Latest news with #TheAltoKnights'
Yahoo
30-03-2025
- Entertainment
- Yahoo
Tom Cruise Helped Hayley Atwell Overcome Social Anxiety by Telling Her: ‘If You're Scared of Something Just Keep Looking at It'
Hayley Atwell appeared on a recent episode of 'Reign With Josh Smith' podcast and credited her 'Mission: Impossible' co-star Tom Cruise for helping her battle social anxiety in Hollywood. Atwell made her franchise debut as Grace in 2023's 'Mission: Impossible – Dead Reckoning' and will reprise the role in this summer's 'Mission: Impossible – The Final Reckoning.' 'Social anxiety tends to be something that people talk about a lot at the moment, right? And how a lot of people do have social anxiety at some point,' Atwell told Josh Smith. 'It manifests in different ways, but the pep talk [Tom] gave me helps that. If you walk into a room and you feel the anxieties coming, and it makes me want to retreat into myself, I start to overthink, and go: 'Do I look weird? Do I seem awkward?' We go into ourselves, and Tom said: 'Try doing the opposite.'' More from Variety 'The Alto Knights' Director Barry Levinson Talks Dueling Robert De Niros, Creating Perfect Shots in 'The Natural' and Coaching Movie Stars to Great Performances Tom Cruise to Receive BFI Fellowship John Goodman 'Experienced a Hip Injury' During Alejandro G. Iñárritu's Tom Cruise Starrer, Production Delayed in U.K. Cruise told Atwell: 'Try to look out, look around the room, and go… Where is it? Where is the thing that I have attached to my insecurity? Is it that person over there that reminds me of my school bully? That person over there didn't give me a job once? That person over there that I think was mean to me once?' 'If I look at it for long enough, the anxiety then can have a name,' Atwell explained. 'It can have a label or what will happen is, I'll go: 'Oh, you're really jealous' or 'I'm really lonely' or 'I'm really intimidated by the talent or the confidence of that person.' As soon as I can name what it actually is, the general sense of free-floating anxiety goes and then I actually have an opportunity to do something about it. So he was just like: 'If you are scared of something just keep looking at it. Just try not to close your eyes or turn away. Just keep looking at it and it will often give you information about what to do to overcome it.'' While 'Dead Reckoning' slightly underwhelmed at the box office with $571 million worldwide, Atwell and Cruise's chemistry was widely acclaimed by film critics. The 'Mission: Impossible' series is Atwell's second major Hollywood franchise after her work as Peggy Carter in the Marvel Cinematic Universe. The actor has sung the praises of Cruise in past interviews, telling The Guardian earlier this year that he is 'very kind, very professional'. 'When I started, I was very aware of the rarefied air around him and how there is no one like him,' Atwell said. 'And there never will be because actors aren't made like him any more… He is a one-man studio. And because of that, I felt I was able to try lots of different things. There was never a risk of failure or being unsafe. Tom really likes people to thrive on set.' Watch Atwell's latest interview on the 'Reign With Josh Smith' podcast in the video below. Best of Variety What's Coming to Disney+ in April 2025 New Movies Out Now in Theaters: What to See This Week The Best Celebrity Memoirs to Read This Year: From Chelsea Handler to Anthony Hopkins
New York Times
27-03-2025
- Entertainment
- New York Times
Warner Bros. Renaissance Remains a Waiting Game
David Zaslav blew into Hollywood in 2022 like a tornado of fresh air, telling anyone who would listen about his rejuvenation plans for Warner Bros. As a lifelong television executive, he was new to the film business. But the merger of Discovery and WarnerMedia had put him in charge of the most storied studio left standing — a troubled Warner Bros. — and the solution to its woes, he said at the time, was relatively straightforward. Make more movies for exclusive theatrical release. Make a wider variety of movies, not just big-budget spectacles. And then watch multiplexes fill up. 'This business could be bigger and stronger than its ever been,' Mr. Zaslav said at a 2023 convention of movie theater owners, to jubilant applause. Yet two years later, the movie business finds itself weaker than it has ever been. Ticket sales are down 40 percent compared with 2019, just before the pandemic sped a consumer shift to streaming, according to Comscore, which compiles box office data. And one reason (among many) involves Mr. Zaslav's Warner Bros. Warner Bros. has delivered only one homegrown hit over the last year. That was 'Beetlejuice Beetlejuice,' which was released in September. Since then, the studio has whiffed five times. 