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Business Standard
16-05-2025
- Business Standard
Into the Wild: Yogesh Bhatia's Grit and Glory in the Scorching Heat of Indian Jungles
PNN New Delhi [India], May 16: When central India turns into a blazing furnace in May, with mercury touching 50°C, most wildlife photographers pack away their gear. But for Yogesh Bhatia, the extreme is exactly where the magic begins. In one such summer safari in Ranthambhore (Rajasthan), Yogesh stationed himself near a dried waterhole from 6 AM to 6 PM, battling the unforgiving sun. Armed only with ORS, fruits, and willpower, he waited silently as the jungle held its breath. "The heat was so intense, even the gypsy's metal started burning to the touch," Yogesh recalls. "But just when we thought we'd return empty-handed, around 5:45 PM, a majestic tigress emerged--cautiously walking to drink water. That one shot made the 12-hour ordeal feel like a blessing." Such days are not uncommon for Yogesh, whose deep passion for wildlife photography transcends physical discomfort. Whether it's the sweltering plains of Tadoba or the dusty wilderness of Panna, Yogesh treats every moment in nature as sacred--even when the environment is unkind. On another memorable occasion in Dhikala (Corbett Tiger Reserve), he spent an entire afternoon tracking elephant herds under a punishing sun. "I had to pour water on my camera bag to keep the lens from overheating," he laughs. "But what followed was unforgettable--a tusker crossing the Ramganga river with sunlight bouncing off the water. That image still gives me goosebumps." These aren't just stories of survival in the heat--they are testaments to Yogesh's perseverance, patience, and intuitive understanding of the jungle. Equipped with a Sony Alpha 1 and a 400mm f/2.8 lens, his frames aren't merely photographs; they're portraits of raw, untamed life, filled with emotion and storytelling. Yogesh's influence extends beyond the jungle. His wildlife photography workshops, conducted in iconic destinations like Masai Mara, Spiti, Ranthambhore, and Panna, are sought after by enthusiasts across India. These aren't textbook lessons--they are immersive journeys where one learns to read light, interpret animal behavior, wait endlessly, and above all, respect nature. His mentorship is known for being warm, ethical, and deeply transformational. "I don't teach people how to chase wildlife," he says, "I teach them how to wait--with purpose." Yogesh ensures each participant, regardless of skill level, walks away with not just better photos but a deeper philosophy of patience, humility, and co-existence. His work has been featured by India Today, The Indian Express, Zee TV, and ABP News, and his striking tiger portrait once adorned a billboard in Mumbai--reminding urban dwellers of the wild world just beyond their cityscape. To Yogesh, photography is not just about the frame--it's about being present in moments of struggle, stillness, and surprise. Through each click, he tells a story of survival, silence, and the soul of the forest. More than a photographer, Yogesh Bhatia is a torchbearer for ethical wildlife photography--where the wait is long, but the rewards are eternal.
Associated Press
16-05-2025
- Sport
- Associated Press
A soccer player celebrates with a beer bath, frozen in time, as captured by an AP photographer
MUNICH, Germany (AP) — Based in Munich, Matthias Schrader has been working for The Associated Press since 2008, covering news and sports, including multiple Olympics and World Cups. Here's what he had to say about this extraordinary this photo? The photo was taken after the last home match of FC Bayern Munich's season. Bayern has once again won the Bundesliga title and received the championship trophy. Traditionally, there are the popular beer showers as part of the celebration. The players showered themselves with wheat beer from 5 litre (1.3 gallon) glasses. How I made this photo My photo was taken when Leroy Sane caught his teammate Jamal Musiala with such a shower. I took the picture with my Sony Alpha 1. The shutter speed was 1/3200 sec at aperture 2.8. As always, it had to be moved very quickly to get ahead of competitors. My colleague Sergei Grits edited the photo directly from the camera and sent the picture to the wire. With success! Why this photo works It's simply the moment. Everyone knows what it's like when you pour water on your face. Standing in the shower. Capturing that thousandth of a moment, freezing it, is something not everyone has in mind. And then with beer, indescribable. A painful waste for any beer lover. For more extraordinary AP photography, click here.
