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Euronews
11-05-2025
- Business
- Euronews
Hungarian filmmakers in the shadow of Trump's tariff threat
Earlier this week, the US President Donald Trump posted on his social media site that he plans to impose a 100 per cent tariff on films produced outside the United States. "The US film industry is dying at a rapid pace. Other countries are offering all sorts of incentives to lure filmmakers and studios away from the U.S. (...) Therefore, I am authorising the Department of Commerce to immediately begin the process of imposing a 100 per cent tariff on all foreign-made films coming into our country," Donald Trump said in his post. Back in 2010, soon after becoming Hungarian prime minister, Viktor Orbán overhauled the film support system after 2010, with Hollywood producer Andy Vajna (Rambo, Total Recall, Evita) at the centre of the reforms. Vajna set up a new system of state support for Hungarian films, with a greater emphasis on saleability. He also used his connections to bring Hungarian artists into the fold, resulting in a new Hungarian Oscar after decades and a good showing for Hungarian films at the Cannes Film Festival. The Hungarian state gave a corporate tax credit of 25 per cent and then 30 per cent on production costs in Hungary, with the aim of benefiting the domestic production base. Several large studios were set up, professional crews strengthened, and income from foreign labour increased. Vajna's death in 2019 has left a noticeable dent in the support system for Hungarian films, which has recorded fewer international successes. Still, the growth of Hungarian production companies has not slowed. Between 2018 and 2023, service revenues quadrupled, with government film commissioner Csaba Káel estimating they will reach nearly $1 billion. Around 85-90 per cent of Hungarian film spending is US-sourced, writes Károly Radnai, managing partner of Andersen Adótanácsadó Zrt. Despite accounting for 90% of the revenues of the Hungarian film industry, which employs 20,000 people and is also identified by Prime Minister Orbán as a strategic sector, film industry players reached by Euronews are taking a wait-and-see stance. "The intention to make more films in the United States and export fewer films overseas is not something that has just been invented, but has been heard louder and louder for 4-5 years," Mihály Tóth, marketing director of Origo Flmstúdió, told Euronews. The current situation is an exclamation mark: we understand that there is such a need. We also want more films to be shot in Hungary. " "The decision to shoot American films in Hungary was not made by us, but by American filmmakers, on the simple basis of where a film can be produced most efficiently. Nobody understands the kind of customs clearance system that is now being suggested, because you can't tax a cultural product in this way," added Mihály Tóth. He also had questions for Gergő Balika, producer of Mid Atlantic Films, who told Euronews that he did not know the basis for the duty. What qualifies as a foreign-made film? Would the duty apply only to cinema films, or would it also apply to works made for streaming? Balika also stressed that even a film shot in Hungary has a myriad of work processes in the US. Overall, he said that this is now a tentative announcement, which shows the direction of US intentions, but details are still to be seen. The problem is also theoretical at the moment because making a film is a long process. According to Mihály Tóth, Origo's clients are undoubtful, and that the work in progress must continue. How the rules will change along the way and the timing of these changes remain to be seen, but work has to continue in the meantime. "Today's rain will affect the filming outside more than this announcement," Mihály Tóth told Euronews. Like him, Gergő Balika also sees it as unlikely that production of big productions that are already booked (such as the next two seasons of the 3-body-problem) will be brought back to the US. However, several sources have pointed out that the global film industry cannot be pinned down. A Mission: Impossible or a James Bond movie is not shot in one country, and that will not change. "For example, filming a Harry Potter movie requires a medieval castle. It costs more money to build that than to go to a castle and shoot a scene there. To suddenly have medieval castles in a country where there are none, you can't expect that, because economically it doesn't go anywhere," said Mihály Tóth. Csaba Káel, the head of the Hungarian National Film Institute, the central organisation of the Hungarian film industry, expressed a similar view in a one-paragraph statement. "Hungarian film studios are currently full of international and domestic productions. Working out the details of possible US safeguard tariffs affecting the domestic film industry and their introduction is a longer process. In the meantime, we are discussing further