Latest news with #SlowHorses'
Yahoo
18 hours ago
- Entertainment
- Yahoo
‘Sly Stone was way ahead of the game': Questlove explains the ‘genius' legacy of the late funk-rock master
Sly Stone, funk pioneer and frontman of Sly and the Family Stone, died Monday at the age of 82, following what his family described as 'prolonged battle with COPD and other underlying health issues.' 'It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly and the Family Stone,' the family wrote in a statement. 'Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family. While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.' More from GoldDerby Pickleball, punchlines, and personal growth: 'Hacks' stars Megan Stalter and Paul W. Downs on their bond and what's next 'That feeling of having a first crush': How Zach Cherry and Merritt Wever made their 'Severance' marriage feel real 'Slow Horses' EP Doug Urbanski on the secret to the show's success: 'We try to make the perfect martini' and what's next in Season 5: 'it's the most fun and most silly' The legendary musician was the subject of a recent Hulu documentary, Sly Lives! (aka the Burden of Black Genius), from Oscar-winning director Ahmir 'Questlove' Thompson. Questlove recently sat down with Gold Derby and shared stories about Sly Stone, his genius, and his lasting impact on pop culture. SEE 'A lot comes with jumping into that inferno': Questlove explores the burden of Black genius in 'Sly Lives!' "Sly was way ahead of the game," Questlove shared. "There are trillions of Sly genius stories." One such story, ultimately left out of the documentary, highlights Sly's remarkable real-time creativity during an urgent re-edit of 'Stand!' after testing it at Whisky a Go Go in 1969. 'Sly was a little disappointed that people weren't losing their minds to his new single,' Questlove recounts. 'Then, a girl he was with gave him the inspiration, saying, 'It's 1969, man. We need a get-down part.' "Sly learns that in the wake of James Brown's 'Cold Sweat' in '68, a year before, the idea of letting the bass and the drums have their moment — that was a new thing. It needs to go somewhere else just to spike the punch a little bit. "Sly literally wakes the band up as the club is letting out at 1:45 a.m. and says, 'Get to the studio now. We made a mistake!' And they get to the studio and they work on what we now know as the ending of 'Stand!,' and he calls up Columbia the next day. He's like, 'Destroy all the 45s. We have a new ending. Forget that version.' They're like, 'We already printed it up.' So there's about 40,000 copies of the original 'Stand!' out there. I was lucky to find one." Questlove on Sly Stone's innovation: "He literally pioneered — or was the first — for so many things that we take for granted now. He was the first to use the drum machine, the first to take advantage of multitrack recording — doing everything himself. Sly made three whole music videos in 1969. The purpose of a music video was basically — if you were unable to travel to Europe, you would just perform a generic performance video that they would air on television shows overseas. But if you look at 'Dance to the Music', if you look at 'Life,' if you look at 'Everyday People,' those are conceptual videos — and this is like 10 years before MTV was launched." Generations continue to be inspired and entertained by Sly Stone, whose timeless music has been sampled in countless hip-hop tracks, shaping the genre and leaving a lasting impact. 'For me, my sweet spot was always with the hip-hop heads,' Questlove said. "You might be aware that Arrested Development's 'People Everyday' is [Sly and the Family Stone's] 'Everyday People.' You might recognize the drums from 'The Humpty Dance' as 'Sing a Simple Song.' You might have some sort of hip-hop-adjacent, 'Oh, that LL Cool J loop is definitely Sly Stone.' You might be that person. Hip-hop heads know about Sly Stone's impact." Sly Lives! (aka The Burden of Black Genius) is streaming on Hulu. Best of GoldDerby Billboard 200: Chart-topping albums of 2025 Billboard Hot 100: Every No. 1 song of 2025 The B-52s' Kate Pierson talks Rock Hall snub, influencing John Lennon, and fears a solo album would be a 'betrayal' to her band Click here to read the full article.
