Latest news with #WMG
Daily Express
3 days ago
- Sport
- Daily Express
Historic outing for Sabah athletes
Published on: Friday, May 30, 2025 Published on: Fri, May 30, 2025 By: GL Oh Text Size: (From left) Alison, Shamry and Bernice. Kota Kinabalu: Seven Sabah Masters Athletics Association (Samas) athletes representing the country had a historic outing at the World Masters Games held in Chinese Taipei recently. They returned with a record eight gold, five silver and three bronze medals. Lucy Yong competing in the women's 65 category won three gold medals in the 100m, long jump and triple jump events, while Dr Alison Chew in the women's 40 category delivered two golds in the 100m and 400m hurdles as well as two bronzes in the 200m and 400m. The other gold medallists were Juliana Gumpil (women's 60) in pole vault, Bernice Lau Kam Mun (women's 50) in long jump and Datuk Abdul Mulok (men's 70) in pole vault. Juliana also won three silvers in the 80m hurdles, long jump and triple jump with the other silvers came from Shamry Mohd Ali (men's 55) in 100m hurdles and Charlie Lee (men's 65) in high jump, who also delivered one bronze in 100m. Advertisement Team leader Shamry, who is also Samas treasurer, was delighted with the number of medals won by the team. 'This is the most successful outing ever for both Malaysia Masters and Sabah Masters Athletics at a World Masters Games event. 'Our success has been greatly supported by the Ministry of Youth and Sports and Sabah Sports Council. 'Credit also to our Masters athletes for their dedication and commitments to undergo rigorous training under the guidance of equally dedicated coaches and officials,' he said. He also said they were able to send a bigger squad this time due to cheaper airfare to Taipei. 'Another contributing factor to our success in winning so many medals this time is the affordability of travelling to Taipei, which is the closest World Masters Games (WMG) venue to Malaysia.' He hoped with the continued success story of Samas, more in the State will be encouraged to join them for training and competing in the future. 'Masters athletics is about providing competitive opportunities for adults aged 35 and above, allowing them to continue participating in and enjoying the sport well beyond the traditional athletic years —with a strong emphasis on lifelong fitness, health, and camaraderie,' he said. Meanwhile, Samas was represented by nine members and the other two were Joseph Latong and James Wong Thien Yin. * Follow us on our official WhatsApp channel and Telegram for breaking news alerts and key updates! * Do you have access to the Daily Express e-paper and online exclusive news? Check out subscription plans available. Stay up-to-date by following Daily Express's Telegram channel. Daily Express Malaysia
Yahoo
16-05-2025
- Business
- Yahoo
Warner Music Group Corp. Announces Quarterly Cash Dividend
NEW YORK, May 16, 2025 (GLOBE NEWSWIRE) -- Warner Music Group Corp. ('Warner Music Group' or 'WMG') today announced that its Board of Directors declared a regular quarterly cash dividend of $0.18 per share on WMG's Class A Common Stock and Class B Common Stock. The dividend is payable on June 3, 2025, to stockholders of record as of the close of business on May 27, 2025. About Warner Music Group With a legacy extending back over 200 years, Warner Music Group today is home to an unparalleled family of creative artists, songwriters, and companies that are moving culture across the globe. At the core of WMG's Recorded Music division are four of the most iconic companies in history: Atlantic, Elektra, Parlophone and Warner Records. They are joined by renowned labels such as TenThousand Projects, 300 Entertainment, Asylum, Big Beat, Canvasback, East West, Erato, FFRR, Fueled by Ramen, Nonesuch, Reprise, Rhino, Roadrunner, Sire, Spinnin' Records, Warner Classics and Warner Music Nashville. Warner Chappell Music - which traces its origins back to the founding of Chappell & Company in 1811 - is one of the world's leading music publishers, with a catalog of more than one million copyrights spanning every musical genre from the standards of the Great American Songbook to the biggest hits of the 21st century. This communication includes forward-looking statements within the meaning of Section 27A of the Securities Act of 1933, as amended, and Section 21E of the Securities Exchange Act of 1934, as amended. These forward-looking statements include statements regarding expectations as to the intention to pay regular quarterly dividends. The forward-looking statements contained herein involve risks and uncertainties that could cause actual results to differ materially from those referred to in the forward-looking statements. More information about Warner Music Group and other risks related to Warner Music Group are detailed in Warner Music Group's most recent annual report on Form 10-K and its quarterly reports on Form 10-Q and current reports on Form 8-K as filed with the Securities and Exchange Commission. Warner Music Group does not undertake an obligation to update forward-looking statements. Warner Music Group maintains an Internet site at Warner Music Group uses its website as a channel of distribution of material Company information. Financial and other material information regarding Warner Music Group is routinely posted on and accessible at In addition, you may automatically receive email alerts and other information about Warner Music Group by enrolling your email address through the 'email alerts' section at Warner Music Group's website and the information posted on it or connected to it shall not be deemed to be incorporated by reference into this communication. Additional factors that may affect future results and conditions are described in Warner Music Group's filings with the SEC, which are available at the SEC's web site at or at Warner Music Group's website at SOURCE: WMG Media Contact: James Steven Investor Relations Contact: Kareem Chin
Yahoo
11-05-2025
- Business
- Yahoo
Warner Music Group Corp. Earnings Missed Analyst Estimates: Here's What Analysts Are Forecasting Now
