Latest news with #Thronglets
Indian Express
24-04-2025
- Entertainment
- Indian Express
A hidden scanner in Black Mirror Season 7 episode could haunt you forever, and it's just a click away
Black Mirror Season 7's Plaything rolls out the creepiest tech yet At the end of episode four, Plaything, a QR code flashes on the screen. Scan it, and you're taken straight to the App Store or Google Play, where you can download the actual Thronglets game. And surprisingly, it's not even a watered-down version of what you saw in the show. Instead, it's the real deal, the full-on game played by the protagonist. 'Be warned: the Throng is judging you.' The game kicks off with one little egg. You hatch it, and out pops your first Thronglet. You feed it, take care of it, bathe it, play with it and enjoy the total classic virtual pet vibes. But, living up to the theme of Black Mirror's episode, they soon start multiplying. Fast. And suddenly, you're not just raising pets, you're building a society. You're making homes, setting rules, and making hard choices. 'Hatch and evolve hundreds of cute creatures: Thronglets! Feed, bathe and entertain them to watch them multiply. One becomes two, two becomes four, and so on. Soon there will be so many, you'll call them a throng,' the game's description reads. The best part? You won't need to spend hours figuring stuff out, there are enough directions on-screen to guide you through, even suggesting how to communicate with your Thronglets. There's a moment early on where the game asks if you want to build a bridge the slow, ethical way (chopping wood), or take a shortcut by harvesting the bones of your own dead Thronglets. It's played off as a joke, like the 'bug' in the game is actually a literal insect, but the moral hit is real. And if you go back on your word? They remember. The more your Throng grows, the messier it gets. You're not just playing for fun anymore. The guilt creeps in as you watch your Thronglets die. You're juggling their mental health, housing, work-life balance, and whether the circumstances you have created are actually killing them. That stings. But that's still not the end. The first world is a tutorial, but world two throws you into the deep end. Tons of items, overlapping systems, and the kind of stress that makes you question your in-game morals. By the time you hit the final stage, you're dropped into a cut-scene-heavy finale with multiple dialogue options. And it hits you: the Thronglets have been judging you the whole time. Will they be proud of the leader you became, or horrified? For Netflix users, the game is completely free. The app currently holds a 4.5 rating with over 200 reviews. What is Black Mirror episode Plaything about In episode four of Black Mirror season 7, Scottish actor and director Peter Capaldi steps into the shoes of an old loner, Cameron, who gets arrested by cops for trying to shoplift some alcohol. Soon after, he becomes a suspect in a murder when police take a spit sample under the 'Bio-Identity Act of 2029' — something way beyond understanding for now. But since some of the show's older concepts have already started turning real in today's world, can we even question it? After his arrest, Cameron opens up about his obsessive gaming habits from the '90s, back when he was a young game reviewer. He's later seen stealing a copy of his colleague Colin Ritman's (Will Poulter) game, Colin being a programmer working on something he plans to scrap. And once stolen, the only copy left ends up with Cameron. Cameron recalls taking LSD for the first time while completely hooked on the game. While he's tripping, he starts to believe he's understanding the Thronglets better. Their random chirps? Suddenly sounds like real communication to him. He hears them asking for more power, more speed. So, he upgrades his entire setup to give them exactly that, even takes more drugs just to stay in sync with their voices. Later, Lump (the friend who gave him drugs for the first time) finds the digital world Cameron's built and messes around like it's just a game. He ends up killing a bunch of Thronglets for fun. Cameron snaps, strangles him to death, chops up the body, and dumps it far away. That's the cold case the cops dig up years later. When they confront him, Cameron shows them a port he's surgically installed in his brain. The Thronglets live inside him now. He calls them 'a benign parasite.' And then comes the twist, Cameron actually wanted to get caught.
