Latest news with #SummaeverythangCommunityCenter
Los Angeles Times
19-02-2025
- Business
- Los Angeles Times
‘It's this act of love.' The village behind Lauren Halsey's community center
We reached out to the people in Lauren Halsey's universe who have seen her through the process of creating the Summaeverythang Community Center and are helping make it happen. This chorus of voices shares memories that range from the early stages of the idea — with 2020's Summaeverythang Community Center food program — to what having a physical space dedicated to arts programming, health and wellness and more will do for the next generation of kids in South Central. She tells the story of our community, and she makes it into a fantasy world, like Willy Wonka's Chocolate Factory. But when you really dig deep, you can see the pain in her work and what our community stands for. My job is to implement the three pillars that we have for the nonprofit: art, health and wellness, and education. We're starting from ground zero. We're building out this community team, this amazing project, which is 'sister dreamer,' and then also building out the Community Center, which will be a permanent space hopefully by 2028. It's not easy when you're starting something that's new, but it's very rewarding because you understand the goal and the end result — which is to bring something that I don't think has ever been seen before in South Central. The only thing I can compare it to is the Watts Towers. I feel like it's going to be something where people from all over the world travel to go see it. I think that it will be in the community forever. She's a Taurus. When she has an idea, it's going to happen. It feels like her ethos is getting it done. It's of her essence. The community benefits from it — the kids, the next generation. Watching the kids' faces light up and what they take from it is magic. As Black people, so many times we're told we can't do something, and to see somebody do things like Lauren does, some of the children will take that with them through life. I literally just woke up one day to a text from Lauren: 'We're doing food for people in Watts. Do you have the capacity to do 600 meals?' At the time, I had only done 50 meals at one time. I didn't want to say no. I didn't want to let Lauren down. And it was such a good cause. I was the first chef to launch the Summaeverythang hot food program. From an art standpoint, Lauren represents for us. I'm actually getting emotional talking about it. She does everything she can to represent us in such an unrestricted way. With the [food program], we were literally doing farm-to-table for people in the Nickerson Gardens. I don't know if that's ever been done. The quality of the food that was being delivered to me in the kitchen was literally all organic. Everything. It wasn't just about her doing it — it's about doing it with integrity. When you have the ability to give people the best quality thing, that's what she did. I'm from South Central, and when you grow up in a community where you're basically criminalized in public spaces, to have something like this that's not only a monument to our heritage and culture but that's also going to be a place where people can come and have conversation, just eat lunch or just take a break — that's huge. There's going to be some kids growing up with the reality they had that. We need more space in design for kids, for art and after-school programs, without really getting into traditional autonomous architecture. I've been really interested in adaptive reuse in general — the whole idea of rebuild, restore, repair. Architecture can do a lot of those things, especially with the older building fabric of California. We're looking at keeping lots of the existing buildings and then letting something new grow out of it deeper into the campus, like a little bloom of a new thing. It's this act of love to keep the wood structure there. The other thing that Lauren always had is this really big interest in the idea of an oasis, a kind of garden oasis. She was referring to this really cool nursery in Hawthorne that in itself was a respite — she would go visit, sit there and hang out in this meditative space — and [wanted to] bring some of that through landscape. The conceptual idea around this is that it's growing out of something, as opposed to tabula rasa, a new building. It's not a symbolic building. We're focused on the stewardship of the existing, more industrial, sort of low-key contexts, and caring for that and letting it have beauty, and then adding this scaffold that might change over time. It is almost anti-monumentality. The architecture can be more part of a dialogue with what's there. [When I met her] it was 2020, I was home off tour, and I went to her solo show at David Kordansky. It felt like a big L.A. birthday party. Every area of the internal part of L.A., and that is an extension of Lauren, was in that space. We're from the same neighborhood. I'm from 94th and Central. She's very East Side. Lauren was just so similar and impressionable to me because I saw a lot of things that I was scared to be and do through her as a vessel. She's honestly the craziest mind that I know. In collaboration with Russell Hamilton, we've been filming her installations and creating these short-forms for the galleries. But it is all in tandem with an ongoing project that is building up to 'sister dreamer.' If you look through her archive, documentary interview moments, you'll see that her dream of urban design has been the foundation of all this s—. The mission here is bigger than us. Not just being funky, not just making people feel good, but the urban design is something that is beyond her. Lauren's 2020 exhibition was arguably one of the most important exhibitions to take place in an American art gallery in