Yahoo
6 days ago
- Entertainment
- Yahoo
‘Slow Horses' Season 5 Gets Fall Premiere Date On Apple TV+; First Look Photos Show Nick Mohammed In Guest Role
Slow Horses will return to Apple TV+ for Season 5 this fall. The streamer revealed Tuesday that the fifth installment of the espionage drama will debut with the first two episodes on September 24, followed by one episode weekly until October 22. Luckily, there's already a Season 6 incoming, too, as the series was renewed in October. More from Deadline 2025 Premiere Dates For New & Returning Series On Broadcast, Cable & Streaming 'Slow Horses' Renewed For Season 6 By Apple TV+ 'Stranger Things': Netflix Reveals Premiere Date For Season 5, Split Into Three Volumes Along with the premiere date, Apple TV+ also gave a glimpse at the new season in a series of photos. They don't give away much, but there is a glimpse of Nick Mohammed will also guest star in Season 5. See those below. Slow Horses is a darkly humorous espionage drama that follows a dysfunctional team of British intelligence agents who serve in a dumping ground department of MI5 known unaffectionately as Slough House. Gary Oldman stars as Jackson Lamb, the brilliant but cantankerous leader of the spies, who end up in Slough House due to their career-ending mistakes as they frequently find themselves blundering around the smoke and mirrors of the espionage world. In Season 5, everyone is suspicious when resident tech nerd Roddy Ho has a glamorous new girlfriend, but when a series of increasingly bizarre events occur across the city, it falls to the Slow Horses to work out how everything is connected. After all, Lamb knows that in the world of espionage, the London Rules — cover your back — always apply. The cast also includes Kristin Scott Thomas, Jack Lowden, Saskia Reeves, Rosalind Eleazar, Christopher Chung, Aimee-Ffion Edwards, Ruth Bradley, James Callis, Tom Brooke, and Jonathan Pryce. Slow Horses is produced for Apple TV+ by Heartstopper maker See-Saw Films, with Jamie Laurenson, Hakan Kousetta, Julian Stevens, Iain Canning, Emile Sherman, Adam Randall, Gail Mutrux, Douglas Urbanski and Oldman serving as executive producers. Saul Metzstein, who earned an Emmy nomination for Season 3, returns to helm Season 5. Best of Deadline 2025 TV Series Renewals: Photo Gallery 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More Everything We Know About 'Nobody Wants This' Season 2 So Far
Yahoo
6 days ago
- Entertainment
- Yahoo
‘Before' Co-Star Judith Light Talks Teaming Up With Long Time Friend Billy Crystal For Apple TV+ Psychological Thriller
Written by Sarah Thorp, Apple TV+'s latest psychological thriller Before follows Eli (Billy Crystal), a child psychiatrist who, after recently losing his wife, Lynn (Judith Light), is charged to take care of a troubled young boy who has a mysterious and haunting connection to Eli's past. While struggling to make sense of the connection, Eli also begins experiencing intense hallucinations involving Lynn's death, which might not be as clear-cut as it seems. Eli digs deeper into the hidden life of the wife he thought he knew, only to find that Lynn is haunting him from beyond the grave. Here, Light speaks to Deadline about mindfulness, reincarnation and working with her cast and crew to bring this spine-tingling dynamic to life. More from Deadline 'Slow Horses' Season 5 Gets Fall Premiere Date On Apple TV+; First Look Photos Show Nick Mohammed In Guest Role Breaking Baz: 'Bring Her Back' Star Billy Barratt Says He Performed Best In The Horror Pic After Being Locked Alone In A Room Without His Phone Jonathan Tropper Extends Apple Overall Deal As His 'Your Friends And Neighbors' Sets Premiere Record DEADLINE: Once upon a time, you played a real-life murderer, Audrey Marie Hilley, inalongside David Ogden Stiers. And lately, you've been in other spooky things like , and the upcoming . I'm wondering what your personal taste is. Are you a horror fan when it comes to picking roles? JUDITH LIGHT: I've never thought about it put together like that. I personally have trouble watching horror. I don't necessarily watch it, but I choose it for the character; I don't choose it for the genre. When Ryan Murphy asked me to do American Horror, it was a really interesting character, so I wanted to take on that role. The AMC Ridley Scott piece is an extraordinary character, like nothing I've ever played before. So, for me, I'm always looking for what the character is. And yes, I did that with David Ogden Stiers; God rest his soul, such a dear, dear man. He was amazing. And The Menu was me being able to work with Mark Mylod, Ralph Fiennes and the rest of that incredible cast. DEADLINE: Is there anything inspiring you right now? Or anything you wish you could have