The National
13-04-2025
- Entertainment
- The National
Black Mirror review: All of season seven episodes ranked from worst to best
Black Mirror is back. Charlie Brooker's award-winning sci-fi anthology series has returned for its seventh season with six new episodes (including one sequel). The latest installment delivers a compelling mix of tech nightmares and emotionally driven stories that are well worth watching. While we previously shared IMDb's ranking of all previous 28 episodes, this time, The National has ranked the six new episodes from season seven, from worst to best. Though largely filled with strong episodes, there's not a significant gap between the bottom and top choices. So for those who have already binged the new season, here are the episodes listed from worst to best: Note: Spoilers below. Cameron (Capaldi) is a reclusive loner who is investigated by the police, tying him to a 1994 cold case involving a murdered acquaintance. Going between the present and past, younger Cameron (Gribben), who was a video game reviewer, falls into an obsession with a game called Thronglets that has a digital lifeform called the Throng, inspired by a mysterious programme created by Bandersnatch's 'genius programmer' Colin Ritman (Poulter). Cameron's fascination intensifies under the influence of drugs, leading him to believe he can communicate with the Throng. This obsession culminates in a violent act when he murders his roommate, Lump, who mistreats the digital beings. As present-day Cameron explains his belief that humanity must merge with the Throng to overcome violence, he activates a signal intended to trigger a digital singularity, potentially ushering in a new era of human evolution. The National's take: There isn't anything actually wrong with Plaything, it's just that season seven had many other stronger episodes. Including references to Bandersnatch is a nice touch. The ambiguous, eerie ending also leaves the door open for sequels or deeper implications within the Black Mirror universe. A successful food researcher Maria (Kelly) finds her life unravelling when Verity (McEwen), a former classmate she once bullied, joins her company under mysterious circumstances. As Maria's reality distorts – she misremembers the names of places and sends an email in which she swears she wrote one thing, but is proven to have written something else – she suspects Verity is somehow manipulating events. Her fears are confirmed when she discovers Verity can distort memories and events as she has developed a quantum device that alters reality, seeking revenge for past traumas. In a climactic confrontation, Maria kills Verity and seizes control of the device, ultimately declaring herself "empress of the universe" (which Verity also previously admitted to doing). The National's take: The gaslighting in this episode made my anxiety spike — which is probably exactly what Brooker intended. The first half of Bete Noire was brilliant, but the final minutes felt a bit underwhelming. Sure, you could call it a happy ending since Maria ends up with the quantum device, but I couldn't help wishing she had used her newfound power differently. Actor Brandy Friday (Rae) is inserted into a simulated remake of a classic Hollywood film, where she falls in love with Clara Ryce-Lechere (Corrin), a version of the movie's heroine created by artificial intelligence. As technical glitches expose the artificiality of her world, Clara becomes self-aware and discovers she was modeled after the repressed actor Dorothy Chambers. Clara chooses to pursue her own happiness with Brandy, but their romance is cut short when the simulation resets and everyone's memories revert to where the film had paused. In a tragic twist, Clara is fatally shot, diverging from the original movie's ending. After returning to the real world, Brandy receives a device that allows her to speak to a simulation of Dorothy during one of her old screen tests. The National's take: It's a beautiful love story that gives off San Junipero vibes. Corrin is mesmerising as an old Hollywood starlet. As AI becomes increasingly embedded in our daily lives, the story feels less like science fiction and more like a near-future possibility. A devoted husband named Mike (O'Dowd) turns to a futuristic subscription service called Rivermind to save his wife Amanda (Jones), a schoolteacher who collapses from a sudden medical emergency. The service promises to keep her brain alive for $300 a month, but what begins as a lifeline, soon spirals into a dystopian nightmare as the couple is forced to navigate escalating costs and manipulative tiered upgrades. As Amanda is moved through different Rivermind tiers, her behaviour shifts drastically, from confusion and emotional withdrawal to temporary clarity and peace in premium levels, but each upgrade comes at an unbearable financial and psychological cost. With mounting pressure and no clear path forward, Mike faces the impossible decision – keep paying to preserve a fragmented version of Amanda or let her go. The National's take: It's a chilling critique of healthcare, capitalism and the tech industry's commodification of survival. There's also some pointed digs at platforms and their constantly expanding tier systems, Netflix included (which does make you wonder how Brooker got away with it). The first sequel in Black Mirror history, the story picks up months