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First Post
15 hours ago
- Entertainment
- First Post
Vishnu Manchu, Mohan Babu, Akshay Kumar and Prabhas' Kannappa Movie Review: Big budget, big star cast, but an absolutely baseless & illogical film
Star cast: Vishnu Manchu, Mohan Babu, R Sarathkumar, Arpit Ranka, Brahmanandam, Brahmaji, Siva Balaji, Kaushal Manda, Rahul Madhav, Devaraj, Mukesh Rishi, Raghu Babu, Preity Mukhundhan and Madhoo Director: Mukesh Kumar Singh Wonder why people make movies like this with absolutely no storyline? I am not even asking for closer to reality films, but it should be at least entertaining. Just a huge star cast doesn't work for a movie to succeed. You need meaty stories for a film to be successful. Just bringing mythology with big stars doesn't suffice for a movie to be successful. But just making a devotional film, you can't expect the audience to love it. STORY CONTINUES BELOW THIS AD For today's evolved cinema audiences are not at all star-struck like the way they used to be a few years back. And the hero of a film is not the stars, it is the story. Later, other things come in. The narrative of the entire film will bore you to death. Sadly, when Kannappa is a dream project of Vishnu Manchu and sorry to say there is nothing dreamy about it. When you are reintroducing folklore and devotional legend to our present-day evolved audience, the approach should be a little bit sharper and clearer and not a holy mess, Kannappa. Kannappa is overstretched beyond the limit. The story is about Thinna, a hunter who doesn't believe in God at all. Inspired by the history of the Sri Kalahasti temple, the film explores Thinna's fight against age-old customs, one of them being sacrificing humans in the name of God. He falls in love with a girl from the village played by Preity Mukhundhan. Thinna marries her against the wishes of his family and also the other jungle dwellers. The centre point of the film is how Thinna transforms from a non-believer to a devoted follower of Lord Shiva. The most annoying bit of the film, though, was when Thinna offers his own eyes to the deity. The movie is overtly long and unnecessarily stretched. The movie lacks a compelling narrative that will engage the audience glued to the screen. Though the look of the movie was good with lush greenery, nothing beyond I would ask the audience to expect from the film. The VFX of the film too sucks. My only advice to filmmakers is, please don't make movies like Kannappa. Rating: 1 (out of 5 stars) Kannappa is playing in cinemas
The Hindu
17 hours ago
- Entertainment
- The Hindu
Kannappa movie review: Barring a few moments, this grand retelling of a devotional tale lacks soul
At one point, well into the second hour of the Telugu film Kannappa, Prabhas appears on screen as the deity Rudra. His extended cameo includes lines that cheekily nod to his larger-than-life image — one even references the endless speculation around his bachelorhood. These 'meta' touches serve as deliberate fan service, injecting energy into an otherwise uneven narrative. It is a shame, because Kannappa, led by Vishnu Manchu, sets out with the earnest ambition of reintroducing the devotional legend to a contemporary audience. Rooted in folklore, the story follows Thinna, an atheist hunter believed to be a reincarnation of Arjuna, who transforms into a devout follower of Lord Shiva. In a final act of faith, he offers his own eyes to the deity, earning the name Kannappa. Kannappa (Telugu) Director: Mukesh Kumar Singh Cast: Vishnu Manchu, Mohan Babu, Preethi Mukhundhan, Sarath Kumar, Prabhas, Mohanlal, Akshay Kumar and Kajal Aggarwal Run time: 183 minutes Story line: How the atheist hunter Thinna, said to be a reincarnation of Arjuna, becomes a staunch devotee of Lord Shiva. The story of Kannappa has previously graced the Telugu screen in Bapu's revered 1976 film Bhakta Kannappa, which starred Krishnam Raju — uncle to Prabhas, who makes a much-publicised cameo in this new retelling. The region's cinema is no stranger to devotional dramas; the past has offered audiences tales told with both grandeur and emotional integrity, drawing them deeply into the spiritual journeys of their protagonists. In contrast, the core of Kannappa (2025) is overwhelmed by its ambition to stage a pan-Indian spectacle. Big-ticket names from across industries — Akshay Kumar and Kajal Aggarwal as Shiva and Parvathi, Mohanlal and Prabhas in extended cameos — are employed, but their presence does little to enrich the narrative. The film follows Thinna (Vishnu Manchu), a tribal hunter who renounces faith after a childhood trauma. His disillusionment with blind rituals is a theme that recurs intermittently, posing thought-provoking questions about the performance of devotion. But just as these threads begin to tug at the viewer's curiosity, especially through sporadic divine reactions from Shiva and Parvathi, the film retreats, offering no deeper interrogation. Instead, it reverts to tracing Thinna's transformation from sceptic to Shiva's most ardent devotee. Much of Kannappa has been filmed in New Zealand, in an attempt to recreate a lush, second-century landscape. While visually impressive in parts, this setting often feels dislocated from the cultural and emotional terrain of the story. The tribal skirmishes, particularly the face-off with the Kalamukha clan — whose aesthetic borrows heavily from Baahubali's Kalakeya warriors — feel derivative and underwhelming in comparison. This brings us to the larger problem — in the post-Baahubali era, it is not enough to go big. S.S. Rajamouli's films endure not because of scale alone, but because they rooted spectacle in craft — tight screenplays, innovative action sequences, and emotional stakes that resonated. In Kannappa, action set pieces are clunky, and the visual effects often distract rather than dazzle. Beneath the film's bloated surface, however, are flickers of genuine narrative promise. The bond between Thinna and his father (Sarath Kumar), and his continued yearning for his late mother, provide glimpses of pathos. His relationship with Nemali (Preethi Mukundhan), a warrior princess and Shiva devotee, also had potential. Preethi possesses a striking presence, but her character is reduced to ornamental appeal after a brief flash of swordplay and a couple of high-glam songs. The film briefly explores the contrast between Mahadeva Shastri's (Mohan Babu) orthodox puja — complete with silks and flowers — and Thinna's more visceral form of worship, offering meat from his hunt. It is a crucial narrative pivot that could have added depth to the devotional theme, but it arrives too late and is too hurriedly resolved to have any real impact. With a sprawling ensemble that includes veterans like Madhoo, Brahmanandam, Sapthagiri, Brahmaji, Mukesh Rishi, and Aishwariyaa Bhaskaran, the film is overpopulated and underwritten. Of these, only Sarath Kumar and Mohan Babu leave a lasting impression. Vishnu Manchu finds his footing in the emotional climax, but by then, much of the momentum is already lost. Ultimately, Kannappa had a moving legend to build upon — a tale of unwavering faith and sacrifice. But what it needed was not more star power or visual gloss, but storytelling rooted in emotional clarity and cultural texture. In striving for grandeur, it forgets to tell the story that matters. Kannappa is currently running in theatres