Warner Music Group Corp. (NASDAQ:WMG) missed earnings with its latest quarterly results, disappointing overly-optimistic forecasters. Results showed a clear earnings miss, with US$1.5b revenue coming in 2.2% lower than what the analystsexpected. Statutory earnings per share (EPS) of US$0.07 missed the mark badly, arriving some 74% below what was expected. This is an important time for investors, as they can track a company's performance in its report, look at what experts are forecasting for next year, and see if there has been any change to expectations for the business. With this in mind, we've gathered the latest statutory forecasts to see what the analysts are expecting for next year. Our free stock report includes 3 warning signs investors should be aware of before investing in Warner Music Group. Read for free now. Following last week's earnings report, Warner Music Group's 17 analysts are forecasting 2025 revenues to be US$6.40b, approximately in line with the last 12 months. Per-share earnings are expected to surge 31% to US$1.12. Before this earnings report, the analysts had been forecasting revenues of US$6.49b and earnings per share (EPS) of US$1.33 in 2025. The analysts seem to have become more bearish following the latest results. While there were no changes to revenue forecasts, there was a real cut to EPS estimates. Check out our latest analysis for Warner Music Group It might be a surprise to learn that the consensus price target was broadly unchanged at US$33.73, with the analysts clearly implying that the forecast decline in earnings is not expected to have much of an impact on valuation. The consensus price target is just an average of individual analyst targets, so - it could be handy to see how wide the range of underlying estimates is. There are some variant perceptions on Warner Music Group, with the most bullish analyst valuing it at US$38.00 and the most bearish at US$28.00 per share. The narrow spread of estimates could suggest that the business' future is relatively easy to value, or thatthe analysts have a strong view on its prospects. Looking at the bigger picture now, one of the ways we can make sense of these forecasts is to see how they measure up against both past performance and industry growth estimates. It's pretty clear that there is an expectation that Warner Music Group's revenue growth will slow down substantially, with revenues to the end of 2025 expected to display 2.1% growth on an annualised basis. This is compared to a historical growth rate of 7.8% over the past five years. Compare this against other companies (with analyst forecasts) in the industry, which are in aggregate expected to see revenue growth of 9.7% annually. So it's pretty clear that, while revenue growth is expected to slow down, the wider industry is also expected to grow faster than Warner Music Group. The biggest concern is that the analysts reduced their earnings per share estimates, suggesting business headwinds could lay ahead for Warner Music Group. Fortunately, the analysts also reconfirmed their revenue estimates, suggesting that it's tracking in line with expectations. Although our data does suggest that Warner Music Group's revenue is expected to perform worse than the wider industry. There was no real change to the consensus price target, suggesting that the intrinsic value of the business has not undergone any major changes with the latest estimates. With that in mind, we wouldn't be too quick to come to a conclusion on Warner Music Group. Long-term earnings power is much more important than next year's profits. At Simply Wall St, we have a full range of analyst estimates for Warner Music Group going out to 2027, and you can see them free on our platform here.. We don't want to rain on the parade too much, but we did also find 3 warning signs for Warner Music Group that you need to be mindful of. Have feedback on this article? Concerned about the content? Get in touch with us directly. Alternatively, email editorial-team (at) article by Simply Wall St is general in nature. We provide commentary based on historical data and analyst forecasts only using an unbiased methodology and our articles are not intended to be financial advice. It does not constitute a recommendation to buy or sell any stock, and does not take account of your objectives, or your financial situation. We aim to bring you long-term focused analysis driven by fundamental data. Note that our analysis may not factor in the latest price-sensitive company announcements or qualitative material. Simply Wall St has no position in any stocks mentioned. Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
Yahoo
09-05-2025
- Business
- Yahoo
Warner Music Group Corp (WMG) Q2 2025 Earnings Call Highlights: Navigating Growth Amidst ...
Total Revenue: Increased 1%. Recorded Music Revenue: Increased 1%. Music Publishing Revenue: Increased 3%. Subscription Streaming Growth: Increased 3%. Ad-Supported Streaming: Declined 3%. Physical Revenue: Increased 2%. Artist Services and Expanded Rights Revenue: Decreased 6%. Licensing Revenue: Increased 3%. Adjusted OIBDA: Decreased 1% with a margin of 20.4%. Recorded Music Adjusted OIBDA Margin: Increased 10 basis points to 23%. Music Publishing Adjusted OIBDA: Increased 5% with a margin of 27.4%. Operating Cash Flow: Increased to $69 million from a use of $31 million in the prior year quarter. Free Cash Flow: Increased to $33 million from a use of $57 million in the prior year quarter. Cash Balance: $637 million as of March 31. Total Debt: $4.3 billion, with net debt of $3.7 billion. Weighted Average Cost of Debt: 4.1%. Warning! GuruFocus has detected 4 Warning Signs with WMG. Release Date: May 08, 2025 For the complete transcript of the earnings call, please refer to the full earnings call transcript. Warner Music Group Corp (NASDAQ:WMG) reported a 1% increase in total revenue, with recorded music revenue growing by 1% and music publishing revenue by 3%. The company has a strong presence on global charts, with significant success in Spotify Global 200 and Billboard charts, indicating effective A&R investments. WMG is expanding its market share in high-growth regions such as MENA, Nigeria, and India, where monetization is shifting towards paid streaming. The company is actively investing in technology, exemplified by the launch of the WMG Pulse app, which provides artists with real-time insights from major DSPs and social media platforms. WMG is focusing on strategic M&A activities to enhance its market