starred in? LIGHT: I would say Adolescence, that piece that was just extraordinary. I would've loved to have been in that, that's for sure. And my friend Noah Wyle, who is doing The Pitt, is pretty spectacular. I would have also loved to do the Ewan McGregor show A Gentleman in Moscow; I am always in awe of him. Of course, he did that Ryan Murphy piece, Halston, as well. I appreciate the way he chooses his work. It's the same thing for most of us actors. You choose for the character and who you're going to be working with. That's the barometer for some of us who choose in a particular way. DEADLINE: So, what was it about ? There's a lot going on with supernatural elements, topics of mental health and reincarnation. When you received this script, what made you say yes? LIGHT: I didn't get a script. Billy [Crystal] called me and said, will you come over and meet with me and [creator, showrunner] Sarah Thorp? So, I went over, and we talked about exactly what you pointed out. You can certainly call the show spooky to one degree. There's this little boy Noah [Jacobi Jupe] who was scratching at his door, crawling through the dog door, to get connected to him, and you don't know why. Then you're dealing with someone who has mental issues. But the real context of this whole piece was reincarnation. And I've always been interested in that, and Billy, Sarah and I talked about that. At the time, she had written some things, but I hadn't seen anything just yet. I just knew sometime, someplace, somewhere, I was going to work with Billy. When the time came, I was in and wanted to be part of the production. And the two characters that we play, Eli and Lynn, you don't really understand the relationship between the two of them, which so much of the show hinges on, which is the intimacy and the love that they have carried with them through centuries. And that's what I found incredibly compelling. DEADLINE: And briefly on the mental health topic of it all. You've been in the business for a long time. How do you keep yourself mentally healthy? LIGHT: I don't have self-care days, but I do have self-care. I do meditation. I do yoga. There's always a workout every morning. There's always exercises, like Tai Chi or Qigong. I'm always looking to see if I'm staying conscious. There's always a part of me that's always aware of whether or not I'm operating from the 5% frontal part of my frontal lobe. Or am I operating from the past in the back of my brain? There's a lot of studies that have been done about this that most of us drag around our lives from our old history that didn't actually even come from us. But am I staying present to who I am, the way I'm being in the world, how I'm connecting with people? That there's always an awareness of that. And when I find myself taken out in some way, which I often am, I mean to whatever degree we all are, because life presents so many different issues for us to deal with, that I sort of pull myself back to center as best as I can. So, I meditate twice a day. And that really makes a difference; that really helps. And I believe that we all have … there's something else, there's another energy that we can call on. I don't know, some people call it God or a universal connection. There's always something about that for me, because I feel energy so strongly, I do have to take care of myself. When you're doing your work, you have to be present. When you're in a scene with somebody, you have to be present. If you're in a relationship with somebody, you'd better be present. You'd better not be dragging a whole bunch of stuff around with you, or that complicates the relationship. DEADLINE: Are you one of those actors that takes your role home with you? Or are you pretty good about clocking in and clocking out? LIGHT: I'm pretty good about clocking in and clocking out. Again, it goes back to mindfulness. It's like, am I operating from the energy that I just came from, or am I operating right now in the present? How present am I being? And when you're present, a lot of that can stop. I like to listen to people like Anthony Hopkins. He talks about when you go in for the work, you do the work, you know the script, absolutely cold, because then you have the freedom to operate. And it's the same thing with leaving your work. It's like you leave the work and then you come present elsewhere. Sometimes, it requires more effort, attention, awareness and mindfulness than in other times. But I do my best to really just stop because I don't want to bring it home to my husband. Then I'm not being present with him. DEADLINE: Now, back to the Billy Crystal of it all, you both have this tight friendship off-screen. But on-screen, Eli and Lynn don't share that much time together. How did you lean on