Latest news with #TwinPeaks:FireWalkwithMe
San Francisco Chronicle
22-05-2025
- Entertainment
- San Francisco Chronicle
The cast of ‘Twin Peaks' is coming to the Bay Area to share their stories. Here's how to get tickets
The celebration of the late David Lynch's legacy continues as cast members of his hit series 'Twin Peaks' tour the country to discuss the groundbreaking TV show with fans. But Bay Area devotees will get an extra treat. 'Twin Peaks: Conversation With The Stars' will hit 18 cities, beginning in Tysons, Va. on Aug. 4, and ending Oct. 20 at the Kiana Lodge in Poulsbo, Wash., where interiors of the Great Northern Hotel were shot. The venue's exterior is where Laura Palmer (played by Sheryl Lee) was found dead in the 1990 pilot episode, which provided the plot for the series. Lee, who also starred in Lynch's 1992 film 'Twin Peaks: Fire Walk with Me,' is only making select appearances during the tour's West Coast swing — including at Uptown Theatre in Napa on Oct. 17. Actors Ray Wise (who played attorney Leland Palmer), Harry Goaz (Deputy Andy Brennan) and Kimmy Robertson (kooky receptionist Lucy Moran) as well as Sabrina S. Sutherland, the executive producer of the 2017 limited series ' Twin Peaks: The Return,' are scheduled to make appearances at every stop of the tour to talk about their experiences and the legacy of the show, which is credited as a forerunner of prestige television with its continuous storyline and cinematic look. Lynch died on Jan. 16 at age 78. Sutherland told the Hollywood Reporter, which first broke news of the tour on Thursday, May 22, that Lynch signed off on the tour before his death. 'David was very happy that we were going to have this cast tour to celebrate 'Twin Peaks' with the fans all around the U.S.,' Sutherland said. 'It's sad that I won't be able to call him each night to let him know how the show went as I had promised. But I look forward to celebrating his work each night and having him in my heart instead.' 'Welcome to Lynchland,' a documentary about the filmmaker and his work, made its world premiere at the Cannes Film Festival on May 14.
Yahoo
08-04-2025
- Entertainment
- Yahoo
Two historic Roc theaters host Lyttle Lynch Series honoring iconic late filmmaker David Lynch
ROCHESTER, N.Y. (WROC) — Movie lovers have a range of options to soak in the silver screen in the Rochester area, after all motion pictures wouldn't be where they are today without the influence and technology of Kodak. But even for non-movie lovers – there are new and exciting experiences to explore film history and impact. When iconic filmmaker David Lynch passed away in January, two historic art houses teamed up to give way to an expansive tribute, ergo, A Lyttle Lynch Series. From 'Eraserhead' to 'Mulholland Drive,' 'Lost Highway,' 'Twin Peaks: Fire Walk with Me,' and 'Blue Velvet,' David Lynch is known for his surrealist and experimental style as an artist who has spanned decades and media. The impact of his film and art is described as 'immeasurable.' Now through the next several months, the Dryden Theater at the George Eastman Museum on Park Ave. and The Little Theatre around the corner on East Ave. will take turns showcasing films from this resounding and legendary artist. 'We've gotten a lot of feedback from Lynch fans who are excited for this series but it's also a great opportunity for anyone who has not seen any David Lynch movies but is curious to come out and check them out for the first time,' says Scott Pukos, Director of Communications at The Little Theatre. Where possible, the films are show in their true intended format: 35 mm print. Part of the work done at the George Eastman Museum not only covers conservation of these prints, but also preservation and restoration, as explained by Anthony L'Abbate, Preservation Manager of the Moving Image Department at the George Eastman Museum. 'If the film was originally on nitrate or acetate films which both decompose, then we're putting it on a more stable film stock, which now is polyester; and then we could also, from these new film elements make scans to have a digital version of the film that could be shown in theaters that can no longer show and exhibit films,' L'Abbate says. The prints are stored in what's called 'The Vault' which has specific conditions set to ensure longevity. '40 degrees Fahrenheit and 30% relative humidity — cool and dry which will slow down any of the aging process and any of the decomposition,' L'Abbate specifies. In a world where digital is often king, the effort of preservation and restoration are essential to documenting history so it can be shared with future generations. 'You can't have a streaming if you don't preserve or restore the film – you still need to go back to a source that gets transferred somehow. To make digital files you have to have an original and you want to keep those around as long as possible, even for like a 100 year old film that's on nitrate stock that has the potential of burning or exploding – we don't throw it away, because if its still in good shape, even if we preserved it 15 years, 25 years down the road, there might come along something that is a better way of preserving it then, then we have now,' adds L'Abbate. The delicate nature of working with film requires meticulous attention to detail, especially when it comes to the final stop before the print is showcased. Enter Sheryl Smith: the Chief Projectionist at the Dryden Theater. She outlines the lengthy procedures required before any type of screening can be accomplished. 'That inspection is to make sure that the print is going to make it through the projector safely and also we're gathering information and filling out a report: what will the projectionist need to know in order to project the film and have a great show — which is identifying sound tracks, identifying aspect ratios and cue-marks have to be at a certain place so we have to make sure those measurements are correct. And also there's a countdown at the beginning of each film and that needs to be measured into a certain way so that when we do the changeovers the countdown timing and the changeover cues are matching up with the film,' Smith says. 'Being a projectionist is great because you're at the final finale of everything that went in to make that film and you're able to share it with an audience and communal experience and that part of film preservation is really exciting for me – that's what I enjoy – sharing what we do with the community on the big screen,' she adds. The first showing in the series already happened featuring 'Eraserhead' (an original print the George Eastman Museum acquired in the 80's from a collector) and had a turnout of more than 250 audience members. Next up, it's The Little's turn – with e a presentation of 'Mulholland Drive' on Saturday, April 12th at 7:30 p.m. 'There are reasons that people still go to the Louvre to see the paintings, there are reasons that people still go to Statue of Liberty to touch it. There's something about being in the same space as that iconic object, that piece of art that still makes the cinematic experience special,' says Jared Case, Curator of Film Exhibitions. The remainder of the film series presentations (with 35 mm specifics) listed below: The Short Films of David Lynch (Various, 55 min, DCP)Saturday, April 19 at 7:30 p.m. at The Little Theatre Wild at Heart (David Lynch, US 1990, 125 min, 35mm)Wednesday, April 30 at 7:30 p.m. at the Dryden Theatre Lost Highway (David Lynch, US 1997, 134 min, 35mm)Friday, June 13 at 7:30 p.m. at the Dryden Theatre The Straight Story (David Lynch, US 1999, 112 min, 35mm)Wednesday, July 16 at 7:30 p.m. at The Little Theatre Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