cooperation and co-production opportunities with our foreign partners on several continents around the world that will benefit the Hungarian film industry." The fluidity of the issue is reflected by the fact that President Trump later promised to hold talks with representatives of the US film industry, and the White House said that no final decision on tariffs for films made abroad has yet been made. Responding to questions from journalists, Trump stressed that film production and the relocation of filming abroad had "decimated" the US film industry and that he wanted to help, not harm, the industry, which receives financial and other support abroad. "We are watching the international news. What I was really looking forward to was the reaction from the United States, and the governor of California said that California has a successful support model, so why don't they take it to the federal level? This kind of reaction is a good message, structural problems should be addressed locally," said Mihály Tóth. However, Gergő Balika thinks the US government may eventually pressure studios to keep more of their film production work at home. According to Károly Radnai, managing partner of Andersen Adótanácsadó Zrt, the real target may not be Hungary, but Canada, the UK and Australia. As it is a service, the problem cannot be dealt with by classical customs measures, which means that Hungary can negotiate with the US independently of the EU for facilitations or exemptions. "It would be important," Radnai writes, "for the Hungarian government to act as soon as possible and use the good relations with the Trump administration to assert our country's interests diplomatically." Is Harry Styles now living in Berlin? According to the German daily tabloid Bild, the British singer has bought a flat in the capital - and TikTok users report having spotted him in Berlin-Mitte: dressed in blue, friendly, generous - he is even said to have paid for taxis for strangers. But why is Harry Styles really in Berlin? A source revealed to Britain's The Sun newspaper that the pop star is currently working on a new album. And why Berlin of all places? Styles is following in the footsteps of one of Britain's greatest music legends: David Bowie. The singer has been spotted several times with producer Kid Harpoon - the man behind his hit album Harry's House from 2022, including the global number one hit "As It Was", the best-selling song of the year worldwide. "Harry wanted to take a break after the mega-success of his last tour and the release of Harry's House," says the inside source. "Now he's working hard on his next album - and like Bowie once did, Berlin seems to inspire him. Harry loves the mysterious. Just like Bowie used to." David Bowie lived in Berlin's Schöneberg neighbourhood between 1976 and 1978 - a time that shaped him both musically and personally. His iconic song "Heroes", inspired by a pair of lovers at the Berlin Wall, was written during this period. Berlin was a place of retreat for Bowie: far away from the cameras in London and Los Angeles, and far away from the addiction problem that increasingly burdened him. Together with Iggy Pop, he lived in a small flat at 155 Hauptstraße, painted, composed - and sought peace and quiet. "I think Bowie wanted to find himself again in Berlin - and he succeeded," says director Francis Whately, who produced the documentary Bowie in Berlin. Of his so-called "Berlin trilogy", "Heroes" is probably the best known. It's also worth mentioning the atmospheric instrumental piece "Neuköln" (with only one "l"), which has been described by critics as a picture of the mood. Bowie remained connected to the city. In 1987 he returned to play a live concert in West Berlin - so close to the border that many East Berliners gathered along the wall to listen. Bowie heard people on the other side singing along and later called it "one of the most emotional performances I've ever experienced." Bowie also produced the entire soundtrack to the iconic Berlin film Christiane F. - Wir Kinder vom Bahnhof Zoo, which tells the story of drug-addicted teenagers from Gropiusstadt. The comparison is obvious. Like Bowie, Styles also breaks with gender norms in fashion, wearing skirts, pearl necklaces and silk blouses. But not everyone is convinced. Bowie's former producer criticised the attempt to sell Styles as a "modern Bowie" suggesting the context and zeitgeist were too different. Styles himself, however, has repeatedly described Bowie as a role model; an "absolute hero" who "can do no wrong". Does he consciously place himself in Bowie's tradition? Perhaps. But Berlin today is no longer the Berlin of yesteryear. While Bowie was able to live almost anonymously in Schöneberg, Styles is unlikely to go unnoticed for long in Mitte. Apparently, most Berliners knew who Bowie was - and didn't care. Perhaps Styles, who has already been spotted in Berlin without bodyguards, is hoping for the same kind of anonymity?