position, with plans to reinvest cost savings into high-quality music assets with high margins. WMG experienced a decrease in adjusted OIBDA by 1% and a decline in adjusted OIBDA margin by 50 basis points, primarily due to revenue mix. The company faced market share pressure in China and a tough year-over-year comparison in subscription streaming, impacting overall growth. Ad-supported streaming revenue declined by 3% due to a soft overall ad environment. Artist services and expanded rights revenue decreased by 6%, attributed to lower concert promotion revenue and ongoing weakness in the e-commerce business. The company anticipates challenges in subscription streaming growth to persist for the remainder of the fiscal year, resulting in lower growth than previously expected. Q: Given the challenging quarter and limited visibility, what confidence can you give investors about Warner Music's growth prospects? Also, how are you thinking about subscription streaming growth for the year? A: Robert Kyncl, CEO: We are excited about our strategy, which focuses on growing market share, increasing the value of music, and improving efficiency to reinvest in music and technology. Our investments in A&R are showing early signs of success, with significant chart presence and market share growth in new releases. We expect similar trends as in Q2 for the rest of the year. Q: Can you elaborate on your strategy to grow global market share, especially in emerging markets? Also, what happened in China regarding subscription streaming? A: Robert Kyncl, CEO: We have strong leadership in high-growth markets like Mexico and Brazil. In China, we expect the current trends to continue for the rest of the year. We have a new head of Asia starting soon to help drive growth in the region. Q: How should we think about the timing of benefits from DSP renewals? A: Robert Kyncl, CEO: While I can't go into specific details, the benefits from DSP renewals will take time to materialize. We are making progress, but there's still work to be done. Q: What changed in your expectations for high single-digit subscription growth? Was it mainly due to China, and how does the lighter release slate factor in? A: Robert Kyncl, CEO: Our results are impacted by tough comps, market pressure, a lighter release schedule, and weakness in China. The release slate can shift due to various creative reasons, affecting the volume of releases. Q: Can you discuss your investments in A&R and the outlook for margins? A: Robert Kyncl, CEO: We focus on capital allocation based on global value of local repertoire. Bryan Castellani, CFO: Margins were affected by lower streaming growth and increased investments in tech and A&R. We will provide more updates on margins in the next call. For the complete transcript of the earnings call, please refer to the full earnings call transcript. This article first appeared on GuruFocus. Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
Yahoo
08-05-2025
- Business
- Yahoo
Warner Music Group Corp. Reports Results for Fiscal Second Quarter Ended March 31, 2025
Financial Highlights Q2 Performance Driven by Revenue Growth Across Recorded Music and Music Publishing Cost Savings Plans on Track, With Reinvestment Initiatives Accelerating Year-to-Date Operating Cash Flow and Free Cash Flow Increased by 53% and 59%, Respectively For the three months ended March 31, 2025 Total revenue decreased 1%, or increased 1% in constant currency Net income decreased 63% to $36 million versus $96 million in the prior-year quarter Operating income increased 41% to $168 million versus $119 million in the prior-year quarter Adjusted OIBDA decreased 3% to $303 million, versus $312 million in the prior-year quarter, or 1% in constant currency Cash provided by operating activities increased to $69 million from cash used in operating activities of $31 million in the prior-year quarter NEW YORK, May 08, 2025 (GLOBE NEWSWIRE) -- Warner Music Group Corp. today announced its second-quarter financial results for the period ended March 31, 2025. 'Our strategy is starting to bear fruit, with our strongest chart presence in two years, translating to expanding new release market share in the US. As a result, our true strength this quarter was partially obscured by challenging comparisons with last year's outperformance. As we replicate our strategy across other labels and geographies, and drive a virtuous cycle of greater reinvestment, we expect to deliver lasting value for artists and songwriters, and sustained growth and profitability for shareholders,' said Robert Kyncl, CEO of Warner Music Group. Total WMG Total WMG Summary Results (dollars in millions) For the Three Months Ended March 31, 2025 For the Three Months Ended March 31, 2024 % Change For the Six Months Ended March 31, 2025 For the Six Months Ended March 31, 2024 % Change (unaudited) (unaudited) (unaudited) (unaudited) Revenue $ 1,484 $ 1,494 -1 % $ 3,150 $ 3,242 -3 % Recorded Music revenue 1,175 1,189 -1 % 2,520 2,634 -4 % Music Publishing revenue 310 306 1 % 633 610 4 % Operating income 168 119 41 % 382 473 -19 % Adjusted OIBDA(1) 303 312 -3 % 666 763 -13 % Net income 36 96 -63 % 277 289 -4 % Net cash provided by (used for) operating activities 69 (31 ) — % 401 262 53 % Free Cash Flow 33 (57 ) — % 329 207 59 % (1) See "Supplemental Disclosures Regarding Non-GAAP Financial Measures" at the end of this release for details regarding this measure. Revenue was down 0.7% (or up 1.2% in constant currency). Digital revenue decreased 0.8% (or increased 1.2% in constant currency), driven by a decrease in streaming revenue of 0.3% (or increase of 1.6% in constant currency). Recorded Music streaming revenue decreased 0.4% (or increased 1.6% in constant currency). Music Publishing streaming revenue was flat to the prior-year quarter (or increased 1.6% in constant currency). The decrease in total revenue was driven by lower Recorded Music artist services and expanded-rights revenue, partially offset by higher licensing and physical revenue and growth across Music Publishing digital, performance, synchronization and mechanical revenue. Operating income increased 41.2% (or 47.4% in constant currency) to $168 million from $119 million primarily due to the factors affecting Adjusted OIBDA discussed below, as well as a decrease in restructuring