'Joker: Folie à Deux' died on arrival in October. 'The Lord of the Rings: The War of the Rohirrim' fizzled in December. 'Companion,' a low-budget thriller, came and went in January. 'Mickey 17,' an expensive science-fiction adventure, bombed this month. 'The Alto Knights' — a mob drama starring Robert De Niro that Mr. Zaslav personally championed — added to the carnage last weekend. It cost roughly $50 million to make and another $15 million to market, but sold a mere $3.2 million in tickets over its first three days. That made the film a near-complete wipeout; studios and theaters split ticket sales roughly 50-50. In Hollywood, blame for a bad weekend at the box office usually gets spread among studio personnel. But this time much of it has been aimed squarely at Mr. Zaslav, the chief executive of Warner Bros. Discovery. 'Rammed through by the C.E.O. on behalf of his elderly cronies, against the best instincts of the people who make movies for a living,' one entertainment industry trade news outlet said. 'A type of film that's 30 years past its sell-by date,' reported another. 'A $50 million money pit' that 'anyone with any knowledge of the last 50 years of theatrical box office' could have spotted, a third asserted. Combined with snickering in studio hallways and private text-message rants, the commentary carried a clear undertone: Mr. Zaslav, they suggested, does not understand movies. Mr. Zaslav pushed for 'The Alto Knights' shortly after taking over in 2022. Some executives at the studio pushed back, saying the box office prospects were grim — it was a film for a streaming service, at best. But Michael De Luca and Pamela Abdy, whom Mr. Zaslav had hired to run the Warner Bros. Motion Picture Group., agreed to give 'The Alto Knights' a shot. (One prominent dissenter, Courtenay Valenti, a 33-year Warner Bros. veteran, soon decamped to Amazon Studios.) Mr. Zaslav and Warner Bros. Discovery declined to comment. Irwin Winkler, who produced 'The Alto Knights,' defended Mr. Zaslav and the film in a phone interview on Monday. The men are longtime acquaintances. 'I think David Zaslav is a really, really great executive,' Mr. Winkler said. 'I think the film is terrific. I wish it did more box office. Over the years, I'm sure that Warners will make some money on it.' Mr. Winkler, who has produced films since the 1960s, including 'Rocky' and the recent 'Creed' spinoffs, noted that 'Goodfellas,' which he also produced, had soft ticket sales in 1990. 'We never did big theatrical business with that one, but we certainly did in home entertainment — DVDs in those days. I think that in the long run 'The Alto Knights' will have the same kind of long-range audience acceptance.' Movies flop all the time. In a financial sense, 'The Alto Knights' is actually a relatively small miss. Disney's 'Snow White' stumbled last weekend on a more calamitous scale, costing at least $350 million to make and market and collecting $42 million over its first three days in domestic theaters. Perception also has a cost, however, and this is where 'The Alto Knights' takes on greater weight. It's a cliché to say that perception is everything in Hollywood, but it also happens to carry a lot of truth. Perhaps the movie business is turning out to be a little harder than Mr. Zaslav expected? Is the promised Warner Bros. turnaround ever going to materialize? Studio assembly lines move slowly: It takes years to develop, shoot, assemble, market and distribute a single movie — and that's if everything goes well. But Mr. Zaslav has now been in charge of Warner Bros. for three years. Adding to the pressure: Movies are now one of Warner Bros. Discovery's only clear problem spots. Warner Bros. Discovery generated $677 million in profit from streaming in 2024, up from $103 million a year earlier, according to securities filings. In February, Mr. Zaslav said streaming would deliver $1.3 billion in profit this year, exceeding previous guidance by 30 percent. The Warner Bros. television studio has new hits in 'The Pitt' on Max and 'Running Point' on Netflix, among others. HBO has been delivering, too, with shows like 'The White Lotus' and 'The Gilded Age' expanding their audience, and a second season of 'The Last of Us' arriving on April 13. Last year, the company reached new multiyear agreements for its cable networks (TNT, TBS, CNN, Discovery, HGTV, Food Network) with major pay-TV providers. As for movies? Mr. Zaslav acknowledged that film is 'a tough business' at a Morgan Stanley conference this month, and seemed to ask for a bit more patience. 