Latest news with #TheResidence
Yahoo
9 hours ago
- Entertainment
- Yahoo
‘The Pitt' and ‘The Residence' Costume Designer on Making Noah Wyle Look ‘Worn Out' and Sherlock Inspiration for Uzo Aduba's Look
Having worked on 'E.R' and 'Presidio Med,' costume designer Lyn Paolo felt she didn't feel the need to do another medical drama. But when she read the scripts for 'The Pitt' by former 'E.R.' colleagues and producers John Wells and Noah Wyle, she couldn't turn it down. 'The scripts were brilliant, and they're all so passionate about the project and highlighting the people that take care of us.' More from Variety 'Paradise,' 'The Residence' and 'Zero Day' Production Designers on Recreating The White House for TV 'The Pitt' Star Supriya Ganesh on Wanting to See More of Samira's Personal Life in Season 2 and Using She/They Pronouns: 'Hey, I'm Queer. See Me' TV Bosses Behind 'The Pitt,' 'Doc' and More Examine the Rise of the Medical Drama: 'The Stakes Are Clear' The HBO Max series takes place within the course of one 15-hour shift at Pittsburgh Trauma Medical Center. Paolo's challenge was to make her costumes look and feel real. Paolo describes Wyle's Dr. Michael Robbie's look as 'downtrodden and worn out.' His Beers of the Burgh hoodie was 'trashed. His pants weren't new either,' Paolo says. In comparison, the new people to the trauma center came in with a fresh and crisp look. 'We slowly aged everything all the way through the season,' she says, noting how there was a lot of meticulous detail. Shoes were an important part of 'The Pitt's' detail. Paolo notes how each principal had their brand and 10 pairs. The number was necessary for the season's shoot and to show how the shoes aged over the 15-hour shift. But Paolo didn't just give actors shoes to wear. 'We consciously spoke to each actor individually and said to them, 'Tell me about your feet. What are the problems? What are the good things? What are the bad things? What can you see yourself wearing for nine months and knowing that you're going to be on your feet 12 hours a day, every day.'' She adds that every single character has their own distinct shoe. But there was also meticulous detail on Netflix's 'The Residence.' 'It's a different kind of detail. Why are the Australians in navy blue tuxedos and the Americans in black tuxedos?' 'The Residence' follows Uzo Aduba as Cordelia Cupp, who is tasked with solving a murder at the White House, and everyone, including the staff and guests, are all suspects. Production designer Francois Audouy recreated the White House right down to the yellow and blue rooms, as well as state rooms, leaving little room for Paolo to play with. With most of her color choices eliminated, Paolo would buy fabric swatches and hold them up against color palettes on the wall. 'We didn't want Uzo disappearing against a wall,' she says. Paolo spent time putting together Cordelia's look, and getting it right was vital. She compares the process to a jigsaw puzzle. She knew she wanted something iconic. As a huge murder mystery fan, Paolo says she found inspiration in her love for Sherlock Holmes, 'I went back to the original Sherlock, Basil Rathbone from the 1930s, and just did all this research.' Eventually, she found a 1930s-style hunting jacket that matched Cordelia's quirky personality. In addition to that, Paolo also leaned on her love for Katherine Hepburn. 'I felt like a Hepburn pant, a man's brogue, and a tweed hunting jacket.' Of course, Aduba loved it, and that became Cordelia's signature look. As with 'The Pitt,' it was all about detail for 'The Residence.' Cordelia needed to stand out and was the center of that world. But each group also needed to have their own distinct feeling. 'For all of our background artists, we couldn't use prime colors because I didn't know who was going to be in which room. So, we ended up manufacturing a lot of gowns for the ladies in metallics.' Paolo's next challenge was dressing the men, especially since most were in tuxedos. 'There were tiny, subtle things like navy blue for the Australians, black for the Americans, and a mid gray for the staff.' She adds, 'It's all those visual tricks that we threw in there. Our creator, Paul (William Davies), didn't want anything flashy. He wanted Cordelia to stand out. And I think we got that. I think we achieved that with her look, and everyone else floated away.' Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?
