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‘The Shrouds' Review: For Cronenberg, Grief Is an Obsession
‘The Shrouds' Review: For Cronenberg, Grief Is an Obsession

New York Times

time17-04-2025

  • Entertainment
  • New York Times

‘The Shrouds' Review: For Cronenberg, Grief Is an Obsession

In David Cronenberg's latest film, 'The Shrouds,' the lines between life and death, emotion and pathology, biology and technology, become blurred. Even the movie's tone lands in a liminal space where gravitas slips into comedy — I couldn't help but snicker when someone tells the main character, 'Karsh, don't crash!' A dry macabre humor has long run through Cronenberg's work, and the uncertainty behind some of his intentions here creates thought-provoking ambiguity. Since an important source of inspiration was the death of Cronenberg's wife from cancer, in 2017, are we really supposed to find this funny? I would argue, yes — among other details in keeping with the Canadian director's approach, a woman is revealed to find conspiracy theories sexually arousing — but there is still enough doubt to mess with viewers' heads. The aforementioned Karsh (an understated Vincent Cassel, in his third Cronenberg movie after 'A Dangerous Method' and the terrific 'Eastern Promises') is a Tesla-driving Toronto entrepreneur. His business, GraveTech, involves burying the dead in shrouds that transmit images to screen-embedded headstones. At his cemetery, you can, in effect, watch a livestream of a decomposing body. (This is not so far-fetched, considering recent developments in both wearable technology and invasive voyeurism.) Karsh is personally invested in this corpse cam because his wife, Becca (Diane Kruger), died of cancer four years earlier. She is buried in one of his shrouds, and he can check on her decay's progress. This we all learn in a surreal introductory scene in which Karsh explains GraveTech to a lunch date, Myrna (Jennifer Dale), at a restaurant overlooking his wired-up cemetery. He even shows her Becca's feed, which might not beat brandy as a digestif. Before long the plot properly kicks into gear. Thanks to his technology's high resolution, Karsh notices odd growths on Becca's corpse. They don't look organic, so then what are they? Who put them there? Shortly thereafter, the graves are vandalized. Again: Who? Why? With each new plot development, the movie lurches in a different direction before then abandoning it. 'The Shrouds' is about a disturbing new gizmo. No, it's about grief, a force as mighty as it is paralyzing. Wait, it's about surveillance and espionage, and could involve Russia or China. Or maybe it is about fixating not so much on the dead as on death itself, and the need to accept it. A hint perhaps: In 2021, Cronenberg, with his daughter, directed a minute-long film, 'The Death of David Cronenberg,' in which he kisses then hugs his own corpse. Amid scenes that are plain baffling (we expect those from Cronenberg), there are plot switchbacks and red herrings that don't add up. Still, the movie keeps returning to reality and fantasy, fetishism and desire, and the moment when love becomes obsession becomes stalking. That last progression, in particular, feels like an inevitability in the world Karsh inhabits. Many of those themes are common in Cronenberg's movies, and if anything, 'The Shrouds' is almost conventional compared with its perversely erotic predecessor, 'Crimes of the Future' (2022). Karsh's relationships with women follow a pattern; he seems to experience them solely as his wife's proxies. As in Hitchcock's 'Vertigo,' romantic fixation is a necrophiliac fever dream. Those women include Becca's look-alike sister Terry (Kruger), a vet turned dog groomer with whom he has a push-pull connection; and the blind Soo-Min (Sandrine Holt), a prospective client's wife. The scariest of all is an avatar: Karsh's artificial-intelligence assistant, Hunny (Kruger, again), a creepily perky glorified emoji who knows all, controls all, and might be even more invasive than the Russian secret service. It makes sense, then, that the key counterpoint to our lead is Terry's ex-husband, Maury (Guy Pearce, in yet another memorable supporting turn). An old-fashioned hacker who clickety-clacks away on his computer, Maury is as greasy and rumpled as Karsh is glossy and smooth. They feel like two sides of one coin, though. 'The Shrouds' is overstuffed and often clunky, but if there is a takeaway, it's that some men engage with technology to disengage with reality. And that is more unsettling than any body horror.

Tesla Installing Countermeasures as People Are Hacking the Cables Off Superchargers
Tesla Installing Countermeasures as People Are Hacking the Cables Off Superchargers

Yahoo

time15-02-2025

  • Automotive
  • Yahoo

Tesla Installing Countermeasures as People Are Hacking the Cables Off Superchargers

Amid a spate of vandalism at Supercharger stations, Tesla appears to be employing countermeasures to head off the theft of its valuable copper charging cables. For years now, opportunists have targeted electric vehicle charging stations for the copper wiring that powers them, and more recently Tesla's physical locations have been targeted by a wave of anti-Elon Musk vandalism. With Tesla Supercharger stations lacking physical security guards, thieves have had little stopping them from hacking off the cables to steal the metal worth up to $5.20 per pound — until now, at least. In a post on X, Tesla charging czar Max de Zegher appeared to confirm that the company is experimenting with anti-theft technology, including so-called "DyeDefender" wraps for charger cables that spit out blue dye when cut, and stamps on the wires themselves that he hopes will flag the stolen materials at recycling centers. Responding to a post from the blog Drive Tesla Canada about the exploding dye cable wraps, de Zegher said that the solution was "just a trial" and added that the company is "always exploring options." "Supercharger cables will also have 'Property of Tesla' engraved from our Buffalo NY factory," he added, "so recycling companies shouldn't accept them and notify us." Earlier in the week, a Tesla-driving Redditor posted photos of the new cable wraps at a new Supercharger station in Seattle. In one close-up, a small yellow flag warned that the cable wrap was "pressurized" and should not be cut was visible. Made by the company CatStrap, these DyeDefender cable wraps will explode and paint blue dye all over whoever attempts to cut them, as a video from the company shows. As of right now, it's unclear whether this anti-theft technology has been installed at any other Supercharger stations or if Tesla has struck an extended deal with CatStrap. We've reached out to the company to get more information about that. More on Tesla vandalism: Tragedy! Cybertruck Defaced With Large Crude Drawing

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