and impairment charges of $82 million compared to the prior-year quarter, which includes severance costs and impairment losses related to the Strategic Restructuring Plan, partially offset by higher non-cash stock-based compensation of $4 million in the quarter and the impact of a $14 million net gain on divestitures in the prior-year quarter related to a divestiture of certain music publishing rights. Adjusted OIBDA decreased 2.9% (or 1.0% in constant currency) to $303 million from $312 million and Adjusted OIBDA margin decreased 0.5 percentage points to 20.4% from 20.9% in the prior-year quarter (the same in constant currency). The decreases in Adjusted OIBDA and Adjusted OIBDA margin were primarily driven by revenue mix, partially offset by savings from the Strategic Restructuring Plan, a portion of which has been reinvested in the Company's business. Net income decreased 62.5% to $36 million from $96 million. The decrease in net income was due to the factors affecting Adjusted OIBDA described above, as well as the impact of exchange rates on the Company's Euro-denominated debt resulting in a $34 million loss in the quarter compared to a $21 million gain in the prior-year quarter, and realized and unrealized losses on hedging activity of $6 million in the quarter compared to gains of $5 million in the prior-year quarter. The decrease was also driven by an $11 million increase in income tax expense due to the impact from winding down the Company's owned and operated media properties in the prior-year quarter, partially offset by the impact of lower pre-tax income in the quarter. Basic and Diluted earnings per share were $0.07 for both the Class A and Class B shareholders due to the net income attributable to the Company in the quarter of $36 million. As of March 31, 2025, the Company reported a cash balance of $637 million, total debt of $4.292 billion and net debt (defined as total debt, net of deferred financing costs, premiums and discounts, minus cash and equivalents) of $3.655 billion. Total debt includes $302 million of subsidiary debt acquired in our acquisition of Tempo Music Holdings, LLC ('Tempo'). The debt is secured only by certain music rights owned by Tempo and is nonrecourse to the Company and its subsidiaries, other than Tempo. Cash provided by operating activities increased to $69 million in the quarter, compared to a use of $31 million in the prior-year quarter. The increase was largely a result of movements in deferred revenue due to timing of digital advances and other movements within working capital, including the timing of annual variable-compensation payments. Capital expenditures increased 38% to $36 million from $26 million in the prior-year quarter, driven by investments in technology. Free Cash Flow, as defined below, increased to $33 million from a use of $57 million in the prior-year quarter, primarily due to the factors affecting cash provided by operating activities described above. Recorded Music Recorded Music Summary Results (dollars in millions) For the ThreeMonths EndedMarch 31, 2025 For the ThreeMonths EndedMarch 31, 2024 % Change For the SixMonths EndedMarch 31, 2025 For the SixMonths EndedMarch 31, 2024 % Change (unaudited) (unaudited) (unaudited) (unaudited) Revenue $ 1,175 $ 1,189 -1 % $ 2,520 $ 2,634 -4 % Operating income 203 134 51 % 441 508 -13 % Adjusted OIBDA(1) 270 272 -1 % 593 684 -13 % (1) See "Supplemental Disclosures Regarding Non-GAAP Financial Measures" at the end of this release for details regarding this Music Revenue (dollars in millions) For the ThreeMonths EndedMarch 31, 2025 For the ThreeMonths EndedMarch 31, 2024 For the ThreeMonths EndedMarch 31, 2024 For the SixMonths EndedMarch 31, 2025 For the SixMonths EndedMarch 31, 2024 For the SixMonths EndedMarch 31, 2024 As reported As reported Constant As reported As reported Constant (unaudited) (unaudited) (unaudited) (unaudited) (unaudited) (unaudited) Digital $ 841 $ 848 $ 831 $ 1,714 $ 1,756 $ 1,726 Physical 112 111 110 278 265 263 Total Digital and Physical 953 959 941 1,992 2,021 1,989 Artist services and expanded-rights 117 126 124 313 330 326 Licensing 105 104 102 215 283 281 Total Recorded Music $ 1,175 $ 1,189 $ 1,167 $ 2,520 $ 2,634 $ 2,596 Recorded Music revenue was down 1.2% (or up 0.7% in constant currency) driven by decreases across digital and artist services and expanded-rights revenue, partially offset by growth in physical and licensing revenue. Digital revenue was down 0.8% (or up 1.2% in constant currency) and streaming revenue was down 0.4% (or up 1.6% in constant currency). Streaming revenue reflects growth in subscription revenue of 1.1% (or 3.2% in constant currency), partially offset by a decline in ad-supported revenue of 4.7% (or 2.9% in constant currency). Streaming revenue was impacted by a challenging year-over-year comparison, largely in subscription streaming revenue, compounded by a lighter release slate and market share loss in China. The decrease in ad-supported revenue was driven by a soft overall ad environment. Licensing revenue increased 1.0% (or 2.9% in constant currency), driven by licensing deals primarily in Japan and the U.S., partially offset by the timing of copyright infringement settlements. Artist services and expanded-rights revenue decreased 7.1% (or 5.6% in constant currency) due to lower concert promotion revenue primarily in France, lower direct-to-consumer merchandising revenue at EMP, and a decrease in revenue related to winding down the Company's owned and operated media properties in the prior-year quarter. Physical revenue increased 0.9% (or 1.8% in constant currency) driven by new releases in the quarter, primarily in the U.S. and Japan, partially offset by the impact of the BMG Termination. Top physical sellers in the quarter included Mac Miller's Balloonerism and new releases from ONE OK ROCK and TWICE. Recorded Music operating income increased 51.5% (or 57.4% in constant currency) to $203 million from $134 million in the prior-year quarter, and operating margin was up 6.0 percentage points to 17.3% versus 11.3% in the prior-year quarter. The increase in operating income was due to the factors affecting Adjusted OIBDA discussed below, as well as a decrease in restructuring and impairment charges of $75 million compared to the prior-year quarter, which