'It's a long-cycle business, and we've been winding out of what wasn't ours,' he said, a reference to flops like 'War of the Rohirrim' and 'Mickey 17,' which were given a greenlight before he arrived. 'Over the next few years you're going to see what is ours, and I'm optimistic about it.' The next Warner Bros. release, 'A Minecraft Movie,' could break out when it arrives next week, box office analysts say. 'Minecraft,' which cost $150 million to make, is based on the popular game and aimed at families. (Legendary Entertainment contributed 25 percent of the budget and helped produce it.) A couple weeks later, Warner Bros. will release the R-rated 'Sinners,' a $90 million original horror thriller set in the 1930s and starring Michael B. Jordan. 'Sinners' was directed by Ryan Coogler ('Black Panther'). Both movies were overseen by Mr. De Luca and Ms. Abdy. At the Morgan Stanley event, Mr. Zaslav praised the pair for getting into business with Mr. Coogler and other marquee filmmakers on expensive original projects. 'In some cases, we may have overspent,' Mr. Zaslav said, an apparent reference to a Bloomberg article on Feb. 26 that questioned the strategy. 'I don't think we did. Because we wanted to bring the best and the brightest people back to Warner Bros.' The most important movie on Warner Bros. Discovery's immediate schedule is 'Superman' from DC Studios, which is managed by James Gunn and Peter Safran. It arrives on July 11 and represents an effort to reboot the company's superheroes for a new generation of moviegoers. Mr. Zaslav, noting at the Morgan Stanley conference that he had just spent an hour and a half with the DC Studios team, called the movie 'a huge moment for us.' The budget for 'Superman' isn't known, but superhero movies typically cost about $200 million to make, not including marketing. If it becomes a hit, the result would represent a turnaround for the studio from last summer, when Warner Bros. released duds like 'Furiosa: A Mad Max Saga' and managed only a 4.7 percent share of domestic movie-ticket sales. By that measure, it was Warner's worst performance since analysts started to compile seasonal box office data in 1982.
Gulf Today
26-03-2025
- Entertainment
- Gulf Today
De Niro faces off with himself in mob movie ‘The Alto Knights'
'You're the actor!' shouts Anna Genovese at her estranged spouse, gangster Vito Genovese, in a courtroom where he's implausibly claiming he lacks funds to support her. 'The best actor in the world! Better than Clark Gable!' And we all chuckle. They probably all chuckled on set, too. Because the man playing Vito in 'The Alto Knights' is none other than Robert De Niro, indeed one of the best actors in the world, revered in our time as Gable was in his. It's a cute moment and an apt one, too, because Barry Levinson's film, which aims but fails to channel the magic of decades-old mob movies like 'Goodfellas' — though penned by the same writer, Nicholas Pileggi — is all about De Niro. Actually, it's all about De Niro And De Niro. The man plays both lead roles, feuding mobsters Genovese and Frank Costello, in a story based on real events. Is it a gimmick? Surely. Does it work? Well, there's the entertainment value — this is De Niro, after all — and if you feel that more De Niro minutes are always better, then it follows that two roles are better than one. Others may feel it has a mob-themed 'Parent Trap' vibe, less weighty than it should be given the obviously violent subject matter. Also, 'Goodfellas' fans may wonder if the Vito role was once intended for Joe Pesci (the movie's been in development forever), so similar is the character to that actor's impulsive, manically suspicious persona. On the other hand, in two brief scenes where the De Niros appear together for momentous meetings, one might be forgiven for wondering if Al Pacino was in line at some point, for a 'Heat'-like moment. Happily, De Niro relies here on make-up, and not de-ageing as in 'The Irishman,' though it must be said that, at times, his two characters just don't look different enough. More importantly, 'The Alto Knights,' despite its pedigree, doesn't rise anywhere near the heights of its glorious predecessors. It is, rather, an enjoyable if choppily paced look at a relationship between two men, where unfortunately we're arriving pretty late in the game. There are, though, a few crackling surprises: that domestic courtroom scene; a tense, televised Senate committee grilling; and finally a climactic gathering of mob bosses in the countryside, with fabulous period vehicles parked on the lawn and sausages on the grill, that's disrupted in comically sudden fashion. We begin in 1957 in Manhattan. Costello, after a night partying respectably with high society, stops at his swank apartment building. 