Latest news with #Wu-TangClan
Black America Web
2 days ago
- Entertainment
- Black America Web
This Study Predicts Rihanna & A$AP Rocky's Third Baby Name
Source: Sylvain Lefevre / Getty If this new study from VegasInsider is any indication, Rihanna and A$AP Rocky might have another bold baby name on the way. The name 'Rebel' is leading the pack. Read more about the study inside. The entertainment odds site analyzed thousands of song lyrics by the superstar couple to predict what name they might choose for their third child. Using a predictive algorithm and scraping Genius for lyrics, the study assigned betting odds and probabilities to potential baby names that fit the couple's pattern of unique, culturally rich choices. At the top of the list? Rebel — with -120 odds and a 54.5 percent implied probability of being the next addition to the 'R' name legacy. It follows the naming style of the couple's first two sons, RZA (a nod to the Wu-Tang Clan legend) and Riot, another name steeped in musical rebellion and hip-hop culture. 'Rebel' doesn't just carry an edge but it also frequently appears in both Rihanna's and Rocky's lyrics, suggesting a natural synergy between their music and the message they want their family names to represent. According to VegasInsider , the name has the perfect mix of punchiness and cultural significance that the couple has leaned into with their children. Other name contenders include Rogue (+105 odds, 48.8% percent probability), Royal (+220), Rayne (+600), and Ryder (+800), but none seem to hit all the right notes quite like 'Rebel.' A VegasInsider spokesperson explained, 'Rihanna and A$AP Rocky didn't go subtle with their first two baby names. It's clear they favor names that are short, bold, and packed with meaning. 'Rebel' fits the mold — it starts with R, has musical weight, and embraces the same fearless energy we've come to expect from them.' While the couple has yet to confirm a third child or any names, fans and oddsmakers alike are already buzzing about what's next. With 'Rebel' currently leading the odds, it might just be the next iconic addition to the Fenty-Mayers family. Potential Name American Odds Fractional Odds Implied Probability Rebel -120 5/6 54.50% Rogue +105 21/20 48.80% Royal +220 11/5 31.20% Rayne +600 6/1 14.30% Ryder +800 8/1 11.10% Check out the full dataset here. SEE ALSO This Study Predicts Rihanna & A$AP Rocky's Third Baby Name was originally published on
Hamilton Spectator
2 days ago
- Entertainment
- Hamilton Spectator
Brampton rap prodigy, 12, hits the stage with Wu-Tang Clan during Toronto farewell tour: ‘I was pumped'
' Wu-Tang is for the children,' Ol' Dirty Bastard famously declared at the 1998 Grammys. Over a quarter century later, the mighty Staten Island rap collective proved that they remain a potent cultural force — among both old heads and the kids — during their farewell tour stop at Toronto's Scotiabank Arena on Monday. Midway through the show, Wu-Tang Clan's de facto leader RZA was taking stock of the audience when he spotted Cairo Snow FPTO, a 12-year-old rapper from Brampton. Seeing his enthusiasm, RZA invited Cairo up to the stage, where he bounced along enthusiastically with Masta Killa, U-God and other members of the clan for three songs. 'I was feeling the music and I was pumped,' Cairo told the Star. 'Like, a level of pumped I haven't experienced in so, so long.' At one point, RZA and Cairo encouraged the sold-out audience of 19,000 to jump up and down in unison. 'I wasn't really nervous,' he said. 'I'm a performer, so when I'm on stage, it triggers my adrenaline and releases that dopamine ... it was crazy.' After the show, Cairo got to meet the entire Clan backstage, where he snapped pics with RZA, Ghostface Killah, Raekwon and others. 'To share the stage with legends in front of thousands in my hometown — this is something I'll never forget,' he said. Raekwon gives a hug to Cairo Snow FTPO after Wu-Tang Clan's performance at Scotiabank Arena. But the young artist's moment in the spotlight didn't come out of nowhere. Born and raised in Brampton, Cairo has been rapping since he was five — 'from the crib' he says. Growing up, he didn't have access to YouTube, and he learned about hip hop by listening to his dad's old CDs. 'Since birth, that's all I was listening to: Wu-Tang, Nas, Mobb Deep, Jay-Z — I was all listening to all of those guys.' By the age of seven, he started writing his own songs. A few years later, his lyrical flow caught the attention of MTStreets, a Los Angeles-based producer and beat-maker who has worked with industry heavy-weights like Dua Lipa and Lil Baby. In January, with an assist from producer B3, Cairo released his debut single, 'Cairo Snow FPTO,' a blistering track that showcased the young artist's remarkable charisma and confidence, and racked up thousands of streams on Spotify and other music platforms. When Wu-Tang Clan arrived in town this week, Cairo knew he wanted to try to meet his heroes, even though he didn't have tickets to the show. Just last summer, when he was just 11, Cairo had the chance to rap for Wu-Tang rapper Raekwon at a meet-and-greet prior to his solo show. 'Raekwon was so impressed by him, as many people who were there,' Cairo's father, Omar, recalled. Raekwon gave Cairo his contact information, and the new two stayed in (limited) contact for the next 11 months. A post shared by Cairo Snow | Prod.A3 (@ On Monday afternoon, Raekwon invited the young rapper to meet up before the show, where he also introduced the young artist to Inspectah Deck. 'The love and support that he was shown inside the meet-and-greet was surreal,' Omar recalled. Afterwards, someone from Wu-Tang's crew gave Cairo an extra ticket to the show. His mother bought a second ticket, and they headed into the arena Over the course of the show, Cairo managed to find his way to the front of the stage, where his enthusiasm caught the attention of RZA. 'I just remember RZA started asking (the audience) to shout out who is from different generations, and we he got to the 2000s, and I started waving and was like 'yo wassup!'' Cairo recalled. 'And he was like 'young man, please come up to the stage.' It was just crazy.' A post shared by Cairo Snow | Prod.A3 (@ Less than 24 hours later, Cairo said he feels super inspired to make more music. When asked if he had a message to share with his new fans, he said 'be unrelentingly yourself.' 'My message is to stay true to yourself no matter what anybody tells you. No matter what anyone wants you to do. Stay true to yourself. Stay true to your grind. Because if you stay true to your grind, you're going to get to the places that you want to be, that you strive to be.' Editor's note — July 16, 2025 This article has been updated.