after the digital clones of the USS Callister crew escape their tyrannical creator, Robert Daly (Plemons), and enter the expansive virtual universe of the game Infinity. Now operating as space pirates to survive, the crew, led by digital Nanette (Milioti), seeks to carve out a haven within the game. Their plan involves accessing the "Heart of Infinity", a central server that could grant them autonomy. Meanwhile, in the real world, the original Nanette discovers the existence of these digital clones and collaborates with James Walton (Simpson), chief executive of Callister Inc, to track them down. As events unfold, Nanette becomes brain-dead after a car accident, prompting her digital counterpart to confront a clone of Robert Daly within the Heart of Infinity. Faced with a moral dilemma, digital Nanette chooses to merge the consciousness of the Callister crew with her own, allowing them to experience the real world through her senses and communicate via her cellphone. The episode ends with Walton's arrest for his involvement in illegal digital cloning, and Nanette and the crew adapting to their new shared existence. The National's take: Despite the long gap between episodes, USS Callister: Into Infinity delivers a satisfying conclusion. It's a strong reminder that if Brooker ever decided to make a full-length Black Mirror film (non-interactive, that is), it would probably be a hit. Given how well this sequel worked, perhaps Black Mirror should consider exploring more follow-ups? Phillip (Giamatti), a solitary middle-aged man, is approached by a tech company called Eulogy to contribute memories of his late ex-girlfriend Carol for an immersive memorial. Initially hesitant as they had a rocky relationship, he agrees and uses a device to enter old photographs that allow him to revisit moments from their strained relationship. But he finds he can't picture her face – and discovers he had defaced any remaining images of her out of lingering bitterness. As he delves deeper, guided by a digital assistant who later reveals herself to be Carol's daughter Kelly (Ferran), Phillip learns painful truths about their past, including Carol's pregnancy from a retaliatory affair. A rediscovered letter reveals that despite the pregnancy, Carol had wanted to stay together, but in an angry state, Phillip never saw it – and therefore never read or responded to it. The discovery brings a wave of regret but also clarity – she hadn't simply walked away. The episode ends with Phillip attending Carol's funeral, watching Kelly perform a cello piece, and finally being able to remember Carol's face. The National's take: Sweet and poignant, Eulogy avoids the crushing despair the series is known for, instead going for a tender and reflective resolution. While not exactly a happy ending, it's a realistic one about missed opportunities and lost love. Exploring regret, it shows how technology can also help someone process pain rather than deepen it.
Yahoo
10-04-2025
- Entertainment
- Yahoo
Netflix's latest season of ‘Black Mirror' comes with a mobile game
Season 7 of 'Black Mirror' premiered on Thursday, introducing a new mobile game connected to one of its episodes. The game, titled "Thronglets," from Netflix's own Night School Studio, serves as a companion to the episode called 'Plaything.' Players interact with virtual yellow pets and strive to keep them alive. If players are successful in caring for their pets, the creatures will replicate, making it increasingly challenging to keep up with their needs. The creatures can also gather resources, develop technologies, explore new areas, and unlock tools and buildings to progress more quickly. While it may initially resemble innocent games like Tamagotchi, the beings in Thronglets are decidedly more twisted. They are sentient and communicate directly with the player. For example, when the player chops down trees using an axe, a creature might realize that bones are more effective than an axe and require less time. Consequently, the player must decide whether to sacrifice some creatures for their bones to speed up the process. Netflix's gaming strategy to date has lacked focus, but the company more recently said it would direct its energy on four types of games going forward. These include narrative games tied to Netflix shows, as well as gaming titles for kids, party games, and potential mainstream hits. The latter could include licensed tie-ins to shows and originals. The new Black Mirror-themed game is currently available for Netflix subscribers on both iOS and Android devices. Although Netflix has occasionally launched games inspired by its IP, this is the first time we've seen a game that is directly tied to the narrative of a specific episode. Thronglets launches amid the company revamping its gaming strategy, having previously been scatterbrained about the titles it releases. Netflix has released a mix of indie games, popular existing titles, and games based on its IP. However, not all titles have been successful, leading to the recent cancellation of Netflix Stories, a narrative-driven game featuring shows like 'Love is Blind.' Speaking at the Game Developers Conference (GDC), vice president of games technology and portfolio development, Jeet Shroff, stated that the company is now focusing on four main areas: narrative games, multiplayer party games, games for kids, and mainstream titles. Thronglets falls into the mainstream category, making it a clever decision for the streaming giant to create a game based on one of its most popular shows. Another example of a mainstream release is Squid Game: Unleashed, which has reportedly reached 20 million downloads, according to market intelligence firm Sensor Tower. Sign in to access your portfolio
