Latest news with #TheShowMustGoOn
Time of India
11 hours ago
- Entertainment
- Time of India
LeAnn Rimes sparks concern after Bolting Off Stage mid-show as Teeth reportedly fall out
A breathtaking performance has taken on a new meaning because of LeAnn Rimes . The country music artist rushed off stage after her teeth fell out in the middle of her performance, shocking the audience. Fans were obviously concerned by the strange moment, so Rimes took to social media to address the situation. 'The Show Must Go On' Radar Online claims that Rimes' dental disaster occurred on Friday, June 20, while she was performing at The Skagit Casino Resort in Washington. The following day, Rimes posted a video to Instagram with the caption, "Story time… the show must go on," to ease fans' worries and clarify what had actually happened. "Okay," she stated in the video, "we're going to do a little story time about how the show must go on... and this is the most epic example of how the show must go on." So last night I was on stage, in the middle of singing 'One Way Ticket,' and I felt something pop in my mouth. "And if you've been around, you know I've had a lot of dental surgeries, and I have a bridge in the front, and it fell out in the middle of my song last night." The Grammy winner claimed that after realizing what had happened, she "panicked" and rushed off stage to "pop" her dental bridge back into place. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Perdagangkan CFD Emas dengan Broker Tepercaya IC Markets Mendaftar Undo Rimes went on, "Then I just had to get real with everybody and tell them exactly what was happening, or else I would have had to walk off stage. And so, for the rest of the show, I was literally like this, pushing my teeth in." Rimes claimed to be pressing down her teeth for the rest of the performance, saying, "I never knew how many 'Fs,' 'Ths,' and 'Shs' that I have in my songs." Rimes described the incident as "the most epic experience ever," despite the fact that it was undoubtedly "embarrassing." However, the two-time Grammy winner, who is married to actor Eddie Cibrian , stated that she hopes it won't happen again: "I don't usually have firsts in my career—that was a first, and hopefully a last."
Irish Examiner
12-05-2025
- Entertainment
- Irish Examiner
Gig review: Qween reign supreme as they roll out a tribute to Freddie and co
Qween and The Dublin Gospel Choir, Olympia Theatre, Dublin, ★★★☆☆ Queen rule and those who claim to disagree are only fooling themselves. Sadly and for obvious reasons we won't see them again, although what remains of the band played a great Marlay Park gig in 2018, so their beloved music is perfect tribute band material. As the Bootleg Beatles, mop topping for forty-something years, and others have proven, there's plenty of interest in this sort of thing if it's done right. Enter, then, Qween who've deservedly sold out several large venues across the country, including Limerick's King John's Castle. There wasn't much wiggle room in the Olympia last Saturday either, and with good reason as Qween put on a proper show. Right from the opening extended One Vision freak out, John Deacon (Eoghan O'Neill, in appropriate O'Neill's GAA short shorts), Roger Taylor (Graham Sheridan), and James McGeehan on keys are tight as a recession budget. To be honest I look more like Brian May than Thomas Brunkard, but that doesn't matter because his guitar is on fire. Tapping the neck one minute, pulling out a slide the next, he gets that sound right on everything from a stately Who Wants To Live Forever to a fierce Hammer To Fall. Qween performing I Want To Break Free. It all centres on Freddie, though, and the marvellous Brian Keville is equal to the task. The moustache he claims is real deserves its own dressing room and he suggestively employs the trademark half mic stand when appropriate (ie all the time). He parades about in drag with Hoover for I Want To Break Free, sports a jacket possibly pinched off Carmen Miranda, and even does the Mercury mouth wriggle. On top of all that, his voice is spectacular, whether he's commanding the histrionics of The Show Must Go On, leading the crowd through Mercury's call-and-response of 'Aaaa-OH!', or making us all weep during These Are The Days Of Our Lives. The appearance of two scantily clad females with suitably ample posteriors for Fat Bottomed Girls is one thing, and they unquestionably do make the rocking world go round, but the addition of the Dublin Gospel Choir is inspired. Providing vocal support throughout, although Keville hardly needs it, they come into their own for an absolutely superb Somebody To Love and the gloriously over-the-top operatics of Bohemian Rhapsody. As it should be, it's a celebration of those immortal hits from soup to nuts, delivered with skill that surpasses mere imitation. Go see them.