'This one's for you,' declares the nervous man who shoots him in the head in his lobby. The shooter (Cosmo Jarvis), sent by Genovese, makes a bad mistake, as his boss will remind him later: 'You gotta go see if they're dead!' Amazingly, Costello survives. 'I shoulda been paying more attention,' says the genteel mobster who favours diplomacy over bloodletting, narrating from the future. We then go back in time to figure out how things got this bad. With the help of vintage photos and footage artfully edited to include actors playing the younger Frank and Vito, we learn the two were good friends as young Italian immigrants on the streets. But when Vito got mixed up in a murder case, he had to flee to Italy — leaving cooler-headed Frank in charge of the business. Years later, Vito returns, and wants his role at the top of the mob family. And so things go south, quickly. The women in their lives mirror the differences between the two men. Costello's wife of more than 50 years, Bobbie (Debra Messing, making a nice foray into drama), is a loyal partner who urges her husband to retire and leave New York — along with their adorable dogs (De Niro's own pooches, dressed in mink coats and hats - a costume design Oscar for this canine fashion, please!). Genovese's wife Anna (Kathrine Narducci, excellent) is a businesswoman — she owns a bar — whose fiery union with Vito turns disastrous. Associated Press
Yahoo
25-03-2025
- Entertainment
- Yahoo
Why Robert De Niro's Mob Drama ‘Alto Knights' Is Such a Box Office Disaster
'The Alto Knights,' a crime thriller starring dueling Robert De Niros, made moviegoers an offer they easily refused. The Warner Bros. film was D.O.A. over the weekend with $3.2 million at the domestic box office, one of the worst-ever starts for a major studio release. 'The Alto Knights' also cratered overseas, earning $1.8 million for a bleak worldwide tally of $5.1 million. With a price tag above $45 million before marketing is taken into account, 'The Alto Knights' is already one of the year's biggest misfires. More from Variety Robert De Niro Shares TV Shows He Watches With His 'Discerning' Two-Year-Old Toddler: 'Ms. Rachel, The Wiggles, Blippi' Box Office: 'Snow White' Awakens With $16 Million Opening Day as 'Alto Knights' Bombs 'The Alto Knights' Director Barry Levinson Talks Dueling Robert De Niros, Creating Perfect Shots in 'The Natural' and Coaching Movie Stars to Great Performances Box office watchers, however, aren't exactly scratching their heads to figure out what went wrong. They believe 'The Alto Knights' hails from a genre — mobster movies — that's been sleeping with the fishes for decades. Then critics rebuked the film, which landed a poor 37% on Rotten Tomatoes. Audiences, at least the few people who checked the film out, were kinder, giving it a 'B' grade on CinemaScore exit polls. Still, those mixed scores don't bode well for word-of-mouth. 'This kind of crime story has been out of style for years now,' says David A. Gross, who runs the FranchiseRe movie consulting firm. 'Current soft theatrical market conditions are not going to help it.' Directed by 'Wag the Dog' and 'Rain Man' filmmaker Barry Levinson and adapted by Nicholas Pileggi, best known for his work as a writer or producer on 'Goodfellas,' 'Casino' and 'The Irishman,' the movie follows De Niro as Frank Costello and Vito Genovese, childhood friends who became two of New York's most notorious organized crime bosses. For a film like 'The Alto Knights,' which already faces strong headwinds in this theatrical landscape, to have a shot at success, it needs rave reviews or potential awards chatter. Critics weren't on board, though, with several calling the choice to have De Niro star opposite himself was unnecessarily confusing. The Washington Post's Michael O'Sullivan described the stunt as 'not just unnecessary, it's supremely distracting.' ('It invites the question: Why?' he wrote in his review) and The New Yorker's Justin Chang simply referred to the double casting as an 'odd gimmick.' It's not like gangster movies were all the rage when Warner Bros. Discovery CEO David Zaslav greenlit the film in 2022. His decision to grant the film a $45 million budget and theatrical release had prompted a few raised eyebrows on the studio lot at the time. Levinson, who began working on 'The Alto Knights' (formerly titled 'Wise Guys') with Pileggi and producer Irwin Winkler before the pandemic, told Variety that Pileggi's relationship with Zaslav had paved the way for the project to get made. 