Latest news with #WilfredWong
Korea Herald
5 days ago
- Business
- Korea Herald
Sands China eyes growing Korean market with opening of Londoner Grand in Macao
Sands China, a Macao-based developer, owner and operator of integrated resorts and casinos, is preparing for the June 8 opening of its newly refurbished Londoner Grand, a key component of the company's ongoing $1.2 billion transformation of the integrated resort The Londoner Macao. The revamped property aims to appeal to the growing number of premium Korean travelers visiting Macao. In an exclusive interview with The Korea Herald ahead of a showcase event in Seoul on Thursday, Wilfred Wong, executive vice chairperson of Sands China, discussed the company's focus on the Korean market, which has seen rapid growth in recent years. Wong emphasized that Sands China is committed to offering a more tailored experience for Korean guests, who increasingly seek integrated and luxury travel offerings. 'We look at Korea as a very strong market. And if you look at the visitor number in the first quarter, Korean visitors' growth rate is over 30 percent (on-year),' Wong said. 'That's why we have always put a lot of emphasis on the Korean market.' The Londoner Grand is a focal point for Sands China's efforts to cater to Korean visitors, he added. In addition to Korean-speaking concierge staff, the property also features specialized dining options designed to appeal to Korean tastes. The newly introduced North Palace restaurant, an upgraded version of the popular North in The Venetian Macao, serves Northern Chinese cuisine, a favorite of Korean guests. 'Koreans have a very strong taste. That's why North is one of their favorites. With North Palace, we've made it bigger, more beautiful, with a variety of dishes like Peking duck and roast lamb,' Wong said. As the company sees growing demand from high-value travelers, the property's newly designed rooms and suites reflect Sands China's strategy to provide premium accommodations. With 2,405 rooms across 18 different types, the Londoner Grand aims to deliver a curated and exclusive experience for guests seeking personalized luxury. 'We have ultraluxury room types for the really big spenders, along with family rooms and suites. It's a more refined offering compared to what we had before,' Wong explained. Wong also noted what makes Macao an appealing destination for Korean tourists. The city's compact size allows visitors to explore historical sites and modern attractions within a short distance, making it convenient for travelers who want to maximize their time. 'Macao offers different experiences within a small area. In Seoul, I travel for an hour or more to get to places, but in Macao, anything beyond a 20-minute car ride is far,' Wong said. The Londoner Grand provide a one-stop experience with shopping, dining and entertainment all within one property, he noted, adding that convenience is increasingly attractive to younger Korean travelers, who want everything in one place. Also to align the growing global demand for responsible tourism, Wong said, the company has made significant strides in incorporating eco-friendly practices, such as energy-saving initiatives and waste reduction programs. Sands China has been included in the Dow Jones Sustainability Indices and earned a top 1 percent ranking in the 2024 S&P Global Sustainability Yearbook. Looking ahead, Wong is optimistic about the future of the Londoner Grand as a world-class destination for premium travelers, particularly as Sands China continues to cater to evolving guest preferences. 'Our vision is simple: to offer world-class experiences that travelers will remember and return for,' Wong said.
The Star
20-05-2025
- Entertainment
- The Star
Hong Kong cinema plans to resurrect its golden age with fresh faces at Cannes
Tony Leung Ka-fai poses for photographers at the photo call for the film 'Sons Of The Neon Night' at the 78th international film festival, Cannes, southern France, Saturday, May 17, 2025. Photo: AP Hong Kong's once world-famous movie industry wants to bring back the heydays of the 1970s to the 1990s by investing in a new generation of directors, the chairman of the city's film development council said at the Cannes Film Festival. "We should not forget our identity. How the people all over the world would look at us when they recognise a Hong Kong movie," said Wilfred Wong, chairman of the council that is mainly responsible for government funding of the industry. Hong Kong cinema exploded in the 1970s with Bruce Lee's martial arts films. Following his death, that mantle was taken up by Jackie Chan. The industry expanded into other genres and became the darling of international film festivals with titles such as In The Mood For Love , Infernal Affairs and Kung Fu Hustle . Stars like Andy Lau, Michelle Yeoh and Maggie Cheung, and directors such as John Woo and Johnnie To, were frequently seen walking on the festival's red carpet. Hong Kong's star started to fade in the 1990s when the former British colony was handed over to China, due to a variety of factors, including overproduction, the Asian financial crisis and talent leaving for Hollywood. With a view to the shrinking industry, investors were unwilling to take a risk on young talent and would only approve productions with well-known stars and directors. Hong Kong's Film Development Council is now looking to address that by financially supporting new directors' first film initiative. The council has in recent years groomed 32 new directors, said Wong. One of those new talents, director and actor Juno Mak, wrote and directed the Cannes out-of-competition film Sons Of The Neon Nights , starring veteran actor Tony Leung Ka-fai. "It's kind of happiness, joy, enjoyable and satisfaction. So we can again show to all the audience and all the people in the world what Hong Kong productions are going on now," Leung Ka-fai said. The 67-year-old actor said that Hong Kong's film industry was in need of new blood. "We need new generations of directors, new generations of actors and actresses, new generations of script writers, new generations of every part that makes this dream," he said. – Reuters
