Latest news with #TheHillWeClimb
Los Angeles Times
26-04-2025
- Entertainment
- Los Angeles Times
Photos: Speakers and authors at the 2025 Los Angeles Times Festival of Books
As the Los Angeles Times Festival of Books kicked off Saturday across the sprawling campus at USC, the event once again became a magnet for a mix of celebrity authors from across the entertainment world and beyond. Special guests like poet Amanda Gorman, actor Wil Wheaton, singer JoJo and comedian Hannah Berner popped by our photo studio to pose for portraits between their busy schedules speaking at panels in front of crowds at the festival. Here are some of our favorite portraits of our special guests from this weekend. Amanda Gorman, author of the 2025 picture book 'Girls on the Rise,' is the youngest inaugural poet in U.S. history. The award-winning writer who graduated cum laude from Harvard University, came to prominence after her recitation of 'The Hill We Climb' at the inauguration of President Biden. Nikki Toscano is a writer, producer and showrunner for television who served as co-showrunner and executive producer of the show 'Hunters' on Amazon Prime and as showrunner and executive producer of Paramount+ miniseries 'The Offer.' Andrew Plotkin is executive vice president of drama development at Sony TV. Author Liz Moore is the author of the 2024 New York Times bestselling novel 'The God of the Woods.' Actor Wil Wheaton is known for his role as Wesley Crusher in 'Star Trek: The Next Generation' and other classic roles including Gordie Lachance in the film 'Stand by Me,' Joey Trotta in 'Toy Soldiers' and Bennett Hoenicker in 'Flubber.' Singer JoJo (Joanna Levesque) launched her career in music releasing chart-topping R&B and pop music, including breakout hit 'Leave (Get Out).' She gained prominence as a young artist, and has also made a name for herself in acting and released a book in 2024 titled 'Over the Influence.'
BBC News
06-03-2025
- Entertainment
- BBC News
Tony Harrison's V: Why a poem outraged 1980s Britain
Forty years ago, Northern English poet Harrison published a powerful work inspired by vandalised gravestones in his hometown Leeds. Then, when it was screened on TV in 1987, a national furore erupted. "FOUR LETTER TV POEM FURY" thundered the front page of one British newspaper, condemning the "cascade of expletives". "FROM BAD TO VERSE" was the headline of another article, that quoted a Conservative Member of Parliament questioning whether the said poem "serves any artistic purpose whatsoever". And a group of particularly exercised MPs called for a debate in the House of Commons. The furore was about a poem called V by Northern English poet Tony Harrison – a work inspired by vandalised gravestones in his hometown Leeds – which was originally published in January 1985, but really became a cause célèbre when it was screened on national television in the UK two years later, in November 1987. It is not often a poem becomes a hot topic of conversation among the general public. The last time it happened was four years ago when Amanda Gorman read her poem The Hill We Climb at Joe Biden's presidential inauguration, although the poet's youth and outfit excited as much comment as her verse. Before that, it was WH Auden's Funeral Blues, after it featured in the hit 1994 romcom Four Weddings and a Funeral. But if it is unusual for a poem to escape the confines of the world of literature, it's virtually unheard of for one to provoke angry newspaper headlines, and prompt politicians to demand action and members of the public to furiously call TV channels. How it came about V had its origins in a visit by Harrison to Holbeck Cemetery in Beeston, Leeds, in May 1984. The cemetery stands on a hill – beneath which there are worked-out mine seams – and overlooks both Elland Road, home of Leeds United Football Club, and the University of Leeds, where Harrison, a poet and playwright, had studied Classics and Linguistics. Harrison, there to tend his parents' graves, found the cemetery strewn with beer cans and gravestones defaced by spray-painted graffiti – four-letter words, racist abuse, swastikas and a series of "V" letters. The nature of some of the graffiti suggested football fans were responsible. At this time, unemployment was soaring, and went on to reach 11.9% later that year, a level not seen in the UK since 1971 – and not seen since. The previous year, an award-winning BBC drama, The Boys from the Blackstuff, about unemployed tarmac-layers in Liverpool, had captured the zeitgeist and made a huge impact. The Miners' Strike had started some weeks earlier. In fact, the country was deeply divided under a polarising Conservative government led by Margaret Thatcher. In the vandalism and the spray-painted daubings, Harrison saw further evidence of societal division, and it gave him the idea for his poem. Harrison was, at this point, an established and well-respected poet, playwright and translator. He had published several volumes of verse and been the resident dramatist at the National Theatre, while his 1973 translation of Molière's The Misanthrope had won