the last 10 to 15 years. That's how monumentally important it was. You have to understand, most contemporary artists are striving so desperately to create a vision and a sensibility that speak to universal concerns, and the amazing and incredible thing about Lauren is that [she] is speaking to universal concerns through a language that is specific to a regional cultural space — she's using not just L.A. as we know it, she's mining a particular part of Los Angeles, a particular region of L.A., and she is acting as sociologist, archaeologist of a space and a creole, and a region and a culture that is either being eviscerated through gentrification or just simply through individuals being aged out. What she's done is she's used this very particular language, iconography and symbolism that so explicitly represents a culture that is specific to South Central and is using that to reach a wider international community. To be Lauren's main gallerist and her hometown position is to truly live and breathe and understand the need to give back, to provide for a community that, in essence, gave her the legs with which to stand. She's just full of light, full of color. Her world is like no other world that I can imagine. It's like stepping into a different world, a world of peace, freedom and love, good energy and motion. It just makes you want to do so much more. [It's] where the future should be going toward. There's so much that South Central has gone through in past history, but the fact that she still acknowledges buildings that are being destroyed or that are still there brings it to life, brings in the color and puts an imagination into the viewers. It feels like she's trying to convey,'We're here. And there should be a change in the world.' And whatever it is, she brings the funk. Someone hit us up on Instagram asking if they can bring produce to us. We were doing a free food giveaway during COVID. I really didn't know who she was. When I saw 'Summaeverythang,' I was like, 'OK, somebody wants to give back to her community.' Not too many people do that. She was there every time they came — helping, passing out the boxes. With Lauren, it's now a relationship as a sister, because we never stopped talking. She always calls me about anything she's doing or I hit her up. A lot of people are like, 'Why are you doing this?' I say, 'Because I know how it feels being a teenage mom and you don't get all the help or find the support.' The school I went to is still in Watts. We still go back and help out. People are like, 'What y'all don't do?' We do it all because in every area people need it. Watts Community Core has been focused on the community needs from the time of our organization becoming live in 2019. My co-founder, Kevin Hunt, and I piloted a noncontact boxing program in Slauson, South Park and Nickerson Gardens. Then we started a food program, partnering with Food 4 Less and the GO Campaign. When we started the food program, along came Summaeverythang. She gave us produce to go with our food program. And it was a beautiful thing because it wasn't just any produce. It was organic. We had one heart for the community. She came to me one time, and she said, 'Hey, Tanya, I have this guy, his name is Flea and he wants to see if he can collaborate with us and talk to you. Is it OK if I give you his number?' He called and said, 'Hey, T, this is Flea. You're doing some wonderful things. How about if I bring hot meals on board?' Then he brought his friend, Thomas, who is a painter and artist, and Thomas came and was blown away. He was like, 'You know, this is beautiful. Can I bring my friend?' Only for me to know that [friend] was Brad Pitt. We have to honor Lauren because she helped bring this whole collaboration together. I want to lift my sister up and to make the world know that they go over and see her art because her art is what brought on this whole community. She's just kind of scratching the surface of how she wants to unfold her vision. Lauren is a very shy person, and she's usually super quiet. Doesn't like to talk about herself at all. But the way that she lights up when she talks about this center — it's different. I think she feels like the steward of it, almost. She's always wanted to create a space, especially for youth. Growing up in that neighborhood, she had the benefit of her father [sending] her to school outside of her neighborhood. She was able to do all these things that she would have never been able to do within her neighborhood. And so now that she's in the position that she's in, I think that all she wants to do is be able to create that environment in her neighborhood for those kids, so that they don't have to leave. A library, art classes, music classes, workshops — just consistent programming, so that kids feel like they have somewhere to go after school, so that they don't get into trouble, so that they have some kind of productivity, so that they have community. [I've known Lauren] since she was 10. She grew up three doors down. One of our other friends brought me to her house so he could get her to come outside and play basketball. It was the connection. Us playing together, we just built a love and a trust for each other. She's family and a best friend. She's always said she wanted to bring fresh products to the neighborhood. That was always on her bucket list. We started doing it for three communities — I think it was the Nickerson Gardens, Imperial Courts and Jordan Downs. We got a system that was following a rhythm. We'd get up at 4 in the morning, go get the van to go pick up the boxes and then pick the product. We'd load up the truck, and I'd drive it back to the neighborhood, to the Community Center, where people from the community were helping us load them up. It's a positive energy, being able to put your vision out there.
