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News.com.au
15-05-2025
- Entertainment
- News.com.au
Karl Stefanovic eyes off hosting game show The Floor
Karl Stefanovic, a future game show host? That's the hot mail from inside the Nine bunker where sources claim Stefanovic has let slide his ambitions to emulate his one-time role model and former Nine star Eddie McGuire and become a game show host. With his contract negotiations on the table it seems a desperate Stefanovic is looking for ways to secure the million-dollar salary bump given him by former CEO, and chum, Mike Sneesby. With his dreams of becoming a talk-show host fast turning to seed, he is said to have set his sights on the role of hosting Nine's popular new game show, The Floor. We hear Stefanovic rates himself as being better suited to the program than Doctor Doctor actor Rodger Corser, who eventually secured the gig. Stefanovic brought his best fist-bumping Larry Emdur exuberant energy to a recent promo for the show which saw him face off against his Today show co-host, Sarah Abo, in a mini duel. Corser looks nonplussed in the segment, which is, we understand, how Nine management viewed Stefanovic's expressions of interest in Corser's role. UNSETTLED NERVES Anthony De Ceglie made a lot of promises during his brief 13 months at the helm of the Seven West Media newsroom. There'd be 'no dickheads' on his watch, no game playing, more doers, less delegators, more positivity, less focus on ratings, more whiteboard slogans, and, though not a promise, far fewer seasoned reporters. But as he packs up his desk and steps aside for an older and more experienced TV successor, Ray Kuka, who starts Monday, what De Ceglie leaves in his wake at Seven is, rather than a slate of transformative achievements, a refreshed though youthful national news leadership team full of recently promoted and hired staff now reeling in shock at the speed of the heralded 'change agent's' need for personal change. Insiders at Seven say the 39-year-old is headed back to WA to tick a personal goal off his bucket list, that goal having been to become a CEO by age 40. He will be the inaugural CEO of the NRL's newest rugby league team the Perth Bears, and very much at the beck and call of titular NRL boss Peter V'landys, one imagines. Also, it's said, he has quit Seven because his wife Sarah, a lawyer, hates living in Sydney – and possibly because he's rather sensitive to this writer's well-documented criticisms. The first task for incoming news and current affairs director Kuka will be to settle his troops, including those who were promoted under De Ceglie's watch. Among them are recently appointed executive producers of Spotlight, Sunrise, The Morning Show and Weekend Sunrise, as well as key news director appointments around the nation. These notably include Spotlight executive producer (EP) Gemma Williams, who moved to the helm of the embattled current affairs flagship program last year; Sunrise EP Jake Lyle, whose program's lead (five city metro) over Today has shortened; The Morning Show's EP Chloe Flynn, Weekend Sunrise EP Holly Fallon and Sydney news director Sean Power whose 6pm news bulletin has been weakened by the decline of the 5pm game show lead-in, The Chase, as well as the loss of veteran reporters including Robert Ovadia. Power is rumoured to be headed to Melbourne so perhaps De Ceglie's departure will have less bearing on his future. Others new in their roles are national newsdesk director Hugh Whitfield, director of news operations Gemma Acton, Melbourne news director Chris Salter, Adelaide news director Mark Mooney, and Brisbane news director Erin Edwards. Acton, we hear, may soon be transitioning to a new role. Then there's the struggling digital division, which has seen massive turnover under De Ceglie and, since March, has been headed up by director of digital news Natalie Wolfe. Sydney news anchors Mark Ferguson and Angela Cox may also be wondering if further change is on the horizon with Seven chairman Kerry Stokes said to prefer a solo newsreader over a double act. BLINK AND MISS IT Anthony De Ceglie's departure from Seven has improved the stocks of the broadcaster's director of morning television Sarah Stinson. In a densely worded two-page press release issued by Seven on Thursday to belatedly confirm the departure of news boss De Ceglie and appointment of his replacement Ray Kuka – and choc-a-bloc full of glowing endorsements from CEO Jeff Howard and chairman Kerry Stokes concerning both – there appeared, in the last line, a tiny acknowledgment of Stinson. ' … In addition to Ray's appointment we have taken the opportunity to bolster our executive team to ensure we continue to deliver our strategic objectives and future ambition. To that end, we are also excited to announce that Sarah Stinson … will join the SWM executive team.' Those who remain faithful to the Seven news team's old guard and its former director Craig McPherson are of the view Stinson was hands-down the obvious pick to replace McPherson, her mentor, when he stepped down in 2024. Stinson has consistently delivered for Seven and managed to steer breakfast show Sunrise through a series of major recent upheavals including the departure of executive producer Michael Pell in 2022, popular host David Koch in 2023 and, previously, Samantha Armytage in 2021. She is also responsible for the production of around 40 hours of consistently solid television a week. Her appointment to the SWM executive is seen as belated recognition of that fact and her oversight. Meanwhile in news that is likely to irritate De Ceglie, Kuka, or so we hear, has managed to persuade Seven's