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Sydney Morning Herald
06-05-2025
- Entertainment
- Sydney Morning Herald
I watch TV for a living. This episode is the craziest thing I've seen.
This story contains spoilers for episode three of season two of The Rehearsal. I have a high threshold for the absurd. As a kid (yes, I was too young for it, blame my dad) I grew up with Rik Mayall and Adrian Edmondson, who took deranged pleasure in beating each other senseless on the BBC. My teenage years were spent singing about soup and eels with The Mighty Boosh. One of the best things I watched in my 20s was Paul Scheer and Jason Mantzoukas guessing the contents of a dumpster on The Chris Gethard Show. And one week after giving birth, I nearly did damage to myself uncontrollably laughing at Tim Robinson not knowing how to work his body in a virtual-reality supermarket on I Think You Should Leave. As deputy TV editor of this masthead and someone who's professionally written about pop culture for more than a decade, I watch a lot of comedy. But none of this prepared me for the latest episode of HBO docu-comedy The Rehearsal, in which Nathan Fielder – a 41-year-old man – shaved all the hair off his body, put on a nappy and a harness to propel himself into an oversized cot and re-created the life of Captain Chesley 'Sully' Sullenberger, the beloved pilot who landed a passenger plane on the Hudson. Whether you've seen the series or not, it's difficult to describe the context for this – a scene so ornately staged and deadpan in its delivery that I literally screamed while watching. Stranger still: it wasn't even my favourite moment of the episode. That was Fielder's reveal of a (not unconvincing) theory that a 23-second silence in the famous plane's black box recording is explained by Sully listening to the chorus of Evanescence's 2003 goth-pop hit Bring Me To Life. Speaking to Vulture, Evanescence singer Amy Lee called the moment 'so beautiful', adding that the show is a moving portrait of human vulnerability and a worthwhile interrogation of airline safety (this season is focused on Fielder's attempts to prevent real crashes). 'It's just blowing my mind,' she said. 'He's some kind of genius.' Separate to all that, this 34-minute episode also includes Fielder spending four months training one of a couple's three cloned dogs to behave like their deceased pet with the help of half a dozen paid actors and a man transporting air from the city where they once lived. As our critic put it in his four-and-a-half-star review of this season, 'No one else is making television like this [and] that actually might be for the best.'
The Age
06-05-2025
- Entertainment
- The Age
I watch TV for a living. This episode is the craziest thing I've seen.
This story contains spoilers for episode three of season two of The Rehearsal. I have a high threshold for the absurd. As a kid (yes, I was too young for it, blame my dad) I grew up with Rik Mayall and Adrian Edmondson, who took deranged pleasure in beating each other senseless on the BBC. My teenage years were spent singing about soup and eels with The Mighty Boosh. One of the best things I watched in my 20s was Paul Scheer and Jason Mantzoukas guessing the contents of a dumpster on The Chris Gethard Show. And one week after giving birth, I nearly did damage to myself uncontrollably laughing at Tim Robinson not knowing how to work his body in a virtual-reality supermarket on I Think You Should Leave. As deputy TV editor of this masthead and someone who's professionally written about pop culture for more than a decade, I watch a lot of comedy. But none of this prepared me for the latest episode of HBO docu-comedy The Rehearsal, in which Nathan Fielder – a 41-year-old man – shaved all the hair off his body, put on a nappy and a harness to propel himself into an oversized cot and re-created the life of Captain Chesley 'Sully' Sullenberger, the beloved pilot who landed a passenger plane on the Hudson. Whether you've seen the series or not, it's difficult to describe the context for this – a scene so ornately staged and deadpan in its delivery that I literally screamed while watching. Stranger still: it wasn't even my favourite moment of the episode. That was Fielder's reveal of a (not unconvincing) theory that a 23-second silence in the famous plane's black box recording is explained by Sully listening to the chorus of Evanescence's 2003 goth-pop hit Bring Me To Life. Speaking to Vulture, Evanescence singer Amy Lee called the moment 'so beautiful', adding that the show is a moving portrait of human vulnerability and a worthwhile interrogation of airline safety (this season is focused on Fielder's attempts to prevent real crashes). 'It's just blowing my mind,' she said. 'He's some kind of genius.' Separate to all that, this 34-minute episode also includes Fielder spending four months training one of a couple's three cloned dogs to behave like their deceased pet with the help of half a dozen paid actors and a man transporting air from the city where they once lived. As our critic put it in his four-and-a-half-star review of this season, 'No one else is making television like this [and] that actually might be for the best.'
Yahoo
01-03-2025
- Entertainment
- Yahoo
BGT fans react as 'ridiculous' Yorkshire pudding auditions
Britain's Got Talent returned on Saturday, 1 March with a man-sized Yorkshire pudding up on stage. James Paley was the guy beneath the icky costume (which looked like something ripped straight out of The Mighty Boosh) and he proceeded to belt out his own jokey spin on Bing Crosby's Christmas classic 'Winter Wonderland'. Not only did Paley manage to baffle judges Simon Cowell, Amanda Holden, Alesha Dixon and KSI with his non-delicious act, but also the watching crowd posting on social media as the episode aired. Asked by Dixon what his dreams looked like, Paley answered from under his pudding mask: "It'd be an absolute honour to perform infront of the King at the Royal Variety Performance." The initial funniness dissipated quite quickly though, leaving fans and judges alike to wonder what the heck was going on and whether this audition was genuine. Read more: Britain's Got Talent fans want KSI to permanently replace Bruno Tonioli as judge Britain's Got Talent act dubbed 'beyond grotesque' will return after judge vote Amanda Holden reveals why Simon Cowell will never fire her from Britain's Got Talent Here's some of what was being said on social platform X: What the actual…😆🤣🤣 Yorkshire pudding man.. #BGT — Teena Massam 🌷🌲 🌳🐦⬛🐾🥀 (@teenamassam) March 1, 2025 This is ridiculous #bgt 😊 — Sharon (@sharonw1411) March 1, 2025 What is this performance??🤨🤨🤨🤨🤨🤨🤨🤨🤨🤨🤨🤨#BGT #BritainsGotTalent #SimonCowell #AmandaHolden #AleshaDixon #BrunoTonioli #KSI #AntAndDec — Vikky (@57NGH) March 1, 2025 What the bloody hell is this 😂#BGT — Ryan Glendenning (@RyanTheSoapking) March 1, 2025 What the 😭😭😭😭😭😭#bgt — Scott | #81 #4 | (@ScottTHFC23) March 1, 2025 Is this a joke ?? #BGT — manolis varnas (@lostintimeline) March 1, 2025 What the hell is this 🤣🤣🤣 #bgt — matty (Fan account) (@tvreality93) March 1, 2025 Once Paley's audition came to an abrupt end, the Blackpool audience began to boo the judges. "Booing us? Look at him!" laughed KSI, who later hopped on stage to nibble some of the homemade Yorkshire pudding that fell off the outfit. "It's not very good!" he announced. Meanwhile, a singer named Stacey received KSI's Golden Buzzer after wowing the room with her epic cover of Snow Patrol tune 'Run', which meant she automatically enters the semi-final phase. Before performing to the BGT judges, she'd only ever sang in her local pub. "The voice that came out of your mouth... I was in awe, I had to press that Golden Buzzer," said the YouTuber. Britain's Got Talent airs Saturdays on ITV1 and ITVX.