The Guardian
27-02-2025
- Entertainment
- The Guardian
Hungarian film-makers struggle for funding despite production boom
The office of Proton Cinema lies on the ground floor of a modernist house in Budapest's 13th district, where during the second world war Nazi troops forced Jewish people into a ghetto. The independent production company was a great match for The Brutalist, Brady Corbet's Holocaust drama, which won four Baftas and will be a strong contender at the Oscars on Monday with 10 nominations. 'We couldn't imagine The Brutalist being shot elsewhere,' said Viktória Petrányi, the Hungarian co-producer of the three-and-a-half-hour hit and Proton's co-founder. Proton Cinema is behind multiple international movies such as Midsommar, a 2019 award-winning horror featuring Florence Pugh, and its co-founder Kornél Mundruczó's Pieces of a Woman. But unlike in many countries where film companies producing such blockbusters would expect generous state funding or fiscal incentives for at least a portion of their financial backing, the company's domestic films are 'mainly self-financed', Petrányi said. Hungary's National Film Institute (NFI), a government-controlled body, overwhelmingly sponsors movies that align with the rightwing ideology of Viktor Orbán's ruling Fidesz party. Dávid Jancsó, the Oscar-nominated editor of The Brutalist, said: 'Governments can decide whether to spend taxpayers' money on propaganda films or on films that will win awards. In Hungary, the decision was for propaganda movies.' The golden years of post-socialist Hungarian film were shaped by the film producer Andy Vajna. He emigrated from Hungary after the 1956 revolution and worked on the Die Hard and Terminator franchises before returning to Hungary as the Fidesz government's commissioner tasked with the renewal of the national film industry from 2011. Jancsó said it was partly owing to Vajna's work that Hungary raised 'surprisingly many talented film-makers', including the film director and screenwriter László Nemes, whose Son of Saul (2015) won a Bafta for best foreign-language film. But after Vajna's death in 2019, the semi-independent establishment dispersing governmental funding was replaced by the NFI, which operates directly under the auspices of the prime minister's cabinet office and is controlled by a state nominee. Now, although Hungary is a sought-after destination for US, Asian and European film-makers for its picturesque locations, relatively well-built infrastructure and a 30% tax exemption, Hungarian creatives say they struggle to get their own ideas off the ground. Gone Running, a film released last year about a grieving mother who sets out to run a marathon, proved the most popular Hungarian movie since the fall of the iron curtain. But its director, Gábor Herendi, said it was filmed with minimal funding patched together from donations, favours and below-market wages, as the NFI refused the script. Herendi, who suspects he has been blocked from state funding, said this model of alternative funding was not sustainable. 'The film was definitely made on a very tight budget, which doesn't make for a good atmosphere,' he said. Jancsó said one group disproportionately affected by the centralised financing was young artists, who struggle to secure a place in the well-paid government-funded productions. Andor Berényi, a young director whose first movie has not received NFI support, agreed. 'They say this is the golden age of independent film. But this model doesn't work for new directors, who can't ask for favours or funding,' he said. Berényi suspects political reasons for the refusal to back his film, about a man turning to illegal activities to fund a spot in a care home for his father. He is now looking for a way to shoot it, even if only as a short film. Sign up to Film Weekly Take a front seat at the cinema with our weekly email filled with all the latest news and all the movie action that matters after newsletter promotion 'If someone wants to create art and express something about society, they won't be silenced. They will share their story, even if it means going broke in the process,' he said. In 2024, the NFI spent 6.5bn Hungarian forints (£13m) on movie production. The largest sum, 2.7bn forints, was awarded to a drama based on a rescue operation for Hungarian soldiers in Kabul in 2022, Operation Sámán, which is being filmed in cooperation with the Hungarian army. Other recipients of state funding are often historical works, which Dorottya Helmeczy, a producer at Megafilm, said were important for national identity. 'Through historical films, we can find ourselves and our roots in the past,' she said. Many of Helmeczy and Megafilm's productions received funding from NFI. They include Fairy Garden, a series about the history of Transylvania, which belongs to Romania, and Peace – Above the Nations, a docudrama about a 1921 peace treaty that detached the territory from Hungary after the second world war. 'Hungarian film production is not a self-sustainable system but one that requires state support,' Helmeczy said of films made for the Hungarian audience. She said these seldom generated significant profit in a country of 9 million people who are used to the standards of Hollywood blockbusters. At the opening ceremony for a studio in Fót, 30 minutes from Budapest, Orbán celebrated the capital's status as the second most sought-after filming location in Europe. The government had invested 42bn forints (£87m) to expand the Fót site, which served as a backdrop for The Witcher and Poor Things. 'Film is not only an industry but also an art, and art is free,' Orbán said, adding that every Hungarian film-maker would profit from the expansion. NFI did not return a request for comment.