Malay Mail
19-05-2025
- Entertainment
- Malay Mail
Hong Kong wants to bring back its heydays with bold new wave of filmmakers at Cannes
CANNES, May 19 — Hong Kong's once world-famous movie industry wants to bring back the heydays of the 1970s to the 1990s by investing in a new generation of directors, the chairman of the city's film development council told Reuters at the Cannes Film Festival. 'We should not forget our identity. How the people all over the world would look at us when they recognise a Hong Kong movie,' said Wilfred Wong, chairman of the council that is mainly responsible for government funding of the industry. Hong Kong cinema exploded in the 1970s with Bruce Lee's martial arts films. Following his death, that mantle was taken up by Jackie Chan. The industry expanded into other genres and became the darling of international film festivals with titles such as In the Mood for Love, Infernal Affairs and Kung Fu Hustle. Stars like Andy Lau, Michelle Yeoh and Maggie Cheung, and directors such as John Woo and Johnnie To, were frequently seen walking on the festival's red carpet. Hong Kong's star started to fade in the 1990s when the former British colony was handed over to China, due to a variety of factors, including overproduction, the Asian financial crisis and talent leaving for Hollywood. With a view to the shrinking industry, investors were unwilling to take a risk on young talent and would only approve productions with well-known stars and directors. Hong Kong's Film Development Council is now looking to address that by financially supporting new directors' first film initiative. The council has in recent years groomed 32 new directors, said Wong. One of those new talents, director and actor Juno Mak, wrote and directed the Cannes out-of-competition film Sons of the Neon Nights, starring veteran actor Tony Leung Ka-fai. 'It's kind of happiness, joy, enjoyable and satisfaction. So we can again show to all the audience and all the people in the world what Hong Kong productions are going on now,' Leung said. The 67-year-old actor told Reuters that Hong Kong's film industry was in need of new blood. 'We need new generations of directors, new generations of actors and actresses, new generations of script writers, new generations of every part that makes this dream,' he said. — Reuters
Reuters
18-05-2025
- Entertainment
- Reuters
Hong Kong cinema seeks resurgence with fresh faces at Cannes
CANNES, France, May 18 (Reuters) - Hong Kong's once world-famous movie industry wants to bring back the heydays of the 1970s to the 1990s by investing in a new generation of directors, the chairman of the city's film development council told Reuters at the Cannes Film Festival. "We should not forget our identity. How the people all over the world would look at us when they recognise a Hong Kong movie," said Wilfred Wong, chairman of the council that is mainly responsible for government funding of the industry. Hong Kong cinema exploded in the 1970s with Bruce Lee's martial arts films. Following his death, that mantle was taken up by Jackie Chan. The industry expanded into other genres and became the darling of international film festivals with titles such as "In the Mood for Love," "Infernal Affairs" and "Kung Fu Hustle." Stars like Andy Lau, Michelle Yeoh and Maggie Cheung, and directors such as John Woo and Johnnie To, were frequently seen walking on the festival's red carpet. Hong Kong's star started to fade in the 1990s when the former British colony was handed over to China, due to a variety of factors, including overproduction, the Asian financial crisis and talent leaving for Hollywood. With a view to the shrinking industry, investors were unwilling to take a risk on young talent and would only approve productions with well-known stars and directors. Hong Kong's Film Development Council is now looking to address that by financially supporting new directors' first film initiative. The council has in recent years groomed 32 new directors, said Wong. One of those new talents, director and actor Juno Mak, wrote and directed the Cannes out-of-competition film "Sons of the Neon Nights," starring veteran actor Tony Leung Ka-fai. "It's kind of happiness, joy, enjoyable and satisfaction. So we can again show to all the audience and all the people in the world what Hong Kong productions are going on now," Leung Ka-fai said. The 67-year-old actor told Reuters that Hong Kong's film industry was in need of new blood. "We need new generations of directors, new generations of actors and actresses, new generations of script writers, new generations of every part that makes this dream," he said.