senior executive he can fill the outgoing news bosses shoes while commuting to and from Perth. His wife, like De Ceglie's, is apparently no fan of Sydney. DINNER DATE Celebrity chef Nigella Lawson has a soft spot for Potts Point noshery Fratelli Paradiso – 'great people, great mood, great food …' – and makes a beeline for the restaurant whenever she's in Sydney. On Wednesday the British celebrity turned heads when she and fellow woman trailblazer Celeste Barber dropped in for a meal. Funny woman Barber is newly returned from her smash comedy tour of UK, Europe and Dubai, Backup Dancer, while Lawson has ventured to Sydney for the Vivid Sydney light festival which opens next week. The previous week Lawson was spotted at a private Federal Election party hosted by Sydney husband-and-wife media power couple Lisa Wilkinson and Peter FitzSimons. History doesn't relate how and when Lawson and Barber met but close observers noted the two looked to be getting on famously on Wednesday while bonding over a shared love of beef. The acclaimed food writer, who is known for her love for sumptuous rich meals, and Barber apparently had little problem finishing off a 1kg T-bone steak, a Fratelli Paradiso signature dish, served along with an assortment of side dishes which the women, and a male friend, made short work of. Lawson is curating a series of dinners in a newly opened pedestrian tunnel in Martin Place during Vivid. ON THE MOVE A year after winning a coveted job on Nine's 60 Minutes Adam Hegarty has relocated to Melbourne from Sydney. The move has raised questions about Hegarty's future with the program, which is based in Sydney. According to network sources Hegarty recently broke up with his girlfriend. Hegarty was dating fellow Nine staffer Amber Johnston in 2024 and into the early months of 2025. Hegarty, about 38, was fast-tracked onto the 60 Minutes reporting team in January 2024 along with colleague Dimity Clancey as Nine moved to attract younger viewers to the show with younger reporters.
Yahoo
13-05-2025
- Entertainment
- Yahoo
British TV's Working-Class Problem: Nearly A Quarter Of Top Execs Went To Private School, Report Finds
Nearly a quarter (22%) of top execs in the UK TV industry went to private school, according to research sparked by Sherwood creator James Graham's MacTaggart lecture. The figure is triple that of the roughly 7.5% of people in the country who went to a fee-paying school and is a stark reminder of the inequalities in British TV, a traditionally middle-class field. More from Deadline Breaking Baz: 'Punch', The Must-See New Play By James Graham, Will Transfer To London's West End While A Production Plays On Broadway Warner Bros. Discovery Drops Diversity & Equity Language Amid DEI Rollbacks - "Our Overarching Work In This Space Will Now Be Referred To As Inclusion" Disney Overhauls DEI Efforts Amid Trump Administration Purge The report titled Let's Talk About Class: Appealing to the UK's largest TV audience was commissioned after Graham's Edinburgh TV Festival MacTaggart lecture during which he argued passionately for greater working-class representation in the British TV industry. At the time, research had found just 8% of people working in television were from a working-class background, which was a 12-year low despite multiple recent interventions to try and improve the situation. The Let's Talk About Class report was less damning with its overall numbers, finding that 29% of those in TV come from a working-class background compared to the 39% across the UK. A person's class background was defined by the occupation of their main household earner when they were a teenager. Today's report from a class and social equality working group including broadcaster Carol Vorderman, presenter David Olusoga and Banijay UK Boss Patrick Holland, analyzed people in leadership roles across 21 of the UK's major broadcasters, streamers and large production companies. The report's compilers asked for data about the education background of senior level staff while speaking with experts and academics for anecdotal and evidence-based insight. The report argues that working class audiences are TV's largest potential audience, yet they feel underserved and their lives either represented by outdated tropes or are barely represented at all. However, with the current crisis facing the TV industry as commissioning slows down, broader diversity commitments are being thrown into chaos, it says, adding that there is a 'growing concern that the current crisis will make the industry less diverse and only accessible to a small group with economic and cultural advantage.' The report gave best in class examples of recent shows such as ITV's Coronation Street and new BBC comedy-drama Just Act Normal. It said the next step is to 'provide guidance on what being a Class Confident organisation in the TV industry looks like.' Gemma Bradshaw, Impact Director of the Edinburgh Festival TV Foundation, said: 'Since starting the class and social equality working group, we have heard many difficult and painful stories about the hurdles in people's TV careers that were all the bigger because of their class background. The aim of the report is to move the conversation about class up the agenda, making it business critical and provide companies with the inspiration to move away from talking about people in terms of their 'cultural fit' or 'risk' and start talking about what they bring.' Best of Deadline Everything We Know About Ari Aster's 'Eddington' So Far Everything We Know About 'Nobody Wants This' Season 2 So Far List Of Hollywood & Media Layoffs From Paramount To Warner Bros Discovery To CNN & More