Yahoo
24-05-2025
- Entertainment
- Yahoo
Harrison Ford, Helen Mirren and, Of Course, Nicole Kidman Are Just Some of This Year's Emmy Contender Overachievers
Peak TV may be over, but it's still Peak FYC for quite a few players both in front of and behind the camera. Because we're no longer in the era of 22-episode seasons — once the rule, now the exception — the idea of exclusivity has been thrown out the door. That's why you keep seeing your favorite actors all over your TV screens, as there seems to be no stopping of some stars' work ethic. Fine, I'm talking about you, Nicole Kidman. If there was ever an MVP of the streaming era, it would be Kidman, whose output this season includes Netflix's 'The Perfect Couple,' Paramount+'s 'Lioness,' AMC+'s 'The Last Anniversary' and Hulu's 'Nine Perfect Strangers' (which is premiering too late for eligibility this cycle, but still). More from Variety Gender Binary Acting Awards: How the Indie Spirits Have Set the Tone and Why Asia Kate Dillon Remains Hopeful Despite Setbacks Ike Barinholtz on That Chaotic 'The Studio' Golden Globes Episode, Creating 'Running Point' Despite His Bulls Fandom, and How He Won Both 'Jeopardy!' and 'Millionaire' 'Andor' Season 2 Emmy Submissions Revealed in 23 Categories Including Directing, Writing and Four Guest Stars (EXCLUSIVE) Kidman is far from the only one. Of all the unlikely TV overachievers, Harrison Ford makes the grade this year for Apple TV+'s 'Shrinking' and Paramount+'s '1923.' Then there's Steve Carell in 'The Four Seasons' and 'Mountainhead'; Nathan Lane in 'Mid-Century Modern' and 'Monsters: The Lyle and Erik Menendez Story'; John Goodman in 'The Righteous Gemstones' and 'The Conners'; Giancarlo Esposito in 'The Residence' and 'Godfather of Harlem'; Jon Hamm in 'Your Friends & Neighbors' and 'Landman'; Diego Luna in 'Andor' and 'La Máquina'; Lee Jung-jae in 'Squid Game' and 'The Acolyte'; and Jeffrey Wright in 'The Last of Us' and 'The Agency.' On the actress side, there's Kathryn Hahn in 'Agatha All Along' and 'The Studio'; Natasha Rothwell in 'How to Die Alone' and 'The White Lotus'; Catherine O'Hara in 'The Studio' and 'The Last of Us'; Michelle Monaghan in 'Bad Monkey' and 'The White Lotus'; Eva Longoria in 'Land of Women' and 'Only Murders in the Building'; Helen Mirren in '1923' and 'MobLand'; Allison Janney in 'The Diplomat' and 'Another Simple Favor'; Cristin Milioti in 'The Penguin' and 'Black Mirror'; Meghann Fahy in 'The Perfect Couple' and 'Sirens'; and Uzo Aduba in 'The Residence' and 'The Supremes at Earl's All-You Can-Eat.' And, listen, that is not an exhaustive list. It also doesn't include guest categories — where shows like 'The Studio' are so jam-packed with star cameos that virtually everyone can be considered a double contender. I'm perhaps most excited to see lesser-known names get their due. I don't know if anyone worked harder this year than O-T Fagbenle, and he stands out in each role – as Luke Bankole, June's husband in 'The Handmaid's Tale'; as Nico Della Guardia, the ambitious and smarmy new D.A. on 'Presumed Innocent'; and as Dennis, the mama's boy looking for a house with his wife on 'No Good Deed.' Those are three very different shows and, I've got to imagine, a treat for an actor to jump from one to the next. So I gave Fagbenle a call to hear about his strategy behind landing so many unique roles. 'When I first got into acting, I was doing theater, and you do so many different genres,' he says. 'In a single year, I would do Shakespeare to a physical theater piece, to a modern, gritty urban piece. That was par for the course in London. One of the things that I found funny about moving more into television was that the roles would become a bit same-y after a little while. With my agent, I said, 'Look, I really want to explore the diversity, both in genre and types of character. I'm just really excited that I got a chance to go back to kind of my roots.' Fagbenle has also become a bit known for his unique take on accents, particularly the drawl he gave his character on 'Presumed Innocent.' He laughs at how much attention he's received over that choice. 'The funny thing is, my natural accent changes all the time,' he explains. 'If I'm with my Nigerian family, it becomes one thing. If I'm with my London friends, it becomes another thing. So I'm always doing an accent. I was kind of like swinging the bat a little bit, but I was somewhat surprised just how interested people were in it!' And I'm sure there will be plenty more roles to come for Fagbenle to try on a few more. Best of Variety Emmy Predictions: Writing - 'The Studio' Submits One Episode Only, While 'Severance' and 'The Penguin' Go With Their Finales Emmy Predictions: The Art of the Submission Creates New and Viable Contenders Emmy Predictions: Directing (Drama, Comedy, Limited) - Will Ben Stiller, Philip Barantini and Seth Rogen All Become Award-Winning Auteurs?
