Latest news with #SharonVanEtten
Scoop
a day ago
- Entertainment
- Scoop
The Others Way Festival First Line-Up Announcement. And A Huge Plot Twist – We're Closing Down K Road
Press Release – 818. Tāmaki Makaurau's iconic street festival is back, and bigger than ever in every way imaginable! Yes, the first line-up of 29 mind-boggling acts for The Others Way has dropped, and yes, Saturday 29 November across Karangahape Road just became unmissable. Hot off the press, we're pinching ourselves at the news that headlining this year's festival is none other than Sharon Van Etten & The Attachment Theory, touring in support of their phenomenal self-titled album. Last seen here for an astonishing show at the majestic Civic Theatre, Sharon Van Etten has fully accepted her mantle as one of the world's great rock stars, fronting her gothic-tinged new quartet to widespread awe and acclaim. While we've roped in all your usual favourite venues for the festival, we didn't think we could squeeze Shazza down the back of Little Turkish Cafe, so for the first time ever we're closing down KARANGAHAPE ROAD! Expect the whole dang block between Queen Street and Pitt Street to transform into the party of your dreams, with our main stage landing right near the Rainbow crossing. As if that wasn't enough to get you scrambling for tickets, the rest of the lineup is scorching hotter than a Holden bonnet in late summer. Behold, Aotearoa's fabled masters of big noise High Dependency Unit, back to saturate your ears for their first live shows since 2017; Canadian 'sonic nonconformist' Saya Gray is headed our way for her debut NZ show; The Phoenix Foundation performing their recently reissued cult classic Pegasus in full; and Zambia's 'Zamrock' legends W.I.T.C.H. are intending to cause havoc, Others Way style. But wait, there's more! Joining this extraordinary entourage is public transport mensch and songwriter supremo Anthonie Tonnon; the unmistakable dub sounds of Christoph El Truento; scorching rock'n'roll two piece Elliot & Vincent; rapper and international ballroom icon Jamaica Moana; US indie folk favourite Shannon Lay; the return from our dear friends The Bats on the eve of their new album; and a very special duo performance from Tiny Ruins. You want more? We got more! Dreamy folk crooner Arahi; bass boss Babetech; captivating club legend BBYFACEKILLA; Aussie rockers C.O.F.F.I.N; psych rock newcomers Crying Ivy; te reo Māori injected electronica from Geneva AM; neo-soul sensation Hina; folk heroine Holly Arrowsmith; emerging pop fave Isla Noon; FILTH AKL favourite & super selector Kaiviti; the new wave of riot grrls Lipstick Cherry; the rap scientist Mazbou Q; rising hip-hop champion RNZŌ; stonking soulstress Romi Wrights; Australian soul adjacent DJ producer Sampology; reo rua (bilingual) rapper Swizl Jager; and dreamy sibling trio Womb. And that's just the first line-up. There's a whole lot more to come. We're shutting down the street, and throwing K Road the biggest party you've ever seen, with the wildest line-up in the festival's history. You don't wanna miss it.
Scoop
a day ago
- Entertainment
- Scoop
The Others Way Festival First Line-Up Announcement. And A Huge Plot Twist - We're Closing Down K Road
Tāmaki Makaurau's iconic street festival is back, and bigger than ever in every way imaginable! Yes, the first line-up of 29 mind-boggling acts for The Others Way has dropped, and yes, Saturday 29 November across Karangahape Road just became unmissable. Hot off the press, we're pinching ourselves at the news that headlining this year's festival is none other than Sharon Van Etten & The Attachment Theory, touring in support of their phenomenal self-titled album. Last seen here for an astonishing show at the majestic Civic Theatre, Sharon Van Etten has fully accepted her mantle as one of the world's great rock stars, fronting her gothic-tinged new quartet to widespread awe and acclaim. While we've roped in all your usual favourite venues for the festival, we didn't think we could squeeze Shazza down the back of Little Turkish Cafe, so for the first time ever we're closing down KARANGAHAPE ROAD! Expect the whole dang block between Queen Street and Pitt Street to transform into the party of your dreams, with our main stage landing right near the Rainbow crossing. As if that wasn't enough to get you scrambling for tickets, the rest of the lineup is scorching hotter than a Holden bonnet in late summer. Behold, Aotearoa's fabled masters of big noise High Dependency Unit, back to saturate your ears for their first live shows since 2017; Canadian 'sonic nonconformist' Saya Gray is headed our way for her debut NZ show; The Phoenix Foundation performing their recently reissued cult classic Pegasus in full; and Zambia's 'Zamrock' legends W.I.T.C.H. are intending to cause havoc, Others Way style. But wait, there's more! Joining this extraordinary entourage is public transport mensch and songwriter supremo Anthonie Tonnon; the unmistakable dub sounds of Christoph El Truento; scorching rock'n'roll two piece Elliot & Vincent; rapper and international ballroom icon Jamaica Moana; US indie folk favourite Shannon Lay; the return from our dear friends The Bats on the eve of their new album; and a very special duo performance from Tiny Ruins. You want more? We got more! Dreamy folk crooner Arahi; bass boss Babetech; captivating club legend BBYFACEKILLA; Aussie rockers C.O.F.F.I.N; psych rock newcomers Crying Ivy; te reo Māori injected electronica from Geneva AM; neo-soul sensation Hina; folk heroine Holly Arrowsmith; emerging pop fave Isla Noon; FILTH AKL favourite & super selector Kaiviti; the new wave of riot grrls Lipstick Cherry; the rap scientist Mazbou Q; rising hip-hop champion RNZŌ; stonking soulstress Romi Wrights; Australian soul adjacent DJ producer Sampology; reo rua (bilingual) rapper Swizl Jager; and dreamy sibling trio Womb. And that's just the first line-up. There's a whole lot more to come. We're shutting down the street, and throwing K Road the biggest party you've ever seen, with the wildest line-up in the festival's history. You don't wanna miss it.