Los Angeles Times
19-02-2025
- Entertainment
- Los Angeles Times
‘OK, I'm in my dream world now.' Lauren Halsey shares a vision for her neighborhood
It was a vision that was never not living somewhere in Lauren Halsey's mind, just waiting for the right moment to come to fruition. The Summaeverythang Community Center, a space bringing art, health and wellness, and education to kids in South Central sometime in 2028, is the kind of community work that has always been present in Halsey's art practice, of course. But this center is also a physical manifestation of a way of being, an ethos integral to Halsey as the person, not just the artist, which is: 'You serve.' Halsey received a living roadmap of care from the history of her neighborhood, her family and community that sparked inspiration for the center early on, even if she didn't know it was happening yet. As a kid, going to a Black Montessori school outside of her neighborhood, and coming back home to its lushness and vibrancy — what she calls her 'dream world' — Halsey saw the beauty and resources within this place that she wanted to magnify for the next generation. Being a student at CalArts, she had the epiphany under her mentor Charles Gaines that she 'can't present work about South Central's preservation without actually doing something about it,' she says. As her childhood friend Emmanuel Carter remembers: 'That was always on her bucket list.' The Summaeverythang Community Center will be, in Halsey's words, some of everything for the children in her neighborhood. From Feb. 20-23, Halsey is doing a Summaeverythang Community Center activation at Frieze, which will include a merch booth in collaboration with Bephie's Beauty Supply and Nike, featuring T-shirts, hoodies and ceramics; an art booth led by painter and sculptor Alake Shilling with Bret Harte Preparatory Middle School and Pasadena Rosebud Academy; and a talk with Summaeverythang Community Center architect Barbara Bestor on Feb. 21 at noon. In celebration, she shared fragments of memories, inspiration and visual ephemera that contributed to her hopes for the space. I totally believe in consistency, work ethic and just showing up for your funk, and things will happen if you prioritize their development. Because it's South Central, it's a Black and brown L.A. palette: neons and pastels — total saturation, vibrance, gradients. It shifts from being, 'You need help with math?' We have tutoring for that. 'You need therapy?' We have that. When the air quality gets better, surfing lessons. How to make a storyboard. I want kids to come in and feel like they can reach their most maximalist potential. There will be a ton of plexiglass throughout the space in the form of partitions so that you can see another kid recording a beat, and they can stare at you from across the room making ceramics. Being inspired by everyone's effort and energy. It's not the Boys & Girls Club, it's not a YMCA. It's petite. Thirty kids, maybe 40, depending on the programming. I want it to be a multipronged program, that's literally why it's called Summaeverythang — Some of Everything. I think of being super young and going to a Black Montessori school in Westchester, off of Sepulveda and Manchester, and then living basically off of Western and Manchester. Whenever I crossed over what that boundary was and it was like, 'OK, I'm back in the 'hood,' there were just certain signifiers of lush city block aesthetics that I found to be really beautiful. I knew they were gestures done with folks' hands, whether that was a hand-painted sign, a sign that's put up as a graphic for advertising that's very DIY, whether that meant clothing, style, I just knew: 'OK, I'm in my dream world now.' I watched my father be present for kids at St. Andrews Park — our park, the park that he grew up in, which is why he had so much pride for the next generation. He contributed in all the ways, from sports to violence reduction programs to tutoring. He was doing that before I was born. I was like, 'What a contribution. What a commitment to showing up for people.' My grandmother and aunts and what the church symbolized: 'You serve.' My mentor, Charles Gaines, hired me to be his assistant as soon as I got to CalArts, which was such a gift because in that moment I realized, 'Oh, you can professionalize your practice and have a beautiful life and do other things for society.' Then I realized that I can't present work about South Central's preservation without actually doing something about it, especially if it's going to exist in contexts I don't control. There had to be something. Antoinette is my grandmother who passed away in 2012. A huge figure in my life. She has this cartouche that pays homage to her on the side of the KRST Unity Center of Afrakan on Western. I think about her obsessively every day. She brought in missionaries and lived with them, women having hardships for whatever reason, brought them into our home, helped raise their kids who became my play uncles and aunts. She just really cared about the health of Black family life. To create opportunities for natural expression for Black folks, that's what I hope the Community Center will do once I have the ability. To bring it back to this moment, that's where, for almost two years, we did our food program, in the parking lot of the Watts Coffee House, which used to be Watts Happening Coffee House, with Desiree Edwards who's the owner. It felt really amazing that she allowed us, every single Friday, to use her parking lot space to serve — whatever that meant. At some points, we were giving away a lot of art kits with the Crenshaw Dairy Mart, LACMA. We collaged and put in our own boxes as care packages. This Community Center gives back in the way that I think the Watts Happening Coffee House gave back to people's expression, giving them a platform to just be. I got to spend deep time in Octavia Butler's archive library for at least two months. I mean, every grocery list, every single Christmas, birthday card, whatever her mother gave her, to sketches for stories or essays to her affirmations. I thought, that's no fear. And that's where I need to be. I would read her affirmations every single day. It just became my language for myself until I created a new language for myself. It would be irresponsible for me to exist in the world without spreading resources, information, material, right back to the community I'm a part of. That includes power and access. This [Nipsey Hussle quote] I think about as an agenda, every day. Prioritize kids that might not be getting the attention they deserve, because of systems, because of all the reasons we can imagine. I could make a difference and raise the next generation and what it would look like — give all of our attention at a very high level, at no cost. I had to find resources outside of my community to arrive. But on the flip side, in my heart, I think the resources were here, my parents just didn't have time to find them. It makes sense that no matter what happens with my career, I get to participate in what happens with youth culture and education here.