includes severance costs and impairment losses related to the Strategic Restructuring Plan in both periods, partially offset by higher non-cash stock-based compensation and other related expenses of $3 million in the quarter and higher amortization expenses of $1 million in the quarter attributable to acquisitions of music-related assets. Adjusted OIBDA decreased 0.7% (or increased 1.1% in constant currency) to $270 million from $272 million and Adjusted OIBDA margin increased 0.1 percentage point to 23.0% from 22.9% in the prior-year quarter (the same in constant currency). The increases in constant currency Adjusted OIBDA and in Adjusted OIBDA margin were primarily driven by savings from the Strategic Restructuring Plan, of which a portion has been reinvested in the Company's business, partially offset by revenue mix. Music Publishing Music Publishing Summary Results (dollars in millions) For the ThreeMonths EndedMarch 31, 2025 For the ThreeMonths EndedMarch 31, 2024 % Change For the SixMonths EndedMarch 31, 2025 For the SixMonths EndedMarch 31, 2024 % Change (unaudited) (unaudited) (unaudited) (unaudited) Revenue $ 310 $ 306 1 % $ 633 $ 610 4 % Operating income 52 69 -25 % 107 132 -19 % Adjusted OIBDA(1) 85 82 4 % 168 168 — % (1) See "Supplemental Disclosures Regarding Non-GAAP Financial Measures" at the end of this release for details regarding this Publishing Revenue (dollars in millions) For the ThreeMonths EndedMarch 31, 2025 For the ThreeMonths EndedMarch 31, 2024 For the ThreeMonths EndedMarch 31, 2024 For the SixMonths EndedMarch 31, 2025 For the SixMonths EndedMarch 31, 2024 For the SixMonths EndedMarch 31, 2024 As reported As reported Constant As reported As reported Constant (unaudited) (unaudited) (unaudited) (unaudited) (unaudited) (unaudited) Performance $ 53 $ 52 $ 50 $ 109 $ 103 $ 100 Digital 188 187 185 395 383 380 Mechanical 16 15 14 30 30 29 Synchronization 49 48 48 88 87 87 Other 4 4 4 11 7 7 Total Music Publishing $ 310 $ 306 $ 301 $ 633 $ 610 $ 603 Music Publishing revenue increased 1.3% (or 3.0% in constant currency). The increase was driven by growth across digital, performance, synchronization and mechanical revenue. Digital revenue increased 0.5% (or 1.6% in constant currency) and streaming revenue was flat to the prior-year quarter (or increased 1.6% in constant currency), driven by the impact of digital deal renewals primarily in the U.S. Performance revenue increased 1.9% (or 6.0% in constant currency) attributable to growth from concerts, radio and live events primarily outside of the U.S. Synchronization revenue increased 2.1% (the same in constant currency) due to higher television and commercial licensing activity and the impact of acquisitions, partially offset by the timing of copyright infringement settlements. Mechanical revenue increased 6.7% (or 14.3% in constant currency), driven by higher physical sales in the quarter. Music Publishing operating income decreased 24.6% (or 5.5% in constant currency) to $52 million from $69 million in the prior-year quarter and operating margin decreased 5.7 percentage points to 16.8% from 22.5% in the prior-year quarter. The decrease in operating income was driven by the same factors affecting Adjusted OIBDA discussed below, partially offset by the impact of a $14 million net gain on a divestiture of certain music publishing rights in the prior-year quarter and an increase in amortization expense of $4 million in the quarter related to various music publishing copyright acquisitions. Music Publishing Adjusted OIBDA increased 3.7% (or 4.9% in constant currency) to $85 million from $82 million in the prior-year quarter. Adjusted OIBDA margin increased 0.6 percentage points to 27.4% from 26.8% in the prior-year quarter (or 0.5 percentage points to 27.4% from 26.9% in constant currency). The increases in Adjusted OIBDA and Adjusted OIBDA margin were primarily driven by revenue mix. Financial details for the quarter can be found in the Company's current Quarterly Report on Form 10-Q for the period ended March 31, 2025, which will be filed this morning with the Securities and Exchange morning management will be hosting a conference call to discuss the results at 8:30 A.M. EST. The call will be webcast on About Warner Music Group With a legacy extending back over 200 years, Warner Music Group today is home to an unparalleled family of creative artists, songwriters, and companies that are moving culture across the globe. At the core of WMG's Recorded Music division are four of the most iconic companies in history: Atlantic, Elektra, Parlophone and Warner Records. They are joined by renowned labels such as TenThousand Projects, 300 Entertainment, Asylum, Big Beat, Canvasback, East West, Erato, FFRR, Fueled by Ramen, Nonesuch, Reprise, Rhino, Roadrunner, Sire, Spinnin' Records, Warner Classics and Warner Music Nashville. Warner Chappell Music - which traces its origins back to the founding of Chappell & Company in 1811 - is one of the world's leading music publishers, with a catalog of more than one million copyrights spanning every musical genre from the standards of the Great American Songbook to the biggest hits of the 21st century. "Safe Harbor" Statement under Private Securities Litigation Reform Act of 1995 This communication includes forward-looking statements that reflect the current views of Warner Music Group about future events and financial performance. Words such as "estimates," "expects," "anticipates," "projects," "plans," "intends," "believes," "forecasts" and variations of such words or similar expressions that predict or indicate future events or trends, or that do not relate to historical matters, identify forward-looking statements. All forward-looking statements are made as of today, and we disclaim any duty to update such statements. Our expectations, beliefs and projections are expressed in good faith and we believe there is a reasonable basis for them. However, we cannot assure you that management's expectations, beliefs and projections will result or be achieved. Investors should not rely on forward-looking statements because they are subject to a variety of risks, uncertainties, and other factors that could cause actual results to differ materially from our expectations. Please refer to our Form 10-K, Form 10-Qs and our other