Indian Express
2 days ago
- Entertainment
- Indian Express
Jackboys 2 Album Review: Travis Scott needs better music to play at his India concert
Jackboys 2 Album Review: Everyone loves a good hip-hop group. It's quite apparent that the entire genre would never have been so polarising, controversial or iconic if it weren't for groups like the NWA, Wu-Tang Clan, Run DMC, D12 and more. Jackboys is a group consisting of rappers and producers who belong to Travis Scott's record label Cactus Jack, including Don Toliver, Sheck Wes, Chase B, SoFaygo and Scott himself. When the group announced themselves in 2019 with an album of the same name, no one was really hoping for the next hip-hop revolution. But now they have come out with a brand new project, and drumroll please….. it's the same songs they have been making for over a decade, and nothing has changed. One could say that Travis is trying to channel his inner Ice Cube in the sense that his 'art is a reflection of his reality', but if Travis' reality only contains blingy cars, questionable lyrics, money, and cocaine, well then he better start practising his older hits for when he comes to India, because no one wants to listen to this. Now don't get me wrong; the album isn't all trash. Actually, it's much better tied together than the previous Jackboys album. The 2019 album had an idea, but like any great thought that hits you at 1 am in the morning when you have been drinking lean for the past 4 hours, it vanished. The thought was incomplete, and except for that one TikTok trend, nothing truly came out of that entire project. Jackboys 2 starts on a good note though, with Scott relying on his evergreen cadence and tried-and-tested flow that made him successful enough to walk out of the Grammys when he lost to Cardi B. The track number 2, '2000 Excursion', is a direct reference to the car Ford Excursion and how the rap group Three 6 Mafia (who hated flying) actually would only use this huge car to go around the country without having to worry about customs agents asking, 'What's in the cup?' After a confusing first verse by Scott, we hear a very interesting beat switch which is completely botched by Sheck Wes talking about the amount of women he has on his payroll (it was much less civilised than this). Don and Scott give it another attempt and sound like kids who just figured out the auto-tune function on their karaoke set. ALSO READ: Justin Bieber album Swag review: Bieber needs to take notes from Pritam and keep it simple Sir 21 Savage features on the next track, and Scott's first verse on the song is his best contribution to the album till now. Solid similes, strong references and catchy flow all make up for a good first half, but due to that ever-growing obsession with doing something different (while ending up making the same thing), the beat of the song switches again before Savage lays down probably his weakest verse, and you know why? Because he literally keeps repeating his name and three other words. For reasons unbeknownst to this humble listener, Scott just wanted to write 21 Savage as a feature without actually giving him a verse. He is technically from across the pond, but that is a cold-hearted thing to do to Kylie Jenner's fourth favourite rapper who has tattoos on his face. The next track, 'Dumbo', is a reference to whoever decides to listen to this song for the second time, because even when Scott actually starts rapping, by then it's too little and too late. The next track is a solo by Faygo, and it is the musical representation of that one guy who swears he could have been a professional athlete if his parents would have supported him but is always injured to play in the office tournament. 'Velour' is a decent attempt by Toliver and Sheck, but it takes too long to build up for a 'decent' track; I can wait that long for a 'Yosemite' or even an 'Enzo', but the actual verse by the two artistes — not worth the wait. We then move on to 'Contest', where Scott gives Faygo a chance to redeem himself, but it is repetitive bars with no meaning at all. 'ILMB' is a strong car playlist song, and except for the hook of the song, which you can't really play in front of your parents, partner, family members, or anyone else you know, it's fine. Now 'Where Was You' came as a song that was highly recommended to me before I got a chance to listen to this album, and the instrumental of the track is something I can truly back. The Japanese strings, which sound like a shamisen, take the simple and effective beat to a whole new level. For the first time in the album, a song isn't completely dependent on Scott, and if you like Future's style of delivery or Playboi Carti's bars, this is probably the track you should save from the album. Carti raps like someone who knows their last project was bad, and Future just lays back and drops a verse which he probably thought of while walking the stairs to the studio. ALSO READ: Chains & Whips: Kendrick Lamar needs to understand that the Drake beef is over, watch video Toliver gives his best performance of the album