great acclaim. On 24 January, 1985, V was published in the London Review of Books. It consists of 112 four-line stanzas, or quatrains, with an ABAB rhyming scheme, the same form as Thomas Gray's celebrated 18th-Century poem Elegy Written in a Country Churchyard, which Harrison sought to evoke in contrast with his own work. The "V" of the title stands for "versus" – which is also a pun on "verses" – but maybe also for "victory", and perhaps it is further intended to refer to the two-fingered "V sign" gesture considered rude in British culture. One verse reads: These Vs are all the versuses of lifefrom LEEDS v. DERBY, Black/Whiteand (as I've known to my cost) man v. wife, Communist v. Fascist, Left v. Right. The poem imagines the poet engaging in a dialogue with the person who has defaced the graves, and it features the obscenities and racist epithets used in the graffiti. "We didn't need Harrison to tell us then that Britain was divided, and we don't now, but V was a powerful articulation of those divisions and some of their causes," says Sandie Byrne, Professor of English at the University of Oxford. "The football supporter who, taking a shortcut through the cemetery, takes out his rage on the gravestones, is treated sympathetically, albeit with aggressive language to match his own. The Harrison figure understands the frustration of the third-generation unemployed among headstones celebrating lifelong professions. "The poem's power and endurance come from its energy, the impetus of the verse and the language, its anger, and its use of the personal in the service of the political." V did not appear to cause any outrage when first printed in the London Review of Books. It was subsequently published in book form by Bloodaxe Books in November 1985 and, again, troubled neither the UK's legislature nor its newspapers. Neil Astley, founder of Bloodaxe Books, and still the publisher's editor and managing director, recalls that, soon after the publication of the poem as a book, Harrison performed the entire thing in a late-night arts slot on Tyne Tees Television, which catered specifically to audiences in North East England, and "it went out without arousing any opposition as far as I'm aware". The moment of impact But then in 1987, it became known that a televised version of the poem had been made for national broadcaster Channel 4, directed by celebrated theatre director Richard Eyre and featuring Harrison reading the poem along with footage of, among other things, striking miners, Holbeck Cemetery and Thatcher doing a "victory" sign. At that point, all hell broke loose. In October, a few weeks before its broadcast, the Daily Mail reported on the "FOUR LETTER TV POEM FURY" on its front page. The activist and anti-obscenity campaigner Mary Whitehouse called the poem a "work of singular nastiness". Conservative MP Sir Gerald Howarth, who earlier that year had attempted to introduce legislation that would make it a crime to air material that might cause "gross offence" to a "reasonable person", was another who opposed its broadcast. He officially called for a debate in the House of Commons to try to stop it. One hundred and twenty one MPs signed the proposal. Howarth later admitted he had not read the poem in full. Harrison recalled in the 2013 BBC Radio 4 documentary, Exploring V, that at the height of the furore, a reporter from the Telegraph knocked on his door. "I said, 'Have you read the poem?'' He said,'No. I'm New'." Opposition to the TV programme came principally from right wing commentators but the Sunday Telegraph columnist and editor of the Literary Review, Auberon Waugh, whom no-one had ever mistaken for a left winger, found the poem "well written and extremely moving", as he wrote in his Telegraph column at the time. Ian Hislop, the editor of UK satirical magazine Private Eye, wrote an article defending it in The Listener, as did Bernard Levin in the Times, calling it "powerful, profound and haunting". And the Independent printed the whole poem in its news pages, with an introduction by Blake Morrison in which he wrote: "Those MPs are right to believe that the poem is shocking but not because of its language. It shocks because it describes unflinchingly what is meant by a divided society, because it takes the abstractions we have learned to live with – unemployment, racial tension, inequality, deprivation – and gives them a kind of physical existence on the page." The film was broadcast at 11pm on Channel 4 on Wednesday 4 November 1987. According to the logs of the Channel 4 staff on the switchboard – which were reproduced in the appendix of Bloodaxe's second edition of the poem, along with many of the newspaper and magazine articles about the furore – there were several calls from viewers irate at the "disgusting language". But others approved. Mr K of Watford suggested "politicians should address their energies into the social problems featured in the poem". Mr W of London said: "I am so moved the tears are running down my cheeks". The majority of calls were in favour of the broadcast. "The irony is, of course, that while