filings with the U.S. Securities and Exchange Commission concerning factors that could cause actual results to differ materially from those described in our forward-looking statements. We maintain an Internet site at We use our website as a channel of distribution for material company information. Financial and other material information regarding Warner Music Group is routinely posted on and accessible at In addition, you may automatically receive email alerts and other information about Warner Music Group by enrolling your email address through the 'email alerts' section at Our website and the information posted on it or connected to it shall not be deemed to be incorporated by reference into this communication. Figure 1. Warner Music Group Corp. - Condensed Consolidated Statements of Operations, Three Months Ended March 31, 2025 versus March 31, 2024 (dollars in millions) For the Three Months EndedMarch 31, 2025 For the Three Months EndedMarch 31, 2024 % Change (unaudited) (unaudited) Revenue $ 1,484 $ 1,494 -1 % Cost and expenses: Cost of revenue (791 ) (791 ) — % Selling, general and administrative expenses (450 ) (446 ) 1 % Restructuring and impairments (13 ) (95 ) -86 % Amortization expense (62 ) (57 ) 9 % Total costs and expenses $ (1,316 ) $ (1,389 ) -5 % Net gain on divestiture — 14 -100 % Operating income $ 168 $ 119 41 % Interest expense, net (39 ) (42 ) -7 % Other (expense) income, net (64 ) 37 — % Income before income taxes $ 65 $ 114 -43 % Income tax expense (29 ) (18 ) 61 % Net income $ 36 $ 96 -63 % Less: Income attributable to noncontrolling interest — — — % Net income attributable to Warner Music Group Corp. $ 36 $ 96 -63 % Net income per share attributable to common stockholders: Class A – Basic and Diluted $ 0.07 $ 0.18 Class B – Basic and Diluted $ 0.07 $ 0.18 For the Six Months EndedMarch 31, 2025 For the Six Months EndedMarch 31, 2024 % Change (unaudited) (unaudited) Revenue $ 3,150 $ 3,242 -3 % Cost and expenses: Cost of revenue (1,685 ) (1,671 ) 1 % Selling, general and administrative expenses (924 ) (922 ) — % Restructuring and impairments (40 ) (95 ) -58 % Amortization expense (119 ) (112 ) 6 % Total costs and expenses $ (2,768 ) $ (2,800 ) (1)% Net gain on divestiture — 31 -100 % Operating income $ 382 $ 473 -19 % Loss on extinguishment of debt — — — % Interest expense, net (76 ) (81 ) -6 % Other income (expense), net 89 (13 ) — % Income before income taxes $ 395 $ 379 4 % Income tax expense (118 ) (90 ) 31 % Net income $ 277 $ 289 -4 % Less: Income attributable to noncontrolling interest (5 ) (34 ) -85 % Net income attributable to Warner Music Group Corp. $ 272 $ 255 7 % Net income per share attributable to common stockholders: Class A – Basic and Diluted $ 0.52 $ 0.49 Class B – Basic and Diluted $ 0.52 $ 0.49 Figure 2. Warner Music Group Corp. - Condensed Consolidated Balance Sheets at March 31, 2025 versus September 30, 2024 (dollars in millions) March 31, 2025 September 30, 2024 % Change (unaudited) Assets Current assets: Cash and equivalents $ 637 $ 694 -8 % Accounts receivable, net 1,218 1,255 -3 % Inventories 88 99 -11 % Royalty advances expected to be recouped within one year 509 470 8 % Prepaid and other current assets 147 125 18 % Total current assets $ 2,599 $ 2,643 -2 % Royalty advances expected to be recouped after one year 945 874 8 % Property, plant and equipment, net 503 481 5 % Operating lease right-of-use assets, net 217 225 -4 % Goodwill 2,031 2,021 — % Intangible assets subject to amortization, net 2,764 2,359 17 % Intangible assets not subject to amortization 151 152 -1 % Deferred tax assets, net 41 52 -21 % Other assets 317 348 -9 % Total assets $ 9,568 $ 9,155 5 % Liabilities and Equity Current liabilities: Accounts payable $ 347 $ 289 20 % Accrued royalties 2,600 2,549 2 % Accrued liabilities 475 641 -26 % Accrued interest 35 17 — % Operating lease liabilities, current 47 45 4 % Deferred revenue 319 246 30 % Other current liabilities 93 110 -15 % Total current liabilities $ 3,916 $ 3,897 — % Acquisition Corp. long-term debt 3,990 4,014 -1 % Asset-based long-term debt 302 — — % Operating lease liabilities, noncurrent 216 228 -5 % Deferred tax liabilities, net 214 195 10 % Other noncurrent liabilities 140 146 -4 % Total liabilities $ 8,778 $ 8,480 4 % Equity: Class A common stock $ — $ — — % Class B common stock 1 1 — % Additional paid-in capital 2,088 2,077 1 % Accumulated deficit (1,230 ) (1,313 ) -6 % Accumulated other comprehensive loss, net (292 ) (247 ) 18 % Total Warner Music Group Corp. equity $ 567 $ 518 9 % Noncontrolling interest 223 157 42 % Total equity 790 675 17 % Total liabilities and equity $ 9,568 $ 9,155 5 %Figure 3. Warner Music Group Corp. - Summarized Statements of Cash Flows, Three Months Ended March 31, 2025 versus March 31, 2024 (dollars in millions) For the Three Months Ended March 31, 2025 For the Three Months Ended March 31, 2024 (unaudited) (unaudited) Net cash provided by (used in) operating activities $ 69 $ (31 ) Net cash used in investing activities (121 ) (33 ) Net cash used in financing activities (121 ) (97 ) Effect of foreign currency exchange rates on cash and equivalents 8 (6 ) Net decrease in cash and equivalents $ (165 ) $ (167 ) Figure 4. Warner Music Group Corp. - Digital Revenue Summary, Three Months Ended March 31, 2025 versus March 31, 2024 (dollars in millions) For the Three Months Ended March 31, 2025 For the Three Months Ended March 31, 2024 % Change (unaudited) (unaudited) Recorded Music Subscription $ 622 $ 615 1 % Ad-Supported 203 213 -5 % Streaming $ 825 $ 828 — % Downloads and Other Digital 16 20 -20 % Total Recorded Music Digital Revenue $ 841 $ 848 -1 % Music Publishing Streaming $ 185 $ 185 — % Downloads and Other Digital 3 2 50 % Total Music Publishing Digital Revenue $ 188 $ 187 1 % Consolidated Streaming $ 1,010 $ 1,013 — % Downloads and Other Digital 19 22 -14 % Intersegment Eliminations (2 ) — — % Total Digital Revenue $ 1,027 $ 1,035 -1 % Supplemental Disclosures Regarding Non-GAAP Financial Measures We evaluate our operating performance based on several factors, including the following non-GAAP financial measure: Adjusted OIBDA We evaluate our operating performance based on several factors, including our primary financial measure of operating income (loss) before non-cash depreciation of tangible assets and