on 'No Comments', as he sticks to what he knows and is able to build a pretty catchy track from there. By the time you start reaching the end of this album, you start noticing a very apparent pattern that actually says a lot about the people involved. While the verses are inconsistent, often shallow, and overproduced, the backing tracks of all songs are genuinely good. It's the quality of the backing track that keeps you from skipping some of these songs, and the track 'Beep Beep' is a great example of this. Another problem with this album is that the artistes think that putting voice notes before and after every other song will make this project more profound. People listen to the voice notes on Kendrick or J. Cole's album because the songs are actually good. Paul's Skit is an actual recognisable phenomenon because Eminem is considered to be the greatest rapper of all time. Scott often talks about the rapper Kid Cudi and how he was his biggest inspiration while growing up, and I think that is the root of this problem. Scott listened to Cudi and became a rapper, but the newer artists like Faygo are listening to Scott. While Scott's influence cannot be denied, he isn't the kind of rapper who would release a song like Pac's 'Dear Mama' or Eminem's 'Sing For The Moment'. He isn't really saying anything, and it gives rise to a generation that is listening to rappers talking about only superficial things, the kind of things which have become such damaging stereotypes for the entire genre. A lot of the 'modern-day' rap music is beguiling in nature, because even though some of the sounds are attractive, the lack of substance is harrowing and problematic. But instead of putting the responsibility of changing the world on Scott's shoulders, I think everyone involved with the genre need to have their back up. To give an example of the most 'loved' artist of this generation, Drake, who delivers a 'Churchill Downs' for every 'Hotline Bling', giving the audiences and the budding generation of artistes something to aspire to. Jackboys 2 is a project with a few hits and a lot of misses, but mostly it's an album which doesn't compel you for a revisit. Nothing hits you so hard so that you pause it midway and call your friends to talk about it, the mark of a great album, which Jackboys 2 doesn't achieve. The only thing even more disappointing than the album is the fact that you will have to listen to the songs all over your Instagram for the next 6 months until J Cole decides to make music again and Drake decides to make money again.
Toronto Star
4 days ago
- Entertainment
- Toronto Star
Brampton rap prodigy, 12, hits the stage with Wu-Tang Clan during Toronto farewell tour: ‘I was pumped'
' Wu-Tang is for the children,' Ol' Dirty Bastard famously declared at the 1998 Grammys. Over a quarter century later, the mighty Staten Island rap collective proved that they remain a potent cultural force — among both old heads and the kids — during their farewell tour stop at Toronto's Scotiabank Arena on Monday. Midway through the show, Wu-Tang Clan's de facto leader RZA was taking stock of the audience when he spotted Cairo Young-Abdullah, a 12-year-old rapper from Brampton who goes by the name Cairo Snow FTPO. Seeing his enthusiasm, RZA invited Cairo up to the stage, where he bounced along enthusiastically with Masta Killa, U-God and other members of the clan for three songs.
New York Post
4 days ago
- Entertainment
- New York Post
Worker found dead in NYC Ralph's Italian Ices shop where Wu-Tang series filmed: sources
A 41-year-old man believed to be an employee was found dead inside Staten Island's iconic Ralph's Italian Ices shop over the weekend, cops and sources said. The man was discovered unconscious and unresponsive in the rear of the shop on Port Richmond Avenue near Catherine Street around 9:50 a.m. Saturday, police said. The man, whose identity has not been released pending family notification, was pronounced dead at the scene by responding EMS workers. Advertisement He appears to have worked at the establishment, police sources said. A 41-year-old man, likely an employee, was mysteriously found dead Saturday morning inside the Port Richmond, Staten Island location of Ralph's Italian Ices, cops said. Google Maps The city medical examiner's office will officially determine how he died, and no details were immediately known on the circumstances. Advertisement The shop temporarily closed on Saturday following the incident, and reopened on Sunday, according to a Facebook post. The family-run Port Richmond Ralph's Italian Ices first opened in 1949, and it has since evolved into a chain with multiple other locations opening across the city and the tri-state area. The popular eatery has since played host to the Staten Island-born Wu-Tang Clan, who filmed a segment for their Hulu production, 'Wu-Tang: An American Saga' there in 2019. That same year, a scene was also filmed at Ralph's for the 2020 dark comedy-drama flick 'King of Staten Island,' directed by Judd Apatow and starring Pete Davidson, Marisa Tomei and Bill Burr.