Bloodaxe had sold a couple of thousand copies of the poem before 1987, as a result of the attacks on the Channel 4 film, V reached an audience of millions who might otherwise never have heard of it," Astley tells the BBC. "And if you read the poem today, it feels every bit as vital and relevant as it was 40 years ago." Sandie Byrne says: "I remember friends reading about the poem in the press, and assuming that it was just a meretricious piece studded with swear words by a shock jock seeking attention. Others picked up that it mentioned [miners' leader] Arthur Scargill, and showed scenes of the miners' strike, and assumed that those were its only subjects. Even among those who actually read it, the poem seemed to revive ideas about appropriateness in poetic diction that one would have thought long dead. More like this: • The 'obscene' book that became a bestseller• Why did Jane Austen's sister burn her letters?• 40 of the most exciting books to read in 2025 "What was unexpected and possibly shocking about V," Byrne tells the BBC, "was less the dialogue that represented a young football supporter swearing – what a surprise – and more the use of iambic pentameter quatrains, at a time when closely patterned, regular verse was regarded as outmoded, an unfitting vehicle for modern concerns. The transplantation of Gray's elegy from a small country churchyard to a large urban cemetery, the use of ellipses, slang, ordinary speech and Northern pronunciation perhaps suggested that poetry wasn't a sleepy dusty backwater, or necessarily couched in prissy, posh Southern or elaborate language." The poem was once again broadcast in its entirety on Radio 4 in 2013. Although the press anticipated controversy, there was actually little fuss. Perhaps listeners had become more used to four-letter words being used in all sorts of media. The racist epithets would have if anything, been considered even more offensive in 2013 than when the Channel 4 film was broadcast. The half-hour Radio 4 documentary that was aired before the reading of the poem that contextualised the swear words and slurs must have helped listeners understand their use in the work. Both poet and poem are now an accepted part of the literary canon. The website of the Poetry Foundation, a well-respected US organisation set up to promote poetry, describes Harrison as "Britain's leading poet-playwright", and says that V remains his "most famous poem". But while V's power to shock may have been somewhat diminished, it has lost none of its ability to engage and move the reader. The full text of Tony Harrison's V can be read on the London Review of Books website. Warning: it contains swear words and highly offensive racial slurs -- For more Culture stories from the BBC, follow us on Facebook, X and Instagram.
Yahoo
15-02-2025
- Entertainment
- Yahoo
Kendrick Lamar Sent Coded Message To Black America During Super Bowl, Amanda Gorman Warns Florida Parents After Inaugural Poem Gets Banned, Why Super Bowl Star Jalen Hurts Rents Modest Philly Apartment, What Happened During The Red Summer of 1919 And More
If the only takeaway you got from Kendrick Lamar's Super Bowl LIX Halftime Show performance was that he gave another deathblow to Drake's career – I'll need you to watch it again. And probably again after that. - Ernest Owens Read More When Amanda Gorman read her poem, 'The Hill We Climb,' at former President Joe Biden's inauguration, she became the youngest poet to deliver a poem at a presidential inauguration. Although the 26-year-old Los Angeles native says she felt an immense sense of pride at being included in such an important moment in American history, she had no idea her work would resonate the way it did. And in a recent interview with 'Meet The Press,' Gorman opened up to moderator Kristen Welker about how she felt when she learned that there was an active campaign to remove 'The Hill We Climb' from schools around the country. - Angela Johnson Read More After winning his first Super Bowl, you could expect Philadelphia Eagles quarterback Jalen Hurts would need a bigger trophy cabinet, but it seems the NFL star has no plans to upgrade his lifestyle, and he has a pretty good reason for it. - Phenix S Halley Read More Philadelphia Eagles quarterback Jalen Hurts has a lot to celebrate these days. Hurts, who just led the Eagles to a 40 - 22 victory over the Kansas City Chiefs to become one of just four Black quarterbacks with a Super Bowl 'W' under his belt, is about to join an even more exclusive team, as he prepares to say 'I Do' to his fiancée Bryonna 'Bry' Rivera Burrows. And because there's nothing we love more than Black love around here. we're taking a little time out to celebrate their story. - Angela Johnson Read More Philadelphia Eagles star C.J. Gardner-Johnson is feeling what it's like to be an enemy of the Swifties after attacking Travis Kelce on social media. But before he even has a chance to respond, his mother is coming to the rescue. - Noah A. McGee Read More Most Black Americans have never heard of the Red Summer of 1919…but it is an element of Black history that we need