non-cash amortization of intangible assets adjusted to exclude the impact of non-cash stock-based compensation and other related expenses and certain items that affect comparability including but not limited to gains or losses on divestitures and expenses related to restructuring and transformation initiatives ('Adjusted OIBDA'). We consider Adjusted OIBDA to be an important indicator of the operational strengths and performance of our businesses. However, a limitation of the use of Adjusted OIBDA as a performance measure is that it does not reflect the periodic costs of certain capitalized tangible and intangible assets used in generating revenues in our businesses. Accordingly, Adjusted OIBDA should be considered in addition to, not as a substitute for, operating income (loss), net income (loss) attributable to Warner Music Group Corp. and other measures of financial performance reported in accordance with United States generally accepted accounting principles ('U.S. GAAP'). In addition, our definition of Adjusted OIBDA may differ from similarly titled measures used by other companies. Figure 5. Warner Music Group Corp. - Reconciliation of Net Income to Adjusted OIBDA, Three Months Ended March 31, 2025 versus March 31, 2024 (dollars in millions) For the Three Months EndedMarch 31, 2025 For the Three Months EndedMarch 31, 2024 % Change (unaudited) (unaudited) Net income attributable to Warner Music Group Corp. $ 36 $ 96 -63 % Income attributable to noncontrolling interest — — — % Net income $ 36 $ 96 -63 % Income tax expense 29 18 61 % Income including income taxes $ 65 $ 114 -43 % Other expense (income), net 64 (37 ) — % Interest expense, net 39 42 -7 % Operating income $ 168 $ 119 41 % Amortization expense 62 57 9 % Depreciation expense 28 26 8 % Restructuring and impairments 13 95 -86 % Transformation initiative costs 18 19 -5 % Net gain on divestitures — (14 ) -100 % Non-cash stock-based compensation and other related costs 14 10 40 % Adjusted OIBDA $ 303 $ 312 -3 % Operating income margin 11.3 % 8.0 % Adjusted OIBDA margin 20.4 % 20.9 % For the Six Months EndedMarch 31, 2025 For the Six Months EndedMarch 31, 2024 % Change (unaudited) (unaudited) Net income attributable to Warner Music Group Corp. $ 272 $ 255 7 % Income attributable to noncontrolling interest 5 34 -85 % Net income $ 277 $ 289 -4 % Income tax expense 118 90 31 % Income including income taxes $ 395 $ 379 4 % Other (income) expense, net (89 ) 13 — % Interest expense, net 76 81 -6 % Operating income $ 382 $ 473 -19 % Amortization expense 119 112 6 % Depreciation expense 57 52 10 % OIBDA $ 558 $ 637 -12 % Restructuring and impairments 40 95 -58 % Transformation initiatives and other related costs 35 38 -8 % Net gain on divestitures — (31 ) -100 % Non-cash stock-based compensation and other related costs 33 24 38 % Adjusted OIBDA $ 666 $ 763 -13 % Operating income margin 12.1 % 14.6 % Adjusted OIBDA margin 21.1 % 23.5 % Figure 6. Warner Music Group Corp. - Reconciliation of Segment Operating Income to Adjusted OIBDA, Three Months Ended March 31, 2025 versus March 31, 2024 (dollars in millions) For the Three Months EndedMarch 31, 2025 For the Three Months EndedMarch 31, 2024 % Change (unaudited) (unaudited) Total WMG operating income – GAAP $ 168 $ 119 41 % Depreciation and amortization expense (90 ) (83 ) 8 % Total WMG OIBDA $ 258 $ 202 28 % Restructuring and impairments 13 95 -86 % Transformation initiative costs 18 19 -5 % Net gain on divestitures — (14 ) -100 % Non-cash stock-based compensation and other related costs 14 10 40 % Total WMG Adjusted OIBDA $ 303 $ 312 -3 % Total WMG Adjusted OIBDA margin 20.4 % 20.9 % Recorded Music operating income – GAAP $ 203 $ 134 51 % Depreciation and amortization expense (46 ) (45 ) 2 % Recorded Music OIBDA $ 249 $ 179 39 % Restructuring and impairments 13 88 -85 % Non-cash stock-based compensation and other related costs $ 8 $ 5 60 % Recorded Music Adjusted OIBDA $ 270 $ 272 -1 % Recorded Music Adjusted OIBDA margin 23.0 % 22.9 % Music Publishing operating income – GAAP $ 52 $ 69 -25 % Depreciation and amortization expense (31 ) (26 ) 19 % Music Publishing OIBDA $ 83 $ 95 -13 % Net gain on divestitures — (14 ) -100 % Non-cash stock-based compensation and other related costs 2 1 100 % Music Publishing Adjusted OIBDA $ 85 $ 82 4 % Music Publishing Adjusted OIBDA margin 27.4 % 26.8 % For the Six Months EndedMarch 31, 2025 For the Six Months EndedMarch 31, 2024 % Change (unaudited) (unaudited) Total WMG operating income – GAAP $ 382 $ 473 -19 % Depreciation and amortization expense (176 ) (164 ) 7 % Total WMG OIBDA $ 558 $ 637 -12 % Restructuring and impairments 40 95 -58 % Transformation initiatives and other related costs 35 38 -8 % Net gain on divestitures — (31 ) -100 % Non-cash stock-based compensation and other related costs 33 24 38 % Total WMG Adjusted OIBDA $ 666 $ 763 -13 % Total WMG Adjusted OIBDA margin 21.1 % 23.5 % Recorded Music operating income – GAAP $ 441 $ 508 -13 % Depreciation and amortization expense (91 ) (92 ) -1 % Recorded Music OIBDA $ 532 $ 600 -11 % Restructuring and impairment 41 88 -53 % Net gain on divestitures — (17 ) -100 % Non-cash stock-based compensation and other related costs 20 13 54 % Recorded Music Adjusted OIBDA $ 593 $ 684 -13 % Recorded Music Adjusted OIBDA margin 23.5 % 26.0 % Music Publishing operating income – GAAP $ 107 $ 132 -19 % Depreciation and amortization expense (58 ) (48 ) 21 % Music Publishing OIBDA $ 165 $ 180 -8 % Net gain on divestitures — (14 ) -100 % Non-cash stock-based compensation and other related costs 3 2 50 % Music Publishing Adjusted OIBDA $ 168 $ 168 — % Music Publishing Adjusted OIBDA margin 26.5 % 27.5 % Constant Currency As exchange rates are an important factor in understanding period-to-period comparisons, we believe the presentation of revenue and Adjusted OIBDA on a constant-currency basis in addition to reported results helps improve the ability to understand our operating results and evaluate our performance in comparison to prior periods. Constant-currency information compares revenue and Adjusted OIBDA between periods as if exchange rates had remained constant period over period. We use revenue and Adjusted OIBDA on a constant-currency basis as one measure to evaluate our performance. We calculate constant-currency by calculating prior-year