Scoop
4 days ago
- Entertainment
- Scoop
The Others Way First Line-Up Revealed
Tāmaki Makaurau's iconic street festival is back, and bigger than ever in every way imaginable! Yes, the first line-up of twenty-nine mind-boggling acts for The Others Way has dropped, and yes, Saturday 29 November across Karangahape Road just became unmissable. Hot off the press, we're pinching ourselves at the news that headlining this year's festival is none other than Sharon Van Etten & The Attachment Theory, touring in support of their phenomenal self-titled album. Last seen here for an astonishing show at the majestic Civic Theatre, Sharon Van Etten has fully accepted her mantle as one of the world's great rock stars, fronting her gothic-tinged new quartet to widespread awe and acclaim. While we've roped in all your usual favourite venues for the festival, we didn't think we could squeeze Shazza down the back of Little Turkish Café, so for the first time ever we're closing down KARANGAHAPE ROAD! Expect the whole dang block between Queen Street and Pitt Street to transform into the party of your dreams, with our main stage landing right near the Rainbow crossing. As if that wasn't enough to get you scrambling for tickets, the rest of the line-up is scorching hotter than a Holden bonnet in late summer. Behold, Aotearoa's fabled masters of big noise High Dependency Unit, back to saturate your ears for their first live shows since 2017; Canadian 'sonic nonconformist' Saya Gray is headed our way for her debut NZ show; The Phoenix Foundation performing their recently reissued cult classic Pegasus in full; and Zambia's 'Zamrock' legends W.I.T.C.H. are intending to cause havoc, Others Way style. But wait, there's more! Joining this extraordinary entourage is public transport mensch and songwriter supremo Anthonie Tonnon; the unmistakable dub sounds of Christoph El Truento; scorching rock'n'roll two piece Elliot & Vincent; rapper and international ballroom icon Jamaica Moana; US indie folk favourite Shannon Lay; the return of our dear friends The Bats on the eve of their new album; and a very special duo performance from Tiny Ruins. You want more? We got more! Dreamy folk crooner Arahi; bass boss Babetech; captivating club legend BBYFACEKILLA; Aussie rockers C.O.F.F.I.N; psych rock newcomers Crying Ivy; te reo Māori injected electronica from Geneva AM; neo-soul sensation Hina; folk heroine Holly Arrowsmith; emerging pop fave Isla Noon; FILTH AKL favourite & super selector Kaiviti; the new wave of riot grrls Lipstick Cherry; the rap scientist Mazbou Q; rising hip-hop champion RNZŌ; stonking soulstress Romi Wrights; Australian soul adjacent DJ producer Sampology; reo rua (bilingual) rapper Swizl Jager; and dreamy sibling trio Womb. And that's just the first line-up. There's a whole lot more to come. We're shutting down the street, and throwing K Road the biggest party you've ever seen, with the wildest line-up in the festival's history. You don't wanna miss it. ' Being able to hear such a variety of acts and genres and styles all playing along Karangahape Road's precinct over one day is something that should never be taken for granted. ' - Rolling Stone Australia THE OTHERS WAY FESTIVAL 2025 SATURDAY 29 NOVEMBER ACROSS KARANGAHAPE ROAD
Chicago Tribune
10-05-2025
- Entertainment
- Chicago Tribune
Review: It was a more poised and ready Sharon Van Etten at Salt Shed
Sharon Van Etten is ready to be front and center. Not that she hasn't been before, but perhaps the type and scope of her music made it more difficult for her to command the stage. But with her band, the Attachment Theory, as evident at Friday night's set at the Salt Shed, audiences can now witness a more confident and self-assured version of Van Etten, one who is ready and perhaps eager to embody her true rock superstardom. As a long-time fan, I wasn't quite sure what to think of this new direction, first heard on her self-titled record with her collaborative band, the Attachment Theory, released this February. But it's a pivotal moment in Van Etten's career. And it all comes together in the live show. This is not Sharon Van Etten pretending to be someone she is not. Instead, it is an artist embracing the person she was always meant to be, and doing it with a level of fun and flirty humor that encourages her audience to let loose. There was no cell phone in sight as Van Etten and the Attachment Theory entered the stage and performed the opener 'Live Forever.' A hypnotic purple light show complemented Van Etten's elegiac voice that pierced through the track's spindly synths. 