Latest news with #Suspiria
Yahoo
5 days ago
- Entertainment
- Yahoo
Dakota Johnson and Chris Martin break up for ‘final' time after eight years together, say reports
After eight years in an on-off relationship, Coldplay singer Chris Martin and Fifty Shades of Grey actor Dakota Johnson have reportedly broken up for good. Martin, 48, and Johnson, 35, have been dating since 2017, a relationship that included a multiple-year engagement. However, it has often been overshadowed by breakup rumours. This time it could be over for good. 'It feels final this time,' a source told People. Two weeks ago, on 16 May, the pair were spotted in Malibu together, while earlier this year they held hands in India while Martin toured with Coldplay. Last year representatives for the Madame Web actor denied that the couple had split after she was spotted without her emerald engagement ring. They told The Independent in August 2024 that the pair were still 'happily together'. The Independent has contacted representatives for both Johnson and Martin for comment. While the couple didn't publicly announce their engagement, Johnson has been seen regularly wearing the same emerald ring since 2020. Prior to their relationship, Martin was married to Gwyneth Paltrow. The former couple, who were married from 2003 to 2016, share two children: 20-year-old daughter Apple and 18-year-old son Moses. Over the years, Johnson has shared details about her relationship with both Martin's children and his ex-wife. When asked in an interview with Bustle back in March if she liked being a stepmother, she gushed over Apple and Moses. 'I love those kids like my life depends on it. With all my heart,' she said. In October 2023, Paltrow opened up about her close bond with Johnson during a Q&A session on her Instagram Stories. 'We're actually very good friends,' the Iron Man star said. 'I love her so much. She's an adorable, wonderful person.' In addition to her close relationship with Martin's ex-wife, the Suspiria actor has also spoken out about how Martin helped her when she was depressed. During the 2023 Hope for Depression Research Foundation luncheon, she shared how the musician has been there for her through highs and lows. 'A few weeks ago, I was having a low day and my partner said to me, 'Are you really struggling?' and I said, 'No?'' she recalled, reported Hello. 'And he said, 'Baby, you are wearing a Cats T-shirt.' As in Cats the musical,' Johnson said. 'So it turns out, I really was struggling. But that moment lifted me up and pulled me out of it.'
Metropolis Japan
13-05-2025
- Entertainment
- Metropolis Japan
Queer
William S. Burroughs wrote this 206-page semi-autobiographicalnovella in the early '50s, partly as a companion piece to Junkie andpartly as a warmup for Naked Lunch. But Hollywood shied awayfrom it until now, partly because its homoerotic nature wasconsidered too 'obscene' for those times, and partly because nodirector as gutsy as Luca Guadagnino was on the scene is a mysterious American addict and alcoholic living in lonelyexile in Mexico City in the '50s, whiling away his days getting very,very drunk, interacting with a few fellow loser expats andshooting up. The first part of this flick is a devastatingly effectiveportrait of a self-destructive man lost in abortive passion anddesperate for human connection. If Daniel Craig was looking for away to distance himself from his James Bond/action herotypecasting, I'd say he found it in this soul- (and skin-) baring seem to look up for Lee with the arrival in town of Gene(Daan de Wit), a beautiful young man, sexually hetero but mostlyjust apathetic. He accepts Lee's advances but with frustratingindifference and even annoyance. Lee persuades him to go withhim to South America in search of a powerful hallucinogenicknown as yage, and then things go psychedelically off the this is where Luca Guadagnino shines. A genuine visionary ifsomewhat erratic, he made the excellent Call Me by Your Name butalso the awful Suspiria. Once in the jungle, he drops the plot,which would be a greater crime if there actually was a plotinstead of an admittedly brilliant character study. And buckle up!Then it just ends. Burroughs never finished the book. This is a filmthat will be appreciated more by critics and cineasts than general audiences. Regardless of how surreal or off-topic a Guadagnino film gets, though, it's never less than visually riveting. And theterrific, anachronistic soundtrack keeps things nicely not on the director's vibe and put off by the film'sexplicit eroticism may find it – what's the word? — challenging. It'scertainly not for the faint of heart, but as we regress steadilytoward 50s prurience these days, it's as fulfilling as it is rebellious. (137 min)