'Zaslav has known Nick, and somehow in a conversation [the film] came up, and Zaslav was intrigued by it,' Levinson said in an interview prior to the movie's release. 'That was sort of how it all came together.' The studio also thought 'The Alto Knights' could be another entry in De Niro's pantheon of much-loved gangster films, several of which (like 'Goodfellas' and 'Mean Streets') were produced by Warner Bros. For De Niro, 'The Alto Knights' represented a return to the genre that made him a star. The 81-year-old became an enduring A-lister after classic Mafia movies like 'The Godfather Part II,' 'The Untouchables,' 'Casino' and 'Goodfellas.' He's even parodied his deep association with Cosa Nostra cinema in the 'Analyze This' films. Yet it's a type of film that's 30 years past its sell-by date. Even Martin Scorsese's starry 'Killers of the Flower Moon,' a Western crime drama about the 1920 Oklahoma murders in the Osage Nation, struggled at the box office against a $200 million budget. And Leonardo DiCaprio starred in that film, which was nominated for several Oscars, alongside De Niro. Meanwhile Levinson's filmography over the past quarter-century has included such commercial misfires as 2015's comedy 'Rock the Kasbah,' 2014's drama 'The Humbling,' 2012's horror mockumentary 'The Bay' and 2006's political comedy 'Man of the Year.' The Oscar-winner's last significant theatrical hit was 1997's 'Wag the Dog,' which grossed $65 million against a $15 million budget. ''Alto Knights' is a film of a bygone Hollywood era. The director and star are no longer box office draws,' says Exhibitor Relations analyst Jeff Bock. 'Warner Bros. didn't do them any favors as they barely advertised the film. When a film doesn't have major studio support in this marketplace, it's bombs away at the box office.' So who went to see 'Alto Knights' in its opening weekend? Apparently, older white men and Canadians. According to exit polls, 60% of moviegoers were male and 60% were Caucasian (comparatively, 27% were Hispanic, 7% were Black, 3% were Asian and 3% were Native American). Nearly 90% were above the age of 25. Meanwhile three of the top four highest-grossing locations — Cineplex Queensway Toronto, Cineplex Winston Churchill Toronto, Cineplex Laval Montreal — were from America's Neighbors to the North. New York City and Los Angeles typically have the top-earning theaters in North America. 'Seems like Canadians turned out for an adult drama, something that is unfortunately becoming more and more of a rarity in the North American marketplace,' Bock said. 'The Alto Knights' is the second consecutive theatrical misfire for Warner Bros. after Bong Joon Ho's big budget sci-fi comedy 'Mickey 17.' Coincidentally, both films feature a lead actor named Robert who plays multiple parts in the same movie. (In 'Mickey 17,' Robert Pattinson portrays disposable employee whose body is able to regenerate for science.) In three weeks of release, 'Mickey 17' has earned $40 million domestically and $110 million worldwide. It's a respectable tally for the original swing, except that the film cost $118 million to produce. Since 'Mickey 17' needed to earn more like $275 million to $300 million to break even, it's now projected to lose $75 million to $80 million in its big screen run. The studio's fortunes should rebound in April with 'A Minecraft Movie,' a Jack Black-led adaptation of the popular video game that's tracking for a decent opening weekend. And later in the year, there's James Gunn's 'Superman' as well as follow-ups to 'Mortal Kombat,' 'Final Destination' and 'The Conjuring.' Yet Warner Bros. has several other big swings on the calendar, including Paul Thomas Anderson's $140 million 'One Battle After Another' and Ryan Coogler's $90 million vampire thriller 'Sinners.' In the interview before the debut of 'The Alto Knights,' Levinson seemed sanguine about the volatility of the movie industry, which he's been involved with for decades. 'There are a lot of obstacles in this business, and you just have to navigate it as best you can,' Levinson told Variety. 'But there are the moments when you say, 'Look, I've been able to do a lot of stories that interested me, and I was able to work with a lot of actors that I had a great, great working relationship with.' The downside is the downside. But that comes with the territory.'
