Latest news with #TheOriginalGangster
New Straits Times
21-05-2025
- Entertainment
- New Straits Times
#SHOWBIZ: Call for better recognition of Malaysian film crews
KUALA LUMPUR: The Professional Film Workers Association of Malaysia (Profima) is urging greater recognition and better treatment for behind-the-scenes crew, emphasising their crucial role as the backbone of the country's thriving film industry. Profima president Khalil Saleh highlighted the significant contributions of these workers to the success of high-grossing local films like "Blood Brothers: Bara Naga", "Keluang Man", "Gayong", and "The Original Gangster", stating that these achievements wouldn't have been possible without their dedicated efforts. "We are incredibly proud of the rising quality and strong reception of our local films. "However, it's vital to remember that every emotional beat, action sequence, and set design meeting the director's vision, along with production management and location logistics, are all the result of professional and dedicated film crews," he told BH Online. Therefore, Profima is advocating for improved recognition of these film crews, not just through moral appreciation but also in terms of protection, welfare, and fair, professional-level wages. Khalil said: "Crew members also deserve training opportunities, upskilling initiatives, and bonus payments when films achieve unexpected box office success. Furthermore, ensuring safety in filming locations is paramount. "Our vision is a fair and sustainable filmmaking ecosystem where behind-the-scenes workers are afforded their rights and the opportunity to grow," he added. "If we want our industry to continue its upward trajectory, we must look after the very foundation of production – our film crews." Khalil pointed out that producers who consistently find success are those who prioritise the welfare and rights of their film workers. He also acknowledged the efforts of the National Film Development Corporation (Finas). "While current initiatives for the workers might be limited, as Finas primarily focuses on licensing and regulating filming activities in Malaysia, their role is still appreciated." He also raised the importance of examining regulations concerning overseas productions, particularly entry procedures, double taxation, and strict processes that can deter foreign filmmakers from working in Malaysia. "Addressing these issues is crucial for creating job opportunities and providing our film crews with valuable learning experiences alongside international productions." Khalil extended his "highest appreciation and congratulations to all Malaysian film crews for their dedication and hard work in transforming the filmmaking landscape, evidenced by the continued audience support for various feature films in cinemas since the post Covid-19 pandemic."
New Straits Times
21-04-2025
- Entertainment
- New Straits Times
#SHOWBIZ: Aaron, Sharnaaz 'bury the hatchet' after two years
KUALA LUMPUR: After two years of not seeing eye-to-eye, actors Datuk Aaron Aziz and Sharnaaz Ahmad have finally resolved their differences and "buried the hatchet". Aaron, 49, said in a TikTok live broadcast yesterday that they had both chosen to "forgive and forget". "Each of us has apologised and admitted that we were wrong, we are moving on," he said. "This is also for the sake of our children. We do not want our children to follow our footsteps of not getting on with each other." Sharnaaz, 39, said: "We don't want to prolong our differences as it is not healthy for us. Both of us have careers and families." He thanked Aaron for his willingness to "make peace" and wished him success in his life and career. "Thank you, brother, for being mature in handling this situation. If we sit down to chat, and it's my fault, I'm sorry," he said. A misunderstanding between them occurred when Sharnaaz commented on an issue involving Aaron and director Syamsul Yusof, purpotedly taking Syamsul's side. Syamsul said that Aaron was dropped from the movie The Original Gangster due to health issues, and Aaron criticised Syamsul, saying that the director's reasons for dropping him were baseless.
