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Kalgoorlie-Boulder photographer wins photojournalism accolade for candid image of skimpy barmaid
Kalgoorlie-Boulder photographer wins photojournalism accolade for candid image of skimpy barmaid

West Australian

time16-05-2025

  • Entertainment
  • West Australian

Kalgoorlie-Boulder photographer wins photojournalism accolade for candid image of skimpy barmaid

A unique portrait of a Kalgoorlie-Boulder skimpy taking a brief break from her bartending duties has won a regional photojournalism accolade. Local photographer Mellen Burns won the 2025 Galah Regional Photography Prize's excellence in photojournalism award for her work Tilly Time. The winning entry depicts Tilly sipping on a soft drink behind the bar with her name on a skimpy chalk board in the background. It formed part of Burns' series, No photos of the girls, which saw her create candid images of skimpies at work in local pubs and bars. Burns said the award was a 'really nice surprise' and enabled her to showcase a unique part of WA's culture. 'It was good to have an opportunity to show that series outside of the Goldfields,' she said. 'No one (in the Eastern States) really knows anything about that kind of profession.' The $27,000 photography prize was hosted by independent print magazine Galah. A panel of five judges compiled a shortlist of 42 works from more than 1100 entries across regional Australia. Editor-in-chief Annabelle Hickson said Tilly Time's vibrant colours and unique composition helped Burns to stand out from the competition. 'Straight away when the judges saw Mellen's (entry) they said it felt like this fresh perspective, amazing colours and composition,' she said. 'They just thought Mellen seemed like a real talent, and they wanted to connect with her. As part of her award, Burns will receive mentoring sessions with photographers and picture editors from The Sydney Morning Herald's GoodWeekend magazine. The Goldfields photographer said the opportunity would enable her to learn more about the photojournalism industry and grow her network. 'I'm excited about it, especially the mentorship sessions,' Burns said. 'It's always nice having contact with other people in the industry and to be able to pick their brains a little bit.' Ms Hickson said the prize showcased great talent outside of the major cities and helped to connect regional photographers with industry experts. 'There's lots of things I'm hoping will happen because of this prize, but one of them is to connect regional artists with an audience of collectors . . . but also mentoring people,' she said. 'I do think you can live anywhere in Australia and be the best photographer. 'You don't have to live in Sydney, but the more remote you live, the harder networking is, it's just sort of a fact. 'So that really excites me that this (mentorship opportunity) is one of the one of the prizes.' An awards night at Armidale, New South Wales, earlier this month celebrated finalists and award winners. Lisa Sorgini won the $25,000 Galah regional photography prize for her work, The Flood, while the $2000 people's choice award went to Sweetheart, Merriwa, an image by Maitland photographer Therese Maher. Burns' attendance at the awards night was supported by the Regional Arts Fund and City of Kalgoorlie-Boulder.

Memories of Hebden Bridge floods 10 years on
Memories of Hebden Bridge floods 10 years on

BBC News

time22-04-2025

  • Climate
  • BBC News

Memories of Hebden Bridge floods 10 years on

On Boxing Day in 2015, the town of Hebden Bridge was under water; thousands of homes and businesses were submerged when Storm Eva battered the north of England, causing significant damage in the Calder a new play which depicts the community's efforts to "rebuild their sodden town" opens at Leeds Playhouse, the BBC has been to meet the people affected by "The Flood". "Water was cascading off the hillside and literally rising in the town centre," Andrew Entwistle 81-year-old flood warden had spent the days prior to the storm warning people to brace the water came, he was going to try and lay out sandbags in an attempt to delay the deluge surging through streets, but it was too late."My wheelbarrow was floating down the street," he tells the BBC."Nobody had the flood defences then that we have now."Everywhere you looked there was just water, people were trapped in buildings; it was up to my armpits."It literally climbed up the walls." Evidence of the water levels are still visible in Hebden Bridge 10 years later. In The Albert, a pub which regularly hosts the flood wardens' bi-monthly meetings, a sign marking the depth hangs high on the walls above a chalkboard displaying drinks deals."It was catastrophic, the worst in living memory," Mr Entwistle continues."The water came and it stayed for around 48 hours and we were on our own."There was no electric; everything had gone off, there were no communications, it was so quiet."Mr Entwistle and his wife had just celebrated their golden wedding anniversary when the floods candles left over from their celebrations, he attempted to light the way for the community in the inky darkness. "Everybody rallied round," he adds. Among those to rally was Deborah the owner of The Albert, the 60-year-old was living in nearby Luddenden when Hebden Bridge spent hundreds of pounds on cleaning supplies to help the community when the water finally drained, and opened her back room as a creche."It was the first time I ever saw men cry," Ms Collinge tells the BBC."Two guys told me they saw a lady that had been in the water all day and all night. "It was around her waist and she was just holding her husband's ashes." The Flood, written and directed by Lucie Raine, focuses on the spirit displayed during the Raine had friends and family living in Hebden Bridge and remembers the "apocalyptic" images, taken of places she walked around regularly."The memory is quite powerful, it still touches me."After deciding she would write a play about the events that unfolded, Ms Raine began chatting to anyone she could. "What was unusual was the amount of pride people had; they immediately talked about what happened afterwards, the way they came together."People waded through sludge to make sure others got groceries."The Flood has been described as "a love letter to the town that refused to give in to the volatility of nature". Walk around Hebden Bridge today and evidence of that defiant spirit can still be in plain sight along almost every door and window are brackets that floodgates can be attached to the moment a flood alert escalates to an urgent shops have signs which can transform into barriers, others have valuable goods and electrics raised more than a metre from the could be mistaken as decorative cladding in The Albert can be turned into shelving strong enough to hold detachable table tops and stores have replaced carpets with hard materials such as wood or stone so mud and mess left behind by the water can be swilled away. Having endured six major floods since 2000, for people in Hebden Bridge, preparation is part of every day adds Mr Entwistle, no lives have been lost to the flooding, but living under the threat of heavy rain has taken its toll on the community."The records that people had, photographs, ashes, mementoes; they all disappeared."People's lovely possessions were contaminated; they're all gone and irreplaceable."He has since experienced PTSD since the 2015 flooding and says the anxiety in the town is "palpable" during heavy Entwistle hopes the play can teach people how "massive" the impacts of a flood are. "Talking about it sends shivers down my spine."It eats into your soul, we live on a knife-edge."The Flood is touring theatres in Yorkshire and the north, including Leeds Playhouse and the Hebden Bridge Little Theatre until 17 May. Listen to highlights from West Yorkshire on BBC Sounds, catch up with the latest episode of Look North.

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