your dynamic to make these characters work? Especially because the show really does hinge on Lynn. LIGHT: It's so interesting that you point that out. When I went to talk to Billy and Sarah, they said the same thing, that Lynn is the linchpin to all those other relationships. And it's like, how do you play up a person who's dead? Well, you don't think of them as dead. You think of them as alive. Sarah, [writer] Joe Sousa and Billy were aware of that. By the way, Billy was also the producer on this show. How he did this is remarkable to me, and what he did in this role is just so outstanding and stunning. I mean, I would watch him on set, and I would ask him, 'How are you producing and acting in this?' He said basically that he takes one piece at a time, and he delegates and lets other people do the stuff he doesn't need to do. He's really good like that, an extraordinary person, kind and generous. And just an aside here: a lot of people don't think about Billy in terms of the dramatic. When Billy was talking about this project, and Sarah had come to him with this idea about how to make the show work, Billy wanted to play this part. That's his commitment and depth. People don't always think of him in that way. They don't hold in that way, but he's an extraordinary dramatic actor, and, of course, he's an incredibly talented comedian and a great comic actor. However, this drew a beautiful light around him in a way, and his intuition was really guiding him to do this. So, we talked a lot about reincarnation, and it was one of the funny things. It was like I always knew… I would see Billy and say, 'I know him.' You know how it is when you meet somebody and you say, 'I know you.' I just think it's really fascinating. But anyway, Billy was remarkable to be in a scene with, incredible on the set with everyone. The crew adored him, and we were shooting this in the middle of the writer's strike, and then we had to stop, and then we had to come back. So, when they were talking to me about the show and how it would look, it also mattered about the camera work and what the AD was doing. But Billy and I have a connection, so we can always feel that connection. But you really don't get it until the last two episodes of the series where you start to understand what actually happened between them. There was this sense, sensitivity and sensibility of not holding yourself as a ghost, but that you appear because you're needed to appear, to serve where this character, where Billy's character, Eli, is going. And so, we talked a lot about that, and how the presence of Lynn needed to be weighted, substantive, and not sort of woo-woo and ghost-like. So, we did talk a lot about that, and that's what I think makes the show cohesive for him because we did have that dynamic between the two of us. [This interview has been edited for length and clarity.] Best of Deadline 'Nine Perfect Strangers' Season 2 Release Schedule: When Do New Episodes Come Out? 'Stick' Release Guide: When Do New Episodes Come Out? List Of Hollywood & Media Layoffs From Paramount To Warner Bros Discovery To CNN & More
Yahoo
11-05-2025
- Entertainment
- Yahoo
Jonathan Pryce Worries He Could Be Denied Entry To U.S. For Speaking Mind On Trump's Tariff Plan
EXCLUSIVE: The Crown star Jonathan Pryce has joked that he worries about being barred from America for voicing his full views on Donald Trump's vision to slap tariffs on foreign films. Speaking to Deadline's Baz Bamigboye on the BAFTA TV Awards red carpet, Pryce said he was planning to visit New York in the coming weeks and did not wish to say 'too much' about tariffs. More from Deadline BAFTA TV Awards Winners Unveiled - Updating Live "There Is No Future In Forgetting": Watch Great Americans Medal Recipient Ava DuVernay's Smithsonian Speech How To Watch The 2025 BAFTA Television Awards On TV And Online 'I want to get in easily, I don't want to be sent back,' he laughed. Pryce continued: 'The frustrating thing about the tariffs is he [Trump] announces it, panics everybody by not telling them the details. So you've got people in Cannes now trying to do deals and it's going to be impossible until he says exactly what it is and how he is going to police it.' 