Yahoo
14-05-2025
- Entertainment
- Yahoo
CBS Sets Record With 17th Straight Season Victory in Total Viewers
CBS will make a little bit of TV history when the 2024-25 season wraps. The network is set to finish its 17th straight season as the No. 1 broadcaster among all viewers in primetime, a streak that dates back to the 2008-09 season. The 17 consecutive season wins tops the previous mark, also held by CBS, of 16 straight from 1955-70 (when household ratings were the primary measure). More from The Hollywood Reporter Gretchen Wilson Goes on 'The Road' With CBS Music Competition Show Streaming Ratings: 'The Residence' Moves Into No. 1 Overall Spot 'Royal Pains' Update in the Works at NBC Although there are few weeks left before the official end of the September-to-May TV season, as measured by Nielsen, CBS' lead over its rivals is large enough that the rankings are very unlikely to change. So as it did a year ago and several other times in the recent past, the network is planting its victory flag now. There's good news across the board, however: Among the big four broadcasters, three have improved their primetime averages from this time last season, and the fourth, ABC, is even with its year-ago numbers. The gains largely come down to networks having a full season's worth of programming: As writers and actors went on strike for better contracts in 2023, most scripted programming was pushed to the first quarter of 2024, resulting in shorter seasons and a hodgepodge of mostly lower-rated shows filling the first half of the 2023-24 season. Through April 20, CBS is averaging 5.72 million viewers in primetime with all programming, up from 5.59 million a year ago (a gain of about 2 percent). NBC is also up by about 2 percent at 5.1 million viewers. ABC's 4.28 million viewers is virtually even with 4.29 million last year, while Fox is up by 14 percent at 3.83 million — with a record-setting Super Bowl responsible for a good portion of that improvement. (All figures are Nielsen's 'most current' ratings, a combination of seven-day linear figures for most weeks and same-day numbers for the most recent days. Streaming isn't included.) Stripping out sports, CBS' lead is a little larger. It's averaging 4.99 million viewers in primetime, up 14 percent from the same time last season. NBC places second with 4 million viewers excluding sports, followed by ABC (3.58 million) and Fox (2.16 million). Tracker is set to repeat as the most watched non-sports series in 2024-25. The drama starring Justin Hartley is the only network entertainment show to average more than 10 million viewers before streaming; it's currently at 10.84 million viewers over seven days, with two episodes remaining in its season. CBS has the top seven and eight of the top 10 non-sports shows in total viewers with Matlock (second), 60 Minutes (third), FBI (fourth), Georgie & Mandy's First Marriage (fifth), Blue Bloods (sixth), NCIS (seventh) and Elsbeth (ninth) joining Tracker. NBC's Chicago Fire (eighth) and Chicago Med (10th) complete the top 10. Best of The Hollywood Reporter 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise 'Yellowstone' and the Sprawling Dutton Family Tree, Explained
New European
13-05-2025
- Entertainment
- New European
Why we love whodunnits
This trend perhaps also reflects the fact that attention spans have dwindled since Agatha Christie's day. While Uzo Aduba's portrayal of birdwatching-obsessed detective Cordelia Cupp in The Residence is everything you could want from an eccentric but brilliant sleuth, the show itself doesn't seem to trust its viewers to keep up with the dozens of suspects and twists. As a result, too much of the runtime is spent recapping or replaying earlier scenes, which is frustrating for those of us who aren't second screening. In the new season of the murder mystery series Poker Face, one of the cases involves not two, not three, but five identical siblings (all portrayed by Cynthia Erivo). In The Residence, another recent detective show, a whopping 157 suspects (including Kylie Minogue playing herself) are scattered throughout the 132 rooms of the White House. This kind of ante-upping is characteristic of 21st-century whodunnits. It makes sense that a genre that relies on predictable tropes, and whose golden age is thought to have occurred a century ago, would feel the need to reinvent itself in increasingly audacious ways. Poker Face, on the other hand, places more faith in its audience