'Holy moly!' Van Etten exclaimed after the audience's rapturous applause. Van Etten's enthusiasm spilled over into the next track, 'Afterlife,' where she began walking around the stage and interacting with both the band and the audience. It was a perfect fit for this new music, which has a certain vibrancy that invigorates the ear. On 'Idiot Box,' a post-punk stunner from her new record, Van Etten returned to her signature guitar. But she lets loose again on 'Comeback Kid,' from 2019's maximalist record 'Remind Me Tomorrow,' continuing to shake up the routine of her traditional stage shows. Van Etten leans into dancing. It's nothing too serious or refined but embodies a driving, propulsive energy, as if the mood of the track is running through her limbs. It's no wonder the infatuated audience began moving, too. Van Etten is as much singer-songwriter as she is frontwoman as she is band leader. And the Attachment Theory, with all of its effortless bombast, is the perfect accompaniment for this new stage in her career. Sometimes it is other people who push us in the ways we need to be pushed. If before she was often grouped in a community of millennial, indie rock singer-songwriters like Angel Olsen or Mitski, here Van Etten has proven that she is more than the assumptions of lazy music industry types who can't or won't see her for who she is. Take 'I Can't Imagine (Why You Feel This Way),' another track from her new record, a new wave-inspired sound inspired by David Byrne and the B-52s. Synth-driven and amusing, it's a sparkly and vivacious track that elicits a sparkly and vivacious performance. There were slower moments, of course. 'Trouble,' with its steady cadence and unnerving musicality, served as a nice transition before the group performed more of Van Etten's older tracks. It's easy to get swept up into the emotions of her music, whether old or new. Fan favorites like 2014's 'Every Time the Sun Comes Up' and 'Tarifa,' (which she dedicated to filmmaker David Lynch) fit perfectly with her new music. Van Etten's siren-like melodies are evocative. But more importantly, there's a throughline in this new music. It's cinematic and epic, a walloping collection of earthy soundscapes that home in on the intricacies and intimacies of life. Sometimes, that comes with a little bit of a groove and a dance, and sometimes it requires the listener to stand present and still. Either way, it's great stuff from an artist with many more surprises up her sleeve.
The Sun
26-04-2025
- Entertainment
- The Sun
Sharon Van Etten and The Attachment Theory release one of 2025's best long players.
THE latest album from indie-pop queen Sharon Van Etten has her teaming up with The Attachment Theory, which is quite a surprise given her previous six solo efforts relied on a rotating cast of friends and sessionists as backing musicians. An invitation to jam, a peculiarity which Van Etten admits to being alien to, resulted in two songs from an initial session. Pleased at the fruitful outcome, the 44-year old American chanteuse and the Attachment Theory continued with this blueprint and the result is a one of the year's most enchanting alternative pop releases. At the very forefront is Van Etten's haunting and ethereal vocals, inviting all and sundry to wrap themselves in a blanket of melancholy. Recalling the sounds of Alison Goldfrapp and Cat Power, this album is almost a throwback to 90s chillout albums – designed for the comedown after a hard night raving to big beats at some abandoned warehouse. This is music to zone out to. The sort of album you stick on after a hard day's toil, letting its cool vibes wash over you like the sound of gentle rainfall outside your window. But this does not mean the album is mere background music. Instead, it invites listeners to just sit back and soak in the atmospheric vibes. Opening two tracks Live Forever and Afterlife deal with mortality, which sets the mood straight away as Van Etten's melancholia-drenched vocal chords set the tone of this ultra-chilled long player. The Attachment Theory is unobtrusive with its playing and allow Van Etten's singing to take centre stage. However, that does not mean it is bland or boring. It is anything but as the trio fashion interesting soundscapes peppered with lots of eletronica elements to keep proceedings intriguing. Think Beck at his most eclectic but not as busy and you will sort of get the picture. Even when things are taken up a notch and the band hit an uptempo vibe, Van Etten's vocals still remain centre stage, taking listeners on an aural journey that is akin to albums such as Spiritualized's Ladies and Gentlemen, We are Floating in Space. Yes, it is that good and certainly deserves comparisons with chill-out classics such as that. Channeling the spirit of prime-era Talking Heads, the Attachment Theory take the art-funk template to new albeit restrained heights on tracks such as Southern Life and Somethin' Ain't Right, with a bass line that is guaranteed to get toes tapping. There are no vocal histrionics on the entire album as Van Etten's singing barely rises above a whisper. It is all very calm and composed – all very grown up in fact. But at no point does this record meander into mediocrity or middle-of-the-road banality. It just delivers top notch chill-out anthems in an almost lazy manner but therein lies its charms. Effortless brilliance is something to be marvelled and celebrated. Make absolutely no mistake, this album is one of the best to drop in 2025 so far – every home should own it. At the very least, it should be on the playlists of those who simply enjoy great music. Essential stuff.