to pay attention to. This country specializes in committing monstrous atrocities and then ignoring the consequences of their actions. It happened with Native Americans and the Trail of Tears. And, of course, it happened with Black folks. This truth is best captured when we consider what happened in the year 1919. - Lawrence Ware Read More Even though social media can instrumental in building community amongst Black folks, it has become just as easy to peddle hate. One TikTok user was reminded of this fact when he posted about being a commercial pilot. - Candace McDuffie Read More Earlier this week, we told you that Kanye West — who now goes by Ye — bought local ad time in Los Angeles during the Super Bowl to promote the latest from his Yeezy fashion line. The ad, which was shot on his iPhone from a dentist chair (we're also confused), encouraged viewers to visit his website where the only thing for a t-shirt with a swastika on it. - Angela Johnson Read More While many states have a plethora of foods recognized as 'state foods,' it seems one southern state is looking to add cornbread to its growing palette... yes, that's right— cornbread. - Phenix S Halley Read More We know Marcus Garvey as a powerful figure in Black history who dedicated much of his life to promoting self-love among Black people and encouraging an eventual return to their ancestral homeland of Africa. An outspoken Black nationalist who is said to have influenced other civil rights leaders including Malcolm X, many of Garvey's supporters believe his 1923 conviction on mail fraud charges was politically motivated. However, former President Joe Biden issued a posthumous pardon to Garvey on his way out of the White House in January. - Angela Johnson Read More For the latest news, Facebook, Twitter and Instagram.
NBC News
09-02-2025
- Entertainment
- NBC News
'Changing the world': Poet Amanda Gorman on new children's book
Amanda Gorman made her voice heard in January 2021 while reading the poem for President Joe Biden's inauguration. Four years later, she's helping children find their voice with her new picture book, 'Girls on the Rise.' With illustrations from artist Loveis Wise, Gorman's book serves to highlight 'the importance of community and allyship,' she said in an interview with NBC News' 'Meet the Press.' 'It's about what it means to be a young person in a generation that is going to, and is currently changing the world,' she said. The 32-page picture book features an original poem by Gorman about the power of girls, especially when they work together, accompanied by Wise's artwork. Gorman, 26, rose to literary stardom as a teen herself: In 2015, she published the poetry book 'The One for Whom Food is Not Enough.' In 2017, she became the first winner of the National Youth Poet Laureate award. She read 'The Hill We Climb,' a poem calling for unity and progress in the U.S. for Biden's inauguration — making her the youngest-ever inaugural poet. 'I finished it on the night of Jan. 6, and so it's important for me to just process my own emotions and thoughts as an American watching that violence against our democracy,' Gorman said. 'I had no idea it was going to reverberate and resonate in the way it did. … It was something historic and personal and meaningful and powerful, and I wouldn't trade it for the world,' she said. After the inauguration, Gorman published another book and co-hosted the Met Gala later that year. Now, she's focused on building a better world for the next generation with a children's book 'that underscores the importance of community and allyship,' Gorman said. Gorman's inaugural poem was restricted in a Florida school in 2023 after a parent filed a complaint against it. She said it was 'a bit like a gut punch' when she found out her work would be restricted, but she fears for children's right to read and learn in the context of the thousands of book bans in schools and libraries in recent years. 'These books that are being banned predominantly feature authors and characters of color, authors and characters of the LGBTQ community, and so we're seeing entire identities erased from bookshelves,' Gorman said. 'And when a child can't see themselves represented in a story, they can't dream of their own life, to actualize their own hopes.' Gorman urged the importance of representation, adding that she felt immense pressure as a then 22-year-old poet in the national spotlight. 'I felt a lot of weight, because I knew if I failed or didn't do an excellent job, it would' become an excuse to exclude young people from lofty ceremonies, she said. 'And so you feel this aspiration to do well for yourself, but to be extraordinary for people who follow.' Gorman, an activist herself, said she draws inspiration from orators and activists like Maya Angelou — also an inaugural poet in 1993 for President Bill Clinton — and Martin Luther King Jr. She said she may run for president when she's of age in 2036. 'I hope my mark,' she said, 'is being a wordsmith and a change maker who speaks in a language that allows our country to return to love, legacy and connection.'