and is overall more satisfying. Natasha Lyonne stars as Charlie Cale, a straight-talking, sharp-witted, chain-smoking drifter-turned-amateur-sleuth who is being chased across the US by various mobsters. The precise reasons behind it all aren't crucial. What matters is that Charlie possesses an almost supernatural ability to detect lies, which allows her to solve the murders that always seem to occur wherever she goes. The internet had long been clamouring for Lyonne to take on a role like this. Her whole career (and I mean this as high praise) has basically been one long Columbo audition. Her spiritual connection with Peter Falk often seeps into her mannerisms, even when she isn't on set. So, when Rian Johnson (who is also behind the Knives Out films) created a detective role with Lyonne in mind, it was only natural that both Falk and Columbo would be major influences. Beneath Cale's exterior of 1970s thrifted clothes, unruly hair, and 'voice like a rusty clarinet' lies genuine vulnerability and heart, qualities she shares with Columbo, and that some of the other near-superhuman detectives lack. Cale solves intricate murders, one after the other, not because she's on the police payroll or finds the whole exercise intellectually stimulating, but driven by loyalty to the friends she's made in her travels, a strong moral compass, and, of course, her in-built lie-detector. Like Columbo, Poker Face is not strictly a whodunnit but a 'howcatchem,' in which crime and culprit are known by the audience from the start. The intrigue lies in discovering how the detective will solve the mystery, and in Poker Face, how Cale will find herself entangled with the murder victim in the first place. The standalone case-of-the-week format allows it to showcase an impressive line-up of guest stars like Adrian Brody, Chloë Sevigny and Giancarlo Esposito (who also appears in The Residence), across a wide range of locations and professional settings, from the heavy metal scene to a race car track or a retirement home. Of course, this all requires a healthy suspension of disbelief, but I was more than happy to oblige because I had so much fun watching. I am sure that, despite its winks at the audience, and Lyonne's effortless charisma, some will grow tired of the show's repeating patterns. But I think the creators understand that it is precisely the well-tested, formulaic nature of whodunnits that make them so enjoyable. A key element of this formula is the detective. I am not referring to the gritty, morally ambiguous figures from noir fiction with a troubled past and a drinking problem. I mean the eccentric detective with a silly and sometimes alliterative name, whose quirks often cause suspects to underestimate them. This detective is daring enough to bend rules and take risks but always remains morally sound. Then, of course, there's the cast of archetypal suspects, the assortment of red herrings and plot twists, and the grand finale in which the detective reveals, in dramatic fashion, how they've once again solved the case. We like to think we enjoy whodunnits because they engage our analytical skills, much like solving a puzzle. But is it really all that satisfying to crack the case before the detective does? I personally find that if I am able to work things out before the end, it makes me think less of the writing. If we are being honest, the true appeal of whodunnits is that they're comforting. In a world filled with chaotic uncertainty, true crime documentaries about unsolved cases, and a growing sense of confusion in virtually every aspect of human life, whodunnits and howcatchems offer much-needed structure and resolution. The figure of the detective who always finds the solution, is reassuring because they take the overwhelming complexity and disorder of human affairs and neatly organise them into clear, straightforward explanations, leaving no room for any lingering doubt. In the end, everything, down to the killer's motives, is perfectly tied up, and justice is always served. On a less existential note, the paint-by-numbers nature of murder mysteries actually provides a perfect backdrop for something more important than a reassuring sense of order. Those who write good murder mysteries understand that within the well-defined parameters and predictable outcomes of the genre lies a certain creative freedom, one that is especially conducive to whimsy and farce. Think, for instance, of anything Hercule Poirot has ever said about his own moustache, or Daniel Craig's outrageous but wonderful Mississippi accent in the Knives Out film series. Poker Face is a prime example of the genre being well exploited: witty, fun and with a memorable lead who is on track to go down as one our most iconic amateur sleuths. Emily Herring is a freelance writer and editor based in Paris
