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Review: Is ‘The Comedy of Errors' salvageable?
Review: Is ‘The Comedy of Errors' salvageable?

San Francisco Chronicle​

time24-04-2025

  • Entertainment
  • San Francisco Chronicle​

Review: Is ‘The Comedy of Errors' salvageable?

For all the people out there who think they're not Shakespeare fans, one of the biggest culprits is reading aloud a play's scene-setting monologue in high school English class. In real life, if someone went on and on in monotone, spouting all that convenient exposition, you'd probably get turned off, too. If only all those 10th-graders could see how director Devin Brain does it in 'The Comedy of Errors.' In the show, which I saw Tuesday, April 22, at American Conservatory Theater, as Aegeon (Diana Coates) embarks on his sob story, four other actors sit cross-legged in front, facing us, and Jared Gooding's lighting design shifts to suggest the glow of a TV set late at night. It's story time, the giddy hour your parents let you watch maybe once a week. Lindsay Jones' sound design conjures a staticky orchestra, like what you might hear during an old-school movie montage. The music plays 'Anchors Aweigh!' for sailing on the high seas, 'dun dun dun!' for danger ahead and a thunderclap for a decisive, life-changing moment. And it's all borne along by Coates' mad scientist voice, with the tone of a put-upon father whose tale of woe is always looking for the slightest provocation, that it might unfurl once more. A curtain-raiser is just as inspired, with cast members unsheathing actual slapsticks. They terrorize each other with them, naturally, but then the clapping noise switches on the world of the play, with twinkling lights and the 'bing!' of a cleaning product commercial. One only wishes Brain had taken on worthier material. The show, which New York's Acting Company is presenting in repertory with the fabulous 'Two Trains Running,' might be more aptly titled 'The Contrivance of Errors.' In devising a way that two sets of twins, separated at birth, might find themselves in the same place and get mistaken for one another over and over again, Shakespeare isn't funny so much as exasperating. You picture him in a garret, quill in hand, going, 'Tee hee hee! But I'm not going to let everything straighten out yet! These shenanigans have only been going on for an hour,' while his wife rolls her eyes, pats his head and says, 'Sure, hon, whatever makes you happy.' Christina Anderson's modern translation of the text supplies a few felicitous anachronisms. 'Come on, man, these jokes are not cool,' one twin says to what he thinks is his own servant. Then later: 'Hey now, sir, has your goofy humor altered?' But mostly, 'Errors' isn't about the poetry or the plot, whose questions of who bought a necklace from whom and who carried money to whom you'd do well to gloss over. It works only as a platform for outrageous physical comedy, and here Brain and the cast succeed only intermittently. At one point, actors James Ricardo Milord and J'Laney Allen are so delirious with confusion, so desperate to understand each other, that they embrace, but in the way drowning swimmers might cling to each other at sea. In another, Deanna Supplee as wife Adriana is so insistent to get to the man she thinks is her husband that she chucks his servant over a counter. (The set reuses the 1969 diner from 'Two Trains.') But a few chuckles does not a 'Comedy' make. The show demands toe-to-crown animation and precision; it needs the expressive powers of the entire body zapped to life and pointed in sync. An effective 'Comedy' would be understandable almost without words, like a silent movie. That's telling on its own, though. If a play's narrative and words aren't central, why mount it?

University of New Mexico road closures, parking restrictions ahead of weekend events
University of New Mexico road closures, parking restrictions ahead of weekend events

Yahoo

time04-04-2025

  • Automotive
  • Yahoo

University of New Mexico road closures, parking restrictions ahead of weekend events

ALBUQUERQUE, N.M. (KRQE) — There will be a slew of parking restrictions and road closures, along with some traffic congestion, at the University of New Mexico this weekend as multiple events carry on around campus. These events include two triathlons and various shows. UNM to begin construction on new university police headquarters You can find an idea of when and where roads will be impacted below. Lobo Kids Triathlon on UNM main campus6 a.m. to 10 a.m. Southwest Film Center presents Queer at Student Union Building6 p.m. to 8 p.m. August Wilson's Two Trains Running at Popejoy Hall7:30 p.m. to 9:30 p.m. Traffic congestion is expected around Redondo Drive at the Johnson Field & Cornell parking structure. Lobo Adults Triathlon on UNM main campus6 a.m. to 10 a.m. The Comedy of Errors at Popejoy Hall3 p.m. to 5 p.m. All campus entrances will be closed during the triathlon. They will reopen at 10:30 a.m. Access to the Lomas parking structure will stay available to UNM and UNMH permit holders from the Girard and Campus intersections – westbound on Campus Blvd. There will be a one-way exit from the Lomas parking structure westbound on Campus to Lomas. UNM also expects traffic congestion along Redondo Drive around Johnson Field & Cornell parking structure for event parking. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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