WIRED
10-04-2025
- Entertainment
- WIRED
You Can Play the New Game in ‘Black Mirror'—and It's an Adorable Nightmare
Apr 10, 2025 12:01 AM The creator of Thronglets , featured in season 7 of the Netflix series, says the game makes it feel like a Mogwai 'effed up your life.' Still from Black Mirror: Thronglets. Courtesy of Netflix When Charlie Brooker's Netflix series about tech-driven dystopias, Black Mirror , returns, it will do so with a surprising new twist: a mobile video game tie-in called Thronglets . Think Tamagotchi, but psychologically threatening. Netflix showed off both a sneak peek of the new season of Black Mirror and the accompanying life sim game from Night School Studios during a private event in March during the Game Developers Conference. Sean Krankel, cofounder of Night School Studios and Netflix's newly appointed general manager of narrative, says the team worked closely with Brooker to create 'an artifact' from the show people could experience as an extension of its story. 'The way I came back to the team and I was like, oh my God, imagine if you brought a Mogwai home and it effed up your life after you watched Gremlins ,' Krankel says. 'That's the vibe that we really wanted to create there.' Night School, which Netflix acquired in 2021, is well-versed in creating games based in TV universes. Previously it worked on a tie-in to USA Network's Mr. Robot ; the studio was also working on an unannounced game which would have connected to Netflix's Stranger Things before the title's publisher, Telltale Games, abruptly shut down. Working with Brooker, Krankel says, had been a dream of his after seeing the 2018 Black Mirror film, Bandersnatch . 'It was designed so well that even when you finished it, it was immediately dangling the carrot to come back and play it and get stuck in that loop,' Krankel says. 'They showed a real gamelike design sophistication to it.' Unlike the series, which typically tells different stories about the perils of technology and near-future dystopias through anthology, Black Mirror: Bandersnatch was a stand-alone film and a fully interactive experience. Viewers make choices throughout the movie that shape its story, clicking options using their TV remote much like they would click buttons in a video game. Krankel says that after getting wind that Brooker would be returning to that world—in this season of Black Mirror , Will Poulter reprises his role as video game developer Colin Ritman—he knew it was a project Night School wanted to be a part of. The season 7 episode, titled 'Plaything,' is an homage to—or possibly a horror story retelling of—Brooker's time as a video game journalist in the 1990s. Brooker wrote for a games magazine called PC Zone, which plays a role in the show, and once had to review a life sim game called Creatures . 'That's as autobiographical as this gets, because then all sorts of horrible things happen,' Brooker says. The episode's protagonist pays a visit to Poulter's character, who sets him down the show's dark path. Brooker wanted 'the juxtaposition of making it look as cute as possible and having quite disturbing and dark things.' (It has to be said that the show's depiction of a games journalist—a greasy, socially awkward white guy whose stammering and social ineptitude border parody—is so eye-poppingly painful I can't decide whether to be a little insulted at the stereotype or ask to hear Brooker's horror stories over a stiff drink.) It wasn't the first time Krankel had pitched a collaboration to Brooker; he says the Black Mirror creator had been 'meh' about previous ideas. ('Surely I didn't 'meh,'' Brooker says.) But the episode featured a 'Tamagotchi gone really wrong life sim' type of game, Krankel says, that Night School had a good feel for. You raise the thronglets, and then they terrorize you. Courtesy of Netflix There is no escape. Courtesy of Netflix Thronglets —the game has the same name in real life as it does in the show—is sort of like Stardew Valley or Zoo Tycoon . You raise tiny yellow creatures, the thronglets, as they multiply. You alone are responsible for keeping them clean, happy, and fed. Unfortunately, from what I've played of the mobile game, that's a task that spirals out of control very quickly. The pesky little thronglets remember when you let them go hungry or bored; as their numbers grow, they'll start to die if you can't act quickly enough. 'Charlie said something early on that we wrote on the wall very quickly: 'Thronglets are adorable and horrible,' and so that is the game,' Krankel says. 'We want you to fall in love with this character. We want you to multiply them, but guess what—you're also raising them … these creatures are a reflection of you, ultimately.' Black Mirro r's new season premiers on Netflix today, April 10. Krankel wouldn't disclose many details about how Thronglets ties into the 'Plaything' episode but did say there are ways in which 'the game talks to the show and vice versa … there are things attached to the show that will talk back to the game.'