revenue and Adjusted OIBDA using current-year foreign currency exchange rates. Revenue and Adjusted OIBDA on a constant-currency basis should be considered in addition to, not as a substitute for, revenue and Adjusted OIBDA reported in accordance with U.S. GAAP. Revenue and Adjusted OIBDA on a constant-currency basis, as we present them, may not be comparable to similarly titled measures used by other companies and are not a measure of performance presented in accordance with U.S. GAAP. Figure 7. Warner Music Group Corp. - Revenue by Geography and Segment, Three Months Ended March 31, 2025 versus March 31, 2024 As Reported and Constant Currency (dollars in millions) For the ThreeMonths EndedMarch 31, 2025 For the ThreeMonths EndedMarch 31, 2024 For the ThreeMonths EndedMarch 31, 2024 % Change As reported As reported Constant Constant (unaudited) (unaudited) (unaudited) (unaudited) U.S. revenue Recorded Music $ 497 $ 508 $ 508 -2 % Music Publishing 161 170 170 -5 % International revenue Recorded Music $ 678 $ 681 $ 659 3 % Music Publishing 149 136 131 14 % Intersegment eliminations (1 ) (1 ) (1 ) — % Total Revenue $ 1,484 $ 1,494 $ 1,467 1 % Revenue by Segment: Recorded Music Digital $ 841 $ 848 $ 831 1 % Physical 112 111 110 2 % Total Digital and Physical $ 953 $ 959 $ 941 1 % Artist services and expanded-rights 117 126 124 -6 % Licensing 105 104 102 3 % Total Recorded Music $ 1,175 $ 1,189 $ 1,167 1 % Music Publishing Performance $ 53 $ 52 $ 50 6 % Digital 188 187 185 2 % Mechanical 16 15 14 14 % Synchronization 49 48 48 2 % Other 4 4 4 — % Total Music Publishing $ 310 $ 306 $ 301 3 % Intersegment eliminations (1 ) (1 ) (1 ) — % Total Revenue $ 1,484 $ 1,494 $ 1,467 1 % For the Six MonthsEnded March 31,2025 For the Six MonthsEnded March 31,2024 For the Six MonthsEnded March 31,2024 % Change As reported As reported Constant Constant (unaudited) (unaudited) (unaudited) (unaudited) U.S. revenue Recorded Music $ 1,029 $ 1,135 $ 1,135 (9)% Music Publishing 334 342 342 (2)% International revenue Recorded Music $ 1,491 $ 1,499 $ 1,461 2 % Music Publishing 299 268 261 15 % Intersegment eliminations (3 ) (2 ) (3 ) — % Total Revenue $ 3,150 $ 3,242 $ 3,196 (1)% Revenue by Segment: Recorded Music Digital $ 1,714 $ 1,756 $ 1,726 (1)% Physical 278 265 263 6 % Total Digital and Physical $ 1,992 $ 2,021 $ 1,989 — % Artist services and expanded-rights 313 330 326 (4)% Licensing 215 283 281 (23)% Total Recorded Music $ 2,520 $ 2,634 $ 2,596 (3)% Music Publishing Performance $ 109 $ 103 $ 100 9 % Digital 395 383 380 4 % Mechanical 30 30 29 3 % Synchronization 88 87 87 1 % Other 11 7 7 57 % Total Music Publishing $ 633 $ 610 $ 603 5 % Intersegment eliminations (3 ) (2 ) (3 ) — % Total Revenue $ 3,150 $ 3,242 $ 3,196 (1)% Figure 8. Warner Music Group Corp. - Adjusted OIBDA by Segment, Three Months Ended March 31, 2025 versus March 31, 2024 As Reported and Constant Currency (dollars in millions) For the ThreeMonths EndedMarch 31, 2025 For the ThreeMonths EndedMarch 31, 2024 For the ThreeMonths EndedMarch 31, 2024 Change % As reported As reported Constant Constant (unaudited) (unaudited) (unaudited) (unaudited) Total WMG Adjusted OIBDA $ 303 $ 312 $ 306 -1.0 % Adjusted OIBDA margin 20.4 % 20.9 % 20.9 % Recorded Music Adjusted OIBDA $ 270 $ 272 $ 267 1.1 % Recorded Music Adjusted OIBDA margin 23.0 % 22.9 % 22.9 % Music Publishing Adjusted OIBDA $ 85 $ 82 $ 81 4.9 % Music Publishing Adjusted OIBDA margin 27.4 % 26.8 % 26.9 % Free Cash Flow Our definition of Free Cash Flow is defined as cash flow provided by operating activities less capital expenditures. We use Free Cash Flow, among other measures, to evaluate our operating performance. Management believes Free Cash Flow provides investors with an important perspective on the cash available to fund our debt service requirements, ongoing working capital requirements, capital expenditure requirements, strategic acquisitions and investments, and any dividends, prepayments of debt or repurchases or retirement of our outstanding debt or notes in open market purchases, privately negotiated purchases, any repurchases of our common stock or otherwise. As a result, Free Cash Flow is a significant measure of our ability to generate long-term value. It is useful for investors to know whether this ability is being enhanced or degraded as a result of our operating performance. We believe the presentation of Free Cash Flow is relevant and useful for investors because it allows investors to view performance in a manner similar to the method management uses. Free Cash Flow is not a measure of performance calculated in accordance with U.S. GAAP and therefore it should not be considered in isolation of, or as a substitute for, net income (loss) as an indicator of operating performance or cash flow provided by operating activities as a measure of liquidity. Free Cash Flow, as we calculate it, may not be comparable to similarly titled measures employed by other companies. In addition, Free Cash Flow does not necessarily represent funds available for discretionary use and is not necessarily a measure of our ability to fund our cash needs. Because Free Cash Flow deducts capital expenditures from 'net cash provided by operating activities' (the most directly comparable U.S. GAAP financial measure), users of this information should consider the types of events and transactions that are not reflected. We provide below a reconciliation of Free Cash Flow to the most directly comparable amount reported under U.S. GAAP, which is 'net cash provided by operating activities.' Figure 9. Warner Music Group Corp. - Calculation of Free Cash Flow, Three Months Ended March 31, 2025 versus March 31, 2024 (dollars in millions) For the Three Months EndedMarch 31, 2025 For the Three Months EndedMarch 31, 2024 (unaudited) (unaudited) Net cash provided by (used in) operating activities $ 69 $ (31 ) Less: Capital expenditures 36 26 Free Cash Flow $ 33 $ (57 ) For the Six Months EndedMarch 31, 2025 For the Six Months EndedMarch 31, 2024 (unaudited) (unaudited) Net cash provided by operating activities $ 401 $ 262 Less: Capital expenditures 72 55 Free Cash Flow $ 329 $ 207 ______________________________________ Media Contact: Investor Contact: James Steven Kareem Chin (212) 275-2213 in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
