which Grover (the 'Sesame Street' character) reads the title of the book and gets scared about what sort of monster is waiting for him at the end. From there, most of the book's 'story' is just Grover begging the reader not to continue, so he doesn't have to encounter the monster, but (spoiler alert) the monster at the end of the book is… Grover. For kids, the lesson is clear: The scariest monster is the one you build up in your mind. Expectations and reality don't always match up, and sometimes a monster is just… misunderstood. Take that reading a step further (not unlike comedian Gary Gulman's does in his 2024 stand-up special, 'Grandiliquent'), and the monster at the end of the book is the reader themselves, or more accurately, whatever anxiety, trauma, or scarring event from the reader's past they can't seem to escape — and shapes how they see the world. Gee, I wonder how that would apply to Ellie? • And speaking of presumed leaders who abandon their posts, what the heck is going on with Abby, Isaac (Jeffrey Wright), and the W.L.F.? During 'Seattle Day 3,' she's M.I.A. Isaac sits down with Sgt. Park (Hettienne Park) and complains that Abby and her whole team are missing on 'tonight of all nights.' Later, we get an idea of that night's significance when the W.L.F. sets off a massive explosion at the Seraphites' village. It's unclear who lived and died, what was destroyed, or if anything was accomplished, but it's implied — both by Isaac and by Owen, who doesn't seem to know where Abby is before Ellie walks in on him — that Abby was supposed to be on those attack boats, and she just… wasn't. Isaac tells Sgt. Park he was planning for Abby to take over someday as the W.L.F. leader, so what happened to make her abandon that trajectory? We'll surely find out in Season 3, considering the final scene flashes back to 'Seattle Day 1' to share what's going on from Abby's perspective. But given the emphasis placed in Season 2 on Jesse's planned ascension in Jackson, as well as Ellie stepping into Joel's shoes, there's a growing emphasis on generational transitions in 'The Last of Us.' Jesse's succession would've been relatively smooth, given how much he aligned with the current leadership, Tommy and Maria (Rutina Wesley). But Ellie's attempts to follow in Joel's footsteps are bumpy at best. The longer she tries to play the badass avenger, the more she doubts whether that's who she is (and if that's who Joel wanted to be) . Could the same thing be happening to Abby? Could completing her quest for revenge have rattled her enough to drift from the person she was before? Might 'The Last of Us' actually see hope for a better future in a generation of kids so ill at ease with the actions of their elders that they run in the opposite direction? • For a show that took more than two years between Seasons 1 and 2, it's hard to sit with Mazin & Co.'s chosen endpoint. For one, Season 2 is only seven episodes long, as opposed to Season 1's nine-episode arc. But on top of that, this arc feels incomplete. Ellie's left halfway through a transformative moment. Everything happening between the W.L.F. and the Seraphites feels half-formed, and Abby has barely been fleshed out enough to build anticipation around seeing more of her in Season 3. I enjoyed the time I spent with 'The Last of Us' Season 2 — and I hope you did, too, dear readers — I just wish there was more closure before another long break. Best of IndieWire The 25 Best Alfred Hitchcock Movies, Ranked Every IndieWire TV Review from 2020, Ranked by Grade from Best to Worst
Yahoo
2 days ago
- Entertainment
- Yahoo
When Does ‘And Just Like That' Season 3 Start? Episode 1 Release Date and Time, How Many Episodes, And More
MAX's delicious Sex and the City spin-off And Just Like That… is coming back for more Carrie (Sarah Jessica Parker), more Miranda (Cynthia Nixon), more Charlotte (Kristin Davis), and more drama. And Just Like That… Season 3 will pick up right where Season 2 left off, with Carrie living in a massive new Gramercy Park mansion while she navigates her long-distance 'situationship' with Aidan (John Corbett). Will Carrie and Aidan's love story work out this time around? What's next for our favorite fabulous friends? When will new episodes of And Just Like That… Season 3 come out? And Just Like That… is a sequel to the iconoclastic HBO hit, Sex and the City. The MAX show follows three of SATC's original four heroines as they navigate the highs and lows of their fifties in New York City. With bestie Samantha Jones (Kim Cattrall) living it up in London, Carrie, Miranda, and Charlotte have added a few new friends to their fold. Celebrated documentarian Lisa Todd Wexley (Nicole Ari Parker) and luxury real estate agent Seema Patel (Sarita Choudhury) are now hanging out with the ladies at every brunch, cocktail hour, and party. So when can you dive into the next chapter of Carrie Bradshaw's journey? Here's everything you need to know to watch And Just Like That… Season 3 on MAX… And Just Like That… Season 3 premieres tonight, Thursday, May 29, on MAX. AndJust Like That… Season 3 Episode 1 will be streaming tonight, Thursday, May 29, at 9 PM ET or 6 PM PT on MAX. Most MAX originals now hit the streaming service at 9 PM ET/6 PM PT. Struggling to find the latest episode of And Just Like That… on HBO? That's because And Just Like That… is a MAX original. If you're new to Max, you can sign up for as low as $9.99/month with ads, but an ad-free subscription will cost $16.99/month. MAX DISNEY+ BUNDLES If you want to stream even more and save a few bucks a month while you're at it, we recommend subscribing to one of the discounted Disney+ Bundles with Hulu and Max. With ads, the bundle costs $16.99/month and without ads, $29.99/month. There are a total of twelve episodes in And Just Like That… Season 3. They will premiere weekly on Thursdays between now and August 14. Worried you might miss a single episode of the Sex and the City sequel show? Here's when each and every new episode of And Just Like That… hits MAX this summer: Season 3 Episode 1 'Outlook Good': Thursday, May 29 Season 3 Episode 2 'The Rat Race': Thursday, June 5 Season 3 Episode 3 'Carrie Golightly': Thursday, June 12 Season 3 Episode 4 'Apples to Apples': Thursday, June 19 Season 3 Episode 5 'Under the Table': Thursday, June 26 Season 3 Episode 6 'Silent Mode': Thursday, July 3 Season 3 Episode 7: Thursday, July 10 Season 3 Episode 8: Thursday, July 17 Season 3 Episode 9: Thursday, July 24 Season 3 Episode 10: Thursday, July 31 Season 3 Episode 11: Thursday, August 7 Season 3 Episode 12: Thursday, August 14 There sure is! Scroll to the top of this page to watch the official trailer for MAX's And Just Like That… If you see another video playing, simply try refreshing the page. That should return the trailer to the top of the queue. The cast of And Just Like That… features many stars from the original Sex and the City, as well as actors you'll recognize from projects like Fallout, Remember the Titans, Hamilton, Doll & Em, and Marvel's Thunderbolts. Here's your guide to who's who in the And Just Like That… cast: Sarah Jessica Parker as Carrie Bradshaw Cynthia Nixon as Miranda Hobbes Kristin Davis as Charlotte York Goldenblatt Sarita Choudhury as Seema Patel Nicole Ari Parker as Lisa Todd Wexley Cathy Ang as Lily Goldenblatt Mario Cantone as Anthony Marentino Niall Cunningham as Brady Hobbes David Eigenberg as Steve Brady Evan Handler as Harry Goldenblatt Christopher Jackson as Herbert Wexley Sebastiano Pigazzi as Giuseppe Alexa Swinton as Rock Goldenblatt Dolly Wells as Joy John Corbett as Aidan Shaw