Yahoo
23-03-2025
- Entertainment
- Yahoo
Box Office: ‘Snow White' Awakens With $16 Million Opening Day as ‘Alto Knights' Bombs
Disney's 'Snow White' is the fairest of them all on box office charts. The musical earned $16 million across Friday and preview screenings from 4,200 venues. It's enough of a start to put 'Snow White,' which stars Rachel Zegler and Gal Gadot, on track to land within projections for an opening weekend north of $45 million. That would mark the second-biggest debut of the year behind fellow Disney release 'Captain America: Brave New World.' But like that Marvel Cinematic Universe entry, 'Snow White' is budgeted like a four-quadrant tentpole and needs to play like one. The Marc Webb-directed fairy tale carries a massive production cost north of $250 million, meaning it faces a steep climb to profitability. More from Variety 'The Alto Knights' Director Barry Levinson Talks Dueling Robert De Niros, Creating Perfect Shots in 'The Natural' and Coaching Movie Stars to Great Performances Box Office: 'Snow White' Makes $3.5 Million in Previews Disney Shareholders Overwhelmingly Reject Proposal to Sever Ties With LGBTQ Rights Group at Annual Meeting Plenty of Disney's other family-friendly films have legged out successful theatrical runs, as the digitally-rendered 'Mufasa: The Lion King' did just a few months ago. That film launched in December with unfavorable reviews and a lukewarm $35 million opening, but it held strong and proved a global draw, ending up with more than $250 million in North America and over $700 million worldwide. But then there's also the 2019 remake 'Dumbo,' which took flight with $45 million and ended up at $114 million domestic and $353 million worldwide. That was a disappointing tally, for a film that cost much less than 'Snow White' too, at a $170 million production budget. 'Snow White' would need to accomplish a similar feat to 'Mufasa' to be considered a theatrical success, and it doesn't have the moviegoing free-for-all of the Christmas corridor that the 'Lion King' prequel benefited from. Reviews have been negative, though the film seems to have drawn good notices among audiences. While 'Snow White' has become an internet culture war fixation (to the point that Disney scaled back press access at the premiere), those who actually bought tickets are leaning positive, with pollster Cinema Score turning in a 'B+' grade. Meanwhile, Warner Bros. will hope to forget about it after opening the mafia drama 'The Alto Knights,' a crime period piece that sees Robert De Niro playing two identical (yet biologically unrelated) gang leaders in New York. The film got whacked with about $1.1 million across Friday and previews, playing in 2,651 theaters. Like fellow Warner release 'Mickey 17,' which misfired in its opening just two weeks ago, 'The Alto Knights' is a star-driven, original R-rated drama from a filmmaker with awards history (here, in director Barry Levinson). Unlike 'Mickey 17,' which can't draw a big enough audience to justify its nine-digit budget, 'Alto Knights' is a more measured affair, with a $45 million production cost. But also unlike 'Mickey 17,' 'Alto Knights' simply isn't drawing much of anyone at all. Cinema Score turned in a measured 'B' grade. And 'Alto Knights' was met with a shrug by critics. The crime film will be lucky to even crack the top five in its debut. It's been a tough March for Warner Bros.; the studio is looking to bounce back with the video game adaptation 'A Minecraft Movie' in two weeks. The rest of the top five is a mush of holdovers. Focus Features' spy thriller 'Black Bag' is rising to second, though projecting a 43% drop for its second weekend. It's not the impressive word-of-mouth hold that Universal's specialty label was hoping for the starry $50 million drama, which will now look to cross $14.8 million through its first 10 days. Disney's 'Captain America: Brave New World' is also climbing back up, landing in third. The Marvel entry earned $1.1 million on Friday and will cross a $190 million domestic total on Saturday. Then there's Paramount's slapstick actioner 'Novocaine,' falling a substantial 57% in its second outing, projecting a $3.8 million weekend to hit a $15.8 million domestic total. And Warner's 'Mickey 17' is just below, earning another $1 million Friday and hoping to scrape past a $40 million domestic total this weekend Also opening this weekend, RLJE and Shudder are putting the alien-planet horror feature 'Ash' in 1,163 theaters just over a week after a premiere at SXSW. Directed by Flying Lotus and starring Eiza González and Aaron Paul, the thriller earned about $333,000 on its opening day. Meanwhile, Briarcliff Entertainment has the long-shelfed Jonathan Majors bodybuilding drama 'Magazine Dreams,' which the indie label acquired after Searchlight Pictures dropped the film following the actor's 2023 assault conviction. It also earned about $330,000 on its opening day, playing in 815 venues. Best of Variety New Movies Out Now in Theaters: What to See This Week Oscars 2026: First Blind Predictions Including Timothée Chalamet, Emma Stone, 'Wicked: For Good' and More What's Coming to Disney+ in March 2025