Zawya
13-05-2025
- Business
- Zawya
Salam Properties launches The Residence New Cairo compound
Salam Properties has announced the launch of its new residential project, The Residence, located in the heart of New Cairo, with total investments reaching 9 billion EGP. The project is part of the company's ambitious vision to redefine the concept of quality living, luxury, and upscale lifestyle within an integrated residential community. The project was unveiled at a high-profile launch event attended by top executives from Salam Properties, leading business figures, investors, public figures, real estate marketing professionals, and members of both the House of Representatives and the Senate. The ceremony featured the official reveal of the project's architectural design and its range of upscale amenities. Ahmed Kassem, CEO and Vice Chairman of Salam Properties, stated that the launch of this project aligns with the company's ambitious strategy for the coming period. He said that the company aims to strengthen its market presence, expand its investment portfolio, and deliver innovative products and services that meet customer needs and keep pace with rapid developments in real estate sector. Kassem explained that the addition of a global partner like DoubleTree by Hilton significantly enhances the project's investment value. As part of the renowned Hilton Worldwide group. He noted that Salam Properties follows a distinctive, non-traditional approach, aiming to deliver developments that embody the highest standards of quality living, luxury, and integration. The company focuses on securing prime strategic locations, partnering with leading industry players, and offering diverse features within each project—factors that collectively enhance its competitive edge in the market. Dr. Moataz Shalaby, Chief Commercial Officer at Salam Properties, said that The Residence is located in a prime area, just steps away from the lively Teseen Street, and close to The American University in Cairo in Fifth Settlement. Shalaby added that the compound is nestled among prestigious residential communities, international schools, top-tier hospitals, and major commercial hubs—positioning it at the center of a lively and well-equipped area. With convenient access to the Mohamed Naguib Axis and the Ring Road, the project ensures outstanding connectivity throughout Cairo, all while preserving a tranquil and secure living atmosphere. He disclosed that the project stretches over 12 acres in the Lotus area of New Cairo—one of the city's most vibrant and investment-attractive locations. The development is scheduled for delivery within three and a half years, offering investors and clients residential, commercial, and hotel units built to international standards within a short timeframe, while maintaining the highest levels of construction and finishing quality. He pointed out that the project features a wide variety of unit types, ranging from studios and one-bedroom apartments to two-bedroom, three-bedroom, and penthouse units. It will also include a Club house and DoubleTree hotel by Hilton, significantly enhancing the value offered to residents and clients. 'Salam Properties offers flexible and convenient payment plans, starting with a 10% down payment and installment periods of up to 12 years. These well-structured financing options are designed to accommodate a wide range of buyers, providing both investors and future residents with the opportunity to benefit from this unique investment offering,' Shalaby pointed out. 'The company's commitment to delivering innovative real estate solutions that meet evolving market needs and offer clients the highest standards of comfort and flexibility.' He further explained that Salam Properties is dedicated to consistently offering the best to its clients through carefully planned projects that meet all standards of excellence and quality. This approach ensures the development of projects that expand the company's portfolio, strengthen client trust, and align with the preferences of Salam Properties' valued customer base.