'Slow Horses' star and BAFTA TV Supporting Actor nominee Jonathan Pryce on Donald Trump's film tariffs and their effects on the Cannes market: 'The frustrating thing about the tariffs is he announces it and panics everybody by not telling them the details' — Deadline (@DEADLINE) May 11, 2025 The Welsh actor was nominated for Best Supporting Actor at the BAFTA TV Awards for his role as David Cartwright in Slow Horses. He said Slow Horses' success has been a slow-burner because Apple TV+ did not overpublicize the series and allowed audiences to discover it for themselves. Trump has made clear that his shock plans to slap a 100% tariff on film imports would not be included in a trade deal with the UK, where Pryce films Slow Horses. The UK would be particularly vulnerable to any movie tariff, given that the country has established itself as one of Hollywood's top destinations for offshoring shoots, thanks to tax incentives, a skilled workforce, and a shared language. Trump's bombshell announcement came in a Truth Social post last weekend, telling followers he planned to apply a tariff to 'any and all movies coming into our country that are produced in foreign lands.' The president later said he did not intend to 'hurt' the entertainment industry, adding that he intended to meet with studio chiefs to 'make sure they're happy.' Jon Voight, the Oscar-winner and special ambassador to Hollywood, presented his plan to 'make Hollywood great again' to Trump. Deadline got hold of Voight's proposal document, which states that if a U.S.-based production 'could have been produced in the U.S., but the producer elects to produce in a foreign country and receives a production tax incentive therefor, a tariff will be placed on that production equal to 120% of the value of the foreign incentive received.' Best of Deadline The Fox News To White House Pipeline: TV Personalities Who Joined The Trump Administration Celebrities Voting And Encouraging Voting In The 2024 Election Kamala Harris Celebrity Endorsements: A List Of Celebrities Supporting The VP
New York Post
02-05-2025
- Entertainment
- New York Post
Gary Oldman reveals Demi Moore's response after he was ‘unprofessional' and ‘destructive' on set
Gary Oldman revealed that he was forced to apologize to former co-star Demi Moore for his 'destructive' behavior on the set of the 1995 film, 'The Scarlet Letter.' The Oscar winner, 67, opened up about his 'unprofessional' behavior, saying his past issue with alcohol caused him to act out while filming the romance film. In the film, Oldman starred as Reverend Arthur Dimmesdale opposite Moore, 62, who played Hester Prynne. Advertisement 4 Gary Oldman revealed that he has apologized to former co-star Demi Moore for his 'destructive' behavior on the set of the 1995 film, 'The Scarlet Letter.' Jay L. Clendenin/Shutterstock for SAG 'I think the worst thing you can do is inspire disappointment,' the 'Slow Horses' actor told Radio Times. 'I was in The Scarlet Letter with Demi Moore, and I had intermittent bouts of boozing during filming. It was towards the end of [my drinking] where I thought, 'If I carry on like this…' Advertisement The British actor, who was 36 when the film was released, said he was 'in a very dark place' at the time. 'I drank too much in the lunch hour. It was such a destructive thing. I got back on the set to do quite a big scene and I got through it,' he said. 4 The Oscar winner, 67, opened up about his 'unprofessional' behavior, saying his past issue with alcohol caused him to act out while filming the romance film. ©Buena Vista Pictures/Courtesy Everett Collection 'You wouldn't really know but I was quite tipsy. And the next day, I said to her, 'I'm so sorry, you must hate me.'' Advertisement 'I was mortified that I'd been so unprofessional. And she said to me, 'I don't hate you. It's okay. I'm just disappointed,'' he added. Oldman's past issues with booze landed him in rehab in 1994 after he was arrested for drunk driving three years prior. 4 Oldman's past issues with booze landed him in rehab in 1994 after he was arrested for drunk driving three years prior. WireImage The actor has now been sober for 28 years and previously credited Alcoholics Anonymous for helping him overcome his addiction. Advertisement These days, he has 'no desire to even take a sip.' Earlier this year, Oldman heaped praise on Moore for her success in the hit film 'The Substance.' Speaking exclusively to The Post at the 2025 Screen Actors Guild Awards in February, Oldman said that the 'Ghost' actress 'is very special.' 'I've not really been that in touch with her, but I just actually reconnected with her because I've seen her recently. She is such a wonderful person, Demi,' he said. 'I couldn't be happier for her in this moment with this film and this role. I think it's such a wonderful thing. And she's loving it and really riding the wave.' 4 Oldman recently heaped praise on Moore for her recent success in the hit film 'The Substance.' Larry Busacca Advertisement Moore enjoyed a glittering awards season on the back of the horror film, which saw her star as Elisabeth Sparkle. The Hollywood icon has taken home a Golden Globe and a SAG Award for best actress, and was also nominated for a BAFTA but lost to 'Anora' star Mikey Madison — to whom she also lost the Oscar.