Yahoo
14-02-2025
- Sport
- Yahoo
An AP photographer uses a remote camera to give a soaring view of the Eagles' Super Bowl celebration
NEW ORLEANS, La (AP) — David J. Phillip has been based in Houston and has worked for The Associated Press for 32 years. He has been involved in robotics, both in development and operations, for 15 years. This was his 30th Super Bowl for the AP. Here is what he had to say about this extraordinary photo. Why I shot this photo After the Philadelphia Eagles won the Super Bowl, the team gathered on stage to celebrate and receive the Vince Lombardi Trophy. As the trophy was passed back to the players, they all reached out to touch it. The sheer excitement and joy displayed on their faces unite them as they all reach toward the center. See for yourself — The Yodel is the go-to source for daily news, entertainment and feel-good stories. By signing up, you agree to our Terms and Privacy Policy. How I made this photo This photograph was taken with a Sony Alpha 1 camera paired with a 600mm f/4 lens, mounted on a robotic pan/tilt head in the catwalk of the Caesars Superdome. Along with fellow AP photojournalist Godfredo A. Vásquez, we installed four robotic cameras and seven static remote cameras in the Superdome. We arrived two weeks before the Super Bowl to set up our equipment. Climbing into the catwalk to set up our gear over 200 feet above the field was challenging, especially in a stadium built in the 1970s. The walkways are narrow, making it difficult to navigate while carrying equipment. Once set up, we connected the cameras to our network which allowed us to remotely control and fire them. The images are sent to our computers for editing before being dispatched to our clients around the world. This camera was positioned over the Eagles' end zone, providing a perfect view of the stage from behind. Why this photo works The sight of all the players reaching toward the trophy draws the viewer's eye to the center of the photograph. The added expression from Eagles' player A.J. Brown, who is yelling as he reaches in from the left, further illustrates the pure joy and excitement the players are experiencing after winning the Super Bowl. ___ For more extraordinary AP photography, click here.
The Independent
14-02-2025
- Entertainment
- The Independent
An AP photographer uses a remote camera to give a soaring view of the Eagles' Super Bowl celebration
David J. Phillip has been based in Houston and has worked for The Associated Press for 32 years. He has been involved in robotics, both in development and operations, for 15 years. This was his 30th Super Bowl for the AP. Here is what he had to say about this extraordinary photo. Why I shot this photo After the Philadelphia Eagles won the Super Bowl, the team gathered on stage to celebrate and receive the Vince Lombardi Trophy. As the trophy was passed back to the players, they all reached out to touch it. The sheer excitement and joy displayed on their faces unite them as they all reach toward the center. How I made this photo This photograph was taken with a Sony Alpha 1 camera paired with a 600mm f/4 lens, mounted on a robotic pan/tilt head in the catwalk of the Caesars Superdome. Along with fellow AP photojournalist Godfredo A. Vásquez, we installed four robotic cameras and seven static remote cameras in the Superdome. We arrived two weeks before the Super Bowl to set up our equipment. Climbing into the catwalk to set up our gear over 200 feet above the field was challenging, especially in a stadium built in the 1970s. The walkways are narrow, making it difficult to navigate while carrying equipment. Once set up, we connected the cameras to our network which allowed us to remotely control and fire them. The images are sent to our computers for editing before being dispatched to our clients around the world. This camera was positioned over the Eagles' end zone, providing a perfect view of the stage from behind. Why this photo works The sight of all the players reaching toward the trophy draws the viewer's eye to the center of the photograph. The added expression from Eagles' player A.J. Brown, who is yelling as he reaches in from the left, further illustrates the pure joy and excitement the players are experiencing after winning the Super Bowl. ___ For more extraordinary AP photography, click here.
Associated Press
14-02-2025
- Entertainment
- Associated Press
An AP photographer uses a remote camera to give a soaring view of the Eagles' Super Bowl celebration
NEW ORLEANS, La (AP) — David J. Phillip has been based in Houston and has worked for The Associated Press for 32 years. He has been involved in robotics, both in development and operations, for 15 years. This was his 30th Super Bowl for the AP. Here is what he had to say about this extraordinary photo. Why this photo? After the Philadelphia Eagles won the Super Bowl, the team gathered on stage to celebrate and receive the Vince Lombardi Trophy. As the trophy was passed back to the players, they all reached out to touch it. The sheer excitement and joy displayed on their faces unite them as they all reach toward the center. How I made this photo This photograph was taken with a Sony Alpha 1 camera paired with a 600mm f/4 lens, mounted on a robotic pan/tilt head in the catwalk of the Caesars Superdome. Along with fellow AP photojournalist Godfredo A. Vásquez, we installed four robotic cameras and seven static remote cameras in the Superdome. We arrived two weeks before the Super Bowl to set up our equipment. Climbing into the catwalk to set up our gear over 200 feet above the field was challenging, especially in a stadium built in the 1970s. The walkways are narrow, making it difficult to navigate while carrying equipment. Once set up, we connected the cameras to our network which allowed us to remotely control and fire them. The images are sent to our computers for editing before being dispatched to our clients around the world. This camera was positioned over the Eagles' end zone, providing a perfect view of the stage from behind. Why this photo works The sight of all the players reaching toward the trophy draws the viewer's eye to the center of the photograph. The added expression from Eagles' player A.J. Brown, who is yelling as he reaches in from the left, further illustrates the pure joy and excitement the players